"Do we go up here? Ugh, how I hate walking over cobble-stones! Clean; of course they're clean. I didn't say that I thought they were dirty. I said I hated to walk on 'em.

"What's that chopped-off creation before us? _Not_ the cathedral?

Well--I--vow!

"Is _that_ what I--what we--

[Ill.u.s.tration: Beauvais]

"Where's the front of it? What _did_ happen to it? And what _was_ Mr.

Ruskin thinking of when he compared it to an Alp! I don't want to fall off of anywhere, but I'd choose the roof of that cathedral to start from any day in preference to the lowest Alp they make. 'Clear vertical fall'

eh? I wish I knew what that meant.

"Well, let's go in. Where's the door? That little, unpretentious one looks feasible. Come on. Well, Edgar, are you coming, too, or do you choose to stay outside with your stick? I can't help it, Edna; I feel irritated at his being here at all, and then I'm naturally disappointed over this church. I must say the biggest thing about it is that blank wall stopping up where they left off. This is the kind of thing I've come several thousand miles to look at, is it? Well, may as well go in, I suppose.

"So this is in the inside! Fine lot of carpets hung up to try and cover the deficiencies, eh?--High roof,--funny sort of shock you get whenever you look towards the front. Sort of like turning around and hitting your cane, eh, Edgar? Girls, this cathedral was begun in 1180, time of Henry II, and they quit in 1555 while b.l.o.o.d.y Mary was abroad and never got to the front end in the four hundred years. Well, well! dear, dear!

[Ill.u.s.tration: "'What's that chopped-off creation before us?'"]

"Come on, girls, we may as well go out; I feel like going to the station and heading for Paris. I suppose that's the next move in the game. You can stay here as long as you like, Edgar; we won't hurry you.

"Come, Yvonne, you walk with me. Did you ever see anything like that young man's gall? Your friend Lee couldn't make any points around him.

Just hooks right on to us, and stays hooked. I declare, if I carried a cane I bet I'd give him one punch he'd remember long after. I'd sincerely beg his pardon. I didn't like him on the steamer; I've got no use for young men of his stamp. I--"

_Gare du Nord, Paris._

"So this is Paris! Now, Edgar, I have one favor to ask of you--will you kindly allow me to manage my own affairs while you manage yours? I know just what to do, and I'll take Yvonne with me to do it. You can take Edna up to the hotel. Looked disappointed, didn't he? Counting on endearing himself to me forever by his able-bodied a.s.sistance, I'll wager; but I don't want any young man minding my business. Tell that blue blouse to take these checks and look up five trunks in a hurry.

What did he say? We haven't got to overhaul them again here, have we?

Well, I am--I certainly just _am_. Have we got to hunt 'em up? Where?

Well, ask him? Round back of this crazy mob? Well, tell him to go first.

What's this system of wildly speculating wheat-pits? Baggage-counters, eh? And will you look at the baggage! Talk about your 'clear vertical falls!' Those trunks on top will soon know more than Ruskin ever did.

"Where's our man gone? Yvonne, do you know where that fellow went to?

Well, ask some one. Look out--that baggage truck will be Juggernauting right over you before you know it. Now, where _is_ the porter? I call this a pretty state of affairs--porter, valises, and trunk-checks all gone together. I thought you were watching him or I would have done so.

Do you suppose we ought to speak to a policeman? I think we ought to.

But will you look at the trunk-unlocking that's going on--good as a play--look how mad that old lady is; hear her give it to him in good English. Guess something got broke in transit. Keep a sharp eye out for that porter, Yvonne. Here come some more trunks, and more, and more yet.

I wonder if this is regular, or if we've struck a rush. Where _is_ that porter? I think we ought to be speaking to a policeman, don't you?

