Such was Dr. Johnson, when on the 31st of May, 1761, he was to make his appearance as a guest at a literary supper given by Goldsmith, to a numerous party at his new lodgings in Wine-Office Court. It was the opening of their acquaintance. Johnson had felt and acknowledged the merit of Goldsmith as an author, and been pleased by the honorable mention made of himself in the "Bee" and the Chinese Letters. Dr. Percy called upon Johnson to take him to Goldsmith's lodgings; he found Johnson arrayed with unusual care in a new suit of clothes, a new hat, and a well-powdered wig; and could not but notice his uncommon spruceness. "Why, sir," replied Johnson, "I hear that Goldsmith, who is a very great sloven, justifies his disregard of cleanliness and decency by quoting my practice, and I am desirous this night to show him a better example."

The acquaintance thus commenced ripened into intimacy in the course of frequent meetings at the shop of Davies, the bookseller, in Russell Street, Covent Garden. As this was one of the great literary gossiping places of the day, especially to the circle over which Johnson presided, it is worthy of some specification. Mr. Thomas Davies, noted in after times as the biographer of Garrick, had originally been on the stage, and though a small man had enacted tyrannical tragedy, with a pomp and magniloquence beyond his size, if we may trust the description given of him by Churchill in the Rosciad:

"Statesman all over--in plots famous grown, _He mouths a sentence as ours mouth a bone_."

This unlucky sentence is said to have crippled him in the midst of his tragic career, and ultimately to have driven him from the stage. He carried into the bookselling craft somewhat of the grandiose manner of the stage, and was p.r.o.ne to be mouthy and magniloquent.

Churchill had intimated, that while on the stage he was more noted for his pretty wife than his good acting:

"With him came mighty Davies; on my life, That fellow has a very pretty wife."

"Pretty Mrs. Davies," continued to be the loadstar of his fortunes. Her tea-table became almost as much a literary lounge as her husband's shop.

She found favor in the eyes of the Ursa Major of literature by her winning ways, as she poured out for him cups without stint of his favorite beverage. Indeed it is suggested that she was one leading cause of his habitual resort to this literary haunt. Others were drawn thither for the sake of Johnson's conversation, and thus it became a resort of many of the notorieties of the day. Here might occasionally be seen Bennet Langton, George Stevens, Dr. Percy, celebrated for his ancient ballads, and sometimes Warburton in prelatic state. Garrick resorted to it for a time, but soon grew shy and suspicious, declaring that most of the authors who frequented Mr. Davies' shop went merely to abuse him.

Foote, the Aristophanes of the day, was a frequent visitor; his broad face beaming with fun and waggery, and his satirical eye ever on the lookout for characters and incidents for his farces. He was struck with the odd habits and appearance of Johnson and Goldsmith, now so often brought together in Davies' shop. He was about to put on the stage a farce called The Orators, intended as a hit at the Robin Hood debating club, and resolved to show up the two doctors in it for the entertainment of the town.

"What is the common price of an oak stick, sir?" said Johnson to Davies.

"Sixpence," was the reply. "Why, then, sir, give me leave to send your servant to purchase a shilling one. I'll have a double quant.i.ty; for I am told Foote means to take me off, as he calls it, and I am determined the fellow shall not do it with impunity."

Foote had no disposition to undergo the criticism of the cudgel wielded by such potent hands, so the farce of The Orators appeared without the caricatures of the lexicographer and the essayist.

CHAPTER THIRTEEN

ORIENTAL PROJECTS--LITERARY JOBS--THE CHEROKEE CHIEFS--MERRY ISLINGTON AND THE WHITE CONDUIT HOUSE--LETTERS ON THE HISTORY OF ENGLAND--JAMES BOSWELL--DINNER OF DAVIES--ANECDOTES OF JOHNSON AND GOLDSMITH

Notwithstanding his growing success, Goldsmith continued to consider literature a mere makeshift, and his Vagrant imagination teemed with schemes and plans of a grand but indefinite nature. One was for visiting the East and exploring the interior of Asia. He had, as has been before observed, a vague notion that valuable discoveries were to be made there, and many useful inventions in the arts brought back to the stock of European knowledge. "Thus, in Siberian Tartary," observes he in one of his writings, "the natives extract a strong spirit from milk, which is a secret probably unknown to the chemists of Europe. In the most savage parts of India they are possessed of the secret of dying vegetable substances scarlet, and that of refining lead into a metal which, for hardness and color, is little inferior to silver."

