Guy staggered slightly, and the stagger enraged him.

"I think Anne's beautiful," Bruno remarked pleasantly.

"If I see you talking with her again, I'll kill you."

Bruno's smile went slack, then came back even broader. "Is that a threat, Guy?"

"That's a promise."

Half an hour later, Bruno passed out back of the sofa where he and Anne had been sitting. He looked extremely long on the floor, and his head tiny on the big hearthstone. Three men picked him up, then didn't know what to do with him.

"Take hima"I suppose to the guest room," Anne said.

"That's a good omen, Anne," Helen laughed. "Somebody's supposed to stay overnight at every housewarming, you know. First guest!"

Christopher Nelson came over to Guy. "Where'd you dig him up? He used to pass out so often at the Great Neck Club, he can't get in anymore."

Guy had checked with Teddy after the wedding. Teddy hadn't invited Bruno, didn't know anything about him, except that he didn't like him.

Guy climbed the steps to the studio, and closed the door. On his work table lay the unfinished sketch of the cockeyed department store that conscience had made him take home to complete this weekend. The familiar lines, blurred now with drinking, almost made him sick. He took a blank sheet of paper and began to draw the building they wanted. He knew exactly what they wanted. He hoped he could finish before he became sick, and after he finished be as sick as a dog. But he wasn't sick when he finished. He only sat back in his chair, and finally went and opened a window.

Thirty-three.

The department store was accepted and highly praised, first by the Hortons and then by the client, Mr. Howard Wyndham of New Rochelle, who came into the office early Monday afternoon to see the drawing. Guy rewarded himself by spending the rest of the day smoking in his office and thumbing through a morocco-bound copy of Religio Medici he had just bought at Brentano's to give Anne on her birthday. What assignment would they give him next, he wondered. He skipped through the book, remembering the passages he and Peter had used to likea the man without a navel yet lives in mea What atrocity would he be asked to do next? He had already fulfilled an assignment. Hadn't he done enough? Another thing like the department store would be unbearable. It wasn't self-pity, only life. He was still alive, if he wanted to blame himself for that. He got up from the drawing table, went to his typewriter, and began his letter of resignation.

Anne insisted they go out and celebrate that evening. She was so glad, so overflowing with gladness, Guy felt his own spirits lifting a little, uncertainly, as a kite tries to lift itself from the ground on a still day. He watched her quick, slender fingers draw her hair tight back at the sides and close the bar pin over it in back.

"And, Guy, can't we make the cruise now?" she asked as they came down into the living room.

Anne still had her heart set on the cruise down the coast in the India, the honeymoon trip they had put off. Guy had intended to give all his time to the drafting rooms that were doing his hospital drawings, but he couldn't refuse Anne now.

"How soon do you think we can leave? Five days? A week?"

"Maybe five days."

"Oh, I just remember," she sighed. "I've got to stay till the twenty-third. There's a man coming in from California who's interested in all our cotton stuff."

"And isn't there a fashion show the end of this month?"

"Oh, Lillian can take care of that." She smiled. "How wonderful of you to remember!"

He waited while she pulled the hood of her leopard coat up about her head, amused at the thought of her driving a hard bargain with the man from California next week. She wouldn't leave that to Lillian. Anne was the business half of the shop. He saw the long-stemmed orange flowers on the coffee table for the first time. "Where"d these come from?" he asked.

"Charley Bruno. With a note apologizing for passing out Friday night." She laughed. "I think it's rather sweet."

Guy stared at them. "What kind are they?"

"African daisies." She held the front door open for him, and they went on out to the car.

She was flattered by the flowers, Guy thought. But her opinion of Bruno, he also knew, had gone down since the night of the party. Guy thought again of how bound up they were now, he and Bruno, by the score of people at the party. The police might investigate him any day. They would investigate him, he warned himself. And why wasn't he more concerned? What state of mind was he in that he could no longer say even what state it was? Resignation? Suicide? Or simply a torpor of stupidity?

During the next idle days he was compelled to spend at Horton, Horton and Keese to launch the drawings of the department store interior, he even asked himself whether he could be mentally deranged, if some subtle madness had not taken possession of him. He remembered the week or so after the Friday night, when his safety, his existence, had seemed to hang in a delicate balance that a failure of nerve might upset in a second. Now he felt none of that. Yet he still dreamt of Bruno invading his room. If he woke at dawn, he could still see himself standing in the room with the gun. He still felt that he must, and very soon, find some atonement for what he had done, some atonement for which no service or sacrifice he could yet envisage sufficed. He felt rather like two people, one of whom could create and feel in harmony with God when he created, and the other who could murder. "Any kind of person can murder," Bruno had said on the train. The man who had explained the cantilever principle to Bobbie Cartwright two years ago in Metcalf? No, nor the man who had designed the hospital, or even the department store, or debated half an hour with himself over the color he would paint a metal chair on the back lawn last week, but the man who had glanced into the mirror just last night and had seen for one instant the murderer, like a secret brother.

