When Mr. Bronte accepted the living of Haworth, he had found existing there a Grammar School, and he took in it a special and personal interest, for it was an old inst.i.tution, was endowed, and had recently been renovated. It was his policy to show that he took an interest in it; so that, by adding his support to that of the trustees, he might possibly confirm their favourable opinion of him, and secure their continued good feeling. This was essential at the time, as any appearance of coldness on his part towards their cherished foundation would have perhaps evoked a spirit akin to that which caused the compulsory resignation of Mr. Redhead, or have induced an estrangement between himself and the trustees. It is stated, with regard to this Grammar School, that one Christopher Scott by will, dated the 4th of October, 13th of Charles I., gave a school-house which he had built adjoining the church-way; and ordained that there should be a school-master who should be a graduate at least, a bachelor, if not a master of arts, and who should teach Greek and Latin. The school had been enlarged in 1818, when the Bronte family were still at Thornton, and a new house was then erected for the master by the trustees.

As this foundation was designed to provide a cla.s.sical education for its students, it was one to which the better cla.s.ses in the neighbourhood need not have hesitated to entrust their children for superior instruction than could possibly be had in the ordinary schools of the district. The school was situated close to the parsonage, a lane only intervening, and it was commodious and lightsome. But Mr. Bronte, on his arrival, found that it had not for some time been maintained as a regular Grammar School: that there was little or no demand for the advantages of a cla.s.sical education for their children among the inhabitants of the chapelry.[8] Yet the master who received the appointment from the trustees at the Midsummer of 1826, although not even a graduate of either of the universities, was stated to be competent to teach Latin, and was a man of considerable attainments, instructing both boys and girls in every essential branch of knowledge.

In this the tutor differed nothing from some of his immediate predecessors. But, though education of this sort was thus immediately at hand, Mr. Bronte does not appear to have availed himself of it for his daughters, or his son Branwell, for any great length of time. Mrs.

Gaskell says, indeed, that their regular tasks were given by himself.

Mr. Bronte, however, probably heard his children repeat early lessons set by the master in order to ascertain with what facility they had learned them. At a later date, Branwell and his sisters took a larger interest in the Grammar School, and they became active and willing teachers in the Sunday-school, which was connected with it. They were, indeed, often seen, as is yet remembered, in the processions of the scholars.

[8] James's 'History of Bradford,' p. 358.

Although Mr. Bronte had taken vigilant and affectionate care to promote the health of his children, he was well aware that though he could strengthen their const.i.tutions in some sort, delicate by nature as they were, he could not ward off with certainty the diseases and sufferings incident to childhood, from which his children were, indeed, unfortunately destined to suffer. Solicitude therefore came upon the parsonage when Maria and Elizabeth were attacked by measles and whooping-cough. Recovering partially from these attacks, it was thought desirable to send them--perhaps partly for change of air--to a school which had somewhat recently been established at Cowan Bridge, a hamlet on the coach-road between Leeds and Kendal, which was easily reached from Haworth, as the coach pa.s.sed daily. This school was especially established for the board and education of the daughters of such clegymen of the Establishment as required it. It was begun, as we know from Mrs. Gaskell's 'Life of Charlotte Bronte,' by the Rev. William Carus Wilson; and we are aware also that severe and unqualified censures were pa.s.sed upon its situation and management by the author of 'Jane Eyre,' in after-years, under the description of Lowood, and that the Ellen Burns of the story was no other than Maria Bronte. Readers of 'Jane Eyre' became indignant, and the Cowan Bridge School was execrated, denounced, and condemned by the public, to the utter distress and pain of its founder and patron.