Goldsmith adds a description of the kind of person suited to such an enterprise, in which he evidently had himself in view.

"He should be a man of philosophical turn, one apt to deduce consequences of general utility from particular occurrences; neither swollen with pride, nor hardened by prejudice; neither wedded to one particular system, nor instructed only in one particular science; neither wholly a botanist, nor quite an antiquarian; his mind should be tinctured with miscellaneous knowledge, and his manners humanized by an intercourse with men. He should be in some measure an enthusiast to the design; fond of traveling, from a rapid imagination and an innate love of change; furnished with a body capable of sustaining every fatigue, and a heart not easily terrified at danger."

In 1761, when Lord Bute became prime minister on the accession of George the Third, Goldsmith drew up a memorial on the subject, suggesting the advantages to be derived from a mission to those countries solely for useful and scientific purposes; and, the better to insure success, he preceded his application to the government by an ingenious essay to the same effect in the "Public Ledger."

His memorial and his essay were fruitless, his project most probably being deemed the dream of a visionary. Still it continued to haunt his mind, and he would often talk of making an expedition to Aleppo some time or other, when his means were greater, to inquire into the arts peculiar to the East, and to bring home such as might be valuable. Johnson, who knew how little poor Goldsmith was fitted by scientific lore for this favorite scheme of his fancy, scoffed at the project when it was mentioned to him. "Of all men," said he, "Goldsmith is the most unfit to go out upon such an inquiry, for he is utterly ignorant of such arts as we already possess, and, consequently, could not know what would be accessions to our present stock of mechanical knowledge. Sir, he would bring home a grinding barrow, which you see in every street in London, and think that he had furnished a wonderful improvement."

His connection with Newbery the bookseller now led him into a variety of temporary jobs, such as a pamphlet on the c.o.c.k-lane Ghost, a Life of Beau Nash, the famous Master of Ceremonies at Bath, etc.; one of the best things for his fame, however, was the remodeling and republication of his Chinese Letters under the t.i.tle of The Citizen of the World, a work which has long since taken its merited stand among the cla.s.sics of the English language.

"Few works," it has been observed by one of his biographers, "exhibit a nicer perception, or more delicate delineation of life and manners. Wit, humor, and sentiment pervade every page; the vices and follies of the day are touched with the most playful and diverting satire; and English characteristics, in endless variety, are hit off with the pencil of a master."

In seeking materials for his varied views of life, he often mingled in strange scenes and got involved in whimsical situations. In the summer of 1762 he was one of the thousands who went to see the Cherokee chiefs, whom he mentions in one of his writings. The Indians made their appearance in grand costume, hideously painted and besmeared. In the course of the visit Goldsmith made one of the chiefs a present, who, in the ecstasy of his grat.i.tude, gave him an embrace that left his face well bedaubed with oil and red ocher.

Toward the close of 1762 he removed to "merry Islington," then a country village, though now swallowed up in omnivorous London. He went there for the benefit of country air, his health being injured by literary application and confinement, and to be near his chief employer, Mr.

Newbery, who resided in the Canonbury House. In this neighborhood he used to take his solitary rambles, sometimes extending his walks to the gardens of the White Conduit House, so famous among the essayists of the last century. While strolling one day in these gardens, he met three females of the family of a respectable tradesman to whom he was under some obligation.

With his prompt disposition to oblige, he conducted them about the garden, treated them to tea, and ran up a bill in the most open-handed manner imaginable; it was only when he came to pay that he found himself in one of his old dilemmas--he had not the wherewithal in his pocket. A scene of perplexity now took place between him and the waiter, in the midst of which came up some of his acquaintances, in whose eyes he wished to stand particularly well. This completed his mortification. There was no concealing the awkwardness of his position. The sneers of the waiter revealed it. His acquaintances amused themselves for some tune at his expense, professing their inability to relieve him. When, however, they had enjoyed their banter, the waiter was paid, and poor Goldsmith enabled to convoy off the ladies with flying colors.

Among the various productions thrown off by him for the booksellers during this growing period of his reputation was a small work in two volumes, ent.i.tled The History of England, in a Series of Letters from a n.o.bleman to his Son. It was digested from Hume, Rapin, Carte, and Kennet. These authors he would read in the morning; make a few notes; ramble with a friend into the country about the skirts of "merry Islington"; return to a temperate dinner and cheerful evening; and, before going to bed, write off what had arranged itself in his head from the studies of the morning. In this way he took a more general view of the subject, and wrote in a more free and fluent style than if he had been mousing at the time among authorities. The work, like many others written by him in the earlier part of his literary career, was anonymous. Some attributed it to Lord Chesterfield, others to Lord Orrery, and others to Lord Lyttelton. The latter seemed pleased to be the putative father, and never disowned the bantling thus laid at his door; and well might he have been proud to be considered capable of producing what has been well p.r.o.nounced "the most finished and elegant summary of English history in the same compa.s.s that has been or is likely to be written."

