"What good would it have done, except make you worry?"

"Oh, I don't know. Make me trust you a little more from the get-go? What the h.e.l.l else haven't you told me?" He simply looked at her, his face unreadable, and that infuriated her even more. She paced the room, tried to think..."How long did you know she was involved with Alessandra's case?"

"From the beginning."

She thought of the implications, tried to determine what all this meant. "And yet you let let me suggest her name for that drawing?" me suggest her name for that drawing?"

He hesitated, looked away a moment, and she wondered what kind of bulls.h.i.t excuse he was going to give her. "The information was cla.s.sified. I couldn't tell you."

"Couldn't or wouldn't? Maybe if you'd trusted someone else besides your G.o.dd.a.m.ned self-"

"At least I trust myself."

"What's that supposed to mean?"

He didn't answer.

Suddenly she wondered if he'd known how much confidence she'd lost in her own judgment ever since her father's murder investigation. And then she recalled that he'd done a complete background on her, decided he knew exactly exactly what he was saying. "You're a b.a.s.t.a.r.d." what he was saying. "You're a b.a.s.t.a.r.d."

"You've established that on more than one occasion. It doesn't change the fact I could not tell you."

"I went to dinner with her, for G.o.d's sake. She was clearly worried about whatever this was. I could have talked to her. Maybe found out something, helped helped her." her."

"It was out of your control, Sydney," he said, his voice so quiet, she barely heard him. "Just like everything that's going on right now is out of my control. All we can do is work with what we have right here, right now."

And he was right. They had one objective right now, and that was to find Tex. "Fine. But when this is over, it's over. I never want to run into you or anyone from ATLAS again."

"At least we agree on something."

They took the early morning train to Naples, and Sydney was glad for the chance to relax, even if only for the next couple hours. Griffin continued to query the professor on this Prince of Sansevero and his missing map, and when that line of questioning was done, he moved on to why she insisted on keeping something like this from him when she knew that Alessandra had been killed over it.

"I don't expect you to understand." Francesca sighed, leaning her head against the train window, staring out at the long unbroken series of arches of the Roman aqueduct, with the green cascading plants sprouting from the ancient bricks. "I cannot sit idly by and allow your government to get in the way of something I've devoted my life to discovering."

"And yet you'd risk your life, and the lives of the rest of us around you?" Griffin looked at Sydney. "Watch the professor. I'm going to check the train, then find us some coffee."

He left, and Francesca leaned back in her seat, seeming resigned to her fate. "I suppose you must think I'm a calloused academic, obsessed with myself and my glorious goal of publish or perish."

"What I think," Sydney said, "is that your goal is getting in the way of your common sense. These people who are after whatever this is, they'll kill you and anyone around you without batting an eye."

"You don't understand."

"You're right. Your friend was murdered, brutally, and then my friend was killed as part of the investigation looking into that murder. We won't even go into the number of attempts on my and Griffin's lives as a result, never mind the attempt on your and Dumas's just, when? Day before yesterday? Does that mean nothing to you?"

"Of course not." Francesca had the grace to look somewhat humiliated. "But this is my life's work."

"And your life's work won't mean a thing if you're dead."

"But my work will still be here."

"I'm sure that means a lot to Alessandra and my friend Tasha."

"I did not ask Alessandra to become involved. She and I merely shared some of the same academic interests which happened to involve ancient burial sites."

"How do you know it wasn't your interests that got her killed?"

Francesca's brown eyes glistened. "I've thought of nothing else. Or maybe I've tried not to think it..."

Someone jostled Sydney from behind, trying to move through the aisle, and she turned to see a teenage boy with an accordion, who filled the s.p.a.ce with his presence as he pumped a lively off-key rendition of the Venetian Boat Song-a little too lively for that hour of the morning. Behind him was a young girl with long dark braids, who moved shyly forward, her calloused hand outstretched, and a sweet, professional smile playing about her pretty face as she begged for coins. Sydney judged her to be about the same age as her own sister, Angie, just eleven, and her heart went out to the girl, her instinct to dig into her purse. Before she could, Francesca said something in Italian, rather rudely, judging from the tone of her voice.

To Sydney, the girl said, "You are American? I tell your fortune, yes?"

