Last night I had dinner with Marilyn [Monroe] and her friends at the Pump Room. Today the news sleuths are pumping me. Marilyn seemed genuinely glad to see a familiar face. I have yet to see anything in Marilyn that isn't genuine. Surrounded by thousands she conducts herself like a philosopher.

I heard from Greg this morning. He pa.s.sed a difficult examination and was admitted to Bronx Science High School. How do you like that!

Yours,

About Marilyn Monroe Bellow would later say, "She was connected with a very powerful current but she couldn't disconnect herself from it. [ . . . ] She had a kind of curious incandescence under the skin."

To Harvey Swados April 9, 1959 Minneapolis Dear Harvey, Your review of Henderson Henderson made me happy. There's such a chaos of misunderstanding surrounding it that I feel like cheering when the main points are made out-spirited comedy, here and there edged black with earnestness. I can't agree that it's sentimental at the end-but then, how could I? made me happy. There's such a chaos of misunderstanding surrounding it that I feel like cheering when the main points are made out-spirited comedy, here and there edged black with earnestness. I can't agree that it's sentimental at the end-but then, how could I?

Last, I want you to consider writing something for a semi-annual magazine of which I'll be one of the editors. Meridian will publish it and pay contributors five cents a word. I want to make it possible to let off some steam, to write in the good old ranging way that was natural to novelists in the Twenties-in the spirit of Dial Dial and the and the Mercury Mercury, The Enormous Room The Enormous Room or or The American Jitters The American Jitters (while Wilson yet lived, and before he became the great blimp of (while Wilson yet lived, and before he became the great blimp of The New Yorker The New Yorker).

Would it appeal to you to cover the [Floyd] Patterson [-Ingemar Johansson] fight and/or other Garden events? I understand that Cuss Amato, P.'s manager, is a psychologist, so I was told at least. He was described to me as having taught Patterson (fascinating idea) the necessity to feel fear in the ring. I a.s.sume P. is naturally free from it.

You'd have a ball. Meridian would buy you tickets and pay for your fare and dinners. Other contributors will be Ellison, Wright Morris, John Berryman, myself, D. H. Lawrence (over his dead body) and other friends of yours. Possibly Arthur Miller. What do you say? I want to see stories, too, of course, but I'm particularly keen about getting writers into the world again. Literature has for too long been their whole life. I hope the book is going well.

All best,

Harvey Swados (1920-72) was a fiction writer best known for Out Went the Candle Out Went the Candle (1955) and (1955) and Nights in the Gardens of Brooklyn Nights in the Gardens of Brooklyn (1960). His September 1959 (1960). His September 1959 Esquire Esquire essay "Why Resign from the Human Race?" is said to have inspired the founding of the Peace Corps essay "Why Resign from the Human Race?" is said to have inspired the founding of the Peace Corps. Swados's review of Swados's review of Henderson the Rain King Henderson the Rain King had appeared in had appeared in The New Leader. The New Leader.

To f.a.n.n.y Ellison April 14, 1959 Minneapolis Dear f.a.n.n.y, You're very kind about Henderson Henderson. Here and there it's as close to frenzy as a man can get while continuing (somehow) to laugh, and it contains elements I hope I've seen the last of. One of these days I'm going to enter the little inner room where my best humanity has been locked up for a long time. Not just yet.

We're all much better than we were. I think it did us nearly as much good to get away from Tivoli as you say it's done Ralph to be there.

I wish you, in all ways, the best of everything.

Your friend,

To Alice Adams [n.d.] [Minneapolis]

Dear Alice: Your story is much better, if no less grim. (I should talk.) The spirit in which you wrote makes it very hard to discuss. It's so obviously a last cry of the heart that I don't like to make any technical points. And nevertheless, the story is very "technical," too; both in the good sense and the not-so-good. You are much more of an American than I. There are signs of it all over the place. You do a job of work on the edge of panic. Of your work itself, the writing, I haven't a bad word to say. And I really can't say anything against the story either. Of its kind it is wonderful. There's nothing left to discuss except the kind; which brings us back to the beginning of the paragraph. I don't want to drive tractors into the center of your soul. I think I may be very stupid about this matter, and I must ask you in advance to forgive me. should talk.) The spirit in which you wrote makes it very hard to discuss. It's so obviously a last cry of the heart that I don't like to make any technical points. And nevertheless, the story is very "technical," too; both in the good sense and the not-so-good. You are much more of an American than I. There are signs of it all over the place. You do a job of work on the edge of panic. Of your work itself, the writing, I haven't a bad word to say. And I really can't say anything against the story either. Of its kind it is wonderful. There's nothing left to discuss except the kind; which brings us back to the beginning of the paragraph. I don't want to drive tractors into the center of your soul. I think I may be very stupid about this matter, and I must ask you in advance to forgive me.

