The Best Of Kim Stanley Robinson.

Kim Stanley Robinson.

Venice Drowned

By the time Carlo Tafur struggled out of sleep, the baby was squalling, the teapot whistled, the smell of stove smoke filled the air. Wavelets slapped the walls of the floor below. It was just dawn. Reluctantly he untangled himself from the bedsheets and got up. He padded through the other room of his home, ignoring his wife and child, and walked out the door onto the roof.

Venice looked best at dawn, Carlo thought as he p.i.s.sed into the ca.n.a.l. In the dim mauve light it was possible to imagine that the city was just as it always had been, that hordes of visitors would come flooding down the Grand Ca.n.a.l on this fine summer morning.... Of course, one had to ignore the patchwork constructions built on the roofs of the neighborhood to indulge the fancy. Around the church-San Giacomo du Rialto-all the buildings had even their top floors awash, and so it had been necessary to break up the tile roofs, and erect shacks on the roof beams made of materials fished up from below: wood, brick lath, stone, metal, gla.s.s. Carlo's home was one of these shacks, made of a crazy combination of wood beams, stained gla.s.s from San Giacometta, and drainpipes beaten flat. He looked back at it and sighed. It was best to look off over the Rialto, where the red sun blazed over the bulbous domes of San Marco.

"You have to meet those j.a.panese today," Carlo's wife, Luisa, said from inside.

"I know." Visitors still came to Venice, that was certain.

"And don't go insulting them and rowing off without your pay," she went on, her voice sounding clearly out of the doorway, "like you did with those Hungarians. It really doesn't matter what they take from under the water, you know. That's the past. That old stuff isn't doing anyone any good under there, anyway."

"Shut up," he said wearily. "I know."

"I have to buy stovewood and vegetables and toilet paper and socks for the baby," she said. "The j.a.panese are the best customers you've got; you'd better treat them well."

Carlo reentered the shack and walked into the bedroom to dress. Between putting on one boot and the next he stopped to smoke a cigarette, the last one in the house. While smoking he stared at his pile of books on the floor, his library as Luisa sardonically called the collection; all books about Venice. They were tattered, dog-eared, mildewed, so warped by the damp that none of them would close properly, and each moldy page was as wavy as the Lagoon on a windy day. They were a miserable sight, and Carlo gave the closest stack a light kick with his cold boot as he returned to the other room.

"I'm off," he said, giving his baby and then Luisa a kiss. "I'll be back late-they want to go to Torcello."

"What could they want up there?"

He shrugged. "Maybe just to see it." He ducked out the door.

Below the roof was a small square where the boats of the neighborhood were moored. Carlo slipped off the tile onto the narrow floating dock he and the neighbors had built, and crossed to his boat, a wide-beamed sailboat with a canvas deck. He stepped in, unmoored it, and rowed out of the square onto the Grand Ca.n.a.l.

Once on the Grand Ca.n.a.l he tipped the oars out of the water and let the boat drift downstream. The big ca.n.a.l had always been the natural course of the channel through the mudflats of the Lagoon; for a while it had been tamed, but now it was a river again, its banks made of tile rooftops and stone palaces, with hundreds of tributaries flowing into it. Men were working on roof-houses in the early-morning light; those who knew Carlo waved, hammers or rope in hand, and shouted h.e.l.lo. Carlo wiggled an oar perfunctorily before he was swept past. It was foolish to build so close to the Grand Ca.n.a.l, which now had the strength to knock the old structures down, and often did. But that was their business. In Venice they were all fools, if one thought about it.

Then he was in the Basin of San Marco, and he rowed through the Piazetta beside the Doge's Palace, which was still imposing at two stories high, to the Piazza. Traffic was heavy as usual. It was the only place in Venice that still had the crowds of old, and Carlo enjoyed it for that reason, though he shouted curses as loudly as anyone when gondolas streaked in front of him. He jockeyed his way to the basilica window and rowed in.

