And the lighthouse keeper knows that it is his only daughter--the only one that he has--who is being cast to death upon the reef. Then comes the dilemma. They want him for the lifeboat; no one can take it through the surf but him. You know that because the other man says so himself.

But if he goes in the boat then the great light will go out. Untended it cannot live in the storm. And if it goes out--ah! if it goes out--ask of the angry waves and the resounding rocks of what to-night's long toll of death must be without the light!

I wish you could have seen it--you who only see the drawing-room plays of to-day--the scene when the lighthouse man draws himself up, calm and resolute, and says: "My place is here. G.o.d's will be done." And you know that as he says it and turns quietly to his lamps again, the boat is drifting, at that very moment, to the rocks.

"How did they save her?" My dear sir, if you can ask that question you little understand the drama as it was. Save her? No, of course they didn't save her. What we wanted in the Old Drama was reality and force, no matter how wild and tragic it might be. They did not save her. They found her the next day, in the concluding scene--all that was left of her when she was dashed upon the rocks. Her ribs were broken. Her bottom boards had been smashed in, her gunwale was gone--in short, she was a wreck.

The girl? Oh, yes, certainly they saved the girl. That kind of thing was always taken care of. You see just as the lighthouse man said "G.o.d's will be done," his eye fell on a long coil of rope, hanging there.

Providential, wasn't it? But then we were not ashamed to use Providence in the Old Drama. So he made a noose in it and threw it over the balcony and hauled the girl up on it. I used to hook her on to it every night.

A rotten play? Oh, I am sure it must have been. But, somehow, those of us who were brought up on that sort of thing, still sigh for it.

AMERICA AND THE ENGLISH TRADITION

_By_ HARRY MORGAN AYRES

This admirable summary of Anglo-American history first appeared (February, 1920) as an editorial in the _Weekly Review_. It seemed to me then, and still does, as a model in that form of writing, perfect in lucidity, temperance and good sense. Mr. Ayres is a member of the faculty of Columbia University (Department of English) and also one of the editors of the _Weekly Review_.

Beowulf, Chaucer, Shakespeare and Seneca seem to be his favorite hobbies.

To sum up the gist of Anglo-American relations in half a dozen pages, as Mr. Ayres does here, is surely a remarkable achievement.

The recently established chair in the history, literature, and inst.i.tutions of the United States which is to be shared among the several universities of Great Britain, is quite different from the exchange professorships of sometimes unhappy memory. It is not at all the idea to carry over one of our professors each year and indoctrinate him with the true culture at its source. The occupant of the chair will be, if the announced intention is carried out, quite as often British as American, and quite as likely a public man as a professor. The chief object is to bring to England a better knowledge of the United States, and a purpose more laudable can scarcely be imagined. Peace and prosperity will endure in the world in some very precise relation to the extent to which England succeeds in understanding us.

It is not an illusion to suppose that our understanding of the British is on the whole better than theirs of us. The British Empire is a large and comparatively simple fact, now conspicuously before the world for a long time. The United States was, in British eyes, until recently, a comparatively insignificant fact, yet vastly more complicated than they imagined. Each, of course, perfectly knew the faults of the other, a.s.sessed with an unerring cousinly eye. The American bragged in a nasal whine, the Briton patronized in a throaty burble. Whoever among the struggling nations of the world might win, England saw to it that she never lost; your Yankee was content with the more ign.o.ble triumphs of merchandising, willing to cheapen life if he could only add to his dollars. But the excellence of English political inst.i.tutions and methods, the charm of English life, the tremendous power of the Empire for promoting freedom and civilization in the world, these are things which Americans have long recognized and in a way understood. Anything like an equivalent British appreciation of America in the large seems confined to a very few honorable exceptions among them. Admiration for Niagara, which is half British anyway, or enthusiasm for the "Wild West"--your better-cla.s.s Englishman always thrills to the frontier--is no step at all toward rightly appreciating America.

