In a little while Tough Bill, accompanied by two huge negroes, came in, and it was easy to see that he was already three parts drunk. He was looking for trouble. He lurched against a table at which three soldiers were sitting and knocked over a gla.s.s of beer. There was an angry altercation, and the owner of the bar stepped forward and ordered Tough Bill to go.

He was a hefty fellow, in the habit of standing no nonsense from his customers, and Tough Bill hesitated. The landlord was not a man he cared to tackle, for the police were on his side, and with an oath he turned on his heel. Suddenly he caught sight of Strickland. He rolled up to him. He did not speak.

He gathered the spittle in his mouth and spat full in Strickland's face. Strickland seized his gla.s.s and flung it at him. The dancers stopped suddenly still. There was an instant of complete silence, but when Tough Bill threw himself on Strickland the l.u.s.t of battle seized them all, and in a moment there was a confused scrimmage. Tables were overturned, gla.s.ses crashed to the ground. There was a h.e.l.lish row. The women scattered to the door and behind the bar.

Pa.s.sers-by surged in from the street. You heard curses in every tongue the sound of blows, cries; and in the middle of the room a dozen men were fighting with all their might.

On a sudden the police rushed in, and everyone who could made for the door. When the bar was more or less cleared, Tough Bill was lying insensible on the floor with a great gash in his head. Captain Nichols dragged Strickland, bleeding from a wound in his arm, his clothes in rags, into the street.

His own face was covered with blood from a blow on the nose.

"I guess you'd better get out of Ma.r.s.eilles before Tough Bill comes out of hospital," he said to Strickland, when they had got back to the c.h.i.n.k's Head and were cleaning themselves.

"This beats c.o.c.k-fighting," said Strickland.

I could see his sardonic smile.

Captain Nichols was anxious. He knew Tough Bill's vindictiveness.

Strickland had downed the mulatto twice, and the mulatto, sober, was a man to be reckoned with. He would bide his time stealthily. He would be in no hurry, but one night Strickland would get a knife-thrust in his back, and in a day or two the corpse of a nameless beach-comber would be fished out of the dirty water of the harbour. Nichols went next evening to Tough Bill's house and made enquiries. He was in hospital still, but his wife, who had been to see him, said he was swearing hard to kill Strickland when they let him out.

A week pa.s.sed.

"That's what I always say," reflected Captain Nichols, "when you hurt a man, hurt him bad. It gives you a bit of time to look about and think what you'll do next."

Then Strickland had a bit of luck. A ship bound for Australia had sent to the Sailors' Home for a stoker in place of one who had thrown himself overboard off Gibraltar in an attack of delirium tremens.

"You double down to the harbour, my lad," said the Captain to Strickland, "and sign on. You've got your papers."

Strickland set off at once, and that was the last Captain Nichols saw of him. The ship was only in port for six hours, and in the evening Captain Nichols watched the vanishing smoke from her funnels as she ploughed East through the wintry sea.

I have narrated all this as best I could, because I like the contrast of these episodes with the life that I had seen Strickland live in Ashley Gardens when he was occupied with stocks and shares; but I am aware that Captain Nichols was an outrageous liar, and I dare say there is not a word of truth in anything he told me. I should not be surprised to learn that he had never seen Strickland in his life, and owed his knowledge of Ma.r.s.eilles to the pages of a magazine.

Chapter XLVIII

It is here that I purposed to end my book. My first idea was to begin it with the account of Strickland's last years in Tahiti and with his horrible death, and then to go back and relate what I knew of his beginnings. This I meant to do, not from wilfulness, but because I wished to leave Strickland setting out with I know not what fancies in his lonely soul for the unknown islands which fired his imagination. I liked the picture of him starting at the age of forty-seven, when most men have already settled comfortably in a groove, for a new world. I saw him, the sea gray under the mistral and foam-flecked, watching the vanishing coast of France, which he was destined never to see again; and I thought there was something gallant in his bearing and dauntless in his soul.

I wished so to end on a note of hope. It seemed to emphasise the unconquerable spirit of man. But I could not manage it.

Somehow I could not get into my story, and after trying once or twice I had to give it up; I started from the beginning in the usual way, and made up my mind I could only tell what I knew of Strickland's life in the order in which I learnt the facts.

Those that I have now are fragmentary. I am in the position of a biologist who from a single bone must reconstruct not only the appearance of an extinct animal, but its habits.

Strickland made no particular impression on the people who came in contact with him in Tahiti. To them he was no more than a beach-comber in constant need of money, remarkable only for the peculiarity that he painted pictures which seemed to them absurd; and it was not till he had been dead for some years and agents came from the dealers in Paris and Berlin to look for any pictures which might still remain on the island, that they had any idea that among them had dwelt a man of consequence.

They remembered then that they could have bought for a song canvases which now were worth large sums, and they could not forgive themselves for the opportunity which had escaped them. There was a Jewish trader called Cohen, who had come by one of Strickland's pictures in a singular way.

He was a little old Frenchman, with soft kind eyes and a pleasant smile, half trader and half seaman, who owned a cutter in which he wandered boldly among the Paumotus and the Marquesas, taking out trade goods and bringing back copra, sh.e.l.l, and pearls.

I went to see him because I was told he had a large black pearl which he was willing to sell cheaply, and when I discovered that it was beyond my means I began to talk to him about Strickland. He had known him well.

"You see, I was interested in him because he was a painter,"

he told me. "We don't get many painters in the islands, and I was sorry for him because he was such a bad one. I gave him his first job. I had a plantation on the peninsula, and I wanted a white overseer. You never get any work out of the natives unless you have a white man over them. I said to him: 'You'll have plenty of time for painting, and you can earn a bit of money.' I knew he was starving, but I offered him good wages."