Under the brilliant blue and gold of the domes it was noisy. Most of the water in the rooms had been covered with a floating dock. Carlo moored his boat to it, heaved his four scuba tanks on, and clambered up after them. Carrying two tanks in each hand he crossed the dock, on which the fish market was in full swing. Displayed for sale were flats of mullet, lagoon sharks, tunny, skates, and flatfish. Clams were piled in trays, their sh.e.l.ls gleaming in the shaft of sunlight from the stained-gla.s.s east window; men and women pulled live crabs out of holes in the dock, risking fingers in the crab-jammed traps below; octopuses inked their buckets of water, sponges oozed foam; fishermen bawled out prices, and insulted the freshness of their neighbors' product.

In the middle of the fish market, Ludovico Salerno, one of Carlo's best friends, had his stalls of scuba gear. Carlo's two j.a.panese customers were there. He greeted them and handed his tanks to Salerno, who began refilling them from his machine. They conversed in quick, slangy Italian while the tanks filled. When they were done, Carlo paid him and led the j.a.panese back to his boat. They got in and stowed their backpacks under the canvas decking, while Carlo pulled the scuba tanks on board.

"We are ready to voyage at Torcello?" one asked, and the other smiled and repeated the question. Their names were Hamada and Taku. They had made a few jokes concerning the latter name's similarity to Carlo's own, but Taku was the one with less Italian, so the sallies hadn't gone on for long. They had hired him four days before, at Salerno's stall.

"Yes," Carlo said. He rowed out of the Piazza and up back ca.n.a.ls past Campo San Maria Formosa, which was nearly as crowded as the Piazza. Beyond that the ca.n.a.ls were empty, and only an occasional roof-house marred the look of flooded tranquillity.

"That part of city Venice here not many people live," Hamada observed. "Not houses on houses."

"That's true," Carlo replied. As he rowed past San Zanipolo and the hospital, he explained, "It's too close to the hospital here, where many diseases were contained. Sicknesses, you know."

"Ah, the hospital!" Hamada nodded, as did Taku. "We have swam hospital in our Venice voyage previous to that one here. Salvage many fine statues from lowest rooms."

"Stone lions," Taku added. "Many stone lions with wings in room below Twenty-forty waterline."

"Is that right," Carlo said. Stone lions, he thought, set up in the entryway of some j.a.panese businessman's expensive home around the world.... He tried to divert his thoughts by watching the brilliantly healthy, masklike faces of his two pa.s.sengers as they laughed over their reminiscences.

Then they were over the Fondamente Nuova, the northern limit of the city, and on the Lagoon. There was a small swell from the north. Carlo rowed out a way and then stepped forward to raise the boat's single sail. The wind was from the east, so they would make good time north to Torcello. Behind them, Venice looked beautiful in the morning light, as if they were miles away, and a watery horizon blocked their full view of it.

The two j.a.panese had stopped talking and were looking over the side. They were over the cemetery of San Michele, Carlo realized. Below them lay the island that had been the city's chief cemetery for centuries; they sailed over a field of tombs, mausoleums, gravestones, obelisks that at low tide could be a navigational hazard.... Just enough of the bizarre white blocks could be seen to convince one that they were the result of the architectural thinking of fishes. Carlo crossed himself quickly to impress his customers, and sat back down at the tiller. He pulled the sail tight and they heeled over slightly, slapped into the waves.

In no more than forty minutes they were east of Murano, skirting its edge. Murano, like Venice an island city crossed with ca.n.a.ls, had been a quaint little town before the flood. But it didn't have as many tall buildings as Venice, and it was said that an underwater river had undercut its islands; in any case, it was a wreck. The two j.a.panese chattered with excitement.

"Can we visit to that city here, Carlo?" asked Hamada.

"It's too dangerous," Carlo answered. "Buildings have fallen into the ca.n.a.ls."

They nodded, smiling. "Are people live here?" Taku asked.

"A few, yes. They live in the highest buildings on the floors still above water, and work in Venice. That way they avoid having to build a roof-house in the city."

The faces of his two companions expressed incomprehension.

