YOUNG MAN. A peach?

[ARNAUD brings peaches to the table]

CLARE. [Smiling] Thank you.

[He fills their gla.s.ses and retreats]

CLARE. [Raising her gla.s.s] Eat and drink, for tomorrow we--Listen!

From the supper-party comes the sound of an abortive chorus: "With a hey ho, chivy, hark forrard, hark forrard, tantivy!"

Jarring out into a discordant whoop, it sinks.

CLARE. "This day a stag must die." Jolly old song!

YOUNG MAN. Rowdy lot! [Suddenly] I say--I admire your pluck.

CLARE. [Shaking her head] Haven't kept my end up. Lots of women do!

You see: I'm too fine, and not fine enough! My best friend said that. Too fine, and not fine enough. [She laughs] I couldn't be a saint and martyr, and I wouldn't be a soulless doll. Neither one thing nor the other--that's the tragedy.

YOUNG MAN. You must have had awful luck!

CLARE. I did try. [Fiercely] But what's the good--when there's nothing before you?--Do I look ill?

YOUNG MAN. No; simply awfully pretty.

CLARE. [With a laugh] A man once said to me: "As you haven't money, you should never have been pretty!" But, you see, it is some good.

If I hadn't been, I couldn't have risked coming here, could I? Don't you think it was rather sporting of me to buy these [She touches the gardenias] with the last shilling over from my cab fare?

YOUNG MAN. Did you really? D---d sporting!

CLARE. It's no use doing things by halves, is it? I'm--in for it-- wish me luck! [She drinks, and puts her gla.s.s down with a smile] In for it--deep! [She flings up her hands above her smiling face] Down, down, till they're just above water, and then--down, down, down, and --all over! Are you sorry now you came and spoke to me?

YOUNG MAN. By Jove, no! It may be caddish, but I'm not.

CLARE. Thank G.o.d for beauty! I hope I shall die pretty! Do you think I shall do well?

YOUNG MAN. I say--don't talk like that!

CLARE. I want to know. Do you?

YOUNG MAN. Well, then--yes, I do.

CLARE. That's splendid. Those poor women in the streets would give their eyes, wouldn't they?--that have to go up and down, up and down!

Do you think I--shall----

The YOUNG MAN, half-rising, puts his hand on her arm.

YOUNG MAN. I think you're getting much too excited. You look all-- Won't you eat your peach? [She shakes her head] Do! Have something else, then--some grapes, or something?

CLARE. No, thanks.

[She has become quite calm again]

YOUNG MAN. Well, then, what d'you think? It's awfully hot in here, isn't it? Wouldn't it be jollier drivin'? Shall we--shall we make a move?

CLARE. Yes.

The YOUNG MAN turns to look for the waiter, but ARNAUD is not in the room. He gets up.

YOUNG MAN. [Feverishly] D---n that waiter! Wait half a minute, if you don't mind, while I pay the bill.

As he goes out into the corridor, the two gentlemen re-appear.

CLARE is sitting motionless, looking straight before her.

DARK ONE. A fiver you don't get her to!

BLOND ONE. Done!

He advances to her table with his inimitable insolence, and taking the cigar from his mouth, bends his stare on her, and says: "Charmed to see you lookin' so well! Will you have supper with me here to-morrow night?" Startled out of her reverie, CLARE looks up. She sees those eyes, she sees beyond him the eyes of his companion-sly, malevolent, amused-watching; and she just sits gazing, without a word. At that regard, so clear, the BLOND ONE does not wince. But rather suddenly he says: "That's arranged then. Half-past eleven. So good of you. Good-night!"

He replaces his cigar and strolls back to his companion, and in a low voice says: "Pay up!" Then at a languid "Hullo, Charles!"

they turn to greet the two in their nook behind the screen.

CLARE has not moved, nor changed the direction of her gaze.

Suddenly she thrusts her hand into the pocket of the cloak that hangs behind her, and brings out the little blue bottle which, six months ago, she took from MALISE. She pulls out the cork and pours the whole contents into her champagne. She lifts the gla.s.s, holds it before her--smiling, as if to call a toast, then puts it to her lips and drinks. Still smiling, she sets the empty gla.s.s down, and lays the gardenia flowers against her face. Slowly she droops back in her chair, the drowsy smile still on her lips; the gardenias drop into her lap; her arms relax, her head falls forward on her breast. And the voices behind the screen talk on, and the sounds of joy from the supper-party wax and wane.

The waiter, ARNAUD, returning from the corridor, pa.s.ses to his service-table with a tall, beribboned basket of fruit. Putting it down, he goes towards the table behind the screen, and sees.

He runs up to CLARE.

ARNAUD. Madame! Madame! [He listens for her breathing; then suddenly catching sight of the little bottle, smells at it] Bon Dieu!

[At that queer sound they come from behind the screen--all four, and look. The dark night bird says: "Hallo; fainted!" ARNAUD holds out the bottle.]

LANGUID LORD. [Taking it, and smelling] Good G.o.d! [The woman bends over CLARE, and lifts her hands; ARNAUD rushes to his service-table, and speaks into his tube]

ARNAUD. The boss. Quick! [Looking up he sees the YOUNG MAN, returning] 'Monsieur, elle a fui! Elle est morte'!

LANGUID LORD. [To the YOUNG MAN standing there aghast] What's this?

Friend of yours?

YOUNG MAN. My G.o.d! She was a lady. That's all I know about her.

LANGUID LORD. A lady!

[The blond and dark gentlemen have slipped from the room; and out of the supper-party's distant laughter comes suddenly a long, shrill: "Gone away!" And the sound of the horn playing the seven last notes of the old song: "This day a stag must die!" From the last note of all the sound flies up to an octave higher, sweet and thin, like a spirit pa.s.sing, till it is drowned once more in laughter. The YOUNG MAN has covered his eyes with his hands; ARNAUD is crossing himself fervently; the LANGUID LORD stands gazing, with one of the dropped gardenias twisted in his fingers; and the woman, bending over CLARE, kisses her forehead.]

CURTAIN.