"Laurel," said Suzie, pausing carefully, "do you feel you're ready for your future?"
I'd just looked at her.
"Because that's normal. To feel anxious about moving on, continuing with your life, when people you love are gone."
All I'd said was, "Okay, I get that." I found that Suzie got quiet and satisfied after I said this. Our sessions had less talking these days, and we were always ending early.
Finally, I thought of an answer for Nana.
"I'm just worried about you. Won't you be lonely if I go away?"
Nana had picked up her pizza slice, but now she put it down once more. "I will miss you, yes," she said. "But honestly, Laurel, if you're in New Haven, it means I can spend the fall and winter in Hilton Head. I won't have to sell the condo."
"So you want to get rid of me?" I asked, trying to make it sound jokey.
"No. I want you to go get the terrific education your parents always dreamed of for you."
She choked up, which made me choke up, and we both took bites of pizza in silence.
At home, I picked up the phone to call Meg to tell her the news, then stopped myself. It had been three weeks since that morning, the Morning of Save-a-Cat-or-Meet-Meg-at-the-Mall, and when we were together, we were like actors in a play. At school, in the hallways or in the cla.s.ses where we still sat next to each other out of habit, we played the scripted roles of best friends. Lending each other pens, waiting for each other in doorways and by lockers. Making small talk about how hard the math test was and how awful our hair looked.
But outside of school, that phone line was still dead. Meg no longer offered me rides anywhere. She didn't stop by to hang out, or invite me to her house. She didn't call or text me late at night to tell me about Gavin or Andie or especially her parents.
I missed her like crazy, but I was also stubborn. I knew I had been right. Echo had been more important. Echo, with the wide black stripes like she'd been painted with a thick sponge brush, who liked to lick your forearm while you petted her. Living things died forever. Friendships could be resurrected.
So I put away my cell phone and figured I'd tell her in the morning, at school. But I still felt really lonely. Maybe I could tell Joe. Yes, that would work. Joe would be happy for me.
I signed on to my email, and when I saw my in-box, my heart leapt.
A message from David.
laurel just for the h.e.l.l of it i've started introducing myself as leon. it seems totally hilarious to me. do i look like a leon? no way. but i say, "hi, i'm leon" and people just nod and say, "nice to meet you, leon!" so i can just be leon for a while. leon needs some background. i was thinking he could be the son of circus people, like world-famous elephant trainers. that's something you could say and n.o.body would be able to check up on it, because who ever hears of circus elephant trainers? i mean, the circus is totally cliche but people eat that stuff up. that could get me freebies and favors. and my life right now is all about freebies and favors, as you well know.
david Before I'd kissed David, I would have thought that was him, flip and funny trimmed with bada.s.s on the edges. But when I read this, I thought about the softness of his lips and the way I could feel his heart beating fast that day in the woods, and I knew he was hurting. Maybe all those years of att.i.tude, from the time he gave me the Tinker Bell bubble bath until the night of the accident, were just one long David hurting.
No mention of Thanksgiving, but there didn't have to be. My email had been a peace treaty, and with this, it seemed like he'd signed it.
Come home, I thought. Just come home.
I started a reply to him.
Hey David, I mean Leon, The circus works. Tell them you were being groomed to follow in their footsteps, or hoofsteps in this case, but wanted to be a tightrope walker and that created this whole scandal so that's why you left and can't go back.
I got into Yale. I'm not sure if I want to go.
And also, my best friend hates me right now. I have no idea how to fix it.
Maybe someone who grew up around elephants might have some answers?
Laurel
Chapter Thirty-two.
HEROES AMONG US, read the art show flyer in big blue letters.
Then, underneath: A COLLECTION OF COLLABORATIVE.
PAINTINGS BY JOE LASKY.
AND LAUREL MEISNER.
My name on its own line.
Nana picked up a few extra copies at the library and distributed them to the neighbors. "Ms. Folsom says there's a mention in the newspaper!" she added as I sat in front of my dinner, trying and failing to eat. "I'll have to get a copy for my sc.r.a.pbook."
