Victoria knew the house in Hanover Street, with its classic porch, with its certain air of distinction and stability, and long before she had known it as the Austen residence she remembered wondering who lived in it. The house had individuality, and (looked at from the front) almost perfect proportions; consciously--it bespoke the gentility of its builders. Now she drew up before it and called to Mr. Rangely, who was abreast, to tie his horse and ring the bell. Hilary was already feeling with his foot for the step of the buggy.

"I'm all right," he insisted; "I can manage now," but Victoria seized his arm with a firm, detaining hand.

"Please wait,--Mr. Vane," she pleaded.

But the feeling of shame at his helplessness was strong.

"It's over now. I--I can walk. I'm much obliged to you, Victoria--much obliged."

Fortunately Hilary's horse showed no inclination to go any farther--even to the stable. And Victoria held on to his arm. He ceased to protest, and Mr. Rangely quickly tied the other horse and came to Victoria's aid.

Supported by the young Englishman, Hilary climbed the stone steps and reached the porch, declaring all the while that he needed no assistance, and could walk alone. Victoria rang the bell, and after an interval the door was opened by Euphrasia Cotton.

Euphrasia stood upright with her hand on the knob, and her eyes flashed over the group and rested fixedly on the daughter of Mr. Flint.

"Mr. Vane was not very well," Victoria explained, "and we came home with him."

"I'm all right," said Hilary, once more, and to prove it he stepped--not very steadily--across the threshold into the hall, and sat down on a chair which had had its place at the foot of the stairs from time immemorial. Euphrasia stood still.

"I think," said Victoria, "that Mr. Vane had better see a doctor. Have you a telephone?"

"No, we haven't," said Euphrasia.

Victoria turned to Mr. Rangely, who had been a deeply interested spectator to this scene.

"A little way down the street, on the other side, Dr. Tredway lives. You will see his sign."

"And if he isn't in, go to the hospital. It's only a few doors farther on."

"I'll wait," said Victoria, simply, when he had gone; "my father will wish to know about Mr. Vane."

"Hold on," said Hilary, "I haven't any use for a doctor--I won't see one. I know what the trouble is, and I'm all right."

Victoria became aware--for the first time that Hilary Vane's housekeeper had not moved; that Euphrasia Cotton was still staring at her in a most disconcerting manner, and was paying no attention whatever to Hilary.

"Come in and set down," she said; and seeing Victoria glance at Hilary's horse, she added, "Oh, he'll stand there till doomsday."

Victoria, thinking that the situation would be less awkward, accepted the invitation, and Euphrasia shut the door. The hall, owing to the fact that the shutters of the windows by the stairs were always closed, was in semidarkness. Victoria longed to let in the light, to take this strange, dried-up housekeeper and shake her into some semblance of natural feeling. And this was Austen's home! It was to this house, made gloomy by these people, that he had returned every night! Infinitely depressed, she felt that she must take some action, or cry aloud.

"Mr. Vane," she said, laying a hand upon his shoulder, "I think you ought, at least, to lie down for a little while. Isn't there a sofa in--in the parlour?" she asked Euphrasia.

"You can't get him to do anything," Euphrasia replied, with decision; "he'll die some day for want of a little common sense. I shouldn't wonder if he was took on soon."

"Oh!" cried Victoria. She could think of no words to answer this remark.

"It wouldn't surprise me," Euphrasia continued. "He fell down the stairs here not long ago, and went right on about his business. He's never paid any attention to anybody, and I guess it's a mite late to expect him to begin now. Won't you set down?"

There was another chair against the low wainscoting, and Victoria drew it over beside Hilary and sat down in it. He did not seem to notice the action, and Euphrasia continued to stand. Standing seemed to be the natural posture of this remarkable woman, Victoria thought--a posture of vigilance, of defiance. A clock of one of the Austen grandfathers stood obscurely at the back of the hall, and the measured swing of its pendulum was all that broke the silence. This was Austen's home. It seemed impossible for her to realize that he could be the product of this environment--until a portrait on the opposite wall, above the stairs, came out of the gloom and caught her eye like the glow of light.

