Miriam is so natural and gentle. She's already open to accepting me, giving her love to me. I know that I can learn a lot from her. We both cry for a while, soaking each other's shoulder, both with regret, though mine is a much different version from my sister's.

When we part I notice Dembi sitting at our feet. His arms encircle our legs, giving us unnoticed comfort. True anonymous charity.

Oblivious to the human drama, Rolly stretches out on the porch.

"Triplets," Dembi says.

Something about the forlorn sound of his voice makes both Miriam and me smile. We reach down at the same time and pull him into our circle.

I am nearly breathless from the strange emotions zinging through me. I feel as though I have my formidable trio back again.

Miriam lifts her head from the huddle.

"I hadn't heard from Anne...Karoline...for months. I called and there was never any answer."

I think of the deserted telephone in Karoline's room. We'd had separate lines for so many years that I hadn't even thought about it. She must have unplugged it that night. Had she anticipated what was going to happen?

"I assumed she couldn't handle Meme's condition."

I focus once again on Miriam.

"Who's Meme?"

Dembi heads excitedly for the front door, pulling me along. "Meme!"

"Wait, Dembi," Miriam says, her voice stern. "Let me tell Anne first."

"Anne?" He looks around, searching. I realize he expected Karoline to be standing there.

"I'm Anne, too," I tell him, pointing at myself. "Anne, too."

"Anne, too," he says, astounded. "Triplet Anne."

Miriam and I laugh together.

"Exactly," I say.

"Okay. See you."

He strides through the doorway with Rolly in his arms. The screen slams behind him. We hear him humming for a while as he traverses the hallway.

Miriam grasps my hand. She talks without looking at me. Facing the door, she lectures the facts. A distancing technique I recognize well.

"Our birth mother's name is Elizabeth Johnston."

Elizabeth. My adopted mother hadn't truly given up on her sister after all.

"She was a beautiful girl, known as Libby. She grew up on this farm. A free spirit, really, not very smart, always loose and running through the fields. I get the impression that her parents drank a great deal and didn't pay too much attention to their offspring. They were tobacco farmers and made a really good living, but they liked a good time a little too much. You can see they had money..."

She waves her hand over the landscape and the rambling house.

"But they pretty much drank it away. Anyhow, Libby became pregnant several times over the years, beginning at fourteen years of age. In all she birthed twelve children."

I gasp and she squeezes my hand.

"Some of the kids were a product of incest. Her brothers probably and an uncle or two apparently. Libby always told everyone that each time, she'd been raped. And maybe some of those times she was. Karoline was able to contact only two of our other nine siblings. Four of them are in institutions of one kind or another. Mentally deficient mostly, unable to care for themselves."

"That's awful. How could children's services let that happen?"

"I don't think they paid much attention to what was happening around Vryheid," Miriam says. "And there wasn't much they could do anyway. They did take her babies away, most of the time. We were her last. She kept Dembi. I assume Family Services took me...and you."

"No, our aunt raised me. Vera. Her daughter is Elizabeth, too. I thought they were my mother and sister until a few months ago. Elizabeth was the one who gave me this address. She showed me some early pictures, too, ones that our...her mother had stashed away. The Williamses never did tell me I was adopted."

Miriam shakes her head sorrowfully.

"And Karoline never..."

I change the subject.

"Where are the two siblings she contacted?"

"One, a brother, is in New York and the other, a sister, lives in British Columbia. Neither of them wants anything to do with their birth family. One more sister is dead. Karoline couldn't find the other two. We must've been spread far and wide."

"Why do you and Dembi call her Meme?"

"I think it's a twist of grandmother and mother in French. That's what Dembi always called her. Meme talks a lot about a French Canadian named Larue, asks for him every day. He's been dead for a few years now but sometimes she forgets that he's gone. When I first arrived and she was more lucid, she told me Larue was like a father to Dembi. Maybe he was our father. I'm still not sure on that point. Dembi doesn't seem to remember him, though, so he must have died pretty young."

"Is Meme...mentally deficient?"

"Well, she was always slow, but this is what I wanted to tell you before you see her. She's dying of cancer. She was diagnosed nearly a year ago. Around the time Karoline stopped coming. Meme was doing pretty well at first. Didn't seem to have much trouble with the radiation and even the chemo. Then about three months ago everything seemed to catch up to her. That's when I came to stay here full time. She needs round-the-clock care and she really can't afford it."

