"What is this?" I breathe, expecting no one to answer.
But the queen does, with great relish. "Such a waste, parading down the river when no one will watch. It seems we've fixed that."
Something tells me this is another mandatory event, like the fights, like the broadcasts. Officers tore sick elders from their beds and exhausted workers from the floor, forcing them to watch us.
A whip cracks somewhere on the bank, followed closely by a woman's scream. "Stay in line!" echoes over the crowd. Their eyes never falter, staring straight ahead, so still that I can't even see where the disruption was. What happened to make them so lenient? What has already been done?
Tears prick at my eyes as I watch. There are more cracks and a few babies wail, but no one on the bank protests. Suddenly I'm at the edge of the deck, wanting to burst through the glass with every inch of myself.
"Going somewhere, Mareena?" Elara purrs from her place next to the king. She sips placidly at a drink, surveying me over the rim of her glass.
"Why are you doing this?"
Arms crossed over her magnificent gown, Evangeline eyes me with a sneer. "Why do you care?" But her words fall on deaf ears.
"They know what happened at the Hall, they might even agree with it, so they need to see that we aren't defeated," Cal murmurs, his eyes on the riverbank. He can't even look at me, the coward. "We aren't even bleeding."
Another whip cracks and I flinch, almost feeling the lash on my skin. "Did you order them to be beaten as well?"
He doesn't rise to my challenge, jaw firmly clenched shut. But when another villager cries out, protesting against the officers, he lets his eyes close.
"Stand back, Lady Titanos." The king's voice rumbles like faraway thunder, an order if there ever was one. I can almost feel his smug smile when I step away, moving back to Maven. "This is a Red village, you know that better than us all. They harbor these terrorists, feed them, protect them, become them. They are children who have done wrong. And they must learn."
I open my mouth to argue, but the queen bares her teeth. "Perhaps you know of a few who should be made an example of?" she says calmly, gesturing to the shoreline.
The words die in my throat, chased away by her threat. "No, Your Majesty, I don't."
"Then stand back and be silent." Then she grins. "For your time to speak will come."
This is what they need me for. A moment like this, when the scales could tip out of their favor. But I can't protest. I can only do as she commands and watch as my home fades out of sight. Forever.
The closer we get to the capital, the larger the villages become. Soon the landscape fades from lumber and farming communities to proper towns. They center around massive mills, with brick homes and dormitories to house the Red laborers. Like the other villages, their inhabitants stand in the streets to watch us pass. Officers bark, whips crack, and I never get used to it. I flinch every time.
Then the towns are replaced by sprawling estates and mansions, palaces like the Hall. Made of stone and glass and swirling marble, each one seems more magnificent than the last. Their lawns slope to the river, decorated with greenwarden gardens and beautiful fountains. The houses themselves look like the work of gods, each one a different kind of beautiful. But the windows are dark, the doors closed. Where the villages and towns were full of people, these seem devoid of life. Only the flags flying high, one over each structure, let me know someone lives there at all. Blue for House Osanos, silver for Samos, brown for Rhambos, and so on. Now I know the colors by heart, putting faces to each silent home. I even killed the owners of a few.
"River Row," Maven explains. "The country residences, should a lord or lady wish to escape the city."
My gaze lingers on the Iral home, a columned wonder of black marble. Stone panthers guard the porch, snarling up at the sky. Even the statues put a chill in me, making me remember Ara Iral and her pressing questions.
"There's no one here."
"The houses are empty most of the year, and no one would dare leave the city now, not with this Guard business." He offers me a small, bitter smile. "They would rather hide behind their diamond walls and let my brother do their fighting for them."
"If only no one had to fight at all."
He shakes his head. "It does no good to dream."
We watch in silence as River Row falls behind us and another forest rises up on the banks. The trees are strange, very tall with black bark and dark red leaves. It is deathly quiet, as no forest should be. Not even birdsong breaks the silence, and overhead, the sky darkens, but not from the waning afternoon light. Black clouds gather, hovering over the trees like a thick blanket.
"And what's this?" Even my voice sounds muffled, and I'm suddenly glad for the glass casing over the deck. To my surprise the others have gone, leaving us alone to watch the gloom settle.
Maven glances at the forest, face pulled in distaste. "Barrier trees. They keep the pollution from traveling farther upriver. The Welle greenwardens made them years ago."
Choppy brown waves foam against the boat, leaving a film of black grime on the gleaming steel hull. The world takes on a strange tint, like I'm looking through dirty glass. The low-lying clouds aren't clouds at all but smoke pouring from a thousand chimneys, obscuring the sky. Gone are the trees and the grass-this is a land of ash and decay.
"Gray Town," Maven murmurs.