It's the smallness of the compa.s.s that bothers me. The story is cut off from life at one stroke. There's something too breathless about it, and there isn't enough s.p.a.ce or air for the emotions. They can't expand and therefore grow painful. Does that make sense? Or let me put it in the old-fashioned and possibly-to you-pompous esthetic terms of unity and diversity. The story lacks diversity, and its very virtues make it intolerable by holding you tightly. Besides, you don't have to write like all the sisterhood since Virginia Woolf. You ought to give up some of the conventions of feminine sensibility.

This may not sound kind, but I a.s.sure you all the unkindness is in the sound. For a long time I allowed myself to be pushed into these small s.p.a.ces, too. I am only urging you to utter the magic syllable "Whoosh" in the face of psychological oppression. The nineteenth century drove writers into attics. The twentieth shuts them in nutsh.e.l.ls. The only remedy is to declare yourself king, or queen, of infinite s.p.a.ce. There is a word for that too, megalomania, but you have taught me (that's an excellent touch, the fervor with which the girl takes unto herself the various mental diseases) not to worry about that.

I think Sasha and I will blow the West pretty soon. I have to get back East. Not that I look forward to any of it-always excepting my son. Because of a deadline I had to decline Berkeley's invitation to lecture. So we shan't be getting back to San Francisco, alas. How I wish we could.

It was very good of you to try to fix me up with a job. Money is awfully tight these days. Anita is a devil at finance. I, on the other hand, am a d.a.m.n fool at it. I realize-too late-that I might have had a thousand more out of my Guggenheim if my timidity hadn't prevented. But what'sa use'a talk?

Sure I knew Bill Brown in Paris. I recall that he was fine, jolly and nutty. Whenever he grows serious he wears a look of intensest anguish-right? That's the same guy.

I don't know about [Norman] Mailer. I like him, but he's such an ideologist. I do everything the hard way.

Love, Alice Adams (1926-99) was an American fiction writer best known for her short stories, collected in After You've Gone After You've Gone (1989) and (1989) and The Last Lovely City The Last Lovely City (1999), and for her novel (1999), and for her novel Superior Women Superior Women (1984). (1984).

To Ralph Ellison [n.d.] [Minneapolis} Dear Ralph, I counted on the two little old dolls to plant the garden, but I suppose spring cleaning was too much for them, those moth-flakes. So I'm going to ask you to go to the Farmer's Coop in Red Hook and buy sweet corn, cuc.u.mber and squash seed and plant a few rows, please, reading from left to right tomatoes, about six or eight hills of cuc.u.mbers, five or six rows of corn (six should be an even number) and about five hills of squash where the tomatoes used to sit. The rail in the middle of the garden is the worst, as you'll see. There I put in beans last summer to enrich the ground. You can do all this in a few hours and oblige me greatly. It'll keep us all in produce this summer, and give Sasha and me a good reason to go out in the sun.

The mower will never do, I suppose. They're cheaper now, and I may go to Montgomery Ward [ . . . ] and get one with a guarantee. Money? Somehow it turns up when it's needed, and I've learned to stop thinking about it in excess.

Lettuce, carrots, etc. are raided by rabbits and woodchucks, and to plant them in the open is no use.

If Sarda has p.o.o.ped out we'd better begin to get bids from others for regular yearly care. We'll close out old randy Jack fairly but inexorably unless he wakes from that long sleep.

I'll be along soon to attack the hares. Hope the garden isn't too demanding. Put in whatever you like, but I'd feel crazy to live in the country without corn and tomatoes. It's bad enough not to have a cow.

Love,

To Bernard Malamud May 10, 1959 Minneapolis Dear Bern, I shy away from all writers' organizations. The PEN is about my limit, and I have doubts about that. No doubt the [Authors] League is fine, but the publisher and the agent aren't the enemy. The enemy (and I'm not horribly hostile towards them, either) is a hundred sixty million people who read nothing. What's the League going to do about them, about Orville Prescott, about TV and Hollywood? It may increase my income by six hundred per annum. I don't care about increasing my income by six hundred per annum. It isn't worth joining an organization for. [ . . . ]

Best,

To Richard V. Chase May 27, 1959 [Tivoli]

Dear Mr. Chase: I find myself in the strange position of one who provokes comment on his behavior and then tries to avoid hearing it. Ordinarily I can't read what people have to say about my writing. But I read your essay with particular satisfaction and agreed with many of your points. Freedom for what? This is the philosophical or religious question I seem to have failed to satisfy. It's a strange thing to be a "cognitive" writer without the will or the capacity to continue to a definite conclusion. I sometimes think the comedy in my books is a satire on this inconclusiveness.

