The officer smiled. "Is that why you rejected my last two ma.n.u.scripts?"

"Yes. Neither of them did you credit. Both of them betrayed rather a nasty cynicism in your style."

"I meant them for satire."

"Ah! there is a great difference. Cynicism recoils on the cynic; satire is always delightful, and is never offensive. However, I may say, in spite of their faults, if you survive the war you should become one of America's finest writers."

The young man flushed with pleasure. "Thanks very much, Mr. Townsend."

"You have temperament and you have language," went on the editor, "and, though your emotions are artificial and your judgments too impetuous, that is a natural condition of youth--nature has to keep something to recompense us for growing old. But you have big moments, plus some most promising incoherency, as I said before, and when that chaos becomes cosmos, the world will acknowledge you. You have never been to England before, have you?"

The officer shook his head, a little puzzled at the abrupt descent from the abstract.

Mr. Townsend smoked reflectively for a full minute. "England," he said slowly, "is the paradox of the ages. In America we have the present and the future; England has the present and the past--princ.i.p.ally the past.

Inefficiency is often no bar to success there--as a matter of fact, an Englishman dislikes appearing efficient--but remember that the British Navy is the most thorough organization in the world. I have often thought that England's success in colonization was largely due to her utter inability to understand the temperament of the people she governed. Look at Canada. There was never an Englishman who really appreciated the restless independence of the Canadian; yet, when the Old Land goes to war, Canada sends and maintains a mighty fine army corps to help her. Listen, my boy. I want you to go to England with your pores open; receive impressions and make a note of them. I want a series of articles explaining England to America--not as it is being done by those polished gentlemen who visit us from London, but by an American for Americans. Don't send me a description of the Strand, or Westminster Abbey, or your thoughts on first seeing the Thames. Go deep. I want a series of articles that rise above journalism. I want the psychology of England written up in a light satirical vein by a clever man with red blood in his veins. You will be there for some time, I suppose?"

"Very likely, as we are the first of the vanguard."

A half-hour later the young officer rose to go, with a contract that promised him generous remuneration, in return for which he had agreed to write ten articles on England. He stood, facing the older man, and smiled slightly. He had removed his cap, and his black hair, struggling into an unruly curl, combined with his dark, brilliant eyes in an appearance of arresting virility.

"You are very encouraging, Mr. Townsend," he said. "I had no idea that an editor could be so--so nearly human."

"My son," said the older man, "we are literature's midwives, toiling year in and year out in the hope that some day we shall a.s.sist at the birth of a masterpiece."

"But how is it that you don't write yourself?"

The editor shrugged his shoulders. "Why does a hangman never commit a murder?" he said.

II

Three weeks later a great ocean liner, known since the war as H.M.

Transport, No. --, dropped gracefully down the river towards the open sea. Craighouse, from the hurricane-deck, watched the amazing silhouette of New York, as her mighty buildings stood outlined against the darkening skyline. From the wharf came the strains of "The Star-Spangled Banner," and hundreds of handkerchiefs fluttered in farewell.

A British cruiser was lying at anchor, and a thousand bluejackets roared three mighty British cheers for the new crusaders. A bedlam of shouting from the transport acknowledged the compliment, and one American soldier, whose constant attendance at baseball matches had produced stentorian qualities within him, boomed out the words, "Good old Roast Beef!"

Every one laughed. Why not? Men always laugh readily when their emotions are playing leapfrog with each other.

The strains of "The Star-Spangled Banner" sounded fainter; the handkerchiefs were blurred into a fluttering white cloud. A French battleship lay a quarter of a mile from them. As they pa.s.sed it a bugle sounded on board, followed by a salvo of cheers from the crew.

Craighouse noticed that the French cheers were a full third higher in pitch than the British.

Another roar came from the transport, and all eyes were turned towards the stentorian private. He took a deep breath.

"Good old Froggy!" he bellowed, and two or three soldiers laughed. To America, France is the martyr of the ages, and there is a strange sense of the feminine in the affection which the Old World republic inspires in the New. Truly, the ways of an extempore humorist are unhappy.

They pa.s.sed the Battery, and, nearing the open sea, received the blessing of the Statue of Liberty extending her welcome to all that are weary and discouraged.

Craighouse experienced a thrill of patriotism, and, feeling that he must express it in language, turned to his nearest neighbor, who happened to be a British officer. "That's an inspiring sight," he said.

"Which?" said the Englishman briefly.

"The Statue of Liberty," answered Craighouse with the tone of a 4th of July orator. "That is the spirit of America--equality for all, freedom of thought and action, liberty for every one."

"Oh yes--splendid," commented the Englishman politely.

There was silence for a moment, and then, in a burst of inexcusable chauvinism, Craighouse said, "You haven't anything like that in England, have you?"

"No," said the English officer casually; "but we had an army in France two weeks after war was declared. I say, do come and have a drink."

III

Three months later the editor of the _New York Monthly Journal_ received a letter from Craighouse. Adjusting his gla.s.ses, he settled comfortably into his chair and read it.