Factories stretch out as far as I can see, dirty and massive and humming with electricity. It hits me like a fist, almost knocking me off my feet. My heart tries to keep up with the unearthly pulse and I have to sit down, feeling my blood race.
I thought my world was wrong, that my life was unfair. But I could never even dream of a place like Gray Town.
Power stations glow in the gloom, pulsing electric blue and sickly green into the spider-work of wires in the air. Transports piled high with cargo move along the raised roads, shuttling goods from one factory to another. They scream at one another in a noisy mess of tangled traffic, moving like sluggish black blood in gray veins. Worst of all, little houses surround each factory in an ordered square, one on top of the other, with narrow streets in between. Slums.
Beneath such a smoky sky, I doubt the workers ever see daylight. They walk between the factories and their homes, flooding the streets during a shift change. There are no officers, no cracking whips, no blank stares. No one is making them watch us pass. The king doesn't need to show off here, I realize. They are broken from birth.
"These are the techies," I whisper hoarsely, remembering the name the Silvers so blithely toss around. "They make the lights, the cameras, the video screens-"
"The guns, the bullets, the bombs, the ships, the transports," Maven adds. "They keep the power running. They keep our water clean. They do everything for us."
And they receive nothing but smoke in return.
"Why don't they leave?"
He just shrugs. "This is the only life they know. Most techies will never leave their own alley. They can't even conscript."
Can't even conscript. Their lives are so terrible that the war is a better alternative, and they're not even allowed to go.
Like everything else on the river, the factories fade away, but the image stays with me. I must not forget this, something tells me. I must not forget them.
Stars wait for us beyond another forest of barrier trees, and beneath them: Archeon. At first I don't see the capital at all, mistaking its lights for blazing stars. As we sail closer and closer, my jaw drops.
A triple-layered bridge runs across the wide river, linking the two cities on either side. It's thousands of feet long and thriving, alive with light and electricity. There are shops and market squares, all built into the Bridge itself a hundred feet above the river. I can just picture the Silvers up there, drinking and eating and looking down on the world from their place on high. Transports blaze along the lowest tier of the Bridge, their headlamps like red and white comets cutting through the night.
Both ends of the Bridge are gated, and the city sectors on either side are walled in. On the east bank, great metal towers stab out of the ground like swords to pierce the sky, all crowned with gleaming giant birds of prey. More transports and people populate the paved streets that climb up the hilly riverbanks, connecting the buildings to the Bridge and the outer gates.
The walls are diamondglass, like back at the Hall, but set with floodlit metal towers and other structures. There are patrols on the walls, but their uniforms are not the flaming red of Sentinels or the stark black of Security. They wear uniforms of clouded silver and white, almost blending into the cityscape. They are soldiers, and not the kind who dance with ladies. This is a fortress.
Archeon was built to endure war, not peace.
On the western bank, I recognize the Royal Court and the Treasury Hall from the bombing footage. Both are made from gleaming white marble and fully repaired, even though they were attacked barely more than a month ago. It feels like a lifetime. They flank Whitefire Palace, a building even I know on sight. My old teacher used to say it was carved from the hillside itself, a living piece of the white stone. Flames made of gold and pearl flash atop the surrounding walls.
I try to take it in, my eyes darting between both ends of the Bridge, but my mind just can't fathom this place. Overhead, airships move slowly through the night sky, while airjets fly even higher, as fast as shooting stars. I thought the Hall of the Sun was a wonder; apparently I never knew the meaning of the word.
But I can't find anything beautiful here, not when the smoky, dark factories are only a few miles back. The contrast between the Silver city and the Red slum sets my teeth on edge. This is the world I'm trying to bring down, the world trying to kill me and everything I care about. Now I truly see what I'm fighting against and how difficult, how impossible, it will be to win. I've never felt smaller than I do now, with the great bridge looming above us. It looks ready to swallow me whole.
But I have to try. If only for Gray Town, for the ones who have never seen the sun.
TWENTY-THREE.
By the time the boat docks at the western bank and we're back on land, night has fallen. At home, this meant shutting down the power and going to sleep, but not in Archeon. If anything, the city seems to brighten while the rest of the world goes dark. Fireworks crackle overhead, raining light down on the Bridge, and atop Whitefire, a red-and-black flag rises. The king is back on this throne.
Thankfully there are no more pageants to suffer through; we are greeted by armored transports to take us up from the docks. To my delight, Maven and I have a transport to ourselves, joined by only two Sentinels. He points out landmarks as we pass, explaining what seems like every statue and street corner. He even mentions his favorite bakery, though it sits on the other side of the river.