Here's a choice new invoice of a couple of thousand more trunks; that fellow will never be able to find ours, I know. Supposing he has found them and gone off with them already. Hey, look at that lady jumping up and down! She sees _her_ trunk, I'll bet a dollar. Well, I'd jump up and down if I could see mine. Yvonne, I really think we ought to speak to a policeman. Could you give a description of the man? I only remember that he wore a blue blouse. Oh, yes; and he had 'Commissionaire' across the front of his cap. h.e.l.lo, here are nine trucks all at once, just a few million more additions to the turmoil. I tell you, we won't get out of here to-night, I don't believe. I vow, I wish I'd given the checks to Edgar, as he suggested. I really think we ought to be calling a policeman. Here are fourteen trucks all loaded to the gunwales, and two ma.s.s-meetings and one convention of tourists all at once. Yvonne, this is beginning to look serious to me; I think that really we ought to call--

[Ill.u.s.tration: "'Look how mad that old lady is'"]

"Oh, there he is with the whole of the stuff on one truck. Good idea; smart chap; and he wasn't so very long either, considering."

VI

YVONNE TO HER MOTHER

_Paris._

Dearest Mama: Well we _are_ arrived! It _is_ Paris at last! But I thought we should surely die in transit. I don't know what Uncle would have said if he had known that Lee was in Rouen; he was dreadfully upset over Mrs. Braytree's telling him that she saw Lee in Havre. He was very unreasonable, and laid it up against Lee that Mrs. Braytree saw him.

Just as if Lee could help it.

We had a pretty good time coming down, only Mr. Edgar came up and came down with us, and of course Uncle did not like that. I think that Mr.

Edgar came up to come down with me because we had a lovely time on the steamer coming over together, but Uncle hardly gave me a chance to speak to him. Uncle seems just instinctively to know whom Edna and I want to talk to, and then won't let us. But of course I'm not complaining, for it was lovely of him to give us this trip, and we're enjoying every minute.

We arrived last night, and the only drawback is that Mrs. Clary isn't here. She left a note, and M. Sibilet's wife _is_ his mother, and has a place out at Neuilly, and they were invited there for three days. She will be back to-morrow, and she left word for us to go straight to the Bon Marche and look at the white suits; so we did so. We told Uncle it was all right for us to go alone, and he had just gotten his mail, so he only said "Hum!" and we went. Just as we were taking the cab, who should we see but Mr. Chopstone. It was so lovely to see him again, and he got into the cab and went with us. We went to the Bon Marche, but it wasn't much fun with a man, so we came out after a little, and he proposed taking the Subway and going to the Trocadero. Just then we met a man that Mr. Chopstone knew, and he had red hair and eye-gla.s.ses. Mr.

Chopstone introduced him, and invited him to go along; but he said it was no use, because it was the wrong day and we couldn't get in when we got there. By this time we were down in the Subway, and Mr. Chopstone suggested that we go to the Bois, so as not to have to go back up the stairs again. While we were talking, the train came and went in a terrible hurry, and we got aboard in between. After we were off, we found that Mr. Chopstone wasn't on. We didn't know what to do, because, of course, it was he that we knew, and not the red-haired man. The red-haired man said he would do whatever we pleased, and Edna thought we had better get right off; but I thought we ought to go right on. We didn't know _what_ to do, and so we kept on to the Bois.

The Bois was just lovely--all automobiles and babies; and who do you think we met? Betty Burleigh. We were so surprised, for I thought she was in California for her lungs; but it seems that she's been in Dresden for her music all winter, and now she's here for her clothes. She was with an elderly French lady, and I don't think that the elderly French lady liked to have her stop and talk to us. I thought at first that perhaps it wasn't proper on account of the red-haired man, but in a second I saw the real reason. Betty glanced around and said, "Oh, Madame, ou est Fakir?" Whereupon the elderly French lady looked absolutely terrified and tore madly off. We had quite a long talk before she came back with the most awful little black dog, which they evidently had _no_ string to. She put him down and began to look displeased again, and Betty just glanced about and said calmly, "Oh, Madame, ou es Fakir?" He had absolutely vanished again, and the elderly French lady sort of threw up her eyes and rushed wildly away. The red-haired man said, "Why don't you buy a chain for him?" Betty shrugged the Frenchiest kind of a shrug and said, "I don't have to chase him."

The red-haired man said, "I should think she would buy the chain then!"

and Betty shrugged a much Frenchier shrug, and said: "I wouldn't allow it. While she is running after him I can do as I please." The red-haired man laughed. Poor madame came panting up with the creature just then, and Betty said sweetly, "Laissez-lui courir," so she had to put him down; but I could see that she meant to keep a sharp eye on him.

