He had discovered that his new mistress did not easily change her mind upon any subject, and never changed it at all when she thought she was right in regard to Lord Herbert's health.

And in due time they reached the end of their journey, and took up their quarters in the old house known as the Tempietto, which stands just where the Via Gregoriana and the Via Sistina end together in the open square of the Trinita de' Monti--a quarter and a house dear to English people since the first invasion of foreigners, but by no means liked or considered especially healthy by the Romans.

CHAPTER VI.

Meanwhile, the lives of some of the other persons concerned in this history were less idyllic, and very probably more satisfactory to themselves. Having survived the season, and having borne the severe Lenten mortification implied in not capering nightly to the tune of two or three fiddles and a piano, the world arose after Easter like a giant refreshed with wine, and enjoyed a final fling before breaking up for the summer. Having danced with the windows shut, it now danced with the windows open, and found the change delightful, as indeed it is. Instead of sitting in corners together, the couples who had anything to say to one another now stood or sat in the deep embrasures, glancing up at the starlit sky to see whether the dawn were yet breaking. As for the rest, there was little change at all. The little Vicomte de Bompierre had transferred his attentions from the Marchesa di San Giacinto to Donna Maria Boccapaduli, and the Marchesa, who was in love with her husband, did not seem to care at all, but remained on the best of terms with Donna Maria, to the latter's infinite satisfaction. The Contessa dell'

Armi attracted more attention because some one had started the report that dell' Armi himself was in a state of jealousy bordering upon delirium, that he had repeatedly struck her, and that he spent the few hours he could spare from this unwholesome exercise and from his parliamentary duties in tearing out his hair by the handful. The picture of dell' Armi evoked by these stories was striking, dramatic, and somewhat novel, so that every one was delighted. As a matter of fact, the Count did not care a straw for his wife, rarely saw her at all, and then only to discuss the weather. He had married her in order that her fortune might help him in his political career, he had got what he wanted, and he was supremely indifferent to the rest. The sad part of the matter was--if any one had known the truth--that poor Maddalena dell' Armi had been married out of a convent, and had then and there fallen madly in love with him, her own husband. He had resented her excessive affection, as it interfered with his occupations and amus.e.m.e.nts, and after an interval of five years, during which the unhappy young wife shed endless tears and suffered intensely, he had the satisfaction of seeing that she no longer loved him in the least, and rather avoided him than otherwise. In taking a fancy to Pietro Ghisleri he thought she had shown considerable discrimination, since every one knew that Ghisleri was a very discreet man. The amazing cynicism of his view altogether escaped him. He was occupied in politics. If he had observed it, he would have undoubtedly laughed as heartily as he did when a lady on the outskirts of society told him that he was supposed to be a jealous husband.

But the rest of the world watched Maddalena and Pietro with great interest. They had quarrelled--or they had made it up--they had not danced together during one whole evening--they had danced a waltz and then a quadrille, the one after the other--Maddalena had been crying--by a coincidence, Ghisleri looked unusually strong and well--Pietro, again, was looking somewhat haggard and weary, and the Contessa met the world that evening with a stony stare. There was endless matter for speculation, and accordingly the world speculated without end, and, as usual, to no purpose. Ghisleri was absolutely reticent, and Maddalena was a very proud woman, who, in spite of her past sufferings, did her best not to let any one suspect that she and her husband were on bad terms. She was also unhappy in the present about a very different matter, concerning which she was not inclined to speak with any one.

Donna Adele's last decided attempt to defame Lord Herbert Arden had, to a certain extent, been successful, but it had also produced another result of which Adele did not know, but which would have given her even greater satisfaction. It had almost caused a quarrel between Ghisleri and the Contessa.

It will be remembered that the latter heard the story from Donna Maria Boccapaduli on the steps of a church in Holy Week. She was at the time more unhappy than usual. Something had touched the finer chords of her nature, and she felt a sort of horror of herself and of the life she was leading--very genuine in its way, and intensely painful. Donna Maria's story was revolting to her, for just then everything and everybody seemed to be false--even Ghisleri. She did not even stop, as she would have done at any other time, to weigh the value of the story, and to ask herself whether it were likely that he could thus deliberately betray his friend, and especially to Adele Savelli whom she believed he disliked. Even with her he was reticent, and she had never quite a.s.sured herself of his opinion concerning Adele, but she had watched him narrowly and had drawn her own conclusions. And now, if he had betrayed the man whom he called his friend, he must be capable of betraying the woman he loved.

"Is it true that you have been talking to Donna Adele Savelli about your friend Arden?" she asked, when they met later on the same afternoon.

"Quite true," answered Ghisleri, indifferently. "We were talking about him yesterday afternoon."

"Do you mind telling me what you said?" asked the Contessa, her eyes hardening and her whole face growing scornful.