"My sister-our cousin Elizabeth, I should say-she was under the impression they were pretty well off and that the farm was still producing."

"It is. They very wisely switched to ginseng around here when tobacco started to be taboo. But most of this land no longer belongs to the Johnston family. Meme's parents sold it off bit by bit. All except this parcel where the house stands."

"Are you a nurse, Miriam?"

"No, I'm actually a massage therapist." She smiles in a self-deprecating way. "The Victorian Order of Nurses drops by three times a week and the local doctor comes once in a while. The rest of the time we've been coping."

Miriam leads me down the front steps, where she points in every direction.

"The fields on either side of us are leased to a couple of farmers who grow the ginseng. Other than that, it's all been sold off. The abandoned area behind the house used to be Vryheid..."

"Yes, I took the Vryheid road to get here."

Miriam laughs. "I'm amazed you found it."

I can barely see the laneway on which I'd driven. It quickly disappears into the clump of trees that form a tunnel over the road. The little forest actually hugs the sides of the ridge.

Miriam waves toward the road above us.

"You probably noticed all the homes they've built around the area. That road is the access for them, but you can get to the farmhouse, too. You have to go past it, then circle back for a bit on the dirt road."

I gaze around the small plot of land on which the house stands and remember the black and white pictures of drunken carelessness. We walk toward the back of the house. Off in the distance I can see where the land slopes downward toward a river.

"That's the Grand River," Miriam says.

It's a wide, tumultuous river that curves out of sight and is bounded on both sides by the short cliffs. I wonder how much erosion will be necessary before the farmhouse is threatened.

"Behind those trees on the other side of the river is Vryheid. It was a little settlement of black and native people. I have no idea who owns it now."

All I can see is a dense forest, deciduous and evergreens entwined with bushes and vines.

"Karoline did a lot of research on our family. Which of course she passed off as her own history. Our mother grew up here. Had her babies here. And now she's going to die here."

"I'm finding this story so bizarre, Miriam. Sad, weird...I just have no idea how to react."

Finally she looks at me.

"You and me both. When Anne first...when Karoline contacted me and I came out here I couldn't believe any of it. But there was Dembi, whom I obviously could not deny, though at first I did think he could be a doppelganger. Of course Meme greeted me with such love and enthusiasm I couldn't turn away. You are the icing on the cake."

I can't help myself, I laugh.

"No wonder you fainted. This is spectacularly odd. We'll have to write a book."

Then I realize I skipped over the part where our mother is dying.

"I'm sorry about Meme. No one deserves that."

"You're right. I have to admit that I wasn't sure I could ever love her as a mother-she's too childlike for that-but since I began taking care of her I've come to admire her strength and courage. Which is a kind of love."

"Definitely. Do you think it will be too much for her if she sees me?"

"No, I think it'll be okay. I'm surprised she didn't mention you. She's been telling me all kinds of things that I wonder about."

"Is it okay if I ask what things?"

Miriam pauses. "I'll tell you everything later. Let's go see Meme before Dembi wonders what's going on."

We head back to the farmhouse and Miriam opens the door into an enormous country kitchen. The house is as rambling on the inside as it appears from the outside. Several connecting hallways lead to more rooms, an old-fashioned parlor, another living area, lots of bedrooms and bathrooms. A hodgepodge of nooks and crannies, both large and small, appear everywhere.

It's as though our grandparents constructed a room for every whim. Company came and stayed. They built a bedroom. The well was deep and strong, another bathroom. A significant birthday approached, a large open space was called for.

I wonder how Miriam can live here. It's large and spooky, with dozens of doors that lead into open fields or wooded enclosures or forest.

I am reluctant to enter the room of a sick woman. I've never had the experience of seeing someone who is dying of cancer. What if I can't handle it?

Miriam, bless her kind soul, sees my hesitation and gives me a reassuring squeeze.

"It won't be easy, Anne, but you can do it. I'll be right there with you and if you have to leave quickly, that's okay. The first time is the shock, then you'll get used to it."

She's right about the first time being a shock. My initial reaction is to the smell. The air in the room is sour, musty, like wet blankets and sweaty clothing. Underlying that is an odor of decay. A pungent assault on my nostrils as though I am absorbing the dying cells of my birth mother. I only prevent gagging by putting my sleeve to my nose as I stand in the doorway. I stare around with bulging eyes, unable to dredge up any compassion. Instead I feel a visceral fear tingle along my spine, a terror of ever dying this way.