Of course, mere writers of fiction have never been burdened with such responsibilities before, and I doubt that much good art can result from this striving for useful or intellectually acceptable opinion.

Anyway, you've done a good thing for me and I'm very grateful.

Sincerely yours,

Richard V. Chase (1914-62), Columbia University professor of English, was best known for The American Novel and Its Tradition The American Novel and Its Tradition (1957). His essay The Adventures of Saul Bellow" had just appeared in (1957). His essay The Adventures of Saul Bellow" had just appeared in Commentary. Commentary.

To William Phillips July 13, 1959 Tivoli, N. Y.

Dear William- Every few months in PR PR your rats gnaw at my toes. It would be unnatural if I did not notice. your rats gnaw at my toes. It would be unnatural if I did not notice.

Yrs, To John Berryman August 12, 1959 Tivoli Dear John: Splendid! Gorgeous! This is the way to reply to the disintegrating fates. I've sent poems and Taj to Meridian, and you shall be rewarded (not in just measure); we are trying to spread our funds to pay all our honorable contributors. Perhaps we ought to publish more Dream Songs-say a dozen. Five will stun-ten would awe. That's as you see fit. I merely ask you to revolve it in your mind.

About the editing: I thought you might like it. As you're a contrib. ed. you won't want to see unworthy poetry in the magazine. There is some good taste on the masthead, but not your authority. At least we can do the screening and obtain your opinion. Wouldn't think of laying a burden on your frail back (frail as whips!).

You will be pleased with most of Savage Savage.

Paul and Adam had a great life in the sunshine, both boys naked, tottering after dachshunds and b.u.t.terflies.

Stay intacto and thrive for the sake of your devoted,

To Josephine Herbst August 15, 1959 Tivoli Dear Josie: Wonderful to get a letter from you. It always brings back my balance, if that should happen to be out, and it often is. You've got more stuff in you than ten ingenues.

Well, I too have stuff, and I get worn out by the dreary people it's somehow become my business to see for whom Despair is shoptalk, like Rinse for the housewife. d.a.m.n them all! At a party a few weeks ago, worn out by all the talk, I allowed myself to say something to the man next to me about the human instinct for truthfulness, and he laughed in my face. So I reminded him of Pilate, and then his feelings were hurt. His feelings feelings! Phooey!

I never imagined that Henderson Henderson could be ultimately successful. My state when I wrote it was too bad, going round and round like a centrifuge. Some of it is all right-the language, mostly, and the physical imagination, but I'm aware that it gets mixed up between comedy and earnestness, which is another way of saying that I've got literature mixed up with lots of other matters. That's bad. Out of our greatest needs we've made a big chunk, or ball, and we push, push. Sisyphus was no such d.a.m.n fool. He was a sinner, but at least he wasn't the author of his own rock. Though psychoa.n.a.lysis would probably knit its brows and say, But of course he was. What amazes me most about could be ultimately successful. My state when I wrote it was too bad, going round and round like a centrifuge. Some of it is all right-the language, mostly, and the physical imagination, but I'm aware that it gets mixed up between comedy and earnestness, which is another way of saying that I've got literature mixed up with lots of other matters. That's bad. Out of our greatest needs we've made a big chunk, or ball, and we push, push. Sisyphus was no such d.a.m.n fool. He was a sinner, but at least he wasn't the author of his own rock. Though psychoa.n.a.lysis would probably knit its brows and say, But of course he was. What amazes me most about H H[enderson] is its reception. It beats me that I should be accused of cunningly willing the whole thing into being. Do these people who are called (but why?) Critics suppose that anyone would want want to feel as I did? It utterly beats me. I can't imagine what the h.e.l.l they're up to. to feel as I did? It utterly beats me. I can't imagine what the h.e.l.l they're up to. They They are the mystery. Because if they're in outer darkness how did they happen to bring their typewriters with them? are the mystery. Because if they're in outer darkness how did they happen to bring their typewriters with them?

Basta! You seem in good spirits. I'm aware that you have your troubles, but it must be something of a dignity for the troubles to have you. Because, Josie, you are You seem in good spirits. I'm aware that you have your troubles, but it must be something of a dignity for the troubles to have you. Because, Josie, you are something something. I love you dearly. I'm waiting to see what you have for us. There may be a little money in it for you, which I'm certain the business people will let you have in advance (before publication). Authority on the Savage Savage is shared by three of us, but I holler most. Anyway, I shall be looking in Box 185 every morning for your ma.n.u.script. is shared by three of us, but I holler most. Anyway, I shall be looking in Box 185 every morning for your ma.n.u.script.

With love,

To Josephine Herbst September 5, 1959 Minneapolis Dear Josie: I read your piece immediately and wouldn't put it down for any inducement. It's the sort of thing that gives the world a new spin. I see the ants running on the bark with different eyes as I read and know I've fallen in with the real thing. Your piece goes along at first in a plain, truthful fashion and suddenly, without effort or engineering, becomes beautiful.