The reputation of Goldsmith, it will be perceived, grew slowly; he was known and estimated by a few; but he had not those brilliant though fallacious qualities which flash upon the public and excite loud but transient applause. His works were more read than cited; and the charm of style, for which he was especially noted, was more apt to be felt than talked about. He used often to repine, in a half-humorous, half-querulous manner, at his tardiness in gaining the laurels which he felt to be his due. "The public," he would exclaim, "will never do me justice; whenever I write anything they make a point to know nothing about it."

About the beginning of 1763 he became acquainted with Boswell, whose literary gossipings were destined to have a deleterious effect upon his reputation. Boswell was at that time a young man, light, buoyant, pushing, and presumptuous. He had a morbid pa.s.sion for mingling in the society of men noted for wit and learning, and had just arrived from Scotland, bent upon making his way into the literary circles of the metropolis. An intimacy with Dr. Johnson, the great literary luminary of the day, was the crowning object of his aspiring and somewhat ludicrous ambition. He expected to meet him, at a dinner to which he was invited at Davies the bookseller's, but was disappointed. Goldsmith was present, but he was not as yet sufficiently renowned to excite the reverence of Boswell. "At this time," says he in his notes, "I think he had published nothing with his name, though it was pretty generally understood that one Dr. Goldsmith was the author of An Inquiry into the Present State of Polite Learning in Europe, and of The Citizen of the World, a series of letters supposed to be written from London by a Chinese."

A conversation took place at table between Goldsmith and Mr. Robert Dodsley, compiler of the well-known collection of modern poetry, as to the merits of the current poetry of the day. Goldsmith declared there was none of superior merit. Dodsley cited his own collection in proof of the contrary. "It is true," said he, "we can boast of no palaces nowadays, like Dryden's Ode to St. Cecilia's Day, but we have villages composed of very pretty houses." Goldsmith, however, maintained that there was nothing above mediocrity, an opinion in which Johnson, to whom it was repeated, concurred, and with reason, for the era was one of the dead levels of British poetry.

Boswell has made no note of this conversation; he was a Unitarian in his literary devotion, and disposed to worship none but Johnson. Little Davies endeavored to console him for his disappointment, and to stay the stomach of his curiosity, by giving him imitations of the great lexicographer; mouthing his words, rolling his head, and a.s.suming as ponderous a manner as his petty person would permit. Boswell was shortly afterward made happy by an introduction to Johnson, of whom he became the obsequious satellite.

From him he likewise imbibed a more favorable opinion of Goldsmith's merits, though he was fain to consider them derived in a great measure from his Magnus Apollo. "He had sagacity enough," says he, "to cultivate a.s.siduously the acquaintance of Johnson, and his faculties were gradually enlarged by the contemplation of such a model. To me and many others it appeared that he studiously copied the manner of Johnson, though, indeed, upon a smaller scale." So on another occasion he calls him "one of the brightest ornaments of the Johnsonian school." "His respectful attachment to Johnson," adds he, "was then at its height; for big own literary reputation had not yet distinguished him so much as to excite a vain desire of compet.i.tion with his great master."

What beautiful instances does the garrulous Boswell give of the goodness of heart of Johnson, and the pa.s.sing homage to it by Goldsmith. They were speaking of a Mr. Levett, long an inmate of Johnson's house and a dependent on his bounty; but who, Boswell thought, must be an irksome charge upon him. "He is poor and honest," said Goldsmith, "which is recommendation enough to Johnson."

Boswell mentioned another person of a very bad character, and wondered at Johnson's kindness to him. "He is now become miserable," said Goldsmith, "and that insures the protection of Johnson." Encomiums like these speak almost as much for the heart of him who praises as of him who is praised.

Subsequently, when Boswell had become more intense in his literary idolatry, he affected to undervalue Goldsmith, and a lurking hostility to him is discernible throughout his writings, which some have attributed to a silly spirit of jealousy of the superior esteem evinced for the poet by Dr.

Johnson. We have a gleam of this in his account of the first evening he spent in company with those two eminent authors at their famous resort, the Mitre Tavern, in Fleet Street. This took place on the 1st of July, 1763.