The bedroom is fairly large with a greasy window shuttered by a grey blind. No one has changed the wallpaper since the 1970's by the look of the faded flowers trailing up to the ceiling. There's no overhead light and, despite the sunshine outside, it's dim and dingy. An old four-poster bed stands in the middle of the room. Oak, I think. Very old. Probably worth a fortune.

Surely the thing that lies here cannot be human, or at least not alive. Her skeleton is visible through the opacity of skin that has shrunk to adhere directly to her bones. She is so tiny that she appears to be a grotesque doll. Even her breathing is so shallow and ragged that it emits a mechanical, inhuman sound. Her emaciated chest rises minutely every now and then.

Her eyes flutter behind closed lids, darting back and forth. Thoughts? Nightmares? Her lips are a bluish color despite the oxygen mask obscuring much of her face. Long skeletal fingers lie across her breast in a coffin pose.

The smell is fierce as Miriam leads me closer. I keep my arm across my nose, breathing in the cottony fragrance of my blouse.

Meme is uncovered. Her spindly legs poke through a flimsy nightgown, which is pulled up around her stomach to expose her diaper. Suddenly another smell mingles with the sourness of death. I have to bite down on my sleeve to keep from vomiting or crying out. This is awful.

Just as we shuffle alongside the bed, Miriam pulling me forward because I am glued to her arm, Meme opens her eyes.

Her reaction reminds me of that picture of a wide-open skeletal figure. The Scream, I think it's called. Except in this case, a ragged dry sound shudders from behind the mask. The mouth opens and closes. A fish gasping for water.

Miriam is clearly confused about what to do. I, on the other hand, do not hesitate. I turn and run out of the room.

Dear Diary, Giulio always said she was a lot smarter than we gave her credit for. Somehow I doubt that. She might be as smart as a monkey, since she's always copying whatever I say or do.

Chapter 16.

We walk along the river in a bright yellow sun that broils our heads whenever we saunter out from under the trees. Huge bushy oaks and maples spread their thick limbs toward the sky and over the water, casting shadows over weeds and waves.

Although the noise is different it's just as deafening as the traffic outside my Los Angeles office. The birds screech in rage, hundreds of them it seems, clinging to the branches yet poised for flight. Squirrels and chipmunks scatter as we tramp along, ranting messages of alarm. And above all, the sound of rapids roars in our ears.

The river is wide, dark and ferocious. It races past, knocks over displaced branches. Pries rocks loose from the bank. Just ahead the water splashes over a small concrete dam, tumbles once, twice, in two mini waterfalls. The sound of the stream smashing against the bottom is a rush of wind in my eardrums.

Dembi leads the way. He pokes through the fallen branches and weeds with his enormous shepherd's walking stick. He's as tall as I am, so his dark head is easily visible through the leaves as I follow confidently in his footsteps. He leads me from the farmhouse down a steep path to the riverside.

"The Grand," he says proudly, as though he discovered it.

Where the river narrows, just before it careens off in another direction, a sturdy little wooden bridge connects farmhouse land to the other side. We are on our way to the former village of Vryheid.

The night before, I gave in to Miriam's insistence that I stay with them overnight. Meme did settle down without a sedative. The disturbance of my presence hadn't lasted.

"You don't have to see her," Miriam said, "nor she you. I was wrong. Obviously seeing two of us was a shock. Maybe she'll get over it. But the house is big enough that you don't have to go near her. We have lots of bedrooms. I'll show you."

As much as the place makes me shiver I acquiesced to her desire to have me stay with them for a night or two. It's the only way to get to know one another, she said. And I suppose she is right.

Miriam chose a beautiful room for me that's obviously been redecorated in the last century. It's painted a light soothing green, adorned with white crown molding and baseboards. Devoid of any wall hangings it is nevertheless well furnished. A canopy bed, an ornate dresser with brass knobs, an old-fashioned washstand with an original bowl and pitcher still sitting in the sink. Situated in the L of the wing closest to the kitchen, my room is surrounded by huge windows that have not been updated. They slide open and shut without a creak, and, to my relief, the latches still work.