Here and there I've marked some pa.s.sages which pleased me less-and they're very few. Perhaps the piece should start with a more dry attack. It takes a little too long. That's probably a result of excision from the book. But everything is supported by feeling, and never in excess, and you're beautifully clear about Hemingway and Dos Pa.s.sos, and even lesser characters like [Rafael] Alberti. As for the self that comes through, it's the one I fell in love with in Yaddo's plutocratic dining room, coup de foudre coup de foudre [ [58].

I'm sending the ma.n.u.script out to the other eds. There are two, and I think I can promise you they'll agree with me.

Much love, Herbst had submitted "The Starched Blue Sky of Spain," her memoir of the Spanish Civil War. Considered today among the best accounts of that conflict, it would run in the inaugural issue of The n.o.ble Savage. The n.o.ble Savage.

To John Berryman [Postmarked Minneapolis, Minn., 8 September 1959]

Dear Pal- Take it from a well-known lover of beauty-you have the goods.

As for poem-reading-simply append yr note to the editors so that they choose with your consultation. Simple.

As for money-not knowing what funds we command but standing ready to share all, I have asked Meridian to send you in partial payment two hundred fifty dollars.

See you soon.

Nil desperandum [ [59],

To Ralph and f.a.n.n.y Ellison October [?], 1959 Minneapolis Dear Ralph and f.a.n.n.y- Sash and I are no longer together-not by my choice. You saw us together all summer, so you probably understand her decision as well as I. She has no complaint to make of me this time. All she has is a decision. She says she likes me, respects me, enjoys going to bed with me-and no longer wants to be my wife. I have no explanations to offer, only the facts. I don't know what she may have to say. I have to say only that I'm in misery, and especially over Adam.

Please don't speak of this to anyone. She has filed for divorce and I have reason to be glad I'm going away, now. I'll be in Yugoslavia when the divorce becomes final, and I'm grateful to be spared the public part of this, anyway.

Love, To Keith Botsford October 15, 1959 Minneapolis Dear Keith- By now you'll have heard from Jack [Ludwig]. I have something to tell you with the understanding that it remain entre nous entre nous. No one here knows that Sash and I have been going through another very bad-a desperate-period. I tell you this because I owe you the truth. You're understandably depressed and you deserve an explanation of my silence. Just now I can't think about the NS NS, nor about writing, mine, yrs, anyone's.

We don't understand each other well, but we can come to understand each other, and deeply. The capacity is there, and so is the desire. You must not think of Jack and me as a faction. We agree upon very little. Personal relations between us are virtually nonexistent. As for Jewishness, Jack calls what he is Jewish and that makes me un-Jewish by definition. For the first time I am trying to ascertain what my Jewish parentage and upbringing really signify. But that, too, is for future discussion, and there will be many discussions. I have great hopes for our friendship.

Yesterday Sash cut her hand so badly with a coffee can that I thought her finger was severed and phoned an ambulance. The gash went to the bone. Five st.i.tches and insanely painful. I'm taking care of Adam now. The [illegible] is not yet. Please forgive me for this note, and please say nothing even to Ann.

Much love,

To Pascal Covici November 1, 1959 Minneapolis Dear Pat: She may not have loved me at all. She certainly doesn't love me now, and perhaps even hates me. When I was weaker there was some satisfaction for her in being the strong one. But when I recovered confidence and loved her more than before, even s.e.xually, she couldn't bear it. So last summer when things seemed at their best they were really, for her, at their worst. Because now she was the sick one. I don't know why she waited until we were settled down in Minneapolis, holding a lease, etc. I guess she leaned somewhat on her psychiatrist. With his support, she was able to tell me she didn't and couldn't love me, and perhaps had never loved anyone except as a child. The psychiatrist doesn't approve of what she's doing, but he's bound to help her and so she's able to make use of him. Anyway she walked into the living room with icy control about three weeks ago and told me she wanted a divorce. There's no one else involved. There doesn't need to be. She does everything on principle, a perfect ideologist. The divorce papers are signed. I'm to pay a hundred fifty a month for the baby, and till the end of the year I'll maintain the house, since it was rented for a year. If she were to change her mind again, I wouldn't change mine. It isn't that I don't love her. I do. But she'd only take the rest of my life, and I'm not ready to part with that. Not yet, even though I've lost her, lost the boy, lost almost everything.

I'm leaving Minneapolis the week of the 15th, and I'll be in New York Thanksgiving week. I expect to fly to England right after the holiday. Due in Warsaw on the 11th of Dec. There I may see misery enough to take my mind off my own grief. It may as well be made useful.

Love to Dorothy-Yours,