"They avoid the housing shortage in Venice," Carlo said. "There's a certain housing shortage in Venice, as you may have noticed." His listeners caught the joke this time and laughed uproariously.

"Could live on floors below if owning scuba such as that here," Hamada said, gesturing at Carlo's equipment.

"Yes," he replied. "Or we could grow gills." He bugged his eyes out and waved his fingers at his neck to indicate gills. The j.a.panese loved it.

Past Murano, the Lagoon was clear for a few miles, a sunbeaten blue covered with choppy waves. The boat tipped up and down, the wind tugged at the sail cord in Carlo's hand. He began to enjoy himself. "Storm coming," he volunteered to the others and pointed at the black line over the horizon to the north. It was a common sight; short, violent storms swept over Brenner Pa.s.s from the Austrian Alps, dumping on the Po Valley and the Lagoon before dissipating in the Adriatic... once a week, or more, even in the summer. That was one reason the fish market was held under the domes of San Marco; everyone had gotten sick of trading in the rain.

Even the j.a.panese recognized the clouds. "Many rain fall soon here," Taku said.

Hamada grinned and said, "Taku and Tafur, weather prophets no doubt, make big company!"

They laughed. "Does he do this in j.a.pan, too?" Carlo asked.

"Yes indeed, surely. In j.a.pan rains every day-Taku says, 'It rains tomorrow for surely.' Weather prophet!"

After the laughter receded, Carlo said, "Hasn't all the rain drowned some of your cities too?"

"What's that here?"

"Don't you have some Venices in j.a.pan?"

But they didn't want to talk about that. "I don't understand... No, no Venice in j.a.pan," Hamada said easily, but neither laughed as they had before. They sailed on. Venice was out of sight under the horizon, as was Murano. Soon they would reach Burano. Carlo guided the boat over the waves and listened to his companions converse in their improbable language, or mangle Italian in a way that alternately made him want to burst with hilarity or bite the gunwale with frustration.

Gradually, Burano bounced over the horizon, the campanile first, followed by the few buildings still above water. Murano still had inhabitants, a tiny market, even a midsummer festival; Burano was empty. Its campanile stood at a distinct angle, like the mast of a foundered ship. It had been an island town, before 2040; now it had "ca.n.a.ls" between every rooftop. Carlo disliked the town intensely and gave it a wide berth. His companions discussed it quietly in j.a.panese.

A mile beyond it was Torcello, another island ghost town. The campanile could be seen from Burano, tall and white against the black clouds to the north. They approached in silence. Carlo took down the sail, set Taku in the bow to look for snags, and rowed cautiously to the edge of town. They moved between rooftops and walls that stuck up like reefs or like old foundations out of the earth. Many of the roof tiles and beams had been taken for use in construction back in Venice. This had happened to Torcello before; during the Renaissance it had been a little rival of Venice, boasting a population of twenty thousand, but during the sixteenth and seventeenth centuries it had been entirely deserted. Builders from Venice had come looking in the ruins for good marble or a staircase of the right dimensions.... Briefly a tiny population had returned, to make lace and host those tourists who wanted to be melancholy; but the waters rose, and Torcello died for good. Carlo pushed off a wall with his oar, and a big section of it tilted over and sank. He tried not to notice.

He rowed them to the open patch of water that had been the Piazza. Around them stood a few intact rooftops, no taller than the mast of their boat; broken walls of stone or rounded brick; the shadowy suggestion of walls just underwater. It was hard to tell what the street plan of the town would have been. On one side of the Piazza was the cathedral of Santa Maria a.s.sunta, however, still holding fast, still supporting the white campanile that stood square and solid, as if over a living community.

"That here is the church we desire to dive," Hamada said.

