"Not touched, thank you." She was white and shaking. "Did you hear the bits whizzing through the room?"

"I did," remarked the doctor grimly, holding out an arm from which the blood already dripped. "And I felt one of them too. But there's no time to lose--I don't know what to do about him, poor old chap."

He turned once again to the bed, and even as he turned he knew that the decision had been made for him: and he thanked the Maker. Billy Saunders had also felt a bit--a jagged bit--through the heart.

VII

BENDIGO JONES--HIS TREE

My story--such as it is--concerns a camouflage tree and Bendigo Jones: both of which--or whom--will require a little more introduction. That Bendigo would indignantly repudiate any such necessity, I am fully aware; nevertheless, even at the risk of offending him, I propose to outline briefly his claims to greatness, before embarking on the incident in his military career which forms the subject of these pages.

First however--the camouflage tree. It is only meet that the material and sordid details of the stage properties should be given, before branching into any discussion of the capabilities of the actor. The phrase, then, does not imply--as the ignorant might possibly be led to believe--a new type of tree. It does not grow in the tropics amongst a riotous tangle of pungent undergrowth; it does not creak sadly in the north wind on the open hill. It shelters not the hibiscus anthropoid, it gives not lodging to the two-tailed newt. From a botanical point of view, the tree is a complete and utter frost. It is, in point of hard and bitter fact, not a tree at all.

"Camouflage" is that which conceals: it is a fraud, and speaketh not the truth. I am not even certain whether it is a noun or a preposition, but the point is immaterial. Along with other canons of military matters, its virtue lies in its application rather than in its etymology. What the eye doth not see the trench mortars do not trouble is as true to-day as when Noah first mentioned the fact; and camouflage is the application of this mighty dictum.

The value of any particular piece of camouflage depends entirely on its capability for deceit; but to the youthful enthusiast I would speak a word of warning. I have in mind the particular case of young Angus MacTaggart, a lad from Glasgow, with freckles and a sunny disposition.

He was a sapper by trade, and on his shoulders there devolved, on one occasion, the job of covering a trench mortar emplacement with a camouflage of wire and gra.s.s which would screen the hole in which sat the mortar from the prying gaze of Hun aeroplanes. It was a deep hole, for the mortar was large; and the screen of wire was fastened to a framework of wood. When the gun wished to do its morning hate, a pessimistic individual first scoured the heavens with his gla.s.ses in search of Hun planes. If the scouring revealed nothing, the screen was lowered, and the gun was made ready. Then the detachment faded away, and the gun was fired by a man of great personal bravery by means of a long string. Ever since the first trench mortars, which consisted of a piece of piping down which a jam-tin bomb was dropped, in the hopes that when the charge at the bottom was lighted, the bomb would again emerge, I have regarded trench mortars as dangerous and unpleasant objects, and the people who deal with them as persons of a high order of courage. One remembers the times when the bomb did not emerge, but stuck half way and exploded violently; one remembers when the entire gun fell over and propelled the bomb in the direction of battalion headquarters; above all, one remembers the loathing and contumely with which the mere arrival of the trench mortar in any part of the trenches was greeted. Then there was no attempt at camouflage; one's sole endeavour was to avoid being killed by the beastly thing.

To return, however, to Angus. Though of a sunny disposition, as I have said, he was a somewhat earnest individual--and thorough withal. He determined that as a camouflage, _his_ should stand pre-eminent; it should be the model and pattern of all camouflages. He succeeded.

Labouring at night--largely with his own fair hands--he produced a screen cunningly woven with gra.s.ses and weeds which he swore would defy the most lynx-eyed pilot. He even went so far as to place in the centre of it a large bunch of nettles, which he contended gave it an air of insouciance and lightheartedness that had been lacking before.

Now, as I mentioned above, the value of camouflage depends on its capability for deceit; and it is by this criterion that I claim his work as a success. It should be added, however, in no uncertain tones, that it is the Germans whom one is desirous of deceiving, and that is where my warning to the youthful enthusiast comes in.