In reference to this affair, Charlotte indeed said to her future biographer that 'she should not have written what she did of Lowood in "Jane Eyre" if she had thought the place would have been so immediately identified with Cowan Bridge, although there was not a word in her account of the inst.i.tution but what was true at the time when she knew it. She also said that she had not considered it necessary in a work of fiction to state every particular with the impartiality that might be required in a court of justice, nor to seek out motives, and make allowances for human failings, as she might have done, if dispa.s.sionately a.n.a.lyzing the conduct of those who had the superintendence of the inst.i.tution.' Mrs. Gaskell believes Charlotte 'herself would have been glad of an opportunity to correct the over strong impression which was made upon the public mind by her vivid picture, though even she, suffering her whole life long both in heart and body from the consequences of what happened there, might have been apt, to the last, to take her deep belief in facts for the facts themselves--her conception of truth for the absolute truth.'[9]

[9] Gaskell's 'Charlotte Bronte,' chap. iv.

But it is only just to Mr. Wilson to say that the low situation of the premises fixed upon, the arrangement of the school-buildings, and the inefficient management of the domestic department, do not appear to have been so fatal to the boarders, even if we admit all the alleged severities of the regimen. For, when a low fever, or influenza cold, which was not regarded by Dr. Batty as 'either alarming or dangerous,'

broke out at the school, and some forty of the pupils fell more or less under its influence, none died of it at Cowan Bridge, and only one, Mrs. Gaskell informs us, from after consequences at home; and, though delicate, the Bronte children entirely escaped the attack. Mrs. Gaskell has, however, entered at considerable length into a detailed account of the alleged mismanagement of the school, the severities exercised over the pupils--especially by one of the responsible tutors, 'Miss Scatcherd,'--the cooking and insufficiency of food, the general neglect of sanitary regulations in the domestic department, and the utter unfitness of the place itself for the continued health and comfort of the inmates. But the biographer of Charlotte Bronte in after-years considerably modified the severe strictures which her heroine had thought fit to describe in 'Jane Eyre,'--an admirable work of fiction, though not necessarily one of fact--and she says, speaking of Charlotte's account of the Cowan Bridge School: 'The pictures, ideas, and conceptions of character received into the mind of the child of eight years old were destined to be reproduced in fiery words a quarter of a century afterwards. She saw but one side of Mr. Wilson's character; and many of those who knew him at the time a.s.sure me of the fidelity with which this is represented, while at the same time they regret that the delineation should have obliterated, as it were, nearly all that was n.o.ble and conscientious.' It appears also that Mr. Wilson had 'grand and fine qualities'--which were left unnoticed by Charlotte--of which the biographer had received 'abundant evidence.'[10]

Of these Mr. Bronte seems to have been aware, as Charlotte and Emily were sent back to Cowan Bridge after the deaths of Maria and Elizabeth.

Mrs. Gaskell wonders Charlotte did not remonstrate against her father's decision to send her and Emily back to the place, knowing, as we may suppose she did, of the alleged infliction which her dead sisters had endured at the very school to which she and Emily were returning.

Surely such a very miserable state of things as is described in 'Jane Eyre' could not have existed at the time to impress on Charlotte's mind such a dread as we are asked to believe she had, and Mr. Bronte could not be aware that any serious objections to the school existed. Indeed, the true condition of the inst.i.tution at the period is apparent from the testimony of the n.o.ble and benevolent Miss Temple of 'Jane Eyre,'

whose husband thus writes: 'Often have I heard my late dear wife speak of her sojourn at Cowan Bridge; always in terms of admiration of Mr.

Carus Wilson, his parental love to his pupils, and their love for him; of the food and general treatment, in terms of approval. I have heard her allude to an unfortunate cook who used at times to spoil the porridge, but who, she said, was soon dismissed.'

[10] Gaskell's 'Life of Charlotte Bronte,' chap. iv.

While at Cowan Bridge, Maria's health had suddenly given way, and alarming symptoms declared themselves. Mr. Bronte was sent for. He had known nothing of her illness, and was terribly shocked when he saw her.

He ascended the Leeds coach with his dying child. Mrs. Gaskell says, 'the girls crowded out into the road to follow her with their eyes, over the bridge, past the cottages, and then out of sight for ever.'