Carlo nodded. The amus.e.m.e.nt he had felt during the sail was entirely gone. He rowed around the Piazza looking for a flat spot where they could stand and put the scuba gear on. The church outbuildings-it had been an extensive structure-were all underwater. At one point the boat's keel sc.r.a.ped the ridge of a roof. They rowed down the length of the barnlike nave, looked in the high windows: floored with water. No surprise. One of the small windows in the side of the campanile had been widened with sledgehammers; directly inside it was the stone staircase and, a few steps up, a stone floor. They hooked the boat to the wall and moved their gear up to the floor. In the dim midday light the stone of the interior was pocked with shadows. It had a rough-hewn look. The citizens of Torcello had built the campanile in a hurry, thinking that the world would end at the millennium, the year 1000. Carlo smiled to think how much longer they had had than that. They climbed the steps of the staircase, up to the sudden sunlight of the bell chamber, to look around; viewed Burano, Venice in the distance... to the north, the shallows of the Lagoon, and the coast of Italy. Beyond that the black line of clouds was like a wall nearly submerged under the horizon, but it was rising; the storm would come.

They descended, put on the scuba gear, and flopped into the water beside the campanile. They were above the complex of church buildings, and it was dark; Carlo slowly led the two j.a.panese back into the Piazza and swam down. The ground was silted, and Carlo was careful not to step on it. His charges saw the great stone chair in the center of the Piazza (it had been called the Throne of Attila, Carlo remembered from one of his moldy books, and no one had known why), and waving to each other they swam to it. One of them made ludicrous attempts to stand on the bottom and walk around in his fins; he threw up clouds of silt. The other joined him. They each sat in the stone chair, columns of bubbles rising from them, and snapped pictures of each other with their underwater cameras. The silt would ruin the shots, Carlo thought. While they cavorted, he wondered sourly what they wanted in the church.

Eventually, Hamada swam up to him and gestured at the church. Behind the mask his eyes were excited. Carlo pumped his fins up and down slowly and led them around to the big entrance at the front. The doors were gone. They swam into the church.

Inside it was dark, and all three of them unhooked their big flashlights and turned them on. Cones of murky water turned to crystal as the beams swept about. The interior of the church was undistinguished, the floor thick with mud. Carlo watched his two customers swim about and let his flashlight beam rove the walls. Some of the underwater windows were still intact, an odd sight. Occasionally the beam caught a column of bubbles, trans.m.u.ting them to silver.

Quickly enough the j.a.panese went to the picture at the west end of the nave, a tile mosaic. Taku (Carlo guessed) rubbed the slime off the tiles, vastly improving their color. They had gone to the big one first, the one portraying the Crucifixion, the Resurrection of the Dead, and the Day of Judgment: a busy mural. Carlo swam over to have a better look. But no sooner had the j.a.panese wiped the wall clean than they were off to the other end of the church, where above the stalls of the apse was another mosaic. Carlo followed.

It didn't take long to rub this one clean; and when the water had cleared, the three of them floated there, their flashlight beams converged on the picture revealed.

It was the Teotaca Madonna, the G.o.d-bearer. She stood against a dull gold background, holding the Child in her arms, staring out at the world with a sad and knowing gaze. Carlo pumped his legs to get above the j.a.panese, holding his light steady on the Madonna's face. She looked as though she could see all of the future, up to this moment and beyond; all of her child's short life, all the terror and calamity after that. There were mosaic tears on her cheeks. At the sight of them Carlo could barely check tears of his own from joining the general wetness on his face. He felt that he had suddenly been transposed to a church on the deepest floor of the ocean; the pressure of his feelings threatened to implode him, he could scarcely hold them off. The water was freezing, he was shivering, sending up a thick, nearly continuous column of bubbles... and the Madonna watched. With a kick he turned and swam away. Like startled fish his two companions followed him. Carlo led them out of the church into murky light, then up to the surface, to the boat and the window cas.e.m.e.nt.

Fins off, Carlo sat on the staircase and dripped. Taku and Hamada scrambled through the window and joined him. They conversed for a moment in j.a.panese, clearly excited. Carlo stared at them blackly.

Hamada turned to him. "That here is the picture we desire," he said. "The Madonna with child."

"What?" Carlo cried.

Hamada raised his eyebrows. "We desire taking home that here picture to j.a.pan."

"But it's impossible! The picture is made of little tiles stuck to the wall-there's no way to get them off!"

