Rooms had been prepared for Bruno and Irma, who retired to change their dress. Bruno appeared in full uniform, and with all his medals and orders. They were conducted to Baroness Steigeneck's salon by two servants, who opened the folding doors. Baroness Steigeneck, who was clad in studiously simple attire, came forward to meet Bruno and Irma, and received them with a graceful bow. Bruno kissed her, and then embraced his betrothed, who, in form and feature, presented a pleasing appearance. He introduced her to his sister, who embraced and kissed her.
The furniture of the castle was splendid, but in somewhat gaudy taste, with more regard to show than comfort. A life-size picture of the late king was displayed in the great _salon_.
Irma felt alarmed when she first beheld the old baroness. Her boudoir was hung with pictures of herself, taken while she was yet a young, beautiful and voluptuous creature, and representing her in various bold poses, such as Psyche, Eros, and the Fairy Queen. And could this heavy woman, with rigid features, be the same person? Her chief employment was card-playing, and it was here, for the first time in her life, that Irma saw people who would sit at cards by the hour, out in the open air, under the trees, and amid the singing of birds. What would become of some people, how empty their lives would be, if there were no cards!
The time was pleasantly spent with music--for Baroness Arabella sang beautifully,--merry dinners and excursions in the neighborhood. Irma could not help watching the servants, and wondering how they felt, and what their thoughts must be, while serving such a mistress. But she saw the same respect shown as at court; and when they drove through the little town, the people would stop and lift their hats in token of respect, for the baroness had brought life and money to the place.
Everything in this world, even respect, can be purchased.
Three days sped by quickly. Baroness Steigeneck held a little court, quite modest in appearance. An old and exceedingly eccentric French legitimist was the special attraction of this, and French was the only language spoken.
The formal betrothal was speedily settled by the notary, whom Bruno had brought with him from the capital. He had been carefully instructed, and it fared hard with the old Baroness. There were all sorts of devilishly close clauses in reference to death or separation. Bruno had made himself secure. The Baroness jestingly spoke of love, and said that she had not imagined such enthusiasm possible at the present day.
Bruno agreed with her, for they both well knew that it was simply a question of money.
Arabella had the air of a well-bred lady and possessed that degree of education that can be purchased from teachers. She could sing and sketch, and spoke three foreign languages, which, at her mother's bidding, she was obliged to make a parade of. But all of this showed application, rather than native talent. She had also read a great deal, but affected ignorance of certain works, pa.s.sages in which might be applied to herself or her mother.
Irma was exceedingly kind to her sister-in-law, and Bruno heartily thanked her. And yet Irma's mind was not at ease. The house seemed under the influence of a peculiar spell--it was just as if in fairy-land. People would go about, and laugh and joke and sing and play, but there was one word they dared not utter; for, at the very mention of it, the castle, with all its pomp and splendor, would disappear. And that word was: "father." But it was here that Irma was the more impelled to think of her father. When alone in her room, she began a letter to him, and when she wrote the words; "Dear Father," she looked about her. She regarded it as her duty, and thought herself better able than Bruno, to inform her father of the betrothal, and to invoke his forbearance for this unfortunate, though wealthy, girl.
Never before had she made so many unsuccessful attempts to write a letter. She had begun again and again, and had always ended by tearing up the sheet and throwing it into the fire. She found it impossible to finish her letter, and at last concluded to wait until she returned to the summer palace. But she could not get rid a desire to speak of parents, and when Baum came to her with a message, she detained him with the question:
"Baum, are your parents still living?"
"No."
"Did you know them long?"
Baum coughed behind his raised hand and answered: "I never knew my father; and my mother--my mother was taken from me long ago."
Baum, who still held his hand before his face, bit his lips and at last ventured to ask: "May I inquire, my lady, why you put that question to me?"
"I desire to acquaint myself with the life and history of those whom I know personally."
Baum dropped his hand and his face was as smooth and void of expression as before.
The strictest decorum was observed during their stay at the castle. On one occasion, however, Irma felt offended, and that was when the old lady--they called her "Her Grace"--declared the relation of an affianced couple the silliest of all conventionalities--the most natural and proper course would be to have marriage follow immediately upon the betrothal--yes, in the very same hour.