And how could he sit at his desk thinking of murder, when in less than ten days he would be with Anne on a white ship? Why had he been given Anne, or the power to love her? And had he agreed so readily to the cruise only because he wanted to be free of Bruno for three weeks? Bruno, if he wanted to, could take Anne from him. He had always admitted that to himself, always tried to face it. But he realized that since he had seen them together, since the day of the wedding, the possibility had become a specific terror.

He got up and put on his hat to go out to lunch. He heard the switchboard buzz as he crossed the lobby. Then the girl called to him.

"Take it from here if you like, Mr. Haines."

Guy picked up the telephone, knowing it was Bruno, knowing he would agree to Bruno's seeing him sometime today. Bruno asked him to have lunch, and Guy promised to meet him at Marios Villa d'Este in ten minutes.

There were pink and white patterned drapes in the restaurants window. Guy had a feeling that Bruno had laid a trap, that detectives would be behind the pink and white curtain, but not Bruno. And he didn't care, he felt, didn't care at all.

Bruno spotted him from the bar and slid off his stool with a grin. Guy walking around with his head in the air again, he thought, walking right by him. Bruno laid his hand on Guy's shoulder.

"Hi, Guy. I've got a table the end of this row."

Bruno was wearing his old rust-brown suit. Guy thought of the first time he had followed the long legs, down the swaying train to the compartment, but the memory brought no remorse now. He felt, in fact, well-disposed toward Bruno, as he sometimes did by night, but never until now by day. He did not even resent Bruno's evident gratification that he had come to lunch with him.

Bruno ordered the cocktails and the lunch. He ordered broiled liver for himself, because of his new diet, he said, and eggs Benedict for Guy, because he knew Guy liked them. Guy was inspecting the table nearest them. He felt a puzzled suspicion of the four smartly dressed, fortyish women, all of whom were smiling with their eyes almost closed, all of whom lifted cocktail glasses. Beyond them, a well-fed, European-looking man hurled a smile across the table at his invisible companion. Waiters scurried zealously. Could it all be a show created and enacted by madmen, he and Bruno the main characters, and the maddest of all? For every movement he saw, every word he heard, seemed wrapped in the heroic gloom of predestination.

"Like *em?" Bruno was saying. "I got *em at Clyde's this morning. Best selection in town. For summer anyway."

Guy looked down at the four tie boxes Bruno had opened in their laps. There were knitted, silk and linen ties, and a pale lavender bowtie of heavy linen. There was a shantung silk tie of aqua, like a dress of Anne's.

Bruno was disappointed. Guy didn't seem to like them. "Too loud? They're summer ties."

"They're nice," Guy said.

"This is my favorite. I never saw anything like this." Bruno held up the white knitted tie with the thin red stripe down the center. "Started to get one for myself, but I wanted you to have it. Just you, I mean. They're for you, Guy."

"Thanks." Guy felt an unpleasant twitch in his upper lip. He might have been Bruno's lover, he thought suddenly, to whom Bruno had brought a present, a peace offering.

"Here's to the trip," Bruno said, lifting his glass.

Bruno had spoken to Anne this morning on the telephone, and Anne had mentioned the cruise, he said. Bruno kept telling him, wistfully, how wonderful he thought Anne was.

"She's so pure-looking. You certainly don't see aa"a kind-looking girl like that very often. You must be awfully happy, Guy." He hoped Guy might say something, a phrase or a word, that would somehow explain just why he was happy. But Guy didn't say anything, and Bruno felt rebuffed, felt the choking lump traveling from his chest up to his throat. What could Guy take offense at about that? Bruno wanted very much to put his hand over Guy's fist, that rested lightly on the edge of the table, just for a moment as a brother might, but he restrained himself. "Did she like you right away or did you have to know her a long time? Guy?"

Guy heard him repeat the question. It seemed ages old. "How can you ask me about time? It's a fact." He glanced at Bruno's narrow, plumpening face, at the cowlick that still gave his forehead a tentative expression, but Bruno's eyes were vastly more confident than when he had seen them first, and less sensitive. Because he had his money now, Guy thought.

"Yeah. I know what you mean." But Bruno didn't, quite. Guy was happy with Anne even though the murder still haunted him. Guy would be happy with her even if he were broke. Bruno winced now for even having thought once that he might offer Guy money. He could hear the way Guy would say, "No," with that look of drawing back in his eyes, of being miles away from him in a second. Bruno knew he would never have the things Guy had no matter how much money he had or what he did with it. Having his mother to himself was no guarantee of happiness, he had found out. Bruno made himself smile. "You think Anne likes me all right?"

"All right."

"What does she like to do outside of designing? Does she like to cook? Things like that?" Bruno watched Guy pick up his martini and drain it in three swallows. "You know. I just like to know the kind of things you do together. Like take walks or work crossword puzzles."

"We do things like that."

"What do you do in the evenings?"

"Anne sometimes works in the evenings." His mind slid easily, as it never had before with Bruno, to the upstairs studio where he and Anne often worked in the evenings, Anne talking to him from time to time, or holding something up for him to comment on, as if her work were effortless. When she dabbled her paintbrush fast in a glass of water, the sound was like laughter.

