"You can't have th' cup," the Deputy fumes.

"I won't drink out of your hand, G.o.d d.a.m.n you. Think I'm a cur, do you?"

Smithy swears and curses savagely.

The doors are slammed and locked. The steps grow faint, and all is silent, save the quickened footfall of Smith, who will not talk to any prisoner.

I pa.s.s the long night in drowsy stupor, rousing at times to strain my ear for every sound from the rotunda above, wondering whether day is breaking. The minutes drag in dismal darkness....

The loud clanking of the keys tingles in my ears like sweet music. It is morning! The guards hand me the day's allowance--two ounces of white bread and a quart of water. The wheat tastes sweet; it seems to me I've never eaten anything so delectable. But the liquid is insipid, and nauseates me. At almost one bite I swallow the slice, so small and thin.

It whets my appet.i.te, and I feel ravenously hungry.

At Smith's door the scene of the previous evening is repeated. The Deputy insists that the man drink out of the cup held by a guard. The prisoner refuses, with a profuse flow of profanity. Suddenly there is a splash, followed by a startled cry, and the thud of the cell bucket on the floor. Smith has emptied the contents of his privy upon the officers. In confusion they rush out of the dungeon.

Presently I hear the clatter of many feet in the cellar. There is a hubbub of suppressed voices. I recognize the rasping whisper of Hopkins, the tones of Woods, McIlvaine, and others. I catch the words, "Both sides at once." Several cells in the dungeon are provided with double entrances, front and back, to facilitate attacks upon obstreperous prisoners. Smith is always a.s.signed to one of these cells. I shudder as I realize that the officers are preparing to club the demented man. He has been weakened by years of unbroken solitary confinement, and his throat still bleeds occasionally from the bullet wound. Almost half his time he has been kept in the dungeon, and now he has been missing from the range twelve days. It is.... Involuntarily I shut my eyes at the fearful thud of the riot clubs.

The hours drag on. The monotony is broken by the keepers bringing another prisoner to the dungeon. I hear his violent sobbing from the depth of the cavern.

"Who is there?" I hail him. I call repeatedly, without receiving an answer. Perhaps the new arrival is afraid of listening guards.

"Ho, man!" I sing out, "the screws have gone. Who are you? This is Aleck, Aleck Berkman."

"Is that you, Aleck? This is Johnny." There is a familiar ring about the young voice, broken by piteous moans. But I fail to identify it.

"What Johnny?"

"Johnny Davis--you know--stocking shop. I've just--killed a man."

In bewilderment I listen to the story, told with bursts of weeping.

Johnny had returned to the shop; he thought he would try again: he wanted to earn his "good" time. Things went well for a while, till "Dutch" Adams became shop runner. He is the stool who got Grant and Johnny Smith in trouble with the fake key, and Davis would have nothing to do with him. But "Dutch" persisted, pestering him all the time; and then--

"Well, you know, Aleck," the boy seems diffident, "he lied about me like h.e.l.l: he told the fellows he _used_ me. Christ, my mother might hear about it! I couldn't stand it, Aleck; honest to G.o.d, I couldn't. I--I killed the lying cur, an' now--now I'll--I'll swing for it," he sobs as if his heart would break.

A touch of tenderness for the poor boy is in my voice, as I strive to condole with him and utter the hope that it may not be so bad, after all. Perhaps Adams will not die. He is a powerful man, big and strong; he may survive.

Johnny eagerly clutches at the straw. He grows more cheerful, and we talk of the coming investigation and local affairs. Perhaps the Board will even clear him, he suggests. But suddenly seized with fear, he weeps and moans again.

More men are cast into the dungeon. They bring news from the world above. An epidemic of fighting seems to have broken out in the wake of recent orders. The total inhibition of talking is resulting in more serious offences. "Kid Tommy" is enlarging upon his trouble. "You see, fellers," he cries in a treble, "dat skunk of a Pete he pushes me in de line, and I turns round t' give 'im h.e.l.l, but de screw pipes me. Got no chance t' choo, so I turns an' biffs him on de jaw, see?" But he is sure, he says, to be let out at night, or in the morning, at most. "Them fellers that was sc.r.a.ppin' yesterday in de yard didn't go to de hole.

Dey jest put 'em in de cell. Sandy knows de committee's comin' all right."