"Uh-huh," I said, watching my hand shake as I lifted my fork.
Nana noticed. "Are you nervous?"
Judging from the buzz I felt under my skin and that "I might have to go to the bathroom" feeling, I would say yes. Definitely nervous. I wasn't sure how much of that was the art show and how much was the "date" status of my impending evening.
"I'm just excited," I said, which was half true.
"So am I." She checked her watch. "Well, your Joe should be here in about five minutes." I winced at the "your Joe" and Nana added, "He's a nice boy . . . I'm sorry, nice guy!" She looked at the clock again. "I'm picking up Ed and Dorrie at seven, so we won't be too far behind you."
Nana and the Mitas had planned a big night out, to visit the art show and then the diner for coffee and dessert. It was kind of funny and kind of wonderful that she was making her own friends now.
Other neighbors had pledged to stop by. Aside from our families, Joe and I had no idea who else might come to the "opening." He'd told only one or two friends at school, and I hadn't told Meg, and certainly not Andie or Hannah. "It's kind of cooler if people find out about it on their own," he'd said that day at school, stopping by my locker to say hi. "Otherwise it seems like you're bragging."
Fine by me. I didn't want any more attention. At first, I'd thought I was doing the paintings for Joe and college applications and because they needed to be created. When I saw them finished, I realized I'd done it for my mother, too. Because she would have been br.i.m.m.i.n.g with pride, and because she wouldn't have been afraid to tell me what she really thought of my work. The fact that anyone else would see them was just a footnote.
I forced myself to take one more bite of chicken and set off for a final bathroom visit and mirror check. I'd put my hair in a headband, careful to seem casual, yet a little dressed up.
And then we heard Joe knock on the door.
I looked down at the road from the window of Joe's truck and realized why people got cars like this. They made you feel safe in an exclusive, almost heady way. Like you were so far removed from the ground and everything around you, how could anything touch you enough to do damage?
"When my dad decided to get an SUV," Joe said as if reading my mind, "he sold this to me for a dollar."
"Bargain," I said.
"But I have to pay for the insurance."
We were silent again, for maybe the tenth time since he'd picked me up. I was beginning to accept that this was our thing, this start-and-stop way of talking.
I could just say, "Guess what?" and spill my news about Yale, and the conversation would roll forward so easily. But for some reason, I couldn't form the words.
Maybe someday soon I would be able to tell him everything, about all my doubts and questions, with fingers crossed that he would get it. Not tonight, though. Not here, with just a few more minutes until we reached the library, when I didn't know what the night was supposed to bring. To change the subject, I almost told him about Meg and me and our fight. Again, something stopped me.
My mind jumped back to the email I'd gotten from David the night before.
don't sweat it about megan dill. doesn't sound like you're ready to fix things yet anyway. i've found that letting something stay broken for a little while helps me understand it.
What David had said made sense to me. There was no point opening it up to other opinions.
Joe made the final turn onto the street where the library was, and I dug my hands, still shaking a bit, deep into the pockets of my parka.
"This one is my favorite," said Mrs. Lasky, Joe's mom, to Ms. Folsom. It was SuperBrat, of course. "Joe says he'll give it to me when the show's over."
I stood next to the snack table and peered across the room at the two walls where the paintings hung. Joe had framed them himself with simple black wood frames and white mattes he'd gotten at Target. The two layers, Joe's caricature cut out and laid against my background, gave each one a 3-D effect. They looked great.
I scanned the artwork and wondered which would have been Mom's favorite, or Dad's, or Toby's. But I had no idea, and a sadness washed over me. Were they already that far away?
Joe was busy taking pictures and chatting with Ms. Folsom. Every time some new person ambled down the stairs into the room, Joe walked up to say welcome and introduce himself. Nana and the Mitas came through. Mrs. Mita hugged me too tight and left a lipstick mark on my cheek, and I let Nana take one photo of me in front of the paintings.
"Let's get one of you and Joe!" she said.