Betty wanted us all to come to the Palais and lunch with her; but of course we refused, because you wouldn't have liked it, and, anyway, we had to go back to Uncle. She wanted the red-haired man to stay, anyhow, and was quite put out when he declined. Just then two men in an automobile came up and asked her to go and see the balloon ascension.

They didn't invite the elderly French lady, and she protested about "comme il faut"--but Betty said, "Ou est Fakir?" and, if you'll believe me, that little beast was gone again, and poor madame dashed off in pursuit. Betty made short work of bidding us good-by then, and at once got into the automobile, and was off.

[Ill.u.s.tration: We found our beloved relative]

We came slowly along back with the red-haired man, and at the Arc de Triomphe we ran into Mr. Chopstone. It seems he went a station too far because he met some people he knew in the car behind us, and he says we must all go to the Chatelet with him to-night to make up. He said "Uncle, too," so we accepted. Then we took a cab and came back to the hotel, where we found our beloved relative with his feet on the center-table, reading the Paris "Herald." He looked over the top at us and announced that he'd "done the Louvre." I think we must have looked startled, for he went on to say at once that he knew that it was something that had got to be done, and that he shouldn't enjoy, and so he had thought it best to go at it the first thing on the first morning and get it off his mind at once. He was very pleased with himself, because he says the "Baedeker" says that it takes two hours and a half to walk through, and he was only gone from the hotel two hours in all.

Edna asked him if he spent much time looking at the pictures, and he said: "Young lady, if you'd ever been in the place, you'd never ask that question. Why, the whole thing is lined with pictures. I bet I dream of gilt frames for a week."

[Ill.u.s.tration: We found our beloved relative]

We had to go to lunch, and Uncle doesn't like the food very much; he says it strikes him as "flummery," and he is really very much vexed over Mrs. Clary's being at Neuilly. Edna is vexed because Harry is there, too, and I'm very much vexed indeed because she thoughtlessly gave Uncle the letter at lunch, and when he read about Monsieur Sibilet's wife being his mother he was more put out than ever. He said we could look out for ourselves this afternoon, as he had to go to the bank. Edna suggested that we go to the Louvre, and he said yes, that would be wise, because then we would all be free to enjoy ourselves. Uncle speaks of the Louvre exactly as if it were the semiannual siege at the dentist's.

But he was kind enough to offer to leave us there on his way to the bank, and when we took the cab, he arranged with the cabman and the hotel-porter exactly what the fare was to be, and held it in his hand the whole way.

Edna and I were mighty glad to get to the Louvre without Uncle, especially with the way he feels to-day, and we were wandering along in a speechless sort of ecstacy when all of a sudden I heard some one calling my name. I whirled around, and if it wasn't Mrs. Merrilegs, in a state of collapse on one of the red-velvet benches. We went to her, and she took hold of our hands as if she'd been our long-lost mother for years. She looked very white and tired and almost ready to faint, and we sat down on each side of her in real sincere sympathy, and she held our hands and told us how it was. It seems that they left home the last of last month, and they've been all through the British Isles, Denmark, Holland, and Belgium, and they are going to finish Europe and be home the first of next month. She could hardly speak for tears. She says Mr.

Merrilegs made out the itinerary before they sailed and that they have lived up to it every day except just one, when he ate some lobster crossing the Irish Sea, and they lost a day that night. She says they drive a great deal, because they can hardly walk any more, and that she doesn't believe that there will be a museum or palace in Europe that they won't be able to say that they have driven by when they go home.

She said they had come to the Louvre to see what pictures they wanted for their new house, and that they never meant to take more than twenty minutes for the selection, and that they had been there an hour already.

She felt badly because the itinerary had them visit Notre Dame, the Eiffel Tower as high as the elevator goes, and Versailles this afternoon. She said they wanted to try and call on the American consul, too, to ask about a ma.s.seur. She said Mr. Merrilegs said he thought if they could get hold of a good ma.s.seur and keep him right with them that they could manage to rub through to the end.