The thing came too quickly for warning. Suddenly from above the inhabitants of the hole, with whom Angus was consuming a midday gla.s.s of port, was heard the voice: "It must be somewhere about here, sir, I think." The voice was right--it was.

They came through in a phalanx of fire, and descended abruptly on the detachment below. It was a magnificent compliment to the work, but it was unfortunate that the General should have been the one to consume the nettles. However, I have always thought that Angus's voice of disgust as he contemplated the wreckage of his screen did not improve matters.

"The door," he remarked, with painful distinctness, "is full of possibilities." With that he left.

I trust the moral of my digression is obvious. . . . Having then, in a few well-chosen phrases, discussed one type of camouflage, I would pa.s.s on and lead the thirster for information still farther into the by-paths of knowledge. Just as there are many and divers types of deceit, varying from that which conceals what is, to that which exposes what is not--involved that last, but think it out--so are there many types of camouflage. And the particular one with which I am concerned, deals with a tree.

On a certain slight eminence in what was otherwise a flat and dreary outlook, there stood the stump of a tree. It was a tired stump, strongly reminiscent of the morning after. It had had a hard life, and much of its pristine glory had faded. No longer did the sprightly sparrow chirrup cheerfully to its young from leafy branches; no longer did cattle recline in its shade during the heat of the day. It was just a stump--a stump complete with splinters.

Its sole claim to notoriety lay in its position. It commanded a view of the German lines which was not to be had elsewhere; in fact, from the eminence on which it stood you could obtain the only good observation of the opposite trenches in that particular sector of the line.

It was the Brigade Major who first suggested the idea in the fertile brain of the C.R.E. of the Division, who happened to be talking to him at the moment. They were in the support line trenches, and close to where they stood, the tree--gaunt, repulsive and toothpicky--raised its stunted head to heaven.

"What a pity that tree ain't hollow!" ruminated the Staff officer thoughtfully. "Splendid view from it of the Huns. Can't do anything in that line, can you, Colonel?"

The C.R.E. thoughtfully considered the proposition. "Afraid not, old boy," he answered after a few moments' deliberation. "Bit of a job hollowing out a tree. All the same, you're quite right. It would make a great O.P."

"Why not make another down in your yard, and put it up instead?" The Brigadier joined in the discussion. "We must have better observation in this sector if we possibly can."

"Cut this one down one night and put up a dummy in its place." The C.R.E once again considered the wretched stump. "Not a bad idea, General; the only question is who is to do it. It will have to be a good model, or the Huns will spot the difference; and . . ." Suddenly his face cleared. "By Jove! I've got it--Bendigo Jones. He's the man for the job."

"And who the deuce is Bendigo Jones?" asked the General, as the Sapper rapidly jotted down something in his note-book. "He sounds like a prize fighter or the inventor of a patent medicine."

"Bendigo Jones, General, is my latest acquisition. I have it on no less an authority than his own that he is a very remarkable man. I gather that he is futurist by inclination, and dyspeptic by nature, which I take to be a more or less natural sequence of events. At present he adorns my office, and looks intense."

"He sounds rather like a disease," murmured the Brigade Major. "From what you say, I gather he considers himself an artist."

"He sculpts, or whatever a sculptor does when he gets busy." The Colonel smiled gently. "How he ever blew out here I cannot imagine, but these things will occur. I offended him mortally, I regret to say, the first day he arrived, by confessing that I had never even heard his name, much less seen his work, but I think he's forgiven me. I allowed him to arrange the timber yard to-day more aesthetically, and the Sergeant-major thinks he is soft in the head, so Bendigo is supremely happy."

"He sounds a perfect treasure," remarked the Brigadier drily.

"However, as long as he models that tree and we get it up somehow, and I never see him, I shall be quite happy, old boy."

"It shall be done," answered the C.R.E., "by our little Bendy himself.

A life-size, hollow camouflage stump shall replace the original, complete with peephole and seat."