To no inconsiderable extent this is America's own fault. She does not present to the world a record that is easily read. It is obvious, for instance--and so obvious that it is not often enough stated--that America has and will continue to have a fundamentally English civilization. English law is the basis of her law. English speech is her speech, and if with a difference, it is a difference that the philologist, all things considered, finds amazingly small. English literature is her literature--Chaucer and Shakespeare hers because her blood then coursed indistinguishably through the English heart they knew so well; Milton, Dryden, and the Queen Anne men hers, because she was still a part of England; the later men hers by virtue of affectionate acquaintanceship and a generous and not inconsiderable rivalry. English history, in short, is her history. The struggles of the thirteenth century through which law and parliament came into being, the struggles of the seventeenth century through which law and parliament came to rule, are America's struggles upon which she can look back with the satisfaction that some things that have been done in the world need never be undone or done over again, whatever the room for improvement may still be. Americans, no less than British, recognize that independence was largely an accidental result of a war which sprang out of a false theory of economics, but whose conclusion carried with it a lesson in the management of empire which subsequent history shows the British to have learned thoroughly and for the benefit of all concerned.

American independence, however, once established, pointed a way to democratic freedom which England hastened to follow. This we know. And yet--

And yet we allow these obvious and fundamental considerations to become marvelously obscured. We allow England's failure to solve an insoluble Irish problem to arouse in us an att.i.tude of mind possibly excusable in some Irishmen, but wholly inexcusable in any American. We allow a sentimental regard for some immigrant from Eastern Europe, who comes to us with a philosophy born of conditions that in English-speaking lands ceased to be centuries ago, to make us pretend to see in him the true expression of America's traditional ideals. We allow ourselves to be far too easy with the phrase, "He is not pro-German, he is merely anti-British." Why are they anti-British? Why should they be permitted to make it falsely appear that recognition of the English basis of America involves approval of everything that England in her history may or may not have done? Why should they be allowed to pretend that disapproval of some particular act of England justifies repudiation of most of the things by virtue of which we are what we are? America from the first has been part of the great English experiment--great because it is capable of learning from experience.

The world has put a big investment in blood and treasure, and all that they imply, into the education of England. It is satisfied--the world's response to Germany's insolent challenge is the proof of it--that its pains have been well bestowed. England is more nearly fit than any other nation to wield the power that is hers. That is not to deny the peculiar virtues of other nations; indeed, these virtues have largely contributed to the result. Italy has educated her; France has educated her; we have done something; and Germany. In result, she is not perfect--the English would perhaps least of all a.s.sert that--but she has learned a great deal and held herself steady while she learned it. It is a bigger job than the world cares to undertake to teach any other nation so much. Nor would it be at all likely to succeed so well. For what England has to offer the world in return is not simply her inst.i.tutions; it is not merely a formula for the effective discharge of police duty throughout the world; it is the English freeman, whether he hail from Canada, Australia, Africa, or the uttermost isles of the sea.

A most adaptable fellow, this freeman, doing all sorts of work everywhere, and with tremendous powers of a.s.similation. Consider him in his origins. He began by a.s.similating fully his own weight in Danes, while remaining an English freeman. He then perforce accepted a Norman king, as he had accepted a Danish one, hoping, as always, that the king would not trouble him too much. But when Norman William, who was very ill-informed about the breed, killed off most of his natural leaders and harried the rest into villeiny, how did he manage in a small matter of two hundred years or so to make an English gentleman not only of himself but of all the rag-tag of adventurers who had come over with William and since? How did he contrive, out of a band of exiles fleeing from an Egypt of ecclesiastical tyranny, broken younger sons, artisans out of a job, speculators, bondmen, Swedes, Dutchmen, and what not, to make America? Is he one likely to lose his bearings when in his America the age-old problem again heaves in view? This is a job he has been working at pretty successfully for more than a thousand years. Grant him a moment to realize himself afresh in the face of it. Don't expect him to stop and give a coherent explanation of what he is doing. He wouldn't be the true son of the English tradition that he is if he could do that.

Perhaps the occupants of the new chair can do something of the sort for him.

THE RUSSIAN QUARTER

_By_ THOMAS BURKE

Thomas Burke, a young newspaper man in London, came into quick recognition with his first book, _Nights in Town_ (published in America as _Nights in London_) in 1915. His first really popular success, however, was _Limehouse Nights_, less satisfactory to those who had read the first book, as it was largely a repet.i.tion of the same material in fiction form. (In fact, Mr. Burke holds what must be almost a record among authors by having worked over nearly the identical substance in four different versions--as essays and sketches, in _Nights in Town_; as short stories, in _Limehouse Nights_; as a novel, in _Twinkletoes_; as poetry, in _The Song Book of Quong Lee of Limehouse_.)

Mr. Burke has specialized on London, and with great ability. In the Limehouse series his colorings seem just a little too consciously vivid, his roguishness a little too studied, to be quite satisfying. _The Outer Circle_, a volume of rambles in the London suburbs, is to me more truly a work of art.

