"Your late uncle! Heavens, sir, do I understand aright, can Mr. p.r.i.c.kett be dead since I left London?"

"Died, sir, suddenly, last night. It was an affection of the heart. The doctor thinks the rheumatism attacked that organ. He had small time to provide for his departure, and his account-books seem in sad disorder: I am his nephew and executor."

Leonard had now--followed the nephew into the shop. There still burned the gas-lamp. The place seemed more dingy and cavernous than before.

Death always makes its presence felt in the house it visits.

Leonard was greatly affected,--and yet more, perhaps, by the utter want of feeling which the nephew exhibited. In fact the deceased had not been on friendly terms with this person, his nearest relative and heir-at-law, who was also a bookseller.

"You were engaged but by the week, I find, young man, on reference to my late uncle's papers. He gave you L1 a week,--a monstrous sum! I shall not require your services any further. I shall move these books to my own house. You will be good enough to send me a list of those you bought at the sale, and your account of travelling expenses, etc. What may be due to you shall be sent to your address. Good-evening."

Leonard went home, shocked and saddened at the sudden death of his kind employer. He did not think much of himself that night; but when he rose the next day, he suddenly felt that the world of London lay before him, without a friend, without a calling, without an occupation for bread.

This time it was no fancied sorrow, no poetic dream disappointed.

Before him, gaunt and palpable, stood Famine. Escape!--yes. Back to the village: his mother's cottage; the exile's garden; the radishes and the fount. Why could he not escape? Ask why civilization cannot escape its ills, and fly back to the wild and the wigwam.

Leonard could not have returned to the cottage, even if the Famine that faced had already seized him with her skeleton hand. London releases not so readily her fated step-sons.

CHAPTER IV.

One day three persons were standing before an old bookstall in a pa.s.sage leading from Oxford Street into Tottenham Court Road. Two were gentlemen; the third, of the cla.s.s and appearance of those who more habitually halt at old bookstalls.

"Look," said one of the gentlemen to the other, "I have discovered here what I have searched for in vain the last ten years,--the Horace of 1580, the Horace of the Forty Commentators, a perfect treasury of learning, and marked only fourteen shillings!"

"Hush, Norreys," said the other, "and observe what is yet more worth your study;" and he pointed to the third bystander, whose face, sharp and attenuated, was bent with an absorbed, and, as it were, with a hungering attention over an old worm-eaten volume.

"What is the book, my lord?" whispered Mr. Norreys. His companion smiled, and replied by another question, "What is the man who reads the book?"

Mr. Norreys moved a few paces, and looked over the student's shoulder.

"Preston's translation of Boethius's 'The Consolations of Philosophy,'"

he said, coming back to his friend.

"He looks as if he wanted all the consolations Philosophy can give him, poor boy."

At this moment a fourth pa.s.senger paused at the bookstall, and, recognizing the pale student, placed his hand on his shoulder, and said, "Aha, young sir, we meet again. So poor p.r.i.c.kett is dead. But you are still haunted by a.s.sociations. Books, books,--magnets to which all iron minds move insensibly. What is this? Boethius! Ah, a book written in prison, but a little time before the advent of the only philosopher who solves to the simplest understanding every mystery of life--"

"And that philosopher?"

"Is death!" said Mr. Burley. "How can you be dull enough to ask? Poor Boethius, rich, n.o.bly born, a consul, his sons consuls, the world one smile to the Last Philosopher of Rome. Then suddenly, against this type of the old world's departing WISDOM stands frowning the new world's grim genius, FORCE,--Theodoric the Ostrogoth condemning Boethius the schoolman; and Boethius in his Pavian dungeon holding a dialogue with the shade of Athenian Philosophy. It is the finest picture upon which lingers the glimmering of the Western golden day, before night rushes over time."

"And," said Mr. Norreys, abruptly, "Boethius comes back to us with the faint gleam of returning light, translated by Alfred the Great; and, again, as the sun of knowledge bursts forth in all its splendour by Queen Elizabeth. Boethius influences us as we stand in this pa.s.sage; and that is the best of all the Consolations of Philosophy,--eh, Mr.

Burley?"

Mr. Burley turned and bowed.

The two men looked at each other; you could not see a greater contrast,--Mr. Burley, his gay green dress already shabby and soiled, with a rent in the skirts and his face speaking of habitual night-cups; Mr. Norreys, neat and somewhat precise in dress, with firm, lean figure, and quiet, collected, vigorous energy in his eye and aspect.

