How slowly the minutes creep! I listen intently, and catch the sound of bars being unlocked on the bottom range: it is the Night Captain turning the kitchen men out to prepare breakfast--5 A. M.! Two and a half hours yet before I shall be called; two endless hours, and then another thirty long minutes. Will they ever pa.s.s?... And again I pace the cell.

II

The gong rings the rising hour. In great agitation I gather up my blankets, tincup and spoon, which must be delivered at the office before I am discharged. My heart beats turbulently, as I stand at the door, waiting to be called. But the guard unlocks the range and orders me to "fall in for breakfast."

The striped line winds down the stairs, past the lynx-eyed Deputy standing in the middle of the hallway, and slowly circles through the centre, where each man receives his portion of bread for the day and returns to his tier. The turnkey, on his rounds of the range, casts a glance into my cell. "Not workin'," he says mechanically, shutting the door in my face.

"I'm going out," I protest.

"Not till you're called," he retorts, locking me in.

I stand at the door, tense with suspense. I strain my ear for the approach of a guard to call me to the office, but all remains quiet. A vague fear steals over me: perhaps they will not release me to-day; I may be losing time.... A feeling of nausea overcomes me, but by a strong effort I throw off the dreadful fancy, and quicken my step. I must not think--not think....

At last! The lever is pulled, my cell unlocked, and with a dozen other men I am marched to the clothes-room, in single file and lockstep. I await my turn impatiently, as several men are undressed and their naked bodies scrutinized for contraband or hidden messages. The overseer flings a small bag at each man, containing the prisoner's civilian garb, shouting boisterously: "Hey, you! Take off them clothes, and put your rags on."

I dress hurriedly. A guard accompanies me to the office, where my belongings are returned to me: some money friends had sent, my watch, and the piece of ivory the penitentiary turnkey had stolen from me, and which I had insisted on getting back before I left Riverside. The officer in charge hands me a railroad ticket to Pittsburgh (the fare costing about thirty cents), and I am conducted to the prison gate.

III

The sun shines brightly in the yard, the sky is clear, the air fresh and bracing. Now the last gate will be thrown open, and I shall be out of sight of the guard, beyond the bars,--alone! How I have hungered for this hour, how often in the past years have I dreamed of this rapturous moment--to be alone, out in the open, away from the insolent eyes of my keepers! I'll rush away from these walls and kneel on the warm sod, and kiss the soil and embrace the trees, and with a song of joy give thanks to Nature for the blessings of sunshine and air.

The outer door opens before me, and I am confronted by reporters with cameras. Several tall men approach me. One of them touches me on the shoulder, turns back the lapel of his coat, revealing a police officer's star, and says:

"Berkman, you are to leave the city before night, by order of the Chief."

The detectives and reporters trailing me to the nearby railway station attract a curious crowd. I hasten into a car to escape their insistent gaze, feeling glad that I have prevailed upon my friends not to meet me at the prison.

My mind is busy with plans to outwit the detectives, who have entered the same compartment. I have arranged to join the Girl in Detroit. I have no particular reason to mask my movements, but I resent the surveillance. I must get rid of the spies, somehow; I don't want their hateful eyes to desecrate my meeting with the Girl.

I feel dazed. The short ride to Pittsburgh is over before I can collect my thoughts. The din and noise rend my ears; the rushing cars, the clanging bells, bewilder me. I am afraid to cross the street; the flying monsters pursue me on every side. The crowds jostle me on the sidewalk, and I am constantly running into the pa.s.sers-by. The turmoil, the ceaseless movement, disconcerts me. A horseless carriage whizzes close by me; I turn to look at the first automobile I have ever seen, but the living current sweeps me helplessly along. A woman pa.s.ses me, with a child in her arms. The baby looks strangely diminutive, a rosy dimple in the laughing face. I smile back at the little cherub, and my eyes meet the gaze of the detectives. A wild thought to escape, to get away from them, possesses me, and I turn quickly into a side street, and walk blindly, faster and faster. A sudden impulse seizes me at the sight of a pa.s.sing car, and I dash after it.

"Fare, please!" the conductor sings out, and I almost laugh out aloud at the fleeting sense of the material reality of freedom. Conscious of the strangeness of my action, I produce a dollar bill, and a sense of exhilarating independence comes over me, as the man counts out the silver coins. I watch him closely for a sign of recognition. Does he realize that I am just out of prison? He turns away, and I feel thankful to the dear Chum for having so thoughtfully provided me with a new suit of clothes. It is peculiar, however, that the conductor has failed to notice my closely cropped hair. But the man in the seat opposite seems to be watching me. Perhaps he has recognized me by my picture in the newspapers; or may be it is my straw hat that has attracted his attention. I glance about me. No one wears summer headgear yet; it must be too early in the season. I ought to change it: the detectives could not follow me so easily then. Why, there they are on the back platform!