The trio supped together, and pa.s.sed some time in literary conversation. On quitting the tavern, Johnson, who had now been sociably acquainted with Goldsmith for two years, and knew his merits, took him with him to drink tea with his blind pensioner, Miss Williams, a high privilege among his intimates and admirers. To Boswell, a recent acquaintance whose intrusive sycophancy had not yet made its way into his confidential intimacy, he gave no invitation. Boswell felt it with all the jealousy of a little mind. "Dr.

Goldsmith," says he, in his memoirs, "being a privileged man, went with him, strutting away, and calling to me with an air of superiority, like that of an esoteric over an esoteric disciple of a sage of antiquity, 'I go to Miss Williams.' I confess I then envied him this mighty privilege, of which he seemed to be so proud; but it was not long before I obtained the same mark of distinction."

Obtained! but how? not like Goldsmith, by the force of unpretending but congenial merit, but by a course of the most pushing, contriving, and spaniel-like subserviency. Really, the ambition of the man to ill.u.s.trate his mental insignificance, by continually placing himself in juxtaposition with the great lexicographer, has something in it perfectly ludicrous.

Never, since the days of Don Quixote and Sancho Panza, has there been presented to the world a more whimsically contrasted pair of a.s.sociates than Johnson and Boswell.

"Who is this Scotch cur at Johnson's heels?" asked some one when Boswell had worked his way into incessant companionship. "He is not a cur," replied Goldsmith, "you are too severe; he is only a bur. Tom Davies flung him at Johnson in sport, and he has the faculty of sticking."

CHAPTER FOURTEEN

HOGARTH A VISITOR AT ISLINGTON--HIS CHARACTER--STREET STUDIES--SYMPATHIES BETWEEN AUTHORS AND PAINTERS--SIR JOSHUA REYNOLDS--HIS CHARACTER--HIS DINNERS--THE LITERARY CLUB-ITS MEMBERS--JOHNSON'S REVELS WITH LANKEY AND BEAU--GOLDSMITH AT THE CLUB

Among the intimates who used to visit the poet occasionally, in his retreat at Islington, was Hogarth the painter. Goldsmith had spoken well of him in his essays in the "Public Ledger," and this formed the first link in their friendship. He was at this time upward of sixty years of age, and is described as a stout, active, bustling little man, in a sky-blue coat, satirical and dogmatic, yet full of real benevolence and the love of human nature. He was the moralist and philosopher of the pencil; like Goldsmith he had sounded the depths of vice and misery, without being polluted by them; and though his picturings had not the pervading amenity of those of the essayist, and dwelt more on the crimes and vices than the follies and humors of mankind, yet they were all calculated, in like manner, to fill the mind with instruction and precept, and to make the heart better.

Hogarth does not appear to have had much of the rural feeling with which Goldsmith was so amply endowed, and may not have accompanied him in his strolls about hedges and green lanes; but he was a fit companion with whom to explore the mazes of London, in which he was continually on the lookout for character and incident. One of Hogarth's admirers speaks of having come upon him in Castle Street, engaged in one of his street studies, watching two boys who were quarreling; patting one on the back who flinched, and endeavoring to spirit him up to a fresh encounter. "At him again! D--- him, if I would take it of him! at him again!"

A frail memorial of this intimacy between the painter and the poet exists in a portrait in oil, called "Goldsmith's Hostess." It is supposed to have been painted by Hogarth in the course of his visits to Islington, and given by him to the poet as a means of paying his landlady. There are no friendships among men of talents more likely to be sincere than those between painters and poets. Possessed of the same qualities of mind, governed by the same principles of taste and natural laws of grace and beauty, but applying them to different yet mutually ill.u.s.trative arts, they are constantly in sympathy and never in collision with each other.

A still more congenial intimacy of the kind was that contracted by Goldsmith with Mr. afterward Sir Joshua Reynolds. The latter was now about forty years of age, a few years older than the poet, whom he charmed by the blandness and benignity of his manners, and the n.o.bleness and generosity of his disposition, as much as he did by the graces of his pencil and the magic of his coloring. They were men of kindred genius, excelling in corresponding qualities of their several arts, for style in writing is what color is in painting; both are innate endowments, and equally magical hi their effects. Certain graces and harmonies of both may be acquired by diligent study and imitation, but only in a limited degree; whereas by their natural possessors they are exercised spontaneously, almost unconsciously, and with ever-varying fascination. Reynolds soon understood and appreciated the merits of Goldsmith, and a sincere and lasting friendship ensued between them.