"The Bridge and East Archeon are for civilians, the common Silvers, though many are richer than some nobles."
"Common Silvers?" I almost have to laugh. "There's such a thing?"
Maven just shrugs. "Of course. They're merchants, businessmen, soldiers, officers, shop owners, politicians, land barons, artists, and intellectuals. Some marry into High Houses, some rise above their station, but they don't have noble blood, and their abilities aren't as, well, powerful."
Not everyone is special. Lucas told me that once. I didn't know he meant Silvers too.
"Meanwhile, West Archeon is for the court of the king," Maven continues. We pass a street lined with lovely stone houses and pruned, flowering trees. "All the High Houses keep residences here, to be close to the king and government. In fact, the entire country can be controlled from this cliff, if the need should arise."
That explains the location. The western bank is sharply sloped, with the palace and the other government buildings sitting at the crest of a hill overlooking the Bridge. Another wall surrounds the hilltop, fencing in the heart of the country. I try not to gawk when we pass through the gate, revealing a tiled square the size of an arena. Maven calls it Caesar's Square, after the first king of his dynasty. Julian mentioned King Caesar before, but fleetingly; our lessons never got much further than the First Divide, when red and silver became much more than colors.
Whitefire Palace occupies the southern side of the Square, while the courts, treasury, and administrative centers take up the rest. There's even a military barracks, judging by the troops drilling in the walled yard. They are Cal's Shadow Legion, who traveled ahead of us to the city. A comfort to the nobles, Maven called them. Soldiers within the walls, to protect us if another attack should come.
Despite the hour, the Square bustles with activity as people rush toward a severe-looking structure next to the barracks. Red-and-black flags, emblazoned with the sword symbol of the army, hang from its columns. I can just see a little stage set up in front of the building, with a podium surrounded by bright spotlights and a growing crowd.
Suddenly the gaze of cameras, heavier than I'm used to, lands on our transport, following us as the line of vehicles passes by the stage. Luckily we keep driving, moving through an archway to a small courtyard, but then we pull to a stop.
"What's this?" I whisper, grabbing on to Maven. Until now, I've kept my fear in check, but between the lights and the cameras and the crowd, my wall begins to crumble.
Maven sighs heavily, more annoyed than anything. "Father must be giving a speech. Just some saber rattling to keep the masses happy. The people love nothing more than a leader promising victory."
Maven steps out, pulling me along with him. Despite my makeup and my clothes, I feel suddenly very bare. This is for a broadcast. Thousands, millions, will see this.
"Don't worry, we just have to stand and look stern," he mutters in my ear.
"I think Cal has that covered." I nod to where the prince broods, still attached at the hip to Evangeline.
Maven snickers to himself. "He thinks speeches are a waste of time. Cal likes action, not words."
That makes two of us, but I don't want to admit I have anything in common with Maven's older brother. Maybe once, I thought so, but not now. Not ever again.
A bustling secretary beckons us. His clothes are blue and gray, the colors of House Macanthos. Maybe he knew the colonel; maybe he was her brother, her cousin. Don't, Mare. This is the last place to lose your nerve. He doesn't spare a glance at us when we fall into place, standing behind Cal and Evangeline, with the king and queen at the head. Strangely, Evangeline is not her usual cool self; I can see her hands shaking. She's afraid. She wanted the spotlight, she wanted to be Cal's bride, and yet she's scared of it. How can that be?
And then we're moving, walking into a building with too many Sentinels and attendants to count. Inside, the structure is built for function, with maps and offices and council rooms instead of paintings or salons. People in gray uniforms busy themselves in the hall, though they stop to let us pass. Most of the doors are closed, but I manage to catch a glimpse inside a few. Officers and soldiers look down at maps of the war front, arguing over the placement of legions. Another room spilling with thunderous energy seems to hold a hundred video screens, each one operated by a soldier in battle uniform. They speak into headsets, barking orders to faraway people and places. The words differ, but the meaning is the same.
"Hold the line."
Cal lingers before the door to the video room, craning his neck to get a better look, but it suddenly slams in his face. He bristles but doesn't protest, falling back into line with Evangeline. She mutters to him quietly, but he shakes her off, to my delight.
But my smile fades as we step back out into blinding lights on the front steps of the structure. A bronze plaque next to the door reads War Command. This place is the heart of the military-every soldier, every army, every gun is controlled from within. My stomach rolls at the power here, but I can't lose my nerve, not in front of so many. Cameras flash, blinding my sight. When I flinch, I hear a voice inside my head.
The secretary presses a paper in my hand. One glance at it, and I almost scream. Now I know what I was saved for.
Earn your keep, Elara's voice whispers in my head. She glances at me from Maven's other side, doing her best not to grin.