"If," replied Mr. Burley, "a poor devil like me may argue with a gentleman who may command his own price with the booksellers, I should say it is no consolation at all, Mr. Norreys. And I should like to see any man of sense accept the condition of Boethius in his prison, with some strangler or headsman waiting behind the door, upon the promised proviso that he should be translated, centuries afterwards, by kings and queens, and help indirectly to influence the minds of Northern barbarians, babbling about him in an alley, jostled by pa.s.sers-by who never heard the name of Boethius, and who don't care a fig for philosophy. Your servant, sir, young man, come and talk."

Burley hooked his arm within Leonard's, and led the boy pa.s.sively away.

"That is a clever man," said Harley L'Estrange. "But I am sorry to see yon young student, with his bright earnest eyes, and his lip that has the quiver of pa.s.sion and enthusiasm, leaning on the arm of a guide who seems disenchanted of all that gives purpose to learning, and links philosophy with use to the world. Who and what is this clever man whom you call Burley?"

"A man who might have been famous, if he had condescended to be respectable! The boy listening to us both so attentively interested me too,--I should like to have the making of him. But I must buy this Horace."

The shopman, lurking within his hole like a spider for flies, was now called out. And when Mr. Norreys had bought the Horace, and given an address where to send it, Harley asked the shopman if he knew the young man who had been reading Boethius.

"Only by sight. He has come here every day the last week, and spends hours at the stall. When once he fastens on a book, he reads it through."

"And never buys?" said Mr. Norreys.

"Sir," said the shopman, with a good-natured smile, "they who buy seldom read. The poor boy pays me twopence a day to read as long as he pleases.

I would not take it, but he is proud."

"I have known men ama.s.s great learning in that way," said Mr. Norreys.

"Yes, I should like to have that boy in my hands. And now, my lord, I am at your service, and we will go to the studio of your artist."

The two gentlemen walked on towards one of the streets out of Fitzroy Square.

In a few minutes more Harley L'Estrange was in his element, seated carelessly on a deal table smoking his cigar, and discussing art with the gusto of a man who honestly loved, and the taste of a man who thoroughly understood it. The young artist, in his dressing robe, adding slow touch upon touch, paused often to listen the better. And Henry Norrey s, enjoying the brief respite from a life of great labour, was gladly reminded of idle hours under rosy skies; for these three men had formed their friendship in Italy, where the bands of friendship are woven by the hands of the Graces.

CHAPTER V.

Leonard and Mr. Burley walked on into the suburbs round the north road from London, and Mr. Burley offered to find literary employment for Leonard,--an offer eagerly accepted.

Then they went into a public-house by the wayside. Burley demanded a private room, called for pen, ink, and paper; and placing these implements before Leonard, said, "Write what you please, in prose, five sheets of letter-paper, twenty-two lines to a page,--neither more nor less."

"I cannot write so."

"Tut, 't is for bread."

The boy's face crimsoned.

"I must forget that," said he.

"There is an arbour in the garden, under a weeping-ash," returned Burley. "Go there, and fancy yourself in Arcadia."

Leonard was too pleased to obey. He found out the little arbour at one end of a deserted bowling-green. All was still,--the hedgerow shut out the sight of the inn. The sun lay warm on the gra.s.s, and glinted pleasantly through the leaves of the ash. And Leonard there wrote the first essay from his hand as Author by profession. What was it that he wrote? His dreamy impressions of London, an anathema on its streets and its hearts of stone, murmurs against poverty, dark elegies on fate?

Oh, no! little knowest thou true genius, if thou askest such questions, or thinkest that there under the weeping-ash the task-work for bread was remembered; or that the sunbeam glinted but over the practical world, which, vulgar and sordid, lay around. Leonard wrote a fairy tale,--one of the loveliest you can conceive, with a delicate touch of playful humour, in a style all flowered over with happy fancies. He smiled as he wrote the last word,--he was happy. In rather more than an hour Mr.

Burley came to him, and found him with that smile on his lips.

Mr. Burley had a gla.s.s of brandy-and-water in his hand; it was his third. He too smiled, he too looked happy. He read the paper aloud, and well. He was very complimentary. "You will do!" said he, clapping Leonard on the back. "Perhaps some day you will catch my one-eyed perch." Then he folded up the ma.n.u.script, scribbled off a note, put the whole in one envelope, and they returned to London.