"MY DEAR PATRON,--I hope you have not been disappointed at my lack of articles, but, to be candid, I have not struck the proper mental balance yet.

"England is delightful; England is absurd. I was on a bus yesterday, and the conductress gave the signal to go ahead by hammering the side with the fare-box. It fascinated me.

Incidentally, the girls have wonderful complexions over here, but they do not dress as cleverly as ours. I know you will say it is war-time, but nothing is powerful enough to interfere with anything so fundamental as a woman's clothes." ("A bit labored, but quite good," muttered the editor.)

"The country, as you know, is like a garden, with all a garden's charm and limitations. I don't feel yet that I can take a deep breath. There are woods; but the trees seem to huddle together for want of s.p.a.ce, and one always feels that just the other side of the woods there is a town or a village. England is lovely, but I feel the lack of immensity. To me, the whole effect is that the country is complete; there is nothing more to do. Everything that can be built has been built." ("And well built, too," muttered Mr.

Townsend.) "In fact, I don't see what there is over here to employ to the full the brains, the nerves, and the imagination of a full-blooded _h.o.m.o_. Again I return to the garden simile. Is the task of maintenance big enough for the splendid specimens of manhood that England rears?

"I feel that there is something wrong with the public-school system. Not that it is inefficient, but rather that it is too thorough in its results. Judging superficially, of course, it seems that the public school ignores the fact that every one is born an individual, and proceeds to produce a type. To use a vulgarism, it is a high-cla.s.s scholastic sausage-machine. It takes in variegated ingredients, and turns out uniformity of product. It instructs the youth of the land in the manly virtues of past ages, but appears to ignore the creative instinct. Public-school men are the Greek chorus of England's national drama; they seldom provide either the dramatist or the princ.i.p.al actors.

"My biggest disappointment has been the English stage. I know our 'playsmiths' are futile enough, but we would never endure in New York what is put on at many first-cla.s.s London theaters. At a time when her grandsons from the four corners of the world are paying, in most cases, their first visit to the Old Country, England offers them the spectacle of a once cla.s.sic stage given over to inanity and vulgarity. Of course, there are two or three producers who still maintain a commendable standard of art, but in the majority of first-cla.s.s London theaters one finds a coa.r.s.eness of innuendo, an utter lack of refinement, and an almost total elimination of humor. In their musical shows the producers still go in for the type of comedian known on Broadway as 'hard-boiled'--the kind that carries his own jests in a valise, and whose _piece de resistance_ is the word 'd.a.m.n,' which seldom fails to convulse the audience. If I may coin a phrase, I would say the aim of some London producers is 'to be vulgar without being funny.'" ("I wonder if that is original," observed the editor.)

"I like the restraint of the better English newspapers, and there are still five or six monthly journals that demand a high standard of writing from their contributors. Some of the popular English magazines, however, publish stories that would hardly pa.s.s muster as a blushing schoolgirl's first attempt at authorship. I remember my mother used to say to me, 'Out of nothing, nothing comes.' She had obviously never seen one of these fiction magazines.

"Judging by the advertis.e.m.e.nts in these publications and in the society ill.u.s.trated papers, I would say that manufacturing women's underwear, or 'undies,' as they are coyly called, is the greatest commercial industry here. The advertis.e.m.e.nts state that an officer can send a lady a complete set of these garments with his regimental crest on them. I am still trying to gauge the mental att.i.tude of an officer who would do so.

"The political situation puzzles me. Lloyd George looks like a mighty big man, but he has to spend most of his time dodging snipers from behind. Nero fiddled while Rome was burning, but a certain section of the House of Commons goes in for absolute symphonies while Britain is locked in the death-grip with Germany.

But she's a dear old country, and her people are as brave and cheery as in the days when she was Merrie England, and not England of Many Sorrows.

"To hear her people talk, you would think that the Canadians and the Australians had done all the fighting, and that the United States was the savior of the world; but I know there's hardly a home in England or Scotland that hasn't lost a son--and often the last son too. And when the old families send their boys, it's right into the trenches, not back on the lines of communication.

"There--you can see why I have not written before. Incoherency alone is hardly sufficient. I haven't seriously sorted my impressions as yet. As you would say, the chaos has not yet become cosmos.

"By-the-by, the British Navy mothered us from the coast of Ireland like an eagle with her young.

"Every one is most cordial, and invitations are showered on us from every quarter. I'm going to-morrow to visit the Earl of Lummersdale, who seems to want to entertain a real, live American.

As I have six days' leave, I'm going to let him. They tell me he comes of a very old family, so look out for an article on the aristocracy.

"This letter is rambling most aimlessly. I suppose you are bored to tears. Just a minute, till I read over what I have written....

Yes--I might add in my comments on the English theater that a chap named Beecham is doing opera in English, and it's pretty nearly the finest opera I have ever heard. Then, of course, Barrie produces a play every now and then, just to show that he hasn't lost his genius of tenderness and whimsical charm.

"Perhaps my visit to the Earl of Lummersdale will crystallize some of my vagrant impressions. Good-by, dear patron.--Faithfully yours,

"LAWRENCE CRAIGHOUSE (Lt.),