"I have not the least objection," said Ghisleri, coldly. He at once gave her all the details of the conversation as far as he could remember them; his memory was accurate in such matters and he scarcely omitted a word.

"Am I to believe you or her?" asked the Contessa when she had listened to the end.

"As I am speaking the truth, it might be as well to believe me."

"And how am I to know that you are speaking the truth, now or at any other time? You would not change colour, nor look at me less frankly, if you were telling me the greatest falsehood imaginable. Why should I believe you?"

"I am sure I do not know," answered Ghisleri. "I would only like to be sure whether, as a general rule, you mean to believe me in future, or not. If you do not, I need not say anything, I suppose. Conversation would be singularly simplified."

"You would not be so angry with me now, if your story were true," said the Contessa, with a forced laugh.

"A man may reasonably be annoyed at being called a liar even by a lady,"

retorted Ghisleri.

"And you do not take the least trouble to defend yourself--"

"Not the least. Why should you believe my defence any more than my plain statement? You have rather a logical mind--you ought to see that."

"Are you trying to quarrel with me? You will succeed if you go on in this way."

"No. I am doing my best to answer your questions. I should be very sorry to quarrel with you. You know it. Or are you going to doubt that too?"

"From the tone in which you say it, and from the way you act, I am inclined to."

"You are in a very unbelieving humour to-day."

"I have reason to be."

"Am I the cause?"

"Yes." The Contessa was not quite sure why she said it, but for the moment she felt that it was true, as perhaps it was in an indirect way.

"Do you know that although you have asked me a great many questions which I have answered as well as I could, you have not told me what it is I am accused of saying?"

"You are accused of saying," answered the Contessa, looking straight into his eyes, "that your friend Lord Herbert Arden is in the habit of taking too much wine. Is that so nice a thing to have said?"

Ghisleri's face darkened, and the blood throbbed in his temples.

"As I have told you precisely what I really said," he replied, "I shall say nothing more. Only this--if you have any sense of justice left, which I begin to doubt, you will ask San Giacinto whether he thinks it probable that I would say such a thing. That is all. I suppose you will believe him."

"I do not think I believe any one. Besides, as you say, he can only testify to your character, and say that the thing is improbable. Of course he would do that. Men always defend each other against women."

"He can tell you something more if he chooses," answered Ghisleri.

"If he chooses!" The Contessa's scornful expression returned. "If he tells me nothing you will remind me of that word, and say that he did not choose. How you always arrange everything beforehand to leave yourself a way of escape."

"I am sorry you should think so," said Ghisleri, gravely.

"I am sorry that I have to think so. It does not increase my self-respect, nor my vanity in my judgment."

They parted on very bad terms that day, and two or three days more pa.s.sed before they saw each other again. The Contessa had almost made up her mind that she would not speak to San Giacinto at all, and Ghisleri began to think that she wished to break with him permanently. Far more sensitive than any one supposed, he had been deeply wounded by her words and tone, so deeply indeed that he scarcely wished to meet her for the present. The world did not fail to see the coldness that had come between them, and laughed heartily over it. The Contessa, said the world, thought that the way to keep Ghisleri was to be cold to him and encourage Pietrasanta, but she did not know dear Ghisleri, who did not care in the very least, who had not a particle of sensitiveness in him, and had never really loved any one but the beautiful Princess Corleone who died of fever in Naples five years ago, and of whom he never spoke.

But as chance would have it, the Contessa found herself talking to San Giacinto one evening, when she was feeling very lonely and unhappy, and her half-formed resolution broke down as suddenly as it had presented itself. The giant looked at her keenly for a moment, bent his heavy black brows, and then told her the story of what had taken place at the club. He, who saw most things, and talked little of them, noted the gradual change in her face, and how the light came back to it while he was speaking. She understood that the man whom she had accused of betraying his friend had faced a roomful of men in his defence, and on the very ground now under discussion, and she repented of what she had done. Then she swore vengeance on Adele Savelli.

The world saw that a reconciliation had taken place, and concluded that Maddalena dell' Armi had abandoned her foolish plan of trying to attract Ghisleri by being cold to him. Ghisleri, indeed! As though he cared!

"But I have no particular wish to be revenged on Donna Adele," objected Ghisleri, when the Contessa spoke to him on the subject. "That sort of thing is a disease of the brain. There are people who cannot see things as they are. She is one of them."

"How indifferent you are!" sighed Maddalena. "I wonder whether you were always so."

"Not always," answered Pietro, thoughtfully.