The poignancy of Mr. Bronte's grief on this occasion was profound, and all but insupportable. Here was his first-born, the early joy of his home at Hartshead, the intelligent and brilliantly gifted companion of the first few years of his widowed life--dying before him! She, whose innocent and thoughtful converse had cheered his solitary moments, and whose merry laugh had often made the hearth glad, whose affectionate care of her little brother and sisters, disinterested as it was incessant, supplied for them the offices of their deceased mother--was fading from his sight! Arriving at Haworth, they were received with sincere and tearful sympathy by Miss Branwell, and with childish alarm and dread by Branwell and Anne. Every care which affection could provide was bestowed on the sinking child, but she died, a few days after her arrival, on May 6, 1825.

Elizabeth, too, struck down with the same fatal disease, came home to die of consumption on June 15 in the same year, but a month and a few days after her sister. These sorrowful events were never forgotten by Branwell, and the impressions made upon his mind by the deaths and funeral rites he had witnessed became the theme of some of his later and more mournful effusions.

The early recollection of Maria at Cowan Bridge was that she was delicate, and unusually clever and thoughtful for her age. Of Elizabeth Miss Temple writes: 'The second, Elizabeth, is the only one of the family of whom I have a vivid recollection, from her meeting with a somewhat alarming accident; in consequence of which I had her for some days and nights in my bedroom, not only for the sake of greater quiet, but that I might watch over her myself.... Of the two younger ones (if two there were) I have very slight recollections, save that one, a darling child under five years of age, was quite the pet nursling of the school.'

'This last,' says Mrs. Gaskell, 'would be Emily. Charlotte was considered the most talkative of the sisters--a "bright, clever little child."'[11]

[11] 'Life of Charlotte Bronte,' chap. iv.

CHAPTER V.

BRANWELL'S BOYHOOD.

Reunion of the Bronte Family--Branwell is the supposed Prototype of Victor Crimsworth--That Character not a complete Portrait of Branwell--His Friendships--His Visit to the Keighley Feast--Its Effect on Branwell's Nerves--The Wrestle--The Lost Spectacles--Fear of his Father's Displeasure--Mrs. Gaskell's Story of the 'Black Bull' Incident Questioned--Miss Branwell and her Nephew.

Upon the return of Charlotte and Emily from Cowan Bridge, the youthful Brontes, whom death had spared, were united again; and, for some years more, followed their pursuits together, until Charlotte went to school at Roe Head in 1831. Branwell was the constant companion of his sisters during these childish years, and they all looked upon him with pride and affection. Charlotte, in those days, was a sympathetic friend to him; and, in his later years, he felt it a source of deep regret that she was somewhat estranged. But the gentle Emily--after the death of Maria--was his chief companion, and a warm affection never lost its ardour between them. The sisters were quick to perceive the Promethean spark that burned in their brother, and they looked upon Branwell, as indeed did all who knew him, as their own superior in mental gifts. In his childhood even, Branwell Bronte showed great apt.i.tude for acquiring knowledge, and his perceptive powers were very marked. He was, too, gifted with a sprightly disposition, tinged at times with great melancholy, but he acquired early a lively and fascinating address.

There was a fiery ardour and eagerness in his manner which told of his abundant animal spirits, and he entered with avidity into the enjoyments of the life that lay before him. Charlotte, who knew well the treasures of her brother's opening faculties, his ability, his learning, and his affection, saw also many things that alarmed her in his disposition. She saw the abnormal and unhealthy flashing of his intellect, and marked that weakness and want of self-control which left Branwell, when subjected to temptation, a prey to many destructive influences, whose effect shall hereafter be traced. There is reason to believe that Charlotte pictures this period of Branwell's life in 'The Professor,' where she describes the childhood of Victor Crimsworth; and, though the extract is rather long, it is given here as valuable, because it furnishes a full record of the early powers of Branwell, and of the manner in which his sister--by the light of subsequent events--looked upon them and upon his failings, and it will be seen that towards the latter she is somewhat inflexible.