Francesca looked about to protest, but Sydney waved her back, dug into her bag, and pulled out a few euros, handing them to the girl. "What's my fortune?"

"It smiles on you, nice lady."

To which Francesca said, "Va via!" She waved her hand impatiently, and the boy and the girl moved on, but not before the girl turned around, looked back at Francesca, then Sydney, her dark eyes sharp, unyielding, the smile from her young face gone.

When they were out of earshot, Francesca said, "Professional beggars. Bad idea to encourage them."

After a silence, Sydney asked, "What is the Vatican's involvement in this affair? Father Dumas? If he was working with Alessandra, he must have known about this map."

"I'm quite sure he does," Francesca said. "This map is said not to exist, yet the most powerful church in the world has been searching for it for the past two centuries, perhaps even longer, since it appears that someone had to have been a guardian before di Sangro was appointed. That they would imprison di Sangro because he is a Freemason? I have always found that suspect, especially considering their interrogation of the Jesuit priest who hid the first key. They were interested then, and they're interested now. Whether or not it is for the same reason that your government wants it, I don't know. And if you have any suppositions about my callousness, put yourself in my shoes. When I find what I'm looking for, then I find out why Alessandra was killed."

"I am in your shoes," Sydney said. "In a fashion."

"How so?"

"Let's just say I insinuated myself in this investigation to find answers as to why my friend was killed. I might be employed by the government, but my loyalties belong to Tasha, because in a way, it's my fault she's dead. I was the one who recommended her services to Griffin in order to discover Alessandra's ident.i.ty after she was killed."

"Her ident.i.ty?"

"She was missing her face and her fingerprints at the time."

Francesca paled. "Missing them...?"

"Her face was carved off, or a piece of it in the shape of a pyramid was removed, and her fingerprints removed as well. My friend was a forensic anthropologist. I was the forensic artist who was supposed to work with her."

Francesca stared mutely out the window for several long seconds. Finally she said, "Was your anthropologist friend killed the same way?"

"No. A hit-and-run, no doubt intended to deflect our attention from the two cases, so we wouldn't think they were connected."

"A hit-and-run...? I-I didn't think any of this would lead to..." She took a breath. "I can't believe this..." Looking shaken, she closed her eyes, crossed her arms tightly about her, as though the thought of so much death was too much to bear.

Griffin walked up just then, bearing a plastic tray with three espressos. "If any of Adami's crowd is on this train, I haven't noticed them," he said, taking a seat besides Sydney. He turned his attention to Francesca, then back to Sydney. "What happened?" he asked, nodding toward the professor.

"We were discussing Alessandra's murder," Sydney replied, taking one of the plastic cups from the tray. Francesca took hers, but didn't drink. Griffin asked no further questions, and the remainder of the trip pa.s.sed in a relative and uncomfortable silence.

An hour and a half later, the train slowed to a stop in the Naples station. Griffin handed Sydney her bag that contained her sketchbook and the two maps she'd taken from Francesca's wall, then slung his backpack over his shoulder. "We can get a cab in the taxi line just outside the station."

They walked down the binario binario into the station, wading through the ma.s.s of pa.s.sengers moving in all directions. Sydney saw the accordionist and the young girl moving through the crowd. A loud argument between two men turned into a shoving match, and everyone seemed to surge back at the same time, trying to avoid the fight, which made it more difficult to get through the crush. into the station, wading through the ma.s.s of pa.s.sengers moving in all directions. Sydney saw the accordionist and the young girl moving through the crowd. A loud argument between two men turned into a shoving match, and everyone seemed to surge back at the same time, trying to avoid the fight, which made it more difficult to get through the crush.

As they left the station, they joined the taxi line, which moved swiftly, thanks to what looked like a sea of official yellow cabs waiting to pick up their fares. A cab pulled up, and Griffin held the door open, allowing Francesca to slide in first.

Sydney was about to get into the cab when she felt the slightest of tugs at her back. She turned, glimpsed the dark braids as the girl from the train darted through the crowd, and she knew without a doubt that her bag had just been picked. Doubt turned to wonder when she checked her bag, found her money still there. She looked around her, saw the boy with the accordion, and decided that the girl had to be close. Sure enough, she saw the girl through the crowd, looking right at her, as though daring her to give chase. Whatever, Sydney thought, about to get into the cab, when she caught sight of what was in the girl's hand. A rolled parchment. "The professor's maps," she whispered to Griffin.