"Italy government permits," Taku said, but Hamada silenced him with a gesture.

"Mosaic, yes. We use instruments we take here-water torch. Archaeology method, you understand. Cut blocks out of wall, bricks, number them-construct on new place in j.a.pan. Above water." He flashed his pearly smile.

"You can't do that," Carlo stated, deeply affronted.

"I don't understand," Hamada said. But he did. "Italian government permits us that."

"This isn't Italy," Carlo said savagely, and in his anger stood up. What good would a Madonna do in j.a.pan, anyway? They weren't even Christian. "Italy is over there," he said, in his excitement mistakenly waving to the southeast, no doubt confusing his listeners even more. "This has never been Italy! This is Venice! The Republic!"

"I don't understand." He had that phrase down pat. "Italian government has giving permit us."

"Christ," Carlo said. After a disgusted pause: "Just how long will this take?"

"Time? We work that afternoon, tomorrow: place the bricks here, go hire Venice barge to carry bricks to Venice-"

"Stay here overnight? I'm not going to stay here overnight, G.o.d d.a.m.n it!"

"We bring sleeping bag for you-"

"No!" Carlo was furious. "I'm not staying, you miserable heathen hyenas-" He pulled off his scuba gear.

"I don't understand."

Carlo dried off, got dressed. "I'll let you keep your scuba tanks, and I'll be back for you tomorrow afternoon, late. Understand?" Understand?"

"Yes," Hamada said, staring at him steadily, without expression. "Bring barge?"

"What?-yes, yes, I'll bring your barge, you miserable slime-eating catfish. Vultures..." He went on for a while, getting the boat out of the window.

"Storm coming!" Taku said brightly, pointing to the north.

"To h.e.l.l with you!" Carlo said, pushing off and beginning to row. "Understand?"

He rowed out of Torcello and back into the Lagoon. Indeed, a storm was coming: he would have to hurry. He put up the sail and pulled the canvas decking back until it covered everything but the seat he was sitting on. The wind was from the north now, strong but fitful. It pulled the sail taut: the boat bucked over the choppy waves, leaving behind a wake that was bright white against the black of the sky. The clouds were drawing over the sky like a curtain, covering half of it: half black, half colorless blue, and the line of the edge was solid. It resembled that first great storm of 2040, Carlo guessed, that had pulled over Venice like a black wool blanket and dumped water for forty days. And it had never been the same again, not anywhere in the world.

Now he was beside the wreck of Burano. Against the black sky he could see only the drunken campanile, and suddenly he realized why he hated the sight of this abandoned town: it was a vision of the Venice to come, a cruel model of the future. If the water level rose even three meters, Venice would become nothing but a big Burano. Even if the water didn't rise, more people were leaving Venice every year. One day it would be empty. Once again the sadness he had felt looking at the Teotaca filled him, a sadness become a bottomless despair. "G.o.d d.a.m.n it," he said, staring at the crippled campanile: but that wasn't enough. He didn't know words that were enough. "G.o.d d.a.m.n d.a.m.n it." it."

Just beyond Burano the squall hit. It almost blew the sail out of his hand; he had to hold on with a fierce clench, tie it to the stern, tie the tiller in place, and scramble over the pitching canvas deck to lower the sail, cursing all the while. He brought the sail down to its last reefing, which left a handkerchief-sized patch exposed to the wind. Even so, the boat yanked over the waves and the mast creaked as if it would tear loose.... The choppy waves had become whitecaps: in the screaming wind their tops were tearing loose and flying through the air, white foam in the blackness....

Best to head for Murano for refuge, Carlo thought. Then the rain started. It was colder than the Lagoon water and fell almost horizontally. The wind was still picking up: his handkerchief sail was going to pull the mast out.... "Jesus," he said. He got onto the decking again, slid up to the mast, took down the sail with cold and disobedient fingers. He crawled back to his hole in the deck, hanging on desperately as the boat yawed. It was almost broadside to the waves and hastily he grabbed the tiller and pulled it around, just in time to meet a large wave stern-on. He shuddered with relief. Each wave seemed bigger than the last: they picked up quickly on the Lagoon. Well, he thought, what now? Get out the oars? No, that wouldn't do; he had to keep stern-on to the waves, and besides, he couldn't row effectively in this chop. He had to go where the waves were going, he realized; and if they missed Murano and Venice, that meant the Adriatic.