'Victor,' she makes William Crimsworth say, 'is as little of a pretty child as I am of a handsome man ... he is pale and spare, with large eyes.... His shape is symmetrical enough, but slight.... I never saw a child smile less than he does, nor one who knits such a formidable brow when sitting over a book that interests him, or while listening to tales of adventure, peril, or wonder.... But, though still, he is not unhappy--though serious, not morose; he has a susceptibility to pleasurable sensations almost too keen, for it amounts to enthusiasm....

When he could read, he became a glutton of books, and is so still. His toys have been few, and he has never wanted more. For those he possesses he seems to have contracted a partiality amounting to affection; this feeling, directed towards one or two living animals of the house, strengthens almost to a pa.s.sion.... I saw in the soil of his heart healthy and swelling germs of compa.s.sion, affection, fidelity. I discovered in the garden of his intellect a rich growth of wholesome principles--reason, justice, moral courage, promised, if not blighted, a fertile bearing.... She (his mother) sees, as I also see, a something in Victor's temper--a kind of electrical ardour and power--which emits, now and then, ominous sparks; Hunsden calls it his spirit, and says it should not be curbed. I call it the leaven of the offending Adam, and consider that it should be, if not _whipped_ out of him, at least soundly disciplined; and that he will be cheap of any amount of either bodily or mental suffering which will ground him radically in the art of self-control. Frances (his mother) gives this _something_ in her son's marked character no name; but when it appears in the grinding of his teeth, in the glittering of his eye, in the fierce revolt of feeling against disappointment, mischance, sudden sorrow, or supposed injustice, she folds him to her breast, or takes him to walk with her alone in the wood; then she reasons with him like any philosopher, and to reason Victor is ever accessible; then she looks at him with eyes of love, and by love Victor can be infallibly subjugated. But will reason or love be the weapons with which in future the world will meet his violence? Oh, no! for that flash in his black eye--for that cloud on his bony brow--for that compression of his statuesque lips, the lad will some day get blows instead of blandishments, kicks instead of kisses; then for the fit of mute fury which will sicken the body and madden his soul; then for the ordeal of merited and salutary suffering out of which he will come (I trust) a wiser and a better man.'

The natural adornments and defects of Branwell's mind in boyhood, which may to some extent be traced in Charlotte's picture of Victor Crimsworth, in 'The Professor,' must not be regarded otherwise than as possessing a general resemblance to those which are found in that character. Physically, Branwell and Crimsworth were dissimilar, though mentally there is a portraiture; but even here, Charlotte, having him in her mind when she sketched the character of Victor, exaggerated therein, as she had done in other instances, the actual defects of her brother. It is true, nevertheless, that those who knew Branwell Bronte in early life could see in him the original of Victor Crimsworth.

In the following pages the greatness of Branwell's genius may be observed,--great, though marred by the errors and misfortunes of his life,--as well as by the sorrows which his impulsive, kindly, and affectionate nature brought upon himself, sorrows thus sadly set forth by his sister as the outcome of his pa.s.sions, and described by her as the penalty of his future years.

In Branwell Bronte, the 'leaven of the offending Adam' might now and then certainly be observed, but it was largely modified by the ameliorating influences of his home; and, although, from the failings common to humanity, the children of Mr. Bronte could not be free, his early waywardness and petulance were, by the influence of s.e.x, more forcibly expressed than such failings could be in his sisters. Between the children of Mr. Bronte, however, there existed even more than the ordinary affections of childhood. At this period of their lives, they were ignorant of the wiles of corrupt human nature, and Branwell, with all the lightsome exuberance of his boyhood, returned without stint the ardent and deep affection of his sisters. But, when a few years had rolled on, he awoke to the sunny morning of youth; and, in the absence of a brother, sought companionship with certain youths of Haworth, and made them playmates. Amongst them was one, the brother of some friends of his sisters, who became to him a personal a.s.sociate, and it was with this companion that he was wont to sport on the moors, across the meadows, and, with joyous laugh, along the streets of the village.