"What?"

"Pickpocket."

"Professor, get out of the cab."

The driver shouted at them as they abandoned the cab. Griffin followed Sydney toward the entrance to the station, and Francesca raced after them.

"Why would she take the maps?" Sydney asked.

"Maps?" Francesca said. "Why would a street girl take maps, when she could just as easily get your money?"

"Maybe she figured they were something valuable," Sydney said. "You did give them a nice antique appearance."

"They were my my maps?" maps?"

"Let's hope that's all it is," Griffin replied. "I'd hate to think someone else already had us pegged."

There were still too many people about to find such a small girl, who was no doubt an expert at remaining hidden. But the accordion-wielding accomplice stood out easily, and Sydney pointed him out, saying, "They were together."

"Then we wait here," Griffin said.

And they did just that, waiting near the newspaper kiosk.

After several minutes, Sydney found the girl, darting in and out of the crowd, no doubt filling her pockets as she did so. "There, by the magazine kiosk."

Griffin nodded, started that direction. He looked everywhere but at the girl. A moment later, he had her by the scruff of the neck. Sydney and Francesca walked up in time to hear the girl say, "These papers, I only take them from the signorina signorina, because she is nice. I take them to protect her."

"Protect her from whom?"

She pulled the maps from the back of her shirt, holding them out to Sydney.

Clever, Sydney thought. She took the maps from the girl, then told Griffin, "Pay her."

"For our own property?"

"You heard her, she thinks I'm nice."

Griffin dug into his pocket, pulled out a few euros and held them out.

The girl looked at the money, then frowned at Griffin. "This is all, when I return your valuable papers out of the kindness of my heart?"

"You are lucky I don't send the carabinieri carabinieri after you for this." after you for this."

The girl's smile brightened as she reached for the money, then said, "And how much I get if I tell you that you are followed?"

Griffin didn't let go of the money. "That depends on the information."

Sydney looked around, but trying to see if they were truly being followed in this crowd was impossible.

The girl, however, clamped her mouth shut, and Griffin let go of the money, which she quickly pocketed, as he took a few more bills from his wallet. "Tell me what you know, and I'll decide what it's worth."

"The white taxi, do you see it?" she said, pointing across the piazza to where several limousines and a few odd-colored taxis were parked farther beyond the official taxi line. "He follows you."

"And you know this how?"

"This man, he is also on the train from Roma. He watches the signorina signorina," she said, nodding toward Francesca. "I see him, he talks to the driver and pays him money, but then he does not get in. The driver? He watches all of you while you wait in the taxi line." Griffin handed her two bills, and she added, "My brother, he followed them. It is extra if you want to know what this man said to the driver."

"And that was?"

"To let him know where you are going. When he pa.s.ses that information, the man will pay him again."

Griffin held out the euros. "I don't suppose you caught this man's name?"

"No, signore signore. The man, he carried a big gun."

"What should we do?" Francesca asked.

"I want you and Sydney to get back in the taxi queue. I intend to find out if this is part of Adami's crew. If it isn't, then I want to know who else is watching us." He looked at the girl, and said, "One hundred euros to you and your brother, if you create a distraction that will draw that taxi driver from his cab for at least sixty seconds."

30.

The dark-eyed street girl left to get her brother, while Sydney and Francesca returned to the long taxi line. Griffin kept an eye on them, as he took out Adami's cell phone from the special pouch that Giustino had given them. The case helped to ensure that their own conversations were m.u.f.fled, but the GPS would not be inhibited. while Sydney and Francesca returned to the long taxi line. Griffin kept an eye on them, as he took out Adami's cell phone from the special pouch that Giustino had given them. The case helped to ensure that their own conversations were m.u.f.fled, but the GPS would not be inhibited.

Griffin hit redial. A man answered. Not Adami. The voice sounded much like the leather-clad man from the Capuchin Crypt.

"This is Griffin."

"I see you are in Naples."

"Did you follow us on the train?"

"Why would I need to do that? The phone has GPS. We know where you are. And your friend here has every confidence in your abilities."