At the next stop I jump off the car. A hat sign arrests my eye, and I walk into the store, and then slip quietly through a side entrance, a dark derby on my head. I walk quickly, for a long, long time, board several cars, and then walk again, till I find myself on a deserted street. No one is following me now; the detectives must have lost track of me. I feel worn and tired. Where could I rest up, I wonder, when I suddenly recollect that I was to go directly from the prison to the drugstore of Comrade M----. My friends must be worried, and M---- is waiting to wire to the Girl about my release.

It is long past noon when I enter the drugstore. M---- seems highly wrought up over something; he shakes my hand violently, and plies me with questions, as he leads me into his apartments in the rear of the store. It seems strange to be in a regular room: there is paper on the walls, and it feels so peculiar to the touch, so different from the whitewashed cell. I pa.s.s my hand over it caressingly, with a keen sense of pleasure. The chairs, too, look strange, and those quaint things on the table. The bric-a-brac absorbs my attention--the people in the room look hazy, their voices sound distant and confused.

"Why don't you sit down, Aleck?" the tones are musical and tender; a woman's, no doubt.

"Yes," I reply, walking around the table, and picking up a bright toy.

It represents Undine, rising from the water, the spray glistening in the sun....

"Are you tired, Aleck?"

"N--no."

"You have just come out?"

"Yes."

It requires an effort to talk. The last year, in the workhouse, I have barely spoken a dozen words; there was always absolute silence. The voices disturb me. The presence of so many people--there are three or four about me--is oppressive. The room reminds me of the cell, and the desire seizes me to rush out into the open, to breathe the air and see the sky.

"I'm going," I say, s.n.a.t.c.hing up my hat.

IV

The train speeds me to Detroit, and I wonder vaguely how I reached the station. My brain is numb; I cannot think. Field and forest flit by in the gathering dusk, but the surroundings wake no interest in me. "I am rid of the detectives"--the thought persists in my mind, and I feel something relax within me, and leave me cold, without emotion or desire.

With an effort I descend to the platform, and sway from side to side, as I cross the station at Detroit. A man and a girl hasten toward me, and grasp me by the hand. I recognize Carl. The dear boy, he was a most faithful and cheering correspondent all these years since he left the penitentiary. But who is the girl with him, I wonder, when my gaze falls on a woman leaning against a pillar. She looks intently at me. The wave of her hair, the familiar eyes--why, it's the Girl! How little she has changed! I take a few steps forward, somewhat surprised that she did not rush up to me like the others. I feel pleased at her self-possession: the excited voices, the quick motions, disturb me. I walk slowly toward her, but she does not move. She seems rooted to the spot, her hand grasping the pillar, a look of awe and terror in her face. Suddenly she throws her arms around me. Her lips move, but no sound reaches my ear.

We walk in silence. The Girl presses a bouquet into my hand. My heart is full, but I cannot talk. I hold the flowers to my face, and mechanically bite the petals.

V

Detroit, Chicago, and Milwaukee pa.s.s before me like a troubled dream. I have a faint recollection of a sea of faces, restless and turbulent, and I in its midst. Confused voices beat like hammers on my head, and then all is very still. I stand in full view of the audience. Eyes are turned on me from every side, and I grow embarra.s.sed. The crowd looks dim and hazy; I feel hot and cold, and a great longing to flee. The perspiration is running down my back; my knees tremble violently, the floor is slipping from under my feet--there is a tumult of hand clapping, loud cheers and bravos.

We return to Carl's house, and men and women grasp my hand and look at me with eyes of curious awe. I fancy a touch of pity in their tones, and am impatient of their sympathy. A sense of suffocation possesses me within doors, and I dread the presence of people. It is torture to talk; the sound of voices agonizes me. I watch for an opportunity to steal out of the house. It soothes me to lose myself among the crowds, and a sense of quiet pervades me at the thought that I am a stranger to every one about me. I roam the city at night, and seek the outlying country, conscious only of a desire to be alone.

VI

I am in the Waldheim, the Girl at my side. All is quiet in the cemetery, and I feel a great peace. No emotion stirs me at the sight of the monument, save a feeling of quiet sadness. It represents a woman, with one hand placing a wreath on the fallen, with the other grasping a sword. The marble features mirror unutterable grief and proud defiance.

I glance at the Girl. Her face is averted, but the droop of her head speaks of suffering. I hold out my hand to her, and we stand in mute sorrow at the graves of our martyred comrades.... I have a vision of Stenka Razin, as I had seen him pictured in my youth, and at his side hang the bodies of the men buried beneath my feet. Why are they dead? I wonder. Why should I live? And a great desire to lie down with them is upon me. I clutch the iron post, to keep from falling.

Steps sound behind me, and I turn to see a girl hastening toward us. She is radiant with young womanhood; her presence breathes life and the joy of it. Her bosom heaves with panting; her face struggles with a solemn look.