At first, becoming aware of it with a start, she thought it a likeness of Austen himself. Then she saw that the hair was longer, and more wavy than his, and fell down a little over the velvet collar of a coat with a wide lapel and brass buttons, and that the original of this portrait had worn a stock. The face had not quite the strength of Austen's, she thought, but a wondrous sweetness and intellect shone from it, like an expression she had seen on his face. The chin rested on the hand, an intellectual hand,--and the portrait brought to her mind that of a young English statesman she had seen in the National Gallery in London.

"That's Channing Austen,--he was minister to Spain."

Victoria started. It was Euphrasia who was speaking, and unmistakable pride was in her voice.

Fortunately for Victoria, who would not in the least have known what to reply, steps were heard on the porch, and Euphrasia opened the door. Mr.

Rangely had returned.

"Here's the doctor, Miss Flint," he said, "and I'll wait for you outside."

Victoria rose as young Dr. Tredway came forward. They were old friends, and the doctor, it may be recalled, had been chiefly responsible for the preservation of the life of Mr. Zebulun Meader.

"I have sent for you, Doctor," she said, "against instructions and on my own responsibility. Mr. Vane is ill, although he refuses to admit it."

Dr. Tredway had a respect for Victoria and her opinions, and he knew Hilary. He opened the door a little wider, and looked critically at Mr.

Vane.

"It's nothing but a spell," Hilary insisted. "I've had 'em before. I suppose it's natural that they should scare the women-folks some."

"What kind of a spell was it, Mr. Vane?" asked the doctor.

"It isn't worth talking about," said Hilary. "You might as well pick up that case of yours and go home again. I'm going down to the square in a little while."

"You see," Euphrasia put in, "he's made up his mind to kill himself."

"Perhaps," said the doctor, smiling a little, "Mr. Vane wouldn't object to Miss Flint telling me what happened."

Victoria glanced at the doctor and hesitated. Her sympathy for Hilary, her new understanding of him, urged her on--and yet never in her life had she been made to feel so distinctly an intruder. Here was the doctor, with his case; here was this extraordinary housekeeper, apparently ready to let Hilary walk to the square, if he wished, and to shut the door on their backs; and here was Hilary himself, who threatened at any moment to make his word good and depart from their midst. Only the fact that she was convinced that Hilary was in real danger made her relate, in a few brief words, what had occurred, and when she had finished Mr. Vane made no comment whatever.

Dr. Tredway turned to Hilary.

"I am going to take a mean advantage of you, Mr. Vane," he said, "and sit here awhile and talk to you. Would you object to waiting a little while, Miss Flint? I have something to say to you," he added significantly, "and this meeting will save me a trip to Fairview."

"Certainly I'll wait," she said.

"You can come along with me," said Euphrasia, "if you've a notion to."

Victoria was of two minds whether to accept this invitation. She had an intense desire to get outside, but this was counter-balanced by a sudden curiosity to see more of this strange woman who loved but one person in the world. Tom Gaylord had told Victoria that. She followed Euphrasia to the back of the hall.

"There's the parlour," said Euphrasia; "it's never be'n used since Mrs.

Vane died,--but there it is."

"Oh," said Victoria, with a glance into the shadowy depths of the room, "please don't open it for me. Can't we go," she added, with an inspiration, "can't we go into--the kitchen?" She knew it was Euphrasia's place.

"Well," said Euphrasia, "I shouldn't have thought you'd care much about kitchens." And she led the way onward; through the little passage, to the room where she had spent most of her days. It was flooded with level, yellow rays of light that seemed to be searching the corners in vain for dust. Victoria paused in the doorway.

"I'm afraid you do me an injustice," she said. "I like some kitchens."

"You don't look as if you knew much about 'em," was Euphrasia's answer.

With Victoria once again in the light, Euphrasia scrutinized her with appalling frankness, taking in every detail of her costume and at length raising her eyes to the girl's face. Victoria coloured. On her visits about the country-side she had met women of Euphrasia's type before, and had long ago ceased to be dismayed by their manner. But her instinct detected in Euphrasia a hostility for which she could not account.