The survivor of these two friends gives me an incident that occurred at the time of the annual Feast at Keighley, which the youths visited. The town was, as is usual on such occasions, crowded with booths and shows, and various places of entertainment. Players and riders,--men and women,--clothed in gay raiments, rendered brilliant with spangles, paced backwards and forwards along their platforms to the sound of drums, organs, and Pandean pipes, cymbals, tambourines, and castanets.

There were stalls, too, weighted with nuts and various confectionaries, and there were also rocking-boats and merry-go-rounds, with other amus.e.m.e.nts.

As the evening advanced, and the shows were lighted up, Branwell's excitement, hilarity, and extravagance knew no bounds: he would see everything and try everything. Into a rocking-boat he and his friend gaily stepped. The rise of the boat, when it reached its full height, gave Branwell a pleasant view of the fair beneath; but, when it descended, he screamed out at the top of his voice, 'Oh! my nerves! my nerves! Oh! my nerves!' On each descent, every nerve thrilled, tingled, and vibrated with overwhelming effect through the overwrought and delicate frame of the boy. Leaving the fair, the two proceeded homeward; and, reaching a country spot, near a cottage standing among a thicket of trees, Branwell, still full of exuberant life, proposed a wrestle with his companion. They engaged in a struggle, when Branwell was overthrown. It was not until reaching the village, and seeing the lights in the windows, with considerably enlarged rays, that he became aware he had lost his spectacles,--for Branwell was, like his sister Charlotte, very near-sighted. This was, indeed, no little trouble to him, as he was in great fear lest his father should notice his being without them, and inst.i.tute unpleasant inquiries as to what had become of them. He told his fears to his companion; but, after a sleepless night for both, Branwell's friend was early on the spot in search of the missing spectacles, when the woman living in the cottage close by, seeing a youth looking about, came to him, and, learning for what he sought, brought out the gla.s.ses which she had picked up from the ground just before he came. M----, glad of the discovery, hastened to the parsonage, which he reached to find Branwell astir, who was overjoyed on receiving the missing spectacles, as the danger of his father's displeasure was avoided.

Mrs. Gaskell has written an account of the brother of the Bronte sisters, but from what source I am unable to ascertain. After giving him credit for those abilities in his boyhood of which evidence is given in these pages, she says that: 'Popular admiration was sweet to him, and this led to his presence being sought at Arvills, and all the great village gatherings, for the Yorkshiremen have a keen relish for intellect; and it likewise procured him the undesirable distinction of having his company recommended by the landlord of the "Black Bull" to any chance traveller who might happen to feel solitary or dull over his liquor. "Do you want some one to help you with your bottle, sir? If you do, I'll send up for Patrick" (so the villagers called him to the day of his death, though, in his own family, he was always Branwell). And, while the messenger went, the landlord entertained his guest with accounts of the wonderful talents of the boy, whose precocious cleverness and great conversational powers were the pride of the village.' This account of the landlord being accustomed to send to the parsonage for Branwell to come down to the 'Bull' at Haworth on these occasions is denied by those who knew Branwell at the time, as well as by the landlord. The latter always said that he never ventured to do anything of the kind. It would have been a vulgar liberty, and an unpardonable offence to the inmates of the parsonage had he done so.

Besides, the message would, in all probability, have been delivered to a servant, or perhaps to Mr. Bronte himself, or to one of his daughters, and Branwell would have been forbidden, for the credit of the family, to lend himself for such a purpose at the public-house below.

Branwell in these early days was not only the beloved of the household, but the special favourite of his aunt. This good lady was proud of her family and name, a name which her nephew bore to her infinite satisfaction, so that his sometimes rough and noisy merriment made his aunt glad, rather than grieved, because it was the true indication of health of mind and body. She easily pardoned his boyish defects: and at times, as she parted his auburn hair, she looked in his face with fondness and affection, giving him moral advice, consistent with his age, and showing him how, by sedulously cultivating the abilities with which G.o.d had blessed him, he would attain an excellent position in the world. It was this gentle and disinterested guide that Providence had placed in the stead of his mother, to impart to her son the good maxims she would herself have given him.