Thus lightly was settled the immediate future of one of the world's great ones. In view, however, of the fact that the world is so often lamentably ignorant of greatness, it now becomes necessary for me to carry out my second introduction and enlighten the Philistines as to what they have missed by their miserable and sordid materialism.

Be it known then that for several years Bendigo Jones had been in the habit of inflicting upon a long-suffering and inoffensive public a series of lumps of material. What these lumps were supposed to represent no one has yet discovered; and I am given to understand that unless the proud perpetrator noted it himself on completion, he too was usually unable to elucidate the mystery. It was not of great account, as he ran not the slightest risk of contradiction whatever he said; and as no person ever willingly went twice to his exhibitions, he could vary the t.i.tle daily without fear of discovery. Another great point about his work was its many-sidedness. A lump looked at from one side would perhaps represent "Pelican with young," while on the other "The Children's Hour, or six o'clock at Mud View Villa," would be depicted.

This, needless to say, economised greatly in s.p.a.ce and matter; and in case any special exhibit failed to arrive in time, or was thrown away by mistake, an old one turned upside down at once remedied the defect.

His nearest approach to fame occurred during the period which followed the perpetration of his celebrated "Mother with her Child." It was announced that the gifted sculptor had worked on it for five years; and a certain amount of light was thrown on his methods by an interview he managed to get published in some obscure journal.

"Rising with a hoa.r.s.e cry," ran this effusion, "Mr. Bendigo Jones hurled himself at his work. With a single blow he removed a protuberance, and then sank back exhausted.

"'You see the difference,' he cried, 'you see how I have altered her expression.'

"'Whose?' I murmured dazedly.

"'Why, the face of the woman. Ah! dolt, blockhead, have you no eyes--have you no soul?'

"'But you told me that was a church at sunset,' I remonstrated feebly.

"'What has that to do with it?' he shouted. 'It is what I like to make it, fool. What is a name? Nothing--a bagatelle. I have changed my mind every day for the last five years, and now my life's work is done--done.'

"Mr. Bendigo Jones sobbed quietly, and I stole away. It was not for me to gaze on such grief. And as I went through the open window I heard his final whisper.

"'It shall be none of these things. I will pander to vile utilitarianism. It shall be--"A City Magnate at Lunch."'"

It may be remembered that when it was finally put on view in London, enormous interest was aroused by an enterprising weekly paper offering prizes to the extent of a thousand pounds to any one who could guess what it was; and though Bendigo Jones's pocket was helped considerably by his percentage of the gate money, his pride suffered considerably when the answers were made public. They ranged from, "Model of the first steam engine when out of control," to "An explosion of a ship at sea," both of which happy efforts gained a bag of nuts. The answer adjudged most nearly correct was sent in by a Fulham butcher, who banked on "Angry gentleman quarrelling with his landlord on quarter-day": which at any rate had the merit of making it human.

But I have digressed enough; I will return to my sad story. How our friend ever did arrive in France is as much of a mystery to me as it was to the Colonel; presumably a ruthless government, having decided it required men, roped him in along with the other lesser lights. The fiat went forth, and so did Bendigo--mildly protesting: to adorn in the fullness of time the office of the C.R.E. of whom I have spoken. And he was sitting there exhausted by his labours in helping the Sergeant-major rearrange the timber yard aesthetically, when a message arrived that the Colonel wished to speak to him.

"I understand, Jones, that you are a sculptor," remarked that officer genially, as our hero entered the office. "Now, can you model a tree?"

Bendigo gazed dreamily out of the window. "A tree," he murmured at length. "A little, beautiful tree. Green with the verdant loveliness of youth . . . green . . . green."

"It isn't," snapped the Colonel. "It's brown, and d.a.m.ned hideous, and full of splinters."

"Only to the eye of unbelief, sir." The sculptor regarded him compa.s.sionately. "To us--to those who can see things as they ought to be--more, as they spiritually are . . . it is different."