Joe heard and bounded over before I could refuse, and then Mrs. Lasky appeared with her own camera. So we posed, smiling, and as soon as all the cameras had snapped-I think Ms. Folsom got hers in there too-I made a beeline for the bathroom. On my way out, I heard Joe asking Nana which painting she wanted to keep.
I washed my hands and rinsed, then washed them again just because it was something to do, and I wanted them to smell nice for Joe later.
Even though I wasn't sure how soon I wanted later to come.
"Is this any better?" asked Joe, as I felt a blast of hot air coming from the vent in front of me. The temperature had dropped sharply, and Joe spent the entire drive from the library to Yogurtland fiddling with the dashboard temperature controls.
"Yes, thank you," I said, my teeth chattering.
"It'll get better in a minute," he said. "Maybe fro-yo isn't such a good idea. I just thought we should celebrate."
"They sell hot chocolate," I suggested. Celebrate or not, I wasn't ready to go home yet.
Joe pulled into the parking lot outside Yogurtland, which shared a small shopping center with two other stores. As he stopped the car, I noticed a bunch of kids going inside. Joe recognized them too.
"Kevin McNaughton," said Joe, a simple observation.
The Railroad Crowd.
"Jesse Pryde. All those guys," I said, trying to match the matter-of-factness in Joe's voice.
Joe started to turn off the truck's ignition, but I grabbed his arm and blurted out, "Let's not go in." He gave me a puzzled look, so I added, "The car just got warm, and it looks pretty crowded at the moment."
He glanced at the bright yellow and pink lights of Yogurtland, which wasn't really crowded at all, then took his hand off the ignition and looked earnestly at me.
"Do you want to listen to some music? I just burned a new CD I think you'd like," he said. I nodded, and he grabbed a leather CD case, flipping through the sleeves until he found what he was looking for. "It's a mix," he said, and slid it into the player.
I didn't recognize the first song but liked it immediately.
"I like to drive dance to this one," said Joe. He grabbed the steering wheel and started moving his head and shoulders in a hopeless white-guy attempt at grooving out. I started laughing.
"What?" he asked. "You can't tell me you don't have a drive dance!"
"Of course I do," I said. "But mine has rhythm."
He reached out his hand and swatted me playfully on the head. Then he kept his hand there, hovering above me. Like now it had crossed into my territory and wasn't sure whether to head home or forge on.
It forged on. Slowly, Joe lowered his hand to my head, his fingers warm on my scalp. He ran them along a chunk of my hair that had escaped the headband, then tucked it behind my ear.
It was still cold enough in the truck that I could see my breath, and I looked over to see Joe's breath too. It was coming out of us at the same time, the same pace, and meeting in the s.p.a.ce between us. I could see the molecules twirl around each other. So now I fixed my eyes squarely on Joe, who looked terrified.
"I really want this, Laurel," he said, then audibly gulped. "You want this too, right?"
I nodded, but stayed still, determined that he should make the first move this time.
Joe leaned all the way toward me but kept his hands to himself now, offering just his face. I wasn't sure what he was doing until I felt his forehead on mine. We stayed that way for a few moments.
Finally, he kissed me, his lips warm and hesitant. Then I could feel him relaxing and giving himself over. I tried to do the same, coaching myself. You do want this! Now it's happening! Enjoy it!
I wasn't getting those fireworks I remembered from prom night, but we were touching again, and that was enough.
Joe twisted his body a bit, to get into a better position, then stopped and said, "This truck was not made for . . . this. The seats are too far apart."
"That's a design flaw you should write the company about."
He laughed, then reached for my seat belt and released it. "Can you come over here . . . with me?" he asked.
In three seconds I'd climbed over to his side and was sitting in his lap.
"So much better," he murmured. I felt Joe's arms completely around me now, cradling.
Yes. That's what I had in mind.
I almost sobbed from relief, but choked it down.
Joe blinked quickly, as if not sure I was really there, and said, "I would like to start doing this more often, if it's okay with you."
"It's okay with me."
He smiled. A pure, joy-filled smile, like a little boy opening a gift and discovering it was the one he desperately wanted.
"You're amazing, Laurel."