[Ill.u.s.tration: "She took hold of our hands as if she'd been our long-lost mother for years"]

Edna and I felt dreadfully sorry for her; but there did not seem to be anything to do except look sad, and we did that as heartily as we knew how until in a minute or two Mr. Merrilegs hove in sight with a funny little Frenchman dancing round and round him. Mr. Merrilegs looked almost as exhausted as his wife, and called Edna by my name and me by hers. His wife asked him if he had ordered the pictures, and he said: "No; I haven't any more time to waste here. I've given Claretie the paper with the sizes of the s.p.a.ces marked on it, and he's to go through and measure till he finds a famous picture to match each s.p.a.ce." Mrs.

Merrilegs sort of nodded faintly and said: "But we don't want any martyrs in the dining-room, you know," and her husband said, "Yes, yes, he understands; and he says he'll find a Susanna to fit your bath, too."

Mrs. Merrilegs stood up then with a very audible groan, and they both shook hands with us in a way that quite wrung our hearts. Then they limped away with the little Frenchman spinning gaily about them, and we went on alone.

In the very next room we met Mr. Chopstone. He was awfully glad to see us, and said, with our permission, he'd join us; but as he seemed joined anyway, we didn't even dream of refusing. He asked if we'd told Uncle about the Chatelet, and then we remembered that we had forgotten. He said he was so glad, because he couldn't get any seats except _baignoirs_, and they looked queer, because no one can see you. He asked if we would like to go to the opera instead, and we were just discussing it when we turned a corner and ran right on to Betty Burleigh and the red-haired man. His name is Potter, and, did you ever! They looked so upset that it can't have been an accident, their being together. But how could they have arranged it? If they didn't arrange it, why did they look upset? Betty had on a bright green cloth dress and a violet hat, and the red-haired man heightened the general effect so much that we moved on as quickly as possible. Mr. Chopstone said very roundly: "You'd better fight shy of her, I think," and Edna said dryly: "Of him, too, don't you think?" I waited a minute, and then I said it seemed droll to think that if we were all English we'd be pleased to call poor Betty a typical American.

We came home when the Louvre closed and found Uncle back with his feet on the center-table. He had had a big fire built, for he said it gave him chills to look at the nymph over his bed. He had put in a true Merrilegian afternoon, having been to the Palais de Justice, Sainte-Chapelle, Notre Dame, and driven by the Hotel de Ville and around the Opera House--"completely around." He says there won't be a thing left for him to look at by Monday. He says if he was pressed for time he'd hire a cab for one whole day and lump the business; but that, seeing that we have the time, it really doesn't seem necessary.

The mail came while we were talking, and the most unfortunate thing happened. To keep up the Russian idea, Lee wrote two postals and sent them to St. Petersburg to be mailed. Uncle saw the Russian stamps and knew Lee's writing, and he asked me to kindly tell him how Mrs. Braytree came to see a man who was in Russia in Havre. Edna said weakly that it must have been a joke, and Uncle shook his watch and held it to his ear that way he always does when he's dangerous, and said he was in no mood for any of Lee's jokes. He looked very severely at me and said that Lee was a scalawag, and that I ought to be ashamed of myself for having him around.

Mrs. Clary will be back to-morrow, and we're very glad, for Uncle is awful peppery and tartary, and says "Hum!" when we least expect it. Edna sent Mr. Chopstone a _pet.i.t-bleu_, asking him please not to ask us to go anywhere to-night. Mr. Edgar sent me some violets, but I had time to give them to the chambermaid before Uncle came in. If I only get a chance, I shall ask Mrs. Clary to declare that M. Sibilet's mother _is_ his wife, even if she knows it's a lie. It doesn't seem possible that Uncle could really care for Mrs. Clary; but he's so cross if she talks to any one else that I almost wonder if he doesn't. Edna is all tired out, and says she will cry if Uncle tells her again that any man isn't the man to make any girl happy. She says she likes men, and she thinks that they all make her happy. She wanted to go to the Chatelet in a _baignoir_, and she was wild to go to the opera in anything.

We talk Italy and mark Brittany every chance we get, but Uncle says "Hum!" to Italy the same as he does to everything else these days. I'm sure I don't see what we'll do if he takes the rest of Europe as hard as he does this much. But of course I don't mean that we're not having a lovely time, and we never forget for a minute how kind he was to bring us.