"Because I have hidden away your trousers."

Henri laughed, but he sobered quickly.

"If you wish me to be happy," he said, "take away that American photograph. But first, please to bring it here."

Jean brought it, holding it gingerly between his thumb and forefinger.

And Henri lay back and studied it.

"It is mademoiselle's fiance," he said.

Jean grunted.

"Look at it, Jean," Henri said in his half-bantering tone, with despair beneath it; "and then look at me. Or no--remembering me as I was when I was a man. He is better, eh? It is a good face. But there is a jaw, a--Do you think he will be kind to her as she requires? She requires much kindness. Some women--"

He broke off and watched Jean anxiously.

"A half face!" Jean said scornfully. "The pretty view! As for kindness--" He put the photograph face down on the table. "I knew once a man in Belgium who married an American. At Antwerp. They were most unhappy."

Henri smiled.

"You are lying," he said with boyish pleasure in his own astuteness.

"You knew no such couple. You are trying to make me resigned."

But quite a little later, when Jean thought he was asleep, he said: "I shall never be resigned."

So at last spring had come, and Henri and the great spring drive. The Germans had not drained the inundation, nor had they broken through to Calais. And it is not to be known here how much this utter failure had been due to the information Henri had secured before he was wounded.

One day in his bed Henri received a visit from the King, and was left lying with a decoration on his breast and a beatific, if somewhat sheepish, expression on his face. And one night the village was bombarded, and on Henri's refusing to be moved to the cellar Sara Lee took up a determined stand in his doorway, until at last he made a most humiliating move for safety.

Bit by bit Sara Lee got the story, its bare detail from Henri, its courage and sheer recklessness from Jean. It would, for instance, run like this, with Henri in a chair perhaps, and cutting dressings--since that might be done with one hand--and Sara Lee, sleeves rolled up and a great bowl of vegetables before her:

"And when you got through the water, Henri?" she would ask: "What then?"

"It was quite simple. They had put up some additional wire, however--"

"Where?"

"There was a break," he would explain. "I have told you--between their trenches. I had used it before to get through."

"But how could you go through?"

"Like a snake," he would say, smiling. "Very flat and wriggling. I have eaten of the dirt, mademoiselle."

Then he would stop and cut, very awkwardly, with his left hand.

"Go on," she would prompt him. "But they had put barbed wire there. Is that it? So you could not get through?"

"With tin cans on it, and stones in the cans. I thought I had removed them all, but there was one left. So they heard me."

More cutting and a muttered French expletive. Henri was not a particularly patient cripple. And apparently there was an end to the story.

"For goodness' sake," Sara Lee would exclaim despairingly; "so they heard you! That isn't all, is it?"

"It was almost all," he would say with his boyish smile.

"And they shot at you?"

"Even better. They shot me. That was this one." And he would point to his arm.

More silence, more cutting, a gathering exasperation on Sara Lee's part.

"Are you going on or not?"

"Then I pretended to be one of them, mademoiselle. I speak German as French. I pretended not to be hurt, but to be on a reconnoissance. And I got into the trench and we had a talk in the darkness. It was most interesting. Only if they had shown a light they would have seen that I was wounded."

By bits, not that day, but after many days, she got the story. In the next trench he slipped a sling over the wounded arm and, as a Bavarian on his way to the dressing station, got back.

"I had some trouble," he confessed one day. "Now and then one would offer to go back with me. And I did not care for a.s.sistance!"

But sometime later there was trouble. She was four days getting to that part of it. He had got behind the lines by that time, and he knew that in some way suspicion had been roused. He was weak by that time, and could not go far. He had lain hidden, for a day and part of a night, without water, in a destroyed barn, and then had escaped.

He got into the Belgian costume as before, but he could not wear a sling for his wounded arm. He got the peasant to thrust his helpless right hand into his pocket, and for two days he made a close inspection of what was going on. But fever had developed, and on the third night, half delirious, when he was spoken to by an officer he had replied, of all tongues, in English.

The officer shot him instantly in the chest. He fell and lay still and the officer bent over him. In that moment Henri stabbed him with a knife in his left hand. Men were coming from every direction, but he got away--he did not clearly remember how. And at dawn he fell into the Belgian farmhouse, apparently dying.

Jean's story, on the other hand, was given early and with no hesitation.

He had crossed the border at Holland in civilian clothes, by the simple expedient of bribing a sentry. He had got, with little difficulty, to the farmhouse, and found Henri, now recovering but very weak; he was lying hidden in a garret, and he was suffering from hunger and lack of medical attention. In a wagon full of market stuff, Henri hidden in the bed of it, they had got to the border again. And there Jean had, it seemed, stabbed the sentry he had bribed before and driven on to neutral soil.

Not an unusual story, that of Henri and Jean. The journey across Belgium in the springless farm wagon was the worst. They had had to take roundabout lanes, avoiding the main highways. Fortunately, always at night there were friendly houses, kind hands to lift Henri into warm fire-lighted interiors. Many messages they had brought back, some of cheer, but too often of tragedy, from the small farmsteads of Belgium.

Then finally had been Holland, and the chartering of a boat--and at last--"Here we are, and here we are, and here we are again," sang Henri, chopping at his cotton and making a great show of cheerfulness before Sara Lee.

But with Jean sometimes he showed the black depression beneath. He would never be a man again. He was done for. He gained strength so slowly that he believed he was not gaining at all. He was not happy, and the unhappy mend slowly.

After the time he had asked Jean to take away Harvey's photograph he did not recur to the subject, but he did not need to. Jean knew, perhaps even better than Henri himself, that the boy was recklessly, hopelessly, not quite rationally in love with the American girl.

Also Henri was fretting about his work. Sometimes at night, following Henri's instructions, Jean wandered quietly along roads and paths that paralleled the Front. At such times his eyes were turned, not toward the trenches, but toward that flat country which lay behind, still dotted at that time with groves of trees, with ca.n.a.ls overhung with pollard willows, and with here and there a farmhouse that at night took on in the starlight the appearance of being whole again.

Singularly white and peaceful were those small steadings of Belgium in the night hours--until cruel dawn showed them for what they were--skeletons of dead homes, clothed only at night with wraithlike roofs and chimneys; ghosts of houses, appearing between midnight and c.o.c.k crow.

Jean had not Henri's eyes nor his recklessness nor his speed, for that matter. Now and then he saw the small appearing and disappearing lights on some small rise. He would reach the spot, with such shelter as possible, to find only a sugar-beet field, neglected and unplowed.

Then, one night, tragedy came to the little house of mercy.

XX