Twenty-two years! Oh, it is hopeless, hopeless. I must die. I'll die to-night.... With bated breath I creep from the bed. The iron bedstead creaks. In affright I draw back, feigning sleep. All remains silent. The guard did not hear me. I should feel the terrible bull's-eye even with closed lids. Slowly I open my eyes. It is dark all around. I grope about the cell. The wall is damp, musty. The odors are nauseating.... I cannot live here. I must die. This very night.... Something white glimmers in the corner. Cautiously I bend over. It is a spoon. For a moment I hold it indifferently; then a great joy overwhelms me. Now I can die! I creep back into bed, nervously clutching the tin. My hand feels for my heart.

It is beating violently. I will put the narrow end of the spoon over here--like this--I will force it in--a little lower--a steady pressure--just between the ribs.... The metal feels cold. How hot my body is! Caressingly I pat the spoon against my side. My fingers seek the edge. It is dull. I must press it hard. Yes, it is very dull. If I only had my revolver. But the cartridge might fail to explode. That's why Frick is now well, and I must die. How he looked at me in court!

There was hate in his eyes, and fear, too. He turned his head away, he could not face me. I saw that he felt guilty. Yet he lives. I didn't crush him. Oh, I failed, I failed....

"Keep quiet there, or I'll put you in the hole."

The gruff voice startles me. I must have been moaning. I'll draw the blanket over my head, so. What was I thinking about? Oh, I remember. He is well, and I am here. I failed to crush him. He lives. Of course, it does not really matter. The opportunity for propaganda is there, as the result of my act. That was the main purpose. But I meant to kill him, and he lives. My speech, too, failed. They tricked me. They kept the date secret. They were afraid my friends would be present. It was maddening the way the prosecuting attorney and the judge kept interrupting me. I did not read even a third of my statement. And the whole effect was lost. How that man interpreted! The poor old man! He was deeply offended when I corrected his translation. I did not know he was blind. I called him back, and suffered renewed torture at his screeching. I was almost glad when the judge forced me to discontinue.

That judge! He acted as indifferently as if the matter did not concern him. He must have known that the sentence meant death. Twenty-two years!

As if it is possible to survive such a sentence in this terrible place!

Yes, he knew it; he spoke of making an example of me. The old villain!

He has been doing it all his life: making an example of social victims, the victims of his own cla.s.s, of capitalism. The brutal mockery of it--had I anything to say why sentence should not be pa.s.sed? Yet he wouldn't permit me to continue my statement. "The court has been very patient!" I am glad I told him that I didn't expect justice, and did not get it. Perhaps I should have thrown in his face the epithet that sprang to my lips. No, it was best that I controlled my anger. Else they would have rejoiced to proclaim the Anarchists vulgar criminals. Such things help to prejudice the People against us. We, criminals? We, who are ever ready to give our lives for liberty, criminals? And they, our accusers?

They break their own laws: they knew it was not legal to multiply the charges against me. They made six indictments out of one act, as if the minor "offences" were not included in the major, made necessary by the deed itself. They thirsted for blood. Legally, they could not give me more than seven years. But I am an Anarchist. I had attempted the life of a great magnate; in him capitalism felt itself attacked. Of course, I knew they would take advantage of my refusal to be legally represented.

Twenty-two years! The judge imposed the maximum penalty on each charge.

Well, I expected no less, and it makes no difference now. I am going to die, anyway.

I clutch the spoon in my feverish hand. Its narrow end against my heart, I test the resistance of the flesh. A violent blow will drive it between the ribs....

One, two, three--the deep metallic ba.s.s floats upon the silence, resonant, compelling. Instantly all is motion: overhead, on the sides, everything is vibrant with life. Men yawn and cough, chairs and beds are noisily moved about, heavy feet pace stone floors. In the distance sounds a low rolling, as of thunder. It grows nearer and louder. I hear the officers' sharp command, the familiar click of locks, doors opening and shutting. Now the rumbling grows clearer, more distinct. With a moan the heavy bread-wagon stops at my cell. A guard unlocks the door. His eyes rest on me curiously, suspiciously, while the trusty hands me a small loaf of bread. I have barely time to withdraw my arm before the door is closed and locked.

"Want coffee? Hold your cup."

Between the narrow bars, the beverage is poured into my bent, rusty tin can. In the semi-darkness of the cell the steaming liquid overflows, scalding my bare feet. With a cry of pain I drop the can. In the dimly-lit hall the floor looks stained with blood.

"What do you mean by that?" the guard shouts at me.

"I couldn't help it."

"Want to be smart, don't you? Well, we'll take it out of you. Hey, there, Sam," the officer motions to the trusty, "no dinner for A 7, you hear!"

"Yes, sir. Yes, sir!"

"No more coffee, either."

"Yes, sir."

The guard measures me with a look of scornful hatred. Malice mirrors in his face. Involuntarily I step back into the cell. His gaze falls on my naked feet.

"Ain't you got no shoes?"

"Yes."

"Ye-e-s! Can't you say 'sir'? Got shoes?"

"Yes."

"Put 'em on, d.a.m.n you."

His tongue sweeps the large quid of tobacco from one cheek to the either. With a hiss, a thick stream of brown splashes on my feet. "d.a.m.n you, put 'em on."

The clatter and noises have ceased; the steps have died away. All is still in the dark hall. Only occasional shadows flit by, silent, ghostlike.

II

"Forward, march!"