As the waves lifted and dropped him, he grimly contemplated the thought. His mast alone acted like a sail in a wind of this force; and the wind seemed to be blowing from a bit to the west of north. The waves-the biggest he had ever seen on the Lagoon, perhaps the biggest ever ever on the Lagoon-pushed in about the same direction as the wind, naturally. Well, that meant he would miss Venice, which was directly south, maybe even a touch west of south. d.a.m.n, he thought. And all because he had been angered by those two j.a.panese and the Teotaca. What did he care what happened to a sunken mosaic from Torcello? He had helped foreigners find and cart off the one bronze horse of San Marco that had fallen... more than one of the stone lions of Venice, symbol of the city... the entire Bridge of Sighs, for Christ's sake! What had come over him? Why should he have cared about a forgotten mosaic? on the Lagoon-pushed in about the same direction as the wind, naturally. Well, that meant he would miss Venice, which was directly south, maybe even a touch west of south. d.a.m.n, he thought. And all because he had been angered by those two j.a.panese and the Teotaca. What did he care what happened to a sunken mosaic from Torcello? He had helped foreigners find and cart off the one bronze horse of San Marco that had fallen... more than one of the stone lions of Venice, symbol of the city... the entire Bridge of Sighs, for Christ's sake! What had come over him? Why should he have cared about a forgotten mosaic?

Well, he had done it; and here he was. No altering it. Each wave lifted his boat stern first and slid under it until he could look down in the trough, if he cared to, and see his mast nearly horizontal, until he rose over the broken, foaming crest, each one of which seemed to want to break down his little hole in the decking and swamp him-for a second he was in midair, the tiller free and useless until he crashed into the next trough. Every time at the top he thought, this wave will catch us, and so even though he was wet and the wind and rain were cold, the repeated spurts of fear adrenaline and his thick wool coat kept him warm. A hundred waves or so served to convince him that the next one would probably slide under him as safely as the last, and he relaxed a bit. Nothing to do but wait it out, keep the boat exactly stern-on to the swell... and he would be all right. Sure, he thought, he would just ride these waves across the Adriatic to Trieste or Rijeka, one of those two tawdry towns that had replaced Venice as Queen of the Adriatic... the princesses of the Adriatic, so to speak, and two little s.l.u.ts they were, too.... Or ride the storm out, turn around, and sail back in, better yet.

On the other hand the Lido had become a sort of reef in most places, and waves of this size would break over it, capsizing him for sure. And, to be realistic, the top of the Adriatic was wide; just one mistake on these waves (and he couldn't go on forever) and he would be broached, capsized, and rolled down to join all the other Venetians who had ended up on the bottom of the Adriatic. And all because of that d.a.m.n Madonna. Carlo sat crouched in the stern, adjusting the tiller for the particulars of each wave, ignoring all else in the howling black chaos of water and air around him, pleased in a grim way that he was sailing to his death with such perfect seamanship. But he kept the Lido out of mind.

And so he sailed on, losing track of time as one does when there is no spatial referent. Wave after wave after wave. A little water collected at the bottom of his boat, and his spirits sank; that was no way to go, to have the boat sink by degrees under him.

Then the high-pitched, airy howl of the wind was joined by a low booming, a ba.s.s roar. He looked behind him in the direction he was being driven and saw a white line, stretching from left to right; his heart jumped, fear exploded through him. This was it. The Lido, now a barrier reef tripping the waves. They were smashing down on it; he could see white sheets bouncing skyward and blowing to nothing. He was terrifically frightened. It would have been so much easier to founder at sea.