I had known the quarter for many years before it interested me. It was not until I was prowling around on a Fleet Street a.s.signment that I learned to hate it. A murder had been committed over a cafe in Lupin Street; a popular murder, fruity, cleverly done, and with a s.e.x interest. Of course every newspaper and agency developed a virtuous anxiety to track the culprit, and all resources were directed to that end. Journalism is perhaps the only profession in which so fine a public spirit may be found. So it was that the North Country paper of which I was a hanger-on flung every available man into the fighting line, and the editor told me that I might, in place of the casual paragraphs for the London Letter, do something good on the Va.s.siloff murder.

It was a night of cold rain, and the pavements were dashed with smears of light from the shop windows. Through the streaming streets my hansom leaped; and as I looked from the window, and noted the despondent biliousness of Bethnal Green, I realized that the gra.s.s withereth, the flower fadeth.

I dismissed the cab at Brick Lane, and, continuing the tradition which had been instilled into me by my predecessor on the London Letter, I turned into one of the hostelries and had a vodka to keep the cold out.

Little Russia was shutting up. The old shawled women, who sit at every corner with huge baskets of black bread and sweet cakes, were departing beneath umbrellas. The stalls of Osborn Street, usually dressed with foreign-looking confectionery, were also retiring. Indeed, everybody seemed to be slinking away, and as I sipped my vodka, and felt it burn me with raw fire, I cursed news editors and all publics which desired to read about murders. I was perfectly sure that I shouldn't do the least good; so I had another, and gazed through the kaleidoscopic window, rushing with rain, at the cheerful world that held me.

Oh, so sad it is, this quarter! By day the streets are a depression, with their frowzy doss-houses and their vapor-baths. Gray and sickly is the light. Gray and sickly, too, are the leering shops, and gray and sickly are the people and the children. Everything has followed the gra.s.s and the flowers. Childhood has no place; so above the roofs you may see the surly points of a Council School. Such games as happen are played but listlessly, and each little face is smirched. The gaunt warehouses hardly support their lopping heads, and the low, beetling, gabled houses of the alleys seem for ever to brood on nights of bitter adventure. Fit objects for contempt by day they may be, but when night creeps upon London, the hideous darkness that can almost be touched, then their faces become very powers of terror, and the cautious soul, wandered from the comfort of the main streets, walks and walks in a frenzy, seeking outlet and finding none. Sometimes a hoa.r.s.e laugh will break sharp on his ear. Then he runs.

Well, I finished my second, and then sauntered out. As I was pa.s.sing a cruel-looking pa.s.sage, a girl stepped forward. She looked at me. I looked at her. She had the haunting melancholy of Russia in her face, but her voice was as the voice of c.o.c.kaigne. For she spoke and said:--

"Funny-looking little guy, ain't you?"

I suppose I was. So I smiled and said: "We are as G.o.d made us, old girl."

She giggled....

I said I felt sure I should do no good on the Va.s.siloff murder. I didn't. For just then two of her friends came out of the court, each with a boy. It was apparent that she had no boy. I had no idea what the occasion might be, but the other four marched ahead, crying, "Come on!"

And, surprised, yet knowing of no good reason for being surprised, I felt the girl's arm slip into mine, and we joined the main column....

That is one of London's greatest charms: it is always ready to toss you little encounters of this sort, if you are out for them.

Across the road we went, through mire and puddle, and down a long, winding court. At about midway our friends disappeared, and, suddenly drawn to the right, I was pushed from behind up a steep, fusty stair.

Then I knew where we were going. We were going to the tenements where most of the Russians meet of an evening. The atmosphere in these places is a little more cheerful than that of the cafes--if you can imagine a Russian ever rising to cheerfulness. Most of the girls lodge over the milliners' shops, and thither their friends resort. Every establishment here has a piano, for music, with them, is a somber pa.s.sion rather than a diversion. You will not hear comic opera, but if you want to climb the lost heights of melody, stand in Bell Yard, and listen to a piano, lost in the high glooms, wailing the heart of Chopin, or Rubinstein or Glazounoff through the fingers of pale, moist girls, while the ghost of Peter the Painter parades the naphtha'd highways.