These remarks were accompanied by a peculiar change in the expression of the old lady's features. Irma was startled and did not get over her fright, for when, at parting, the baroness impressed a kiss upon her, Irma could not help shuddering.
Irma had been in the carriage for some time, when Bruno at last came, and again stopped to throw a kiss to his betrothed, who was standing at the window.
They drove off, and when Irma found herself alone with her brother she said, in a loud voice and with a strange expression:
"Oh, father! father!" She drew a long and deep breath, as if relieved from some dread spell.
"What ails you?" said Bruno.
Irma did not care to tell him what she felt, and merely replied:
"As soon as we get back to the palace, you must write to father, or, what would be better, must go to him. Let him scold you, if it must be.
He's our father, after all, and will be kind to you once more and accept what is past."
"We had better write," said Bruno.
"No!" exclaimed Irma, clasping both his hands, "you must do it, for Arabella's sake."
"For her sake?"
"Yes. I wish her to feel that there is some one whom she can address as 'father'; that would be the happiest moment she had ever known."
Bruno drew back. After a little while, he said: "Let us speak softly.
You know, I suppose, that you've touched me in a tender spot. Arabella couldn't call any one father, and can't do so now. Irma, you're strong enough to look the truth in the face. What is it that forms the indissoluble bond between father and child? It is not nature alone, but history. By rejecting our rank, our father has denied father and mother and our long line of ancestors. It was he who broke the strong and glittering chain that, through him, linked us to our house. We have renewed the connection which was thus broken, but, in doing so, have become sundered from our father. He separated himself from us; in the sense in which you mean, we can neither of us say 'father.'"
Irma turned pale. She had never thought of the matter in that light, and had never dreamt that Bruno would thus defend his course. She had thought his life naught but frivolity, and now, for the first time, beheld the deep chasm that separated them. She was about to reply that her father had remained true to all that was n.o.ble, to all that the best of their ancestors had transmitted to him, and that he had simply cast aside the external prerogatives of rank. But, for the first time, she felt that she could not maintain her ground against her brother.
She too, had separated herself from her father. She was silent. They drove on and, for hours, neither spoke a word. They reached the summer palace. To all who congratulated her on her brother's betrothal, Irma offered most courteous thanks. She felt strangely embarra.s.sed in the presence of the court jeweler, who had been requested to present himself at the palace with various caskets of gems. She was to join Bruno in selecting a rich present for Arabella. She did so, but would not suffer any of the jewels to be tried on herself. Her maid was present for that purpose, and, at last, they decided on a rich set of diamonds, which was at once dispatched to Bruno's betrothed.
CHAPTER IV.
Irma recovered her wonted cheerfulness and was the merriest sprite of the whole court, teasing and bantering every one except Colonel Bronnen, with whom alone she was always serious and reserved. She rode out a great deal and often accompanied the king in the chase, in which the other court ladies were also glad to join. The advance of autumn rendered the air fresh and bracing, and there was no lack of variety in their amus.e.m.e.nts. The queen was obliged to remain at home. She had Walpurga and the prince about her for a great part of the time, and was made happy by every new proof of the child's dawning intelligence. He already knew his mother and had begun to notice many objects. She deplored her husband's restless mind, which constantly craved new and violent excitement, and thus deprived him of many delightful moments with his child.
They would often take their meals in the woods or on the mountains, whither their viands and cooking utensils were quickly transported on the backs of mules.
The idea had originated with Baron Schoning, and he was not a little vain of it. It was, indeed, a surprise that almost savored of magic, to find a banquet spread in the heart of the forest, or on some height that commanded a lovely view; and at the end of the feast all of their paraphernalia would as quickly disappear.
Ever since his return from the lake, Baron Schoning had treated Irma with as much forbearance and consideration as if he had refused her, instead of having been refused by her, and he really felt as if he were the one who had said "no." The idea of his ever entertaining thoughts of marriage now seemed to him sheer madness. The baron endeavored, withal, to a.s.sume an air of dignity, but, in doing so, acted very cautiously, lest too sudden a change in his deportment might awaken unpleasant comment. He had told Irma that the court imagined it was trifling with him, while he in reality was playing with it. The bold change which he was now attempting to consummate had, in truth, only suggested itself to him during the conversation referred to.
Schoning was an odd character at court. He had, at the start, entered the diplomatic service, but soon left it, in order to become a landscape artist. His achievements in his new vocation proving of slight merit, he sought, and found it an easy matter to obtain, a position at court. He became one of the directors of the royal gardens and chief in the office of the lord steward and, by virtue of his position, chamberlain also.
In familiar moments, he was fond of telling his intimate friends--and these, of course, included every lady and gentleman at court--that his real vocation was art; that he had only sacrificed it for the sake of the king, whom he loved above all beings; and maintained that this was a duty that the n.o.bles owed their sovereign. A landscape of his, showing a view of the lake, on the borders of which lay Walpurga's birthplace, was hanging in the summer palace. It was a clever picture, but malicious tongues a.s.serted that one of his friends, at the academy, had painted the landscape, and that another had done the figures.
On their mountain excursions, Schoning paid marked attention to Irma, who could freely indulge her wanton humor with him, for it was well understood, at court, that no one could have a love affair with Schoning. He was the b.u.t.t of every one, and knew how to take, as well as give a joke.
Schoning would, many a time, have liked to avoid taking part in these excursions, for he well knew that his attempts to acquire dignity were far from being successful. But even pretended illness did not serve as an excuse; for, without Schoning, there was no target for their jests.
What was he to do? He put the best face possible on the matter and, with feigned willingness, accompanied them.
Notwithstanding the wide difference in their stations, Schoning and Baum were both indispensable.
Baum was the favorite servant at court. He was fortunate enough to be useful in every way, and no country party, no dinner in the woods, no excursion on the water, was considered complete without him. Actors are often vexed when they are not sufficiently employed, or are cast for unimportant parts, and lackeys, in the same way, have a jealous desire to be kept ever busy. It follows, as a matter of course, that Baum had his favorites, whom he would, when occasion offered, mention approvingly to the lord steward, and they obeyed him as if he were their natural superior. The queen's shawl, or the king's paletot, were never so well carried as by Baum. While hanging on his arm, they would almost seem to say: "Oh, how warm and soft we are, and we are ready, at any time, to protect and warm you. Your Majesties have only to command us."
The evenings were pleasantly spent. After tea, they would usually repair to the inner palace yard and, by the light of torches, look at the wild beasts that had been shot during the day's hunt. The queen, although loth to behold such sights, would always join the party, lest they might regard her as being sentimental. Success in the chase always put the king in a good humor. They would then return to the open saloons, where they would have instrumental and vocal music, play cards or have some one read to them. Irma was an excellent billiard player, and won many a game from the king. Her every movement was full of grace and every pose that she a.s.sumed while playing was worthy of an artist's pencil.
"How beautiful she is," the queen would often say to her husband, who would nod a.s.sent. There was much merriment in the great billiard-room.
Before parting for the night, the inner circle of the court would gather, as if for rest and retrospection; for, every evening, the chronicle of the day was read aloud. Baron Schoning had conducted this daily journal for many years. It was written in verse and, what was still better, in the Highland dialect. Countess Irma was often mentioned in it, under the name of the "Rock-maiden." All the little events of the day were presented in a comic dress, and, as the company knew all the personages referred to, the reading of the journal always occasioned great merriment. The king was usually referred to as Nimrod, or Artus. Nor were the dogs forgotten, and one of the standing jokes was: "Foster-mother Walpurga ate heartily, and Romulus drank copiously.
Aunt Lint"--meaning Mademoiselle Kramer--"began to recount her family history, but has not yet reached the end."
After the king and queen had retired, the court would break up into small parties. Accompanied by Doctor Gunther, Irma would often ascend some neighboring height or descend into the valley. Gunther taught her the constellations: and here, in the stilly night, he would explain to her the great laws that govern the universe; how the planets move in infinite s.p.a.ce, attracted and repelled, so that none described a perfect circle. They would often speak of Irma's father, who, Gunther maintained, would be able to complete his circle, because he had isolated himself. The doctor, however, maintained that his own case was different; that it had been his lot to remain in the world; that an elliptical course was the only one in which he could move; and that, being a physician, he was obliged to influence others and was unable to escape their influence on himself. Thus absorbed in the secrets of the universe, the old man and the maiden would forget themselves until fatigue warned them that it was time to return and seek repose.