"I can't imagine that he was a very satisfactory overseer,"

I said, smiling.

"I made allowances. I have always had a sympathy for artists.

It is in our blood, you know. But he only remained a few months. When he had enough money to buy paints and canvases he left me. The place had got hold of him by then, and he wanted to get away into the bush. But I continued to see him now and then. He would turn up in Papeete every few months and stay a little while; he'd get money out of someone or other and then disappear again. It was on one of these visits that he came to me and asked for the loan of two hundred francs. He looked as if he hadn't had a meal for a week, and I hadn't the heart to refuse him. Of course, I never expected to see my money again. Well, a year later he came to see me once more, and he brought a picture with him. He did not mention the money he owed me, but he said: 'Here is a picture of your plantation that I've painted for you.' I looked at it.

I did not know what to say, but of course I thanked him, and when he had gone away I showed it to my wife."

"What was it like?" I asked.

"Do not ask me. I could not make head or tail of it. I never saw such a thing in my life. 'What shall we do with it?'

I said to my wife. 'We can never hang it up,' she said.

'People would laugh at us.' So she took it into an attic and put it away with all sorts of rubbish, for my wife can never throw anything away. It is her mania. Then, imagine to yourself, just before the war my brother wrote to me from Paris, and said: 'Do you know anything about an English painter who lived in Tahiti? It appears that he was a genius, and his pictures fetch large prices. See if you can lay your hands on anything and send it to me. There's money to be made.' So I said to my wife. 'What about that picture that Strickland gave me?' Is it possible that it is still in the attic?' 'Without doubt,' she answered, 'for you know that I never throw anything away. It is my mania.' We went up to the attic, and there, among I know not what rubbish that had been gathered during the thirty years we have inhabited that house, was the picture. I looked at it again, and I said: 'Who would have thought that the overseer of my plantation on the peninsula, to whom I lent two hundred francs, had genius?

Do you see anything in the picture?' 'No,' she said, 'it does not resemble the plantation and I have never seen cocoa-nuts with blue leaves; but they are mad in Paris, and it may be that your brother will be able to sell it for the two hundred francs you lent Strickland.' Well, we packed it up and we sent it to my brother. And at last I received a letter from him.

What do you think he said? 'I received your picture,' he said, 'and I confess I thought it was a joke that you had played on me.

I would not have given the cost of postage for the picture.

I was half afraid to show it to the gentleman who had spoken to me about it. Imagine my surprise when he said it was a masterpiece, and offered me thirty thousand francs.

I dare say he would have paid more, but frankly I was so taken aback that I lost my head; I accepted the offer before I was able to collect myself.'"

Then Monsieur Cohen said an admirable thing.

"I wish that poor Strickland had been still alive. I wonder what he would have said when I gave him twenty-nine thousand eight hundred francs for his picture."

Chapter XLIX

I lived at the Hotel de la Fleur, and Mrs. Johnson, the proprietress, had a sad story to tell of lost opportunity.

After Strickland's death certain of his effects were sold by auction in the market-place at Papeete, and she went to it herself because there was among the truck an American stove she wanted. She paid twenty-seven francs for it.

"There were a dozen pictures," she told me, "but they were unframed, and n.o.body wanted them. Some of them sold for as much as ten francs, but mostly they went for five or six.

Just think, if I had bought them I should be a rich woman now."

But Tiare Johnson would never under any circ.u.mstances have been rich. She could not keep money. The daughter of a native and an English sea-captain settled in Tahiti, when I knew her she was a woman of fifty, who looked older, and of enormous proportions. Tall and extremely stout, she would have been of imposing presence if the great good-nature of her face had not made it impossible for her to express anything but kindliness. Her arms were like legs of mutton, her b.r.e.a.s.t.s like giant cabbages; her face, broad and fleshy, gave you an impression of almost indecent nakedness, and vast chin succeeded to vast chin. I do not know how many of them there were.

They fell away voluminously into the capaciousness of her bosom.

She was dressed usually in a pink Mother Hubbard, and she wore all day long a large straw hat. But when she let down her hair, which she did now and then, for she was vain of it, you saw that it was long and dark and curly; and her eyes had remained young and vivacious. Her laughter was the most catching I ever heard; it would begin, a low peal in her throat, and would grow louder and louder till her whole vast body shook. She loved three things -- a joke, a gla.s.s of wine, and a handsome man. To have known her is a privilege.

She was the best cook on the island, and she adored good food.

From morning till night you saw her sitting on a low chair in the kitchen, surrounded by a Chinese cook and two or three native girls, giving her orders, chatting sociably with all and sundry, and tasting the savoury messes she devised. When she wished to do honour to a friend she cooked the dinner with her own hands. Hospitality was a pa.s.sion with her, and there was no one on the island who need go without a dinner when there was anything to eat at the Hotel de la Fleur. She never turned her customers out of her house because they did not pay their bills. She always hoped they would pay when they could.

There was one man there who had fallen on adversity, and to him she had given board and lodging for several months.

When the Chinese laundryman refused to wash for him without payment she had sent his things to be washed with hers. She could not allow the poor fellow to go about in a dirty shirt, she said, and since he was a man, and men must smoke, she gave him a franc a day for cigarettes. She used him with the same affability as those of her clients who paid their bills once a week.

Age and obesity had made her inapt for love, but she took a keen interest in the amatory affairs of the young. She looked upon venery as the natural occupation for men and women, and was ever ready with precept and example from her own wide experience.

"I was not fifteen when my father found that I had a lover,"

she said. "He was third mate on the .

A good-looking boy."

She sighed a little. They say a woman always remembers her first lover with affection; but perhaps she does not always remember him.

"My father was a sensible man."