'What he means is that Tatum and me, he doesn't understand the way we talk. When Tatum took on 44 my defense, he taught me a little Esperanto, like he does with all his clients like me. We put in some Esperanto words so what we're saying is confidential. Don't like that a.s.shole to hear everything. No rule against it.'

'No,' said Victoria, coming to her feet. She was uncertain what to say. She said, 'Hope you get your reprieve or whatever.'

'Don't bet a penny on it.'

'Well, I'd better let you see your attorney. Thanks, Mr. Yinger.'

He didn't bother to stand. 'If you got any more questions tomorrow, send them care of Somebody Up There.' He pointed the forefinger of his shackled hand upward.

'Okay,' she said. 'Thanks again.'

For Victoria Weston, getting into Green Haven prison had been hard enough. Getting away from it proved harder.

The main obstacle was her car. The rental service had given her a lemon. Try as she would, the car refused to start. A dead battery, a deputy superintendent surmised. There was no one available in the facility to a.s.sist her. She'd have to get help from the garage in Stormville.

Victoria tried. The sole repair truck in Stormville was out on another call. No telling when it would be back. She was advised to telephone a garage in Beekman. The only repair truck there was also out on an emergency call, but it would be back soon. It would be sent along. Just be patient, she was advised.

The wait was almost two hours, and it was dark when the repair truck came coughing to the floodlighted parking area in front of the prison. During that time Victoria had reviewed her jottings, reflected on her encounter with Sam Yinger, tried to determine a lead for her news feature. She had observed the comings and goings outside the prison, including the early departure of the man she presumed to be Yinger's attorney. All the while she had been supremely impatient.

Now she watched the youngster from the white repair truck trying to jump-start her car. It seemed endless. When he finally succeeded, and was putting away the jumper cables, she said, 'Can I leave now?'

'You'd better follow me back to the station,' the youngster said. 'If you try to get straight back to New York, I ain't guaranteeing you'll make it. If you stall -'

'What do you have to do to get me to New York?'

'Give the battery a quick charge. Just follow me.'

A losing battle, she knew. Her car was temporarily functioning and she slowly followed the crawling truck away from the prison wall and to the station in Beekman. When Victoria learned that it would take at least three quarters of an hour for a quick battery charge, she tried to buy a new battery. The station was sold out. Frustrated, she decided to call Ollie McAllister at the Record.

She had some difficulty getting through to the newspaper, but when she did she was connected with the managing editor immediately.

Agitated, she explained what had happened to the car and why there was a continuing delay.

45.

'Now I'm stuck in this nothing town,' she went on. 'I may not get out for an hour. After that I have to drive back. It took me most of three hours coming to the prison. It may take me as long returning. Would you prefer that I call the story in?'

McAllister remained calm. 'What kind of story is it? Did Yinger give you anything?'

She peeled through her notebook, stopped here and there to read McAllister the quotes.

'Not bad,' the managing editor conceded, 'but no hard news.'

'I think it's pretty interesting.'

'A sidebar, a human interest feature.'

'From an animal,' Victoria said.

'What?'

'Never mind. Yinger resents being called an animal. Do you want me to write it here and call it in to the news desk? Or just come back and write it at the paper?'

McAllister sounded strangely detached. 'Would you prefer to write it here?'

'Well, naturally. I'm in a gas station, in the middle of a bunch of oilcans. But I can do it if -'

'No rush, Vicky. I'll see that the bullpen editors have a summary. We'll make a place for you in the dummy. Even if you're as late as ten o'clock -'

Victoria peered at her wrist.w.a.tch. 'Oh, I won't be.'

'Even if you're that late, you can make the Late City Edition that rolls at midnight. If you miss that, there's two a.m. deadline for the cleanup edition.'

'I'll be there way before.'

'We're running a little behind tonight, anyway,' he said vaguely. 'So don't worry. You don't have to phone anything in. Just come home.'

'I'll be on my way soon. Be sure to alert Photo for some pictures of Sam Yinger - close-ups, I think -'.

'They're already on my desk.'

'Repeat - I'll be back soon.'