"I saw her picture in Harper's Bazaar a couple months ago with some other designers. She's pretty good, isn't she?"

"Very good."

"Ia"" Bruno laid his forearms one above the other on the table. "I sure am glad you're happy with her."

Of course he was. Guy felt his shoulders relax, and his breathing grow easier. Yet at this moment, it was hard to believe she was his. She was like a goddess who descended to pluck him from battles that would certainly have killed him, like the goddesses in mythology who saved the heroes, yet introduced an element at the end of the stories that had always struck him, when he read them as a child, as extraneous and unfair. In the nights when he could not sleep, when he stole out of the house and walked up the rock hill in pajamas and overcoat, in the unchallenging, indifferent summer nights, he did not permit himself to think of Anne. "Dea ex machina," Guy murmured.

"What?"

Why was he sitting here with Bruno, eating at the same table with him? He wanted to fight Bruno and he wanted to weep. But all at once he felt his curses dissolve in a flood of pity. Bruno did not know how to love, and that was all he needed. Bruno was too lost, too blind to love or to inspire love. It seemed all at once tragic.

"You've never even been in love, Bruno?" Guy watched a restive, unfamiliar expression come into Bruno's eyes.

Bruno signaled for another drink. "No, not really in love, I guess." He moistened his lips. Not only hadn't he ever fallen in love, but he didn't care too much about sleeping with women. He had never been able to stop thinking it was a silly business, that he was standing off somewhere and watching himself. Once, one terrible time, he had started giggling. Bruno squirmed. That was the most painful difference he felt separating him and Guy, that Guy could forget himself in women, had practically killed himself for Miriam.

Guy looked at Bruno, and Bruno lowered his eyes. Bruno was waiting, as if for him to tell him how to fall in love. "Do you know the greatest wisdom in the world, Bruno?"

"I know a lot of wisdoms," Bruno smirked. "Which one do you mean?"

"That everything has its opposite close beside it."

"Opposites attract?"

"That's too simple. I meana"you give me ties. But it also occurred to me you might have the police waiting for me here."

"Fa' Christ's sake, Guy, you're my friend!" Bruno said quickly, suddenly frantic. "I like you!"

I like you, I don't hate you, Guy thought. But Bruno wouldn't say that, because he did hate him. Just as he would never say to Bruno, I like you, but instead, I hate you, because he did like him. Guy set his jaw, and rubbed his fingers back and forth across his forehead. He could foresee a balance of positive and negative will that would paralyze every action before he began it. Such as that, for instance, that kept him sitting here. He jumped up, and the new drinks splashed on the cloth.

Bruno stared at him in terrified surprise. "Guy, what's the matter?" Bruno followed him. "Guy, wait! You don't think I'd do a thing like that, do you? I wouldn't in a million years!"

"Don't touch me!"

"Guy!" Bruno was almost crying. Why did people do these things to him? Why? He shouted on the sidewalk: "Not in a million years! Not for a million dollars! Trust me, Guy!"

Guy pushed his hand into Bruno's chest and closed the taxi door. Bruno would not in a million years betray him, he knew. But if everything were as ambiguous as he believed, how could he really be sure?

Thirty-four.

a"What's your connection with Mrs. Guy Haines?"

Bruno had expected it. Gerard had his latest charge accounts, and this was the flowers he had sent Anne. "Friend. Friend of her husband."

"Oh. Friend?"

"Acquaintance." Bruno shrugged, knowing Gerard would think he was trying to brag because Guy was famous.

"Known him long?"

"Not long." From his horizontal slump in his easy chair, Bruno reached for his lighter.

"How'd you happen to send flowers?"

"Feeling good, I guess. I was going to a party there that night."

"Do you know him that well?"

Bruno shrugged again. "Ordinary party. He was one of the architects we thought of when we were talking about building a house." That had just popped out, and it was rather good, Bruno thought.

"Matt Levine. Let's get back to him."

Bruno sighed. Skipping Guy, maybe because he was out of town, maybe just skipping him. Now Matt Levinea"they didn't come any shadier, and without realizing it might be useful, he had seen a lot of Matt before the murder. "What about him?"

"How is it you saw him the twenty-fourth, twenty-eighth, and thirtieth of April, the second, fifth, sixth, seventh of March, and two days before the murder?"

"Did I?" he smiled. Gerard had had only three dates the last time. Matt didn't like him either. Matt had probably said the worst. "He was interested in buying my car."

"And you were interested in selling it? Why, because you thought you'd get a new one soon?"

"Wanted to sell it to get a little car," Bruno said obliviously. "The one in the garage now. Crosley."

Gerard smiled. "How long have you known Mark Lev?"

"Since he was Mark Levitski," Bruno retorted. "Go back a little farther and you'll find he killed his own father in Russia." Bruno glared at Gerard. The "own" sounded funny, he shouldn't have said it, but Gerard trying to be smart with the aliases!

"Matt doesn't care for you either. What's the matter, couldn't you two come to terms?"

"About the car?"

"Charles," Gerard said patiently.

"I'm not saying anything." Bruno looked at his bitten nails, and thought again how well Matt matched Herbert's description of the murderer.