At the top of the stair I was pushed into a dark, fusty room, and guided to a low, fusty sofa or bed. Then some one struck a match, and a lamp was lit and set on the mantelshelf. It flung a soft, caressing radiance on its shabby home, and on its mistress, and on the other girls and boys. The boys were tough youngsters of the district, evidently very much at home, smoking Russian cigarettes and settling themselves on the bed in a manner that seemed curiously continental in c.o.c.kney toughs. I doubt if you would have loved the girls at that moment; and yet ... you know ... their black or bra.s.sy hair, their untidiness, and the cotton blouses half-dropped from their tumultuous b.r.e.a.s.t.s....

The girl who had collared me disappeared for a moment, and then brought a tray of Russian tea. "Help 'selves, boys!" We did so, and, watching the others, I discovered that it was the correct thing to lemon the ladies' tea for them and stir it well and light their cigarettes. I did so for Katarina--that was her name--while she watched me with little truant locks of hair running everywhere, and a slow, alluring smile that seemed to hold all the agony and mystery of the steppes.

The room, on which the wallpaper hung in dank strips, contained a full-sized bed and a chair bedstead, a washstand, a samovar, a potpourri of a carpet, and certain mysteries of feminine toilet. A rickety three-legged table stood by the window, and Katarina's robes hung in a dainty riot of frill and color behind the door, which only shut when you thrust a peg of wood through a wired catch.

One of the boys sprawled himself, in clumsy luxury, on the bed, and his girl arranged herself at his side, and when she was settled her hair tumbled in a shower of hairpins, and everybody laughed like children.

The other girl went to the piano, and her boy squatted on the floor at her feet.

She began to play.... You would not understand, I suppose, the intellectual emotion of the situation. It is more than curious to sit in these rooms, in the filthiest spot in London, and listen to Moszkowsky, Tchaikowsky, and Sibelius, played by a factory girl. It is ... something indefinable. I had visited similar places in Stepney before, but then I had not had a couple of vodkas, and I had not been taken in tow by an unknown girl. They play and play, while tea and cigarettes, and sometimes vodka or whisky, go round; and as the room gets warmer, so does one's sense of smell get sharper; so do the pale faces get moister; and so does one long more and more for a breath of cold air from the Ural Mountains. The best you can do is to ascend to the flat roof, and take a deep breath of Spitalfields ozone. Then back to the room for more tea and more music.

Sanya played.... Despite the unventilated room, the greasy appointments, and other details that would have turned the stomach of Kensington, that girl at the piano, her dress cunningly disarranged, playing, as no one would have dreamed she could play, the finer intensities of Wieniawski and Moussorgsky, shook all sense of responsibility from me. The burdens of life vanished. News editors and their a.s.signments be d.a.m.ned. Enjoy yourself, was what the cold, insidious music said. Take your moments when the fates send them; that was life's best lesson. s.n.a.t.c.h the joy of the fleeting moment. Why ponder on time and tears?

Devilish little fingers they were, Sanya's. Her technique was not perhaps all that it might have been; she might not have won the Gold Medal of our white-shirted academies, but she had enough temperament to make half a dozen Bechstein Hall virtuosi. From valse to nocturne, from sonata to prelude, her fancy ran. With crashing chords she dropped from "L'Automne Baccha.n.a.le" to the Nocturne in E flat; scarcely murmured of that, then tripped elvishly into Moszkowsky's Waltz, and from that she dropped to a song of Tchaikowsky, almost heartbreaking in its childish beauty, and then to the lecherous music of the second act of "Tristan."

Mazurka, polonaise, and nocturne wailed in the stuffy chamber; her little hands lit up the enchanted gloom of the place with bright thrills, until the bed and the dingy surroundings faded into phantoms and left only two stark souls in colloquy: Katarina's and mine.

Katarina had settled, I forget how, on the sofa, and was reclining very comfortably with her head on my shoulder and both arms about me. We did not talk. No questions pa.s.sed as to why we had picked one another up.

There we were, warmed with vodka and tea, at eleven o'clock at night, five stories above the clamorous world, while her friend shook the silly souls out of us. With the shy boldness of my native country, I stretched a hand and inclosed her fingers. She smiled; a curious smile that no other girl in London could have given; not a flushed smile, or a startled smile, or a satisfied smile, or a coy smile; but a smile of companionship, which seemed to have realized the tragedy of our living.

So it was that she had, by slow stages, reached her comfortable position, for as my hand wandered from finger to wrist, from wrist to soft, rounded arm, and so inclosed her neck, she slipped and buried me in an avalanche of flaming, scented tresses.