Johnny interrupts the loquacious boy to inquire anxiously about "Dutch"

Adams, and I share his joy at hearing that the man's wound is not serious. He was cut about the shoulders, but was able to walk una.s.sisted to the hospital. Johnny overflows with quiet happiness; the others dance and sing. I recite a poem from Nekra.s.sov; the boys don't understand a word, but the sorrow-laden tones appeal to them, and they request more Russian "pieces." But Tommy is more interested in politics, and is bristling with the latest news from the Magee camp. He is a great admirer of Quay,--"dere's a smart guy fer you, fellers; owns de whole Keystone shebang all right, all right. He's Boss Quay, you bet you." He dives into national issues, rails at Bryan, "16 to 1 Bill, you jest list'n to 'm, he'll give sixteen dollars to every one; he will, nit!"

and the boys are soon involved in a heated discussion of the respective merits of the two political parties, Tommy staunchly siding with the Republican. "Me gran'fader and me fader was Republicans," he vociferates, "an' all me broders vote de ticket. Me fer de Gran' Ole Party, ev'ry time." Some one twits him on his political wisdom, challenging the boy to explain the difference in the money standards.

Tommy boldly appeals to me to corroborate him; but before I have an opportunity to speak, he launches upon other issues, berating Spain for her atrocities in Cuba, and insisting that this free country cannot tolerate slavery at its doors. Every topic is discussed, with Tommy orating at top speed, and continually broaching new subjects.

Unexpectedly he reverts to local affairs, waxes reminiscent over former days, and loudly smacks his lips at the "great feeds" he enjoyed on the rare occasions when he was free to roam the back streets of Smoky City.

"Say, Aleck, my boy," he calls to me familiarly, "many a penny I made on _you_, all right. How? Why, peddlin' extras, of course! Say, dem was fine days, all right; easy money; papers went like hot cakes off the griddle. Wish you'd do it again, Aleck."

Invisible to each other, we chat, exchange stories and anecdotes, the boys talking incessantly, as if fearful of silence. But every now and then there is a lull; we become quiet, each absorbed in his own thoughts. The pauses lengthen--lengthen into silence. Only the faint steps of "Crazy Smith" disturb the deep stillness.

Late in the evening the young prisoners are relieved. But Johnny remains, and his apprehensions reawaken. Repeatedly during the night he rouses me from my drowsy torpor to be rea.s.sured that he is not in danger of the gallows, and that he will not be tried for his a.s.sault. I allay his fears by dwelling on the Warden's aversion to giving publicity to the s.e.x practices in the prison, and remind the boy of the Captain's official denial of their existence. These things happen almost every week, yet no one has ever been taken to court from Riverside on such charges.

Johnny grows more tranquil, and we converse about his family history, talking in a frank, confidential manner. With a glow of pleasure, I become aware of the note of tenderness in his voice. Presently he surprises me by asking:

"Friend Aleck, what do they call you in Russian?"

He prefers the fond "Sashenka," enunciating the strange word with quaint endearment, then diffidently confesses dislike for his own name, and relates the story he had recently read of a poor castaway Cuban youth; Felipe was his name, and he was just like himself.

"Shall I call you Felipe?" I offer.

"Yes, please do, Aleck, dear; no, Sashenka."

The springs of affection well up within me, as I lie huddled on the stone floor, cold and hungry. With closed eyes, I picture the boy before me, with his delicate face, and sensitive, girlish lips.

"Good night, dear Sashenka," he calls.

"Good night, little Felipe."

In the morning we are served with a slice of bread and water. I am tormented with thirst and hunger, and the small ration fails to a.s.suage my sharp pangs. Smithy still refuses to drink out of the Deputy's hand; his doors remain unopened. With tremulous anxiety Johnny begs the Deputy Warden to tell him how much longer he will remain in the dungeon, but Greaves curtly commands silence, applying a vile epithet to the boy.

"Deputy," I call, boiling over with indignation, "he asked you a respectful question. I'd give him a decent answer."

"You mind your own business, you hear?" he retorts.

But I persist in defending my young friend, and berate the Deputy for his language. He hastens away in a towering pa.s.sion, menacing me with "what Smithy got."

Johnny is distressed at being the innocent cause of the trouble. The threat of the Deputy disquiets him, and he warns me to prepare. My cell is provided with a double entrance, and I am apprehensive of a sudden attack. But the hours pa.s.s without the Deputy returning, and our fears are allayed. The boy rejoices on my account, and brims over with appreciation of my intercession.

The incident cements our intimacy; our first diffidence disappears, and we become openly tender and affectionate. The conversation lags: we feel weak and worn. But every little while we hail each other with words of encouragement. Smithy incessantly paces the cell; the gnawing of the river rats reaches our ears; the silence is frequently pierced by the wild yells of the insane man, startling us with dread foreboding. The quiet grows unbearable, and Johnny calls again:

"What are you doing, Sashenka?"

"Oh, nothing. Just thinking, Felipe."

"Am I in your thoughts, dear?"

"Yes, kiddie, you are."

"Sasha, dear, I've been thinking, too."

"What, Felipe?"

"You are the only one I care for. I haven't a friend in the whole place."