So, when my precious aunt was done, My grandsire brought her back; (By daylight, lest some rabid youth Might follow on the track;) "Ah!" said my grandsire, as he shook Some powder in his pan, "What could this lovely creature do Against a desperate man!"

Alas! nor chariot, nor barouche, Nor bandit cavalcade, Tore from the trembling father's arms His all-accomplished maid.

For her how happy had it been!

And Heaven had spared to me To see one sad, ungathered rose On my ancestral tree.

THE CHAMBERED NAUTILUS

This is the ship of pearl, which, poets feign, Sails the unshadowed main,-- The venturous bark that flings On the sweet summer wind its purpled wings In gulfs enchanted, where the Siren sings, And coral reefs lie bare, Where the cold sea-maids rise to sun their streaming hair.

Its webs of living gauze no more unfurl; Wrecked is the ship of pearl!

And every chambered cell, Where its dim dreaming life was wont to dwell, As the frail tenant shaped his growing sh.e.l.l, Before thee lies revealed,-- Its irised ceiling rent, its sunless crypt unsealed!

Year after year beheld the silent toil That spread his l.u.s.trous coil; Mill, as the spiral grew, He left the past year's dwelling for the new, Stole with soft step its shining archway through, Built up its idle door, Stretched m his last-found home, and knew the old no more.

Thanks for the heavenly message brought by thee, Child of the wandering sea, Cast from her lap, forlorn!

From thy dead lips a clearer note is born Than ever Triton blew from wreathed horn!

While on mine ear it rings, Through the deep caves of thought I hear a voice that sings:--

Build thee more stately mansions, O my soul, As the swift seasons roll!

Leave thy low-vaulted past!

Let each new temple, n.o.bler than the last, Shut thee from heaven with a dome more vast, Till thou at length art free, Leaving thine outgrown sh.e.l.l by life's unresting sea!

CONTENTMENT

"Man wants but little here below."

Little I ask; my wants are few; I only wish a hut of stone, (A very plain, brown stone' will do,) That I may call my own; And close at hand is such a one, In yonder street that fronts the sun.

Plain food is quite enough for me; Three courses are as good as ten; If Nature can subsist on three, Thank Heaven for three. Amen!

I always thought cold victual nice;-- My choice would be vanilla-ice.

I care not much for gold or land; Give me a mortgage here and there, Some good bank-stock, some note of hand, Or trifling railroad share,-- I only ask that Fortune send A little more than I shall spend.

Honors are silly toys, I know, And t.i.tles are but empty names; I would, perhaps, be Plenipo,-- But only near St. James; I'm very sure I should not care To fill our Gubernator's chair.

Jewels are bawbles; 'tis a sin To care for such unfruitful things; One good-sized diamond in a pin,-- Some, not so large, in rings,-- A ruby, and a pearl, or so, Will do for me;--I laugh at show.

My dame should dress in cheap attire; (Good, heavy silks are never dear;) I own perhaps I might desire Some shawls of true Cashmere,-- Some marrowy c.r.a.pes of China silk, Like wrinkled skins on scalded milk.

I would not have the horse I drive So fast that folks must stop and stare; An easy gait--two, forty-five-- Suits me; I do not care; Perhaps, for just a single spurt, Some seconds less would do no hurt.

Of pictures, I should like to own t.i.tians and Raphaels three or four, I love so much their style and tone,-- One Turner, and no more, (A landscape,--foreground golden dirt,-- The sunshine painted with a 'squirt.)

Of books but few,--some fifty score For daily use, and bound for wear; The rest upon an upper floor;-- Some little luxury there Of red morocco's gilded gleam, And vellum rich as country cream.

Busts, cameos, gems,--such things as these, Which others often show for pride, I value for their power to please, And selfish churls deride;-- One Stradivarius, I confess, Two Meerschaums, I would fain possess.

Wealth's wasteful tricks I will not learn Nor ape the glittering upstart fool; Shall not carved tables serve my turn, But all must be of buhl?

Give grasping pomp its double share,-- I ask but one rec.u.mbent chair.

Thus humble let me live and die, Nor long for Midas' golden touch; If Heaven more generous gifts deny, I shall not miss them much,-- Too grateful for the blessing lent Of simple tastes and mind content!

THE DEACON'S MASTERPIECE;

or

THE WONDERFUL "ONE-HOSS SHAY"

A LOGICAL STORY

Have you heard of the wonderful one-horse shay, That was built in such a logical way It ran a hundred years to a day, And then, of a sudden, it--ah but stay, I'll tell you what happened without delay, Scaring the parson into fits, Frightening people out of their wits, Have you ever heard of that, I say?

Seventeen hundred and fifty-five, Georgius Secundus was then alive, Snuffy old drone from the German hive.

That was the year when Lisbon-town Saw the earth open and gulp her down And Braddock's army was done so brown, Left without a scalp to its crown.

It was on the terrible Earthquake-day That the Deacon finished the one-hoss shay.

Now in building of chaises, I tell you what, There is always somewhere a weakest spot,-- In hub, tire, felloe, in spring or thill, In panel, or crossbar, or floor, or sill, In screw, bolt, thoroughbrace,--lurking still, Find it somewhere you must and will,-- Above or below, or within or without,-- And that's the reason, beyond a doubt, That a chaise breaks down, but doesn't wear out.

But the Deacon swore (as Deacons do, With an "I dew vum," or an "I tell yeou,") He would build one shay to beat the taown 'n' the keounty 'n' all the kentry raoun'; It should be so built that it couldn' break daown, "Fur," said the Deacon, "It's mighty plain Thut the weakes' place mus' Stan' the strain; 'n' the way t' fix it, uz I maintain, Is only jest T' make that place uz strong uz the rest."

So the Deacon inquired of the village folk Where he could find the strongest oak, That couldn't be split nor bent nor broke, That was for spokes and floor and sills; He sent for lancewood to make the thins; The crossbars were ash, from the straightest trees.

The panels of white-wood, that cuts like cheese, But lasts like iron for things like these; The hubs of logs from the "Settler's ellum,"--

Last of its timber,--they couldn't sell 'em, Never an axe had seen their chips, And the wedges flew from between their lips, Their blunt ends frizzled like celery-tips; Step and prop-iron, bolt and screw, Spring, tire, axle, and linchpin too, Steel of the finest, bright and blue; Thoroughbrace bison-skin, thick and wide; Boot, top, dasher, from tough old hide Found in the pit when the tanner died.

That was the way he "put her through."

"There!" said the Deacon, "naow she'll dew!"

Do! I tell you, I rather guess She was a wonder, and nothing less!

Colts grew horses, beards turned gray, Deacon and deaconess dropped away, Children and grandchildren--where were they?

But there stood the stout old one-hoss shay As fresh as on Lisbon-earthquake-day

EIGHTEEN HUNDRED;--it came and found The Deacon's masterpiece strong and sound.

Eighteen hundred increased by ten;-- "Hahnsum kerridge" they called it then.

Eighteen hundred and twenty came;-- Running as usual; much the same.

Thirty and forty at last arrive, And then come fifty, and FIFTY-FIVE.

Little of all we value here Wakes on the morn of its hundredth year Without both feeling and looking queer.

In fact, there's nothing that keeps its youth, So far as I know but a tree and truth.

(This is a moral that runs at large; Take it.--You're welcome.--No extra charge.)

FIRST of NOVEMBER,--the Earthquake-day-- There are traces of age in the one-hoss shay, A general flavor of mild decay, But nothing local, as one may say.