One shot!

The Witch sucked breath.

Jim, in the Wax Museum, sucked breath.

As did Will, asleep.

As did his father.

As did Mr. Dark.

As did all the freaks.

As did the crowd.

The Witch screamed.

Jim among the wax dummies, blew all the air from his lungs.

Will shrieked himself awake, on the platform.

The Illustrated Man let the air from his mouth in a great angry bray, whipping up his hands to stop all events. But the Witch fell. She fell off the platform. She fell in the dust.

The smoking rifle in his one good hand, Charles Halloway let his breath go slow, feeling every bit of it move from him. He still stared along the rifle sights at the target where the woman had been.

At the platform rim, Mr. Dark looked down at the screaming crowd and what they were screaming about.

'She's fainted -'

'No. She slipped!'

'She's... shot!'

At last Charles Halloway came to stand by the Illustrated Man, looking down. There were many things in his face: surprise, dismay, and some small strange relief and satisfaction.

The woman was lifted and put on the platform. Her mouth was frozen open, almost with a look of recognition.

He knew she was dead. In a moment, the crowd would know. He watched the Illustrated Man's hand move down to touch, trace, feel for life. Then Mr. Dark lifted both her hands, like a doll, in some marionette strategy, to give her motion. But the body refused.

So he gave one of the Witch's arms to the Dwarf, the other to the Skeleton, and they shook and moved them in a ghastly semblance of reawakening as the crowd backed.

'... dead'

'But... there's no wound.'

'Shock, you think? '

Shock, thought Charles Halloway, my God, did that that kill her? Or the other bullet? When I fired the shot, did she suck the kill her? Or the other bullet? When I fired the shot, did she suck the other other bullet down her throat? Did she... choke on my smile! Oh, Christ! bullet down her throat? Did she... choke on my smile! Oh, Christ!

'It's all right! Show's over! Just fainted!' said Mr. Dark. 'All an act! All part of the, show,' he said, not looking at the woman, not looking at the crowd, but looking at Will, who stood blinking around, out of one nightmare and fresh into the next as his father stood with him and Mr. Dark cried: 'Everyone home! Show's over! Lights! Lights!'

The carnival lights flickered.

The crowd, herded before the failing illumination, turned like a great carousel and as the lamps dimmed, hustled toward the few remaining pools of light as if to warm themselves there before braving the wind. One by one, one by one, the lights indeed were going off.

'Lights!' said Mr. Dark.

'Jump!' said Will's father.

Will jumped. Will ran with his father who still carried the, weapon that had fired the, smile that had killed the Gypsy and put her to dust.

'Is Jim in there?'

They were at the maze. Behind them, on the platform, Mr. Dark bellowed: 'Lights! Go home! All over. Done!'

'Is Jim in there?' wondered Will. 'Yes. Yes, he is!' Jim in there?' wondered Will. 'Yes. Yes, he is!'

Inside the Wax Museum, Jim still had not moved, had not blinked.

'Jim!' The voice came through the maze.

Jim moved. Jim blinked. A rear exit door stood wide. Jim blundered toward it.

'I'm coming for you, Jim!'

'No, Dad!'

Will caught at his father, who stood at the first turn of the mirrors with the pain come back to his hands racing up along the nerves to strike a fireball near his heart. 'Dad, don't go in!' Will gabbed his good arm.

Behind them, the platform was empty, Mr. Dark was running... where? Somewhere as the night shut in, the lights went off, went off, went off, the night sucked around, gathering, whistling, simpering, and the crowd, like a shake of leaves from one huge tree, blew off the midway, and Will's father stood facing the glass tides, the waves, the gauntlet of horror he knew waited for him to swim through, stride through to fight the desiccation, the annihilation of one's self that waited there. He had seen enough to know. Eyes shut, you'd be lost. Eyes open, you'd know such utter despair, such gravities of anguish would weight you, you might never drag past the twelfth turn. But Charles Halloway took Will's hands away. 'Jim's there. Jim, wait! I'm coming in!'

And Charles Halloway took the next step into the maze.

Ahead flowed sluices of silver light, deep slabs of shadow, polished, wiped, rinsed with images of themselves and others whose souls, passing, scoured the glass with their agony, curried the cold ice with their narcissism, or sweated the angles and flats with their fear.

'Jim!'

He ran. Will ran. They stopped.

For the lights in here were going blind, one by one, going dim, changing color, now blue, now a color like lilac summer lightning which flared in haloes, then a flickerlight like a thousand ancient windblown candles.