But it was not soon at all. Victoria's original relief that she did not have to phone the story in from the gas station was soon replaced by growing distress at her constantly delayed return to the city.

The recharging of the battery would have thrown Job into a fit. Then, using a map, she tried to reverse the route she had taken from Manhattan. Reading the map was like reading the Rosetta stone.

The early part of her journey through the Hudson Valley-went hummingly. Nearing the city, at night, she had to slow down. Before she crossed the Harlem River, she became confused by the maze of interchanges and constantly took a wrong turning and constantly was lost.

The third time she got badly lost, she left the Expressway and found an all-night Gulf station, determined to get the rest of the way right. As she walked toward the station, located at a busy intersection, she saw that there was a newsstand on the corner, and a number of pedestrians were 46 crowding about the elderly proprietor who was kneeling over a bundle of papers, distributing copies left and right. He was shouting something indistinctly, but she thought that she heard him use Yinger's name.

Curious, Victoria detoured toward the newsstand and the old man. It was the New York Record that he was selling and the front-page headline was bold: YINGER ESCAPES PRISON ON EVE OF EXECUTION The headline shocked her, and she moved quickly into the newly formed line for a copy of the paper. Biding her time, she could see piles of the New York Times, its front page without mention of the Yinger escape. There were copies of the New York Daily News and New York Post, and they were also Yingerless, but then they were earlier editions.

The New York Record alone had the sensational beat, and she had a copy in hand now, while paying the man.

She unfolded the front page and swiftly scanned the exclusive story. There it was. Yinger's incredible last-minute escape. His cell had been found empty at dinnertime. There had been some laxity in not spotting his flight earlier, the guards lulled by the fact that his cell was on Death Row.

Yinger had apparently wriggled down a vent pipe to a subbas.e.m.e.nt, found a tunnel beneath Green Haven prison, inched his way through the narrow tunnel and under the prison wall and, many yards beyond, had broken through the thin layer of turf and got away in the darkness. He might be armed and dangerous. There was evidence, an imprint in the soil, that suggested some excavating inmate had stashed a gun at the escape hatch. There was also evidence, footprints and other signs farther on, that Yinger had been headed south toward New York City. There was an all-points bulletin out for his capture and arrest. To Victoria, that meant that Sam Yinger would be shot on sight.

Going toward the filling station, Victoria's mind reeled at the turn of events. How could Yinger have known of that secret tunnel? Only two of them at the newspaper knew about it - she herself, and McAllister. And McAllister had known it was off the record. Nor would he have had reason - or the means - to convey the information to Yinger. Then she realized that she and McAllister had known because Gus Pagano had informed her about the tunnel. Pagano, of course. He was hardly what one would call a sterling character. He was a criminal. He would have sold the information for a payoff, and the information had gone to another convict on Death Row who had pa.s.sed it along to Yinger. And Yinger had acted fast and daringly. And successfully. Somehow the Record had it as an exclusive.

She caught another glimpse of the corner newsstand. More people gathering. More papers selling steadily. But only one paper was selling because it had the big story. The New York Record was a runaway tonight.

Somehow, she felt a pride in belonging.

Continuing to the station, she wondered if her interview with Sam Yinger meant anything anymore.

His pre-execution story had been fully supplanted by his freedom story. Her own interview would no longer be as newsworthy, Victoria realized, but it still might make a colorful sidebar. She must keep going and write that story.

47.

Once inside the filling station, she had a ten-minute wait before a gas pump attendant was free to help her. Again, an open map. Again, a Rosetta stone. But now the directions were clearer because her destination was nearer.

Eager to get to her story, eager to satisfy her curiosity about her paper's scoop, Victoria was on the run to her Chevrolet. She pulled away from the curb fast, but was soon enmeshed in heavy traffic and slowed to a crawl.

It was slightly after nine o'clock in the evening when she turned into Park Avenue and headed for the Armstead Building. She had rewritten the lead of her interview with Yinger a half-dozen times in her head, and even in light of the new development it worked. Nor was she worried about her tardiness. She recalled that McAllister had said the deadline for the Late City Edition was ten o'clock. Her dashboard clock promised her that there would be time enough to make it if she got straight to her desk and banged the story out.