The lung line of prisoners, in stripes and lockstep, resembles an undulating snake, wriggling from side to side, its black-and-gray body moving forward, yet apparently remaining in the same spot. A thousand feet strike the stone floor in regular tempo, with alternate rising and falling accent, as each division, flanked by officers, approaches and pa.s.ses my cell. Brutal faces, repulsive in their stolid indifference or malicious leer. Here and there a well-shaped head, intelligent eye, or sympathetic expression, but accentuates the features of the striped line: coa.r.s.e and sinister, with the guilty-treacherous look of the ruthlessly hunted. Head bent, right arm extended, with hand touching the shoulder of the man in front, all uniformly clad in horizontal black and gray, the men seem will-less cogs in a machine, oscillating to the shouted command of the tall guards on the flanks, stern and alert.

The measured beat grows fainter and dies with the hollow thud of the last footfall, behind the closed double door leading into the prison yard. The pall of silence descends upon the cell-house. I feel utterly alone, deserted and forsaken amid the towering pile of stone and iron.

The stillness overwhelms me with almost tangible weight. I am buried within the narrow walls; the ma.s.sive rock is pressing down upon my head, my sides. I cannot breathe. The foul air is stifling. Oh, I can't, I can't live here! I can't suffer this agony. Twenty-two years! It is a lifetime. No, it's impossible. I must die. I will! Now!

Clutching the spoon, I throw myself on the bed. My eyes wander over the cell, faintly lit by the light in the hall: the whitewashed walls, yellow with damp--the splashes of dark-red blood at the head of the bed--the clumps of vermin around the holes in the wall--the small table and the rickety chair--the filthy floor, black and gray in spots....

Why, it's stone! I can sharpen the spoon. Cautiously I crouch in the corner. The tin glides over the greasy surface, noiselessly, smoothly, till the thick layer of filth is worn off. Then it scratches and sc.r.a.pes. With the pillow I deaden the rasping sound. The metal is growing hot in my hand. I pa.s.s the sharp edge across my finger. Drops of blood trickle down to the floor. The wound is ragged, but the blade is keen. Stealthily I crawl back into bed. My hand gropes for my heart. I touch the spot with the blade. Between the ribs--here--I'll be dead when they find me.... If Frick had only died. So much propaganda could be made--that d.a.m.ned Most, if he hadn't turned against me! He will ruin the whole effect of the act. It's nothing but cowardice. But what is he afraid of? They can't implicate him. We've been estranged for over a year. He could easily prove it. The traitor! Preached propaganda by deed all his life--now he repudiates the first _Attentat_ in this country.

What tremendous agitation he could have made of it! Now he denies me, he doesn't know me. The wretch! He knew me well enough and trusted me, too, when together we set up the secret circular in the _Freiheit_ office. It was in William Street. We waited for the other compositors to leave; then we worked all night. It was to recommend me: I planned to go to Russia then. Yes, to Russia. Perhaps I might have done something important there. Why didn't I go? What was it? Well, I can't think of it now. It's peculiar, though. But America was more important. Plenty of revolutionists in Russia. And now.... Oh, I'll never do anything more.

I'll be dead soon. They'll find me cold--a pool of blood under me--the mattress will be red--no, it will be dark-red, and the blood will soak through the straw.... I wonder how much blood I have. It will gush from my heart--I must strike right here--strong and quick--it will not pain much. But the edge is ragged--it may catch--or tear the flesh. They say the skin is tough. I must strike hard. Perhaps better to fall against the blade? No, the tin may bend. I'll grasp it close--like this--then a quick drive--right into the heart--it's the surest way. I must not wound myself--I would bleed slowly--they might discover me still alive. No, no! I must die at once. They'll find me dead--my heart--they'll feel it--not beating--the blade still in it--they'll call the doctor--"He's dead." And the Girl and Fedya and the others will hear of it--she'll be sad--but she will understand. Yes, she will be glad--they couldn't torture me here--she'll know I cheated them--yes, she.... Where is she now? What does she think of it all? Does she, too, think I've failed?

And Fedya, also? If I'd only hear from her--just once. It would be easier to die. But she'll understand, she--

"Git off that bed! Don't you know the rules, eh? Get out o' there!"

Horrified, speechless, I spring to my feet. The spoon falls from my relaxed grip. It strikes the floor, clinking on the stone loudly, d.a.m.ningly. My heart stands still as I face the guard. There is something repulsively familiar about the tall man, his mouth drawn into a derisive smile. Oh, it's the officer of the morning!

"Foxy, ain't you? Gimme that spoon."

The coffee incident flashes through my mind. Loathing and hatred of the tall guard fill my being. For a second I hesitate. I must hide the spoon. I cannot afford to lose it--not to this brute--

"Cap'n, here!"

I am dragged from the cell. The tall keeper carefully examines the spoon, a malicious grin stealing over his face.

"Look, Cap'n. Sharp as a razor. Pretty desp'rate, eh?"

"Take him to the Deputy, Mr. Fellings."

III

In the rotunda, connecting the north and south cell-houses, the Deputy stands at a high desk. Angular and bony, with slightly stooped shoulders, his face is a ma.s.s of minute wrinkles seamed on yellow parchment. The curved nose overhangs thin, compressed lips. The steely eyes measure me coldly, unfriendly.

"Who is this?"

The low, almost feminine, voice sharply accentuates the cadaver-like face and figure. The contrast is startling.

"A 7."