And between himself and Jim in need of rescue, stood an army of one million sick-mouthed, frost-haired, white-tine-bearded men.

Them! all of them! he thought. That's me! me!

Dad! thought Will, at his back, don't be afraid. It's only you. All only my father!

But he did not like their look. They were so old, so very old, and got much older the farther away they marched, wildly gesticulating, as Dad threw up his hands to fend off the revelation, this wild image repeated to insanity.

Dad! he thought, it's you!

But, it was more.

And all the lights went out.

And both, squeezed still, in muffle-gasping silence, stood afraid.

49

A hand dug like a mole in the dark.

Will's hand.

It emptied his pockets, it delved, it rejected, it dug again. For while it was dark he knew those million old men might march, hustle, rush, leap, smash Dad with what they were! were! In this shut-up night, with just four seconds to think of them, they might do In this shut-up night, with just four seconds to think of them, they might do anything anything to Dad! If Will didn't hurry, these legions from Time Future, all the,alarms of coming life, so mean, raw, and true you couldn't deny that's how Dad'd look tomorrow, next day, the day after the day after that, that cattle run of possible years might sweep Dad under! to Dad! If Will didn't hurry, these legions from Time Future, all the,alarms of coming life, so mean, raw, and true you couldn't deny that's how Dad'd look tomorrow, next day, the day after the day after that, that cattle run of possible years might sweep Dad under!

So, quick!

Who has more pockets than a magician?

A boy.

Whose pockets contain more more than a magician's? than a magician's?

A boy's.

Will seized forth kitchen matches!

'Oh God, Dad, here!'

He struck the match.

The stampede was close!

They had come running. Now, fixed by light, they widened their eyes, as did Dad, amazed their mouths at their own ancient quakes and masquerades. Halt! the match had cried. And platoons left, squads right, had stilt-muscled themselves to fitful rest, to baleful glare, itching for the match to whiff out. Then, given lease to run next time, they'd hit this old, very old, much older, terribly old man, suffocate him with Fates in one instant.

'No!' said Charles Halloway.

No. A million dead lips moved.

Will thrust the match forward. In the mirrors, a wizened multiplication of boy-apes did likewise, posing a single rosebud of blue-yellow flame.

'No!'

Every glass threw javelins of light which invisibly pierced, sank deep, found heart, soul, lungs, to frost the veins, cut nerves, send Will to ruin, paralyze and then kick-football heart. Hamstrung, the old old man foundered to his knees, as did his suppliant images, his congregation of terrified selves one week, one month, two years, twenty, fifty, seventy, ninety years from now! every second, minute, and long-after-midnight hour of his possible survival into insanity, there all sank grayer, more yellow as the mirrors ricocheted him through, bled him lifeless, mouthed him dry, then threatened to whiff him to skeletal dusts and litter his moth ashes to the floor.

'No!'

Charles Halloway struck the match from his son's hand. 'Dad, don't.'

For in the new dark, the restive herd of old men shambled forward, hearts hammering.

'Dad, we gotta see! see!'

He struck his second and final match.

And in the flare saw Dad sunk down, eyes clenched, fists tight, and all those other men who would have to shunt, crawl, scramble on knees once this last light was gone. Will grabbed his father's shoulder and shook him.

'Oh, Dad, Dad, I don't care how old you are, ever! I don't care what, I don't care anything! Oh, Dad,' he cried, weeping. 'I love you!'

At which Charles Halloway opened his eyes and saw himself and the others like himself and his son behind holding him, the flame trembling, the tears trembling on his face, and suddenly, as before, the image of the Witch, the memory of the library, defeat for one, victory for another, swam before him, mixed with sound of rifle, shot, flight of marked bullet, surge of fleeing crowd.

For only a moment longer he looked at all of himselves, at Will. A small sound escaped his mouth. A little larger sound escaped his mouth.

And then, at last, he gave the maze, the mirrors, and all Time ahead, Beyond, Around, Above, Behind, Beneath or squandered inside himself, the only answer possible.

He opened his mouth very wide, and let the loudest sound of all free.

The Witch, if she were alive, would have known that sound, and died again.

50

Jim Nightshade, out the back door of the maze lost on the carnival grounds, running, stopped.

The Illustrated Man, somewhere among the black tents, running, stopped.

The Dwarf froze.

The Skeleton turned.

All had heard.

Not the sound that Charles Halloway made, no.