By the time she was idling at the next stoplight, she was mentally rewriting her story one last time, editing out Yinger's foul language. Her mind reached the final paragraph: 'When asked whether there was anything he was interested in doing if he could get out of prison, Sam Yinger made it clear that there was only one reason he would like to be free. "I'd like revenge.

There were people who treated me unfair in the trial."' Victoria visualized the closing quote: '"I'm talking about the D.A___I never liked the way he talked about me to the jury ... He called me an animal... I'd like to show him you can't treat another human being like that. It's the only thing I'd like to be free for - to kill that Van Dusen."'

In those last seconds, a cold chill began to creep over Victoria's flesh.

Yinger was free right now, tonight.

He had a gun, and he was thought to be heading for New York.

If he was to be believed, he had only one animal motive to take him there. To kill. To kill for revenge. To kill District Attorney Van Dusen.

Victoria knew it, but no one else in the city knew it - least of all District Attorney Van Dusen.

In those seconds of realization, Victoria was immobilized by fright.

The horns of the cars behind her startled her into action. Aware that the spotlight had turned green, she stepped on the gas, moving her vehicle slowly until she could cut into the right-hand lane. At the first opportunity she spun off Park into a one-way street and searched for a telephone. Past Madison Avenue there were restaurants open, but no place to park. When she reached Fifth Avenue, she recalled there were two public telephones on a corner a block away. She swung into Fifth, followed the traffic, gratefully spotted the telephones outside the Doubleday Book Shop.

Desperately seeking a place to leave her car, she saw a cab draw away from the curb, and quickly slipped into the empty parking s.p.a.ce.

Shutting off the engine, she jumped out of the car and ran to the telephones. One was unoccupied.

She knew that she had plenty of small change.

Now she must keep her wits about her. Yinger was after District Attorney Van Dusen. She must locate Van Dusen. Not easy at this hour, but she must find him and warn him before it was too late.

48.

She started dialing. It was as if a Great Wall of Operators blocked her. Casual, unhurried operators, not interested in her frantic haste.

At last she had an operator at the Criminal Courts Building.

'Give me the district attorney's office,' Victoria begged. 'I've got to speak to Mr. Van Dusen. It's urgent.'

Another gum-chewing voice. 'He's not in. No one is. Hey, don't you know what time it is? Try tomorrow.'

'Tomorrow may be too late. Someone's life is involved.'

'Well, maybe I can find somebody to talk to you. Let me connect you with the supervisor in the complaint room. He's sure to be there. Hold on.'

There was a series of clicks. Some static.

A man's voice. Tired voice. 'Berger. Complaints.'

Victoria tried to keep her tone steady. 'I'm Victoria Weston. I'm a reporter on the New YoikRecord.

I must speak to the district attorney on an urgent matter -'

'I'm sorry, miss, you have the wrong department.'

' I've got to get hold of Mr. Van Dusen. It's important, I tell you.

'I'd suggest you try his office in the morning.'

'He may be dead in the morning.'

'We all may be,' said the supervisor cheerfully. 'Now if you have a legitimate complaint -'

'My complaint is that no one will help me contact the district attorney.'

'Forget about doing it tonight. He's at the testimonial dinner for the mayor at the Plaza.'

'Where?'

'The Grand Ballroom of the Plaza Hotel.'

Victoria thanked him, slammed the receiver down on the hook. The Plaza wasn't too far to make it on foot, but she reconsidered. Too far to walk in an emergency. She made for her car, and tried to find the quickest route to the Plaza.

Twelve minutes later she pulled up in front of the Fifty-ninth Street entrance to the Plaza. She gave her car (and a generous tip) to the uniformed doorman to park and hurried up the steps into the busy lobby of the Plaza. She lurched into an open and crowded elevator, calling out to be let off at the Grand Ballroom.

Emerging into the jammed marble foyer, she noted the time, ten-thirty, and noted dressy people leaving the ballroom. The mayor's dinner was just beginning to break up. She looked for a familiar face, an official face, and her eyes came to rest on a blue-uniformed policeman.

She clutched at the policeman's sleeve. 'Officer, can you help me?'