Maven follows her wretched gaze and notes the paper in my shaking hand. Slowly, he winds his fingers around my own, as if he could pour his strength into me. I want nothing more than to rip the paper in two, but he holds me steady.
"You must," is all he says, whispering so low I can barely hear him. "You must."
"My heart grieves for the lives lost, but know that they were not lost in vain. Their blood will fuel our resolve and drive us to overcome the difficulties ahead. We are a nation at war, we have been for nearly a century, and we are not unaccustomed to obstacles in the path to victory. These people will be found, these people will be punished, and this disease they call rebellion will never take hold in my country."
The video screen in my new bedroom is about as useful as a bottomless boat, playing the king's speech from last night in a nauseating loop. By now I can recite the whole thing word for word, but I can't stop watching. Because I know who comes next.
My face looks strange on the screen, too pale, too cold. I still can't believe I kept a straight face while I read the words. When I step up to the podium, taking the king's place, I don't even tremble.
"I was raised by Reds. I believed I was one. And I saw firsthand the grace of His Majesty the king, the just ways of our Silver lords, and the great privilege they gave us. The right to work, to serve our country, to live and live well." On-screen, Maven puts a hand on my arm. He nods along with my speech. "Now I know I am Silver born, a lady of House Titanos, and one day, a princess of Norta. My eyes have been opened. A world I never dreamed of exists, and it is invincible. It is merciful. And these terrorists, murderers of the most evil kind, are trying to destroy the bedrock of our nation. This we cannot allow."
In the safety of my room, I heave a ragged breath. The worst is coming.
"In his wisdom, King Tiberias has drafted the Measures, to root out this sickness of rebellion, and to protect the good citizens of our nation. They are as follows: As of today, a sunset curfew is in effect for all Reds. Security will be doubled in every Red village and town. New outposts will be built on the roads and manned to full capacity. All Red crimes, including breaking of the curfew, will be punished by execution. And"-at this, my voice falters for the first time-"conscription age has been lowered, to the age of fifteen. Anyone who provides information leading to capture of Scarlet Guard operatives or the prevention of Scarlet Guard actions will be awarded conscription waivers, releasing up to five members of the same family from military service."
It's a brilliant, and terrible, maneuver. Reds will tear each other apart for such waivers.
"The Measures are to be upheld at all costs until the disease known as the Scarlet Guard is destroyed." I stare into my own eyes on-screen, watching as I stop myself from choking on my speech. My eyes are wide, hoping my people know what I'm trying to say. Words can lie. "Long live the king."
Anger ripples through me, and the screen shorts out, replacing my face with a black void. But I can still see each new order in my mind. More officers patrolling, more bodies hanging from the gallows, and more mothers weeping for their stolen children. We killed a dozen of theirs, and they kill a thousand of ours. Part of me knows these blows will drive some Reds to the side of the Guard, but many more will side with the king. For their lives, for their children's lives, they will give up what little freedom they had left.
I thought being their puppet would be easy compared to everything else. I was so wrong. But I cannot let them break me, not now. Not even when my own doom lingers on the horizon. I must do everything I can until my blood is matched and my game is over. Until they drag me away and kill me.
At least my window faces the river, looking south toward the sea. When I stare at the water, I can ignore my fading future. My eyes trail from the swiftly moving current to the dark smudge on the horizon. While the rest of the sky is clear, dark clouds hover in the south, never moving from the forbidden land at the coast. The Ruined City. Radiation and fire consumed the city once and never let it go. Now it's nothing but a black ghost sitting just out of reach, a relic of the old world.
Part of me wishes Lucas would rap on my door and hurry me along to a new schedule, but he has not returned yet. I suppose he's better off without me risking his life.
Julian's gift sits against the wall, a firm reminder of another friend lost. It's a piece of the giant map, framed and gleaming behind glass. When I pick it up, something thumps to the ground, falling from the back of the frame.
I knew it.
My heart races, beating wildly as I drop to my knees, hoping to find some secret note from Julian. But instead, there's nothing more than a book.
Despite my disappointment, I can't help smiling. Of course Julian would leave me another story, another collection of words to comfort me when he no longer can.
I flip open the cover, expecting to find some new histories, but instead, handwritten words stare up at me from the title page. Red and silver. It's in Julian's unmistakable swirling scrawl.
The sight line of my room's cameras beat into my back, reminding me I am not alone. Julian knew that too. Brilliant Julian.
The book looks normal, a dull study of relics found in Delphie, but hidden among the words, in the same type, is a secret worth telling. It takes me many minutes to find every added line and I'm quietly grateful I woke up so early. Finally I have them all, and I seem to have forgotten how to breathe.