In due time the short Easter season was over, the foreigners departed, and many of the Romans followed their example, especially those whose country places were within easy reach of the city, by carriage or by rail. The Contessa went to pay her regular annual visit at her father's, near Florence,--her mother had long been dead,--and Ghisleri remained in Rome, unable to make up his mind what to do. Something seemed to bind him to the town this year, and though he went away for a day or two from time to time, he always came back very soon. Even his damaged old castle did not attract him as it usually did, though he had begun to restore it a little during the last few years, a little at a time, as his modest fortune allowed. There was an odd sort of foresight in his character. He laughed at the idea of being married, and yet he had a presentiment that he would some day change his mind and take a wife. In case that should ever happen, Torre de' Ghisleri would be at once a beautiful and an economical retreat for the summer months. Though he had a reputation for extravagance and for living always a little beyond his income, he was in reality increasing his property. He was constantly buying small bits of land in the neighbourhood of his castle, with a vague idea that he might ultimately get the old estate together again. He generally bought on mortgage, binding himself to pay at a certain date, and as he was a very honourable man in all financial transactions, he invariably paid, though sometimes at considerable sacrifice. He said to himself that unless he were bound he would inevitably throw away the little money he had to spare. It was a curiously practical trait in such an unruly and almost lawless character, but he did such things when he could, and then thought no more about them until a fresh opportunity presented itself. He was a man whose life and whole power of interest in life were almost constantly absorbed by the two or three persons to whom he was sincerely attached, a fact never realised by those who knew him--a pa.s.sionate man at heart, and one who despised himself for many reasons--a man who would have wished to be a Launcelot in fidelity, a Galahad in cleanness of heart, an Arthur for justice and frankness, but who was indeed terribly far from resembling any of the three. A man liable to most human weaknesses, but having just enough of something better to make him hate weakness in himself and understand it in others without condemning it too harshly in them. He had the wish to overcome it in his own character and life, but when the victory looked too easy it did not tempt him, for his vanity was of the kind which is only satisfied with winning hard fights, and rarely roused except by the prospect of them, while quite indifferent to small success of any kind--either for good or evil.

And this year, for some reason which he did not attempt to explain to himself, he lingered on in Rome, living a lonely life, avoiding the club where many of his acquaintances still congregated, taking his meals irregularly at garden restaurants, and spending most of his evenings in wandering about Rome by himself. The old places attracted him strongly.

Many a.s.sociations clung to the shady streets, the huge old palaces, and the dusky churches. Ten years of such a life as he had led had left many traces behind them, many sensitive spots in his complicated nature which inanimate things had power to touch keenly and thrill again with pain or pleasure. There was much that was sad, indeed, in these recollections, but there were also many memories dear and tender and almost free from the sting of self-reproach. He was not one to crave excitement for its own sake, nor to miss it when it was past. It often chanced, indeed, that he could find the few things that pleased him, the few people he liked, in the midst of the world's noisiest fair, but he would always have preferred to be alone with them, to meet with them when he was quite sure of being altogether himself and not the overwrought, nervous being which he came to be during the rush of the season, in spite of his undeniable physical strength. Those who need excitement most are either those who have never lived in it, or those unhappily morbid beings who cannot live without it, because by force of habit it has become the only atmosphere which their lungs can breathe and in which they can act more or less normally.

Ghisleri followed the Ardens in imagination as they pursued their wedding trip. He rarely knew exactly where they were, but he was familiar with all the places they were visiting, and he liked to fancy them enjoying together all there was to be seen and done. Had he not himself still been young, he would almost have fancied that he felt a fatherly interest in their doings. Then he heard that they were in England, and at last, when he had made up his mind to go away for a month or two, he learned that Arden was in bad health. He was distressed by the news, and wished he could see his old friend, if only for a day, to judge for himself of his condition. But that was impossible at present. He was not always free to dispose of his time as he pleased, and as he had been during the past months. Moreover, the world was not quite just when it said that Ghisleri did not "care," as it expressed the state of mind it attributed to him. Between going to England, and going to Vallombrosa, near Florence, he did not hesitate a moment.

So the autumn came round again, and when he returned to his lodging in Rome, he found that the Ardens were already installed in the Tempietto.

The Savelli couple were still out of town at the family castle in the Sabines, but the Prince and Princess of Gerano had come back.

Ghisleri found both Laura and Arden greatly changed. The latter's appearance shocked him especially, and he felt almost from the first that his friend was doomed. The man who was not supposed to care spent at least one sleepless night, turning over in his mind the various possibilities of life and death. On the following morning at twelve o'clock, he climbed the steps to the Trinita de' Monti, and asked to see Lady Herbert Arden alone, a request which was easily granted, as her husband now rarely rose until one, and then only for a few hours.

Laura's eyes looked preternaturally large and deep--almost sunken, Ghisleri thought--and she had grown thin, and even paler than she usually was when in good health. He took the seat she pointed to, by the open fire, and stared into the flames absently for some seconds. It was a rather dreary morning early in November, and the air in the streets was raw and damp. At last he looked up.