CHAPTER VI.

THE LITERARY TASTES OF THE CHILDREN.

The youthful Compositions of the Brontes--Their Character--Branwell's Share in them--'The Secret,' a Fragment--The Reading of the Bronte Children--Branwell's Character at this Period.

Mr. Bronte, perhaps, made use of a slight hyperbole when he said that, as soon as they could read and write, Charlotte and her brother and sisters used to invent and act little plays of their own; but it is certain that, at an early period of their lives, they took pleasure and pride in seeing their thoughts put down in the manifest form of written words. Charlotte, indeed, gives a list of the juvenile works she had composed. They filled twenty-two volumes, and consisted of Tales, Adventures, Lives, Meditations, Stories, Poems, Songs, &c. Without repeating all the t.i.tles which Mrs. Gaskell and others have published, it may be said that the productions manifested extraordinary ability and industry. Branwell, Emily, and Anne partook of the same spirit, and displayed similar energy according to the leisure they could command.

Before Charlotte went to Roe Head, in January, 1831, Branwell worked with his sisters in producing their monthly magazine, with its youthful stories.[12] Mrs. Gaskell has quoted Charlotte's introduction to the 'Tales of the Islanders,' one of these 'Little Magazines,' dated June, 1829, from which it appears that a remark of Branwell's led to the composition of the play of that name, and that he chose the Isle of Man as his territory, and named John Bull, Astley Cooper, and Leigh Hunt as the chief men in it. Charlotte gives the dates of most of their productions. She says: 'Our plays were established, "Young Men," June, 1826; "Our Fellows," July, 1827; "Islanders," December, 1827. These are our three great plays that are not kept secret. Emily's and my best plays were established the 1st of December, 1827; the others March, 1828. Best plays mean secret plays; they are very nice ones. All our plays are very strange ones. Their nature I need not write on paper, for I think I shall always remember them. The "Young Men's" play took its rise from some wooden soldiers Branwell had; "Our Fellows" from "aesop's Fables;" and the "Islanders" from several events which happened.'[13]

[12] 'Life of Charlotte Bronte,' chap. v.

[13] Gaskell's 'Life of Charlotte Bronte,' chap v.

It would be difficult to arrive at a correct understanding of the literary value of these productions of the youthful Brontes, but it would be interesting to know what kind of a.s.sistance Branwell was able to give in the work, as well as what was the general merit of these early compositions. Mrs. Gaskell makes some mention of Branwell's literary abilities in his youth. It is certain, from all we know, that his mind was as much occupied in these matters as his sisters', and that his ambition corresponded with theirs. It has, indeed, been placed on record by Mrs. Gaskell that he was a.s.sociated with his sisters in the compilation of their youthful writings. This author says, also, that their youthful occupations were 'mostly of a sedentary and intellectual nature.'[14]

[14] 'Life of Charlotte Bronte,' chap. v.

Among the youthful stories of which Charlotte, as has been already mentioned, wrote a catalogue or list, there was one, of which Mrs.

Gaskell has published a fragment in fac-simile, written in a small, elaborate, and cramped hand--so small, indeed, as to be of little use to the general reader. In the 'Life of Charlotte Bronte,' this was inserted as a specimen of the hand-writing. It shows truly the literary ability, dramatic skill, and force of imagination of the children at the period of their lives of which I speak, and affords an interesting specimen of the character of these early works. A few extracts from it may be given here:--

THE SECRET.

CHAPTER I.

A dead silence had reigned in the Home Office of Verdopolis for three hours in the morning of a fine summer's day, interrupted only by such sounds as the sc.r.a.ping of a pen-knife, the dropping of a ruler, or an occasional cough; or whispered now and then some brief mandate, uttered by the n.o.ble first secretary, in his commanding tones. At length that sublime personage, after completing some score or so of despatches, addressing a small slightly-built young gentleman who occupied the chief situation among the clerks, said: