"On father's estate, there is a hammock that hangs between two elms. My greatest pleasure was to lie in it, suspended in the air, while I dreamt of distant woods.

"Do you know some savage tribe that would elect me as its queen? I have procured some of the Indian melodies, if they really deserve the name.

One of the professors at the university, who spent six years among the Indians, recently gave a lecture at court. He brought some of their instruments with him, and had them played on. There was more noise than music. It seemed like the lisping of a nation which, as regards civilization, is yet in its infancy."

"_Four o'clock in the morning_,

"Forget all that I have written to you, as you would the breezes and the weather-changes of yesterday.

"I have just left my bed, in order to write to you. I cannot sleep. I am scarcely dressed while I sit here speaking to you. Oh, that I _could_ speak to you! Writing is a miserable makeshift--nay, helplessness itself.

"I don't know what ails me. All that I am--my very self--seems as if only for the time being. I feel as if waiting for something, I know not what. I fancy that the very next moment must bring it, and that I shall either be doing some wonderful thing, or have it happen to me--that I shall be completely changed and become a great healing power, instead of the puny, useless child of man that I now am. I listen and fancy that I must hear a tone that has never yet been uttered on earth.

"There is no use trying--I cannot write. I imagined that it would soothe me if I could force myself to think and speak of all things in definite terms, but I know nothing definite. I only know that I am unhappy. Not unhappy, but as if dead and yet alive. I imagine myself a sleep-walker.

"I can write no more. I close my letter and shall go to bed. I want to sleep. All the world about me lies hushed in slumber. Oh, that I could dream myself into another world, even though my sleep were one from which there is no waking!

"Good-night! Good-morning! IRMA."

CHAPTER VII.

"To-morrow, I mean to bring Countess Irma to you," said Doctor Gunther to his wife, one evening. "She's the daughter of my old friend."

"In voice and manner, the countess is full of majesty, but her singing is not practical."

"Then you shall teach her. She will be glad to learn from you."

"If she be willing, I am quite at her service."

The doctor was delighted to find it so easy to bring the two ladies together. He knew, of course, that his wife complied with his every wish, but in this instance he was doubly anxious that all should go smoothly.

For some time past, he had observed that Irma was in a feverish condition which, during the last few days, had been growing worse; but he was one of those physicians who pay great attention to mental conditions and, instead of waiting for disease to make its appearance, endeavor to avert it by proper changes in the mode of living. He did not know the cause of Irma's excitement, but he knew that her temperament was one of extremes, and felt sure that if she could only obtain an insight into a pure home and, perhaps, become initiated into its ways, it would have a tranquilizing effect and lead her mind to move in quieter channels. He had enough experience to know that there are no subst.i.tutes for sympathy and friendship, but felt that the acquaintance of a citizen's wife, of exalted character and ripe culture, could not fail to have an effect upon Irma, who had thus far known no life but that of the cloister and the court.

Gunther had no need to give his wife instructions, or even a mere hint as to the way in which she was to endeavor to gain an influence over Irma. He felt as sure of his wife's course in the matter as if she were a force in nature, and well knew that, if left to her own methods, the result would be so much the more certain.

Gunther usually kept his household free from all relations with the court; but this was the daughter of his friend--although that friend was angry at him--and he allowed her the freedom of his house.

Some weeks before, when speaking of the Te Deum on the occasion of the birth of the crown prince, Irma had casually referred to her having met Gunther's wife and youngest daughter. The doctor had again, as if by the merest chance, introduced the subject, and, almost without knowing it, Irma had expressed a wish to improve the slight acquaintance thus begun. This was just what he wished for, and, on the afternoon of the day following, he conducted Irma to his beautiful, well-furnished home.

Gunther's wife was Swiss by birth, and had come from a wealthy and cultured family. She spoke High German with a strong Alemannic accent.

She endeavored neither to retain the dialect nor to acquire the language of books. Her easy, natural ways seemed the result of careful culture, but there was no attempt to show off either. As a matter of course, she was perfectly conversant with all that related to the economy of the household, and at the same time fully alive to all that makes for beauty and the common weal.

As a singer, Madame Gunther had been a great favorite, both in social circles and at important vocal performances. Her voice was a full, resonant soprano and, although she had given up singing solos, she and her daughters would still take part when great musical works were performed. When fresher voices had taken the solo parts, she had, without a murmur of regret, retired to her place in the chorus.

And thus, too, was her life. Self-reliant and diligent at home, she took an active interest in all public inst.i.tutions in which women were permitted to take part. She had preserved one priceless heirloom--she was free from nervousness and, with her, public spirit was a duty. She educated her children, managed her household, was a kind and attentive hostess, and performed all this as if obeying the simple instincts of her nature.

She honored her husband. Whatever he said was always of special weight, but still she held fast to her own judgment. Although she had been living in the capital for nearly twenty years, she had remained a stranger to the whole of the hodge-podge system of caste and the granting of favors by the grace of this or that one. She was not opposed to the system, but she left such matters to those in whose eyes they possessed value and importance; as for herself, she regarded them with absolute indifference.

She was pleased at the honors shown her husband, but that seemed, to her, a matter of course. He was a great man, and if the world had withheld its praise, he would, in her eyes, still have been the greatest and best of men. Her whole bearing expressed this feeling. She had never had the slightest desire to appear at court, and when her husband was obliged to be away from home by day or at night, and often for weeks at a time, she accepted his absence as unavoidably incident to his calling, and refrained from adding to his discomfort by complaining thereat.

When the doctor returned, it was always to a well-ordered home.

Refreshed and invigorated by its influence, he would go back to the smooth and slippery precincts of the court.

Irma was now introduced to this home. In appearance, she was all beauty and dignity, and no one would have guessed how forlorn and homeless she felt within her heart. In her hand, she held the bouquet which had, as usual, been sent to her that day, by the king's orders. Gunther had told her that this was his daughter Paula's birthday, and she had brought the flowers for her. They were as lovely as she who brought them. And yet what was it that clung to them? It was almost sinful to use the bouquet as a birthday favor, for Irma felt mortified when she received it. But the flowers were as coin that might be pa.s.sed on to another.

When Irma entered the house, she felt as if escaping from the noise and bustle of the market-place, or the restless life and cries of the highway, into a temple of domestic peace.

The house was on a little, narrow street, and was surrounded by a garden full of tall, fine trees. A portion of the yard had been fenced off and converted into an aviary. The hallway and rooms were adorned with statuettes and pictures; the furniture was simple and ma.s.sive. The doctor's library, reception-room and study were in the upper story.

There had been no preparations of any kind for Irma's reception. The mother had carefully enjoined her daughters not to make any change in their dress on account of the countess's visit. They did not go out to meet her. She was conducted through the summer house, where the flowers and presents for Paula had been arranged, and there, on the steps, sat Madame Gunther and her daughters, busily engaged in needlework. The elder daughter, the wife of Professor Korn of the university, had her child with her. Paula, the younger of the two, who, like Irma, had just entered her twenty-first year, could not be termed beautiful, but had a bright and cheerful countenance and a fine figure.

Irma was warmly welcomed. As it was Gunther's hour for consultation, he soon retired and left her with the ladies. She was surprised, at first, to find herself repeatedly accosted as the daughter of an old friend.

She was not here on her own merit, or as the most admired of all the ladies at court, but simply as Count Eberhard's daughter, who had been received into the house from an affectionate sense of duty. When asked about her father's health, she thanked them, although she felt sad at heart to think that she knew so little of him. How utterly different from hers was the life these children led.

Music soon afforded a convenient and agreeable change. On the piano, there lay a composition in ma.n.u.script. It was by a nephew of Madame Gunther's, who lived in northern Germany. Madame Gunther told her that he was a philologist by profession, but that, as he would, in all likelihood, lose his eyesight, he had determined to cultivate his decided musical gifts and to perfect himself as a musician.

Irma begged Madame Gunther to sing the song, but she replied that, while her voice was no longer equal to it, that of the countess was exactly suited to it. She gave the ma.n.u.script to Irma, who read it over and afterward sang it with rich, full voice, to Madame Gunther's accompaniment. The composition was pleasing, but full of suggestions of well-known masters.

Madame Gunther now showed what she meant by practical singing. Irma did not make the best use of the means at her command, and where there were faults showed them too plainly. The doctor's wife instructed her in a simple, unpretentious manner, and Irma remarked that the daughters ought to feel happy to think that they could hear such singing every day.

"And this is my son, the most grateful of all listeners," said Madame Gunther, introducing a handsome young man with a full, brown beard. He was technical director in a manufactory of chemicals, and had brought a student with him. Female friends who lived in the neighborhood joined them soon afterward, and there were merry times on the terrace and in the garden.

Irma remarked the attentive glances directed upon her. It seemed to her as if all knew the troubles that filled her soul; she had completely forgotten how beautiful she was.

"Pardon me, Madame Gunther, for looking at you so," said Irma, suddenly, "but I am somewhat of a dabbler in plastic art, and when I notice the contour and color of your head, it seems as if the Holbein Madonna, of the Dresden Gallery, had come to life and was standing before me."

"Can you really see the resemblance, at this late day?" asked Madame Gunther, blushing slightly; "in former days, it was often remarked and was almost the very first thing my husband said to me in Zurich, now well-nigh twenty-six years ago. On my mother's side I can trace my descent from the family of Burgomaster Maier, by whose orders the picture was originally painted."

Irma was delighted with all that she heard and saw, and especially with Madame Gunther's reminiscences. While speaking of her own efforts in the way of art, she looked at the doctor's wife earnestly, and only wished she were able to model a portrait, in which case Madame Gunther would have to sit to her. She could not help thinking, at the same time, that there was a culture which had been handed down from earliest times: a culture whose history, running through all ages, is entirely different from that of the n.o.bility, and that the best results of human effort had been brought about, not by the n.o.bles, but by civic liberty.

Madame Gunther asked Irma whether she had a picture of her mother.

Irma replied that her father had had a portrait taken of her mother when in the fullness of her beauty. The picture had been a failure, and almost seemed as if intended for some one else, and so her father had ordered it to be destroyed. He would rather have no picture than a false one.

"That, of itself, is enough to make one honor him for his love of truth," said Madame Gunther. "Most people are satisfied with what is false, and keep on saying: 'you can recognize this or that feature,'

until they, at last, persuade themselves that it must once have been a true likeness."

The conversation now turned upon the fact that Irma had never known her mother, and Irma's glance often dwelt upon the two daughters sitting beside their mother.

Madame Gunther said:

"I trust that I've not awakened painful memories, but I regard it as a duty that we should often think of our beloved dead; calmly and peacefully, of course. I've always felt thus with regard to my departed mother, and I hope that, when the time comes, my children may have the same feelings toward me."

Irma pressed Madame Gunther's hand. All that she said was so full of truth, so satisfying.

Madame Gunther told her that it was long before she had acquired a taste for plastic art. Appreciation had, however, gradually dawned upon her; but it was for what related to the human figure, rather than for landscapes. The conversation continued in an easy and cheerful vein.