At Reynolds' house Goldsmith mingled in a higher range of company than he had been accustomed to. The fame of this celebrated artist, and his amenity of manners, were gathering round him men of talents of all kinds, and the increasing affluence of his circ.u.mstances enabled him to give full indulgence to his hospitable disposition. Poor Goldsmith had not yet, like Dr. Johnson, acquired reputation enough to atone for his external defects and his want of the air of good society. Miss Reynolds used to inveigh against his personal appearance, which gave her the idea, she said, of a low mechanic, a journeyman tailor. One evening at a large supper party, being called upon to give as a toast the ugliest man she knew, she gave Dr.

Goldsmith, upon which a lady who sat opposite, and whom she had never met before, shook hands with her across the table, and "hoped to become better acquainted."

We have a graphic and amusing picture of Reynolds' hospitable but motley establishment, in an account given by a Mr. Courtenay to Sir James Mackintosh; though it speaks of a time after Reynolds had received the honor of knighthood. "There was something singular," said he, "in the style and economy of Sir Joshua's table that contributed to pleasantry and good humor, a coa.r.s.e, inelegant plenty, without any regard to order and arrangement. At five o'clock precisely, dinner was served, whether all the invited guests were arrived or not. Sir Joshua was never so fashionably ill-bred as to wait an hour perhaps for two or three persons of rank or t.i.tle, and put the rest of the company out of humor by this invidious distinction. His invitations, however, did not regulate the number of his guests. Many dropped in uninvited. A table prepared for seven or eight was of ten compelled to contain fifteen or sixteen. There was a consequent deficiency of knives, forks, plates, and gla.s.ses. The attendance was in the same style, and those who were knowing in the ways of the house took care on sitting down to call instantly for beer, bread, or wine, that they might secure a supply before the first course was over. He was once prevailed on to furnish the table with decanters and gla.s.ses at dinner, to save time and prevent confusion. These gradually were demolished in the course of service, and were never replaced. These trifling embarra.s.sments, however, only served to enhance the hilarity and singular pleasure of the entertainment. The wine, cookery and dishes were but little attended to; nor was the fish or venison ever talked of or recommended. Amid this convivial animated bustle among his guests, our host sat perfectly composed; always attentive to what was said, never minding what was ate or drank, but left every one at perfect liberty to scramble for himself."

Out of the casual but frequent meeting of men of talent at this hospitable board rose that a.s.sociation of wits, authors, scholars, and statesmen, renowned as the Literary Club. Reynolds was the first to propose a regular a.s.sociation of the kind, and was eagerly seconded by Johnson, who proposed as a model a club which he had formed many years previously in Ivy Lane, but which was now extinct. Like that club the number of members was limited to nine. They were to meet and sup together once a week, on Monday night, at the Turk's Head on Gerard Street, Soho, and two members were to const.i.tute a meeting. It took a regular form hi the year 1764, but did not receive its literary appellation until several years afterward.

The original members were Reynolds, Johnson, Burke, Dr. Nugent, Bennet Langton, Topham Beauclerc, Chamier, Hawkins, and Goldsmith; and here a few words concerning some of the members may be acceptable. Burke was at that time about thirty-three years of age; he had mingled a little in politics, and been Under Secretary to Hamilton at Dublin, but was again a writer for the booksellers, and as yet but in the dawning of his fame. Dr. Nugent was his father-in-law, a Roman Catholic, and a physician of talent and instruction. Mr. afterward Sir John Hawkins was admitted into this a.s.sociation from having been a member of Johnson's Ivy Lane club.

Originally an attorney, he had retired from the practice of the law, in consequence of a large fortune which fell to him in right of his wife, and was now a Middles.e.x magistrate. He was, moreover, a dabbler in literature and music, and was actually engaged on a history of music, which he subsequently published in five ponderous volumes. To him we are also indebted for a biography of Johnson, which appeared after the death of that eminent man. Hawkins was as mean and parsimonious as he was pompous and conceited. He forbore to partake of the suppers at the club, and begged therefore to be excused from paying his share of the reckoning. "And was he excused?" asked Dr. Burney of Johnson. "Oh, yes, for no man is angry at another for being inferior to himself. We all scorned him and admitted his plea. Yet I really believe him to be an honest man at bottom, though to be sure he is penurious, and he is mean, and it must be owned he has a tendency to savageness." He did not remain above two or three years in the club; being in a manner elbowed out in consequence of his rudeness to Burke.