But there-among the white breakers, off to the right-a gray finger pointing up at the black- A campanile. Carlo was forced to look back at the wave he was under, to straighten the boat; but when he looked back it was still there. A campanile, standing there like a dead lighthouse. "Jesus," he said aloud. It looked as if the waves were pushing him a couple hundred meters to the east of it. As each wave lifted him he had a moment when the boat was sliding down the face of the wave as fast as it was moving under him; during these moments he shifted the tiller a bit and the boat turned and surfed across the face, to the west, until the wave rose up under him to the crest and he had to straighten it out. He repeated the delicate operation time after time, sometimes nearly broaching the boat in his impatience. But that wouldn't do-just take as much from each wave as it will give you, he thought. And pray it will add up to enough.

The Lido got closer, and it looked as if he was directly upwind of the campanile. It was the one at the Lido channel entrance or perhaps the one at Pellestrina, he had no way of knowing. He was just happy that his ancestors had seen fit to construct such solid bell towers. In between waves he reached under the decking and by touch found his boathook and the length of rope he carried. It was going to be a problem, actually, when he got to the campanile-it would not do to pa.s.s it helplessly by a few meters; on the other hand he couldn't smash into it and expect to survive either, not in these waves. In fact the more he considered it the more exact and difficult he realized the approach would have to be, and fearfully he stopped thinking about it and concentrated on the waves.

The last one was the biggest. As the boat slid down its face, the face got steeper, until it seemed they would be swept on by this wave forever. The campanile loomed ahead, big and black. Around it waves pitched over and broke with sharp, deadly booms; from behind Carlo could see the water sucked over the breaks, as if over short but infinitely broad waterfalls. The noise was tremendous. At the top of the wave it appeared he could jump in the campanile's top window-he got out the boathook, shifted the tiller a touch, took three deep breaths. Amid the roaring, the wave swept him just past the stone tower, smacking against it and splashing him; he pulled the tiller over hard, the boat shot into the wake of the campanile-he stood and swung the boathook over a window cas.e.m.e.nt above him. It caught, and he held on hard.

He was in the lee of the tower. Broken water rose and dropped under the boat, hissing, but without violence, and he held. One-handed, he wrapped the end of his rope around the sail-cord bolt in the stern, tied the other end to the boathook. The hook held pretty well; he took a risk and reached down to tie the rope firmly to the bolt. Then another risk: when the boiling soupy water of another broken wave raised the boat, he leaped off his seat, grabbed the stone windowsill, which was too thick to get his fingers over-for a moment he hung by his fingertips. With desperate strength he pulled himself up, reached in with one hand and got a grasp on the inside of the sill, and pulled himself in and over. The stone floor was about four feet below the window. Quickly he pulled the boathook in and put it on the floor, and took up the slack in the rope.

He looked out the window. His boat rose and fell, rose and fell. Well, it would sink or it wouldn't. Meanwhile, he was safe. Realizing this, he breathed deeply, let out a shout. He remembered shooting past the side of the tower, face no more than two meters from it-getting drenched by the wave slapping the front of it-why, he had done it perfectly! He couldn't do it again like that in a million tries. Triumphant laughs burst out of him, short and sharp: "Ha! Ha! Ha! Jesus Christ! Wow!"

"Whoooo's theeeerre?" called a high scratchy voice, floating down the staircase from the floor above. "Whoooooo's there?..."

Carlo froze. He stepped lightly to the base of the stone staircase and peered up; through the hole to the next floor flickered a faint light. To put it better, it was less dark up there than anywhere else. More surprised than fearful (though he was afraid), Carlo opened his eyes as wide as he could- "Whoooooo's theeeeeerrrrrrrre?..."

Quickly he went to the boathook, untied the rope, felt around on the wet floor until he found a block of stone that would serve as anchor for his boat. He looked out the window: boat still there; on both sides, white breakers crashed over the Lido. Taking up the boathook, Carlo stepped slowly up the stairs, feeling that after what he had been through he could slash any ghost in the ether to ribbons.

It was a candle lantern, flickering in the disturbed air-a room filled with junk- "Eeek! Eeek!"