Clifford opened doors and smiled at Martie's interest. She could see that he loved every inch of the old place. She saw herself everywhere, writing checks at the old walnut desk, talking with Polly in the pantry. She could sow Shirley poppies in the bed beneath the side windows; she could have Mrs. Hunter, the village sewing woman, comfortably established here in the sewing-room for weeks, if she liked, making ginghams for Ruth and Ruth's new mother.
When those days came Clifford would gradually abandon this unwelcome role of lover, and be her kindly, middle-aged old friend again.
Sometimes, in the new shrinking reluctance she felt when they were alone, she wondered what had become of the old Clifford. There was something vaguely offending, something a little undignified, about this fatuous, eager, elderly man who could so poorly simulate patience. He was not pa.s.sionate--she might have forgiven him that. But he was a.s.suming pa.s.sion, a.s.suming youth, happily egotistical.
He was fifty-one: he had won a beautiful woman hardly more than half his age. He wanted to talk about it, to have the conversation always congratulatory and flattering. He had the att.i.tude of a young husband, without his youth, to which everything is forgiven.
Altogether, Martie found her engagement strangely trying. Rose, instantly suspicious, was presently told of it, and Martie's sisters and Rose planned an announcement luncheon for early July. Martie thought she would really be glad when the fuss and flurry was over.
Long familiar with money scarcity, she wondered sometimes just what her financial arrangement with her new husband would be. Clifford was the richest man in Monroe. Not a shop would refuse her credit; nor a woman in town feel so sure of her comfort and safety.
But what else? Bitter as her long dependence had been, and widowed and experienced as she was, she dared not ask. There was something essentially indelicate in any talk of an allowance now. She would probably do what was done by almost all the wives she knew: charge, spend little, and when she must have money, approach her husband at breakfast or dinner: "Oh, Clifford, I need about ten dollars. For the man who fixed the surrey, dear, and then if I take all the children in to the moving pictures, they'll want ice-cream. And I ought to send flowers to Rose; we don't charge there. Although I suppose I could send some of our own roses just as well!"
And Clifford, like other husbands, would take less money than was suggested from his pocket and say: "How's seven? You can have more if you want it, but I haven't any more here! But if you like, send Ruth down to the Bank--"
"What a fool I am!" Martie mused. "What does independence amount to, anyway? If I ever had it, I'd probably be longing to get back into shelter again.
"Teddy, do you understand that Mother is going to marry Uncle Cliff?"
she asked the child. He rested his little body against her, one arm about her neck, as he stood beside her chair.
"Yes, Mother," he answered unenthusiastically. After a second's thought he began to twist a white b.u.t.ton on her blouse. "And then are we going back to New York?" he asked.
"No, Loveliness, we stay here." She looked at the child's downcast face. "Why, Teddy?" she urged.
Ever since he could speak at all, he had had a fashion of whispering to her anything that seemed to him especially important or precious, even when, as now, they were quite alone. He put his lips to her ear.
"What is it, dearest? I can't hear you!"
"I said," he said softly, his lips almost touching her cheek, "that I would like to go back to New York just with you, and have you take me out in the snow again, and have you let me make chocolate custard, the way you always did--for just our own supper, our two selves. I like all my aunts and every one here, but I get lonesome."
"Lonesome?" she echoed, trying to laugh over a little pang.
"Lonesome--for you!" he answered simply. Martie caught him to her and smothered him in her embrace.
"You little troubadour!" she laughed, with her kiss.
The three sisters had never been so much together in their lives as they were when the time came to demolish the old home. Sally, with a train of dancing children, came up every morning after breakfast, and she and Martie and Lydia patiently plodded through store-rooms, attics, and closets that had not been disturbed for years.
Lydia's constant cry was: "Ah, don't destroy that; I remember that ever since I was a baby!" Sally was more apt to say: "I believe I could use this; it's old, but it could be put in order cheaper than buying new!"
Martie was the iconoclast.
"Now here's this great roll of silk from Grandmother Price's wedding dress; what earthly good is this to any one?" she would demand briskly.
"And here's the patchwork quilt Ma started when Len was a baby, with all the patches pinned together! Why should we keep these things? And Lydia's sketch-books, when she was taking lessons, and the old air-tight stove, and Pa's brother's dentist chair--it's hopelessly old-fashioned now! And what about these piles and piles of Harper's and Scribner's, and the broken washstand that was in Belle's, room and the curtains, that used to be in the back hall? I move we have a bonfire and keep it going all day--"
"I'd forgotten that the old rocking-horse was here," Sally said one day, with pleasure. "The boys will love it! And do you know, Lyd, I was thinking that this little table with the leg mended and painted white wouldn't be a bit bad in my hall. I really need a table there, for Joe brings in his case, or the children get the mail--we'd have lots of use for it. And here's the bedside table, that's an awfully good thing to have, because in case of illness--"
"Heavens!" said Martie. "She's trying to break something to us; she suspects that there may be an illness some day in her house--"
"Oh, I do not!" said Sally, flushing and giggling in the old way.
"Len's first little suit," Lydia mused. "Dear me--dear me! And this old table-cover; I remember when that was new! And here are Aunt Carrie's things; she sent Ma a great box of them when she died; look, Sally, the old-fashioned sleeves with fibre-chamois in them! This box is full of hats; this was my Merry Widow hat; it was always so pretty I hated to destroy it, but I suppose it really isn't much good! I wonder if some poor woman could use it. And these are all old collars of Pa's and Len's--it seems a shame to throw them away. I wonder if we could find some one who wears this size? Martie, don't throw that coat over there in the pile for the fire--it's a good piece of serge, and that cape style may come in again!"
Absorbed and interested, the three worked among memories. Sometimes for an hour at a time there was silence in the attic. Martie, with a faded pink gingham dress spread across her lap, would be eight again, trotting off to school with Sally, and promising Ma to hold Len's hand when they crossed Main Street. How clean and trim, how ready for the day, she had felt, when her red braid was tied with a brown ribbon, and this little garment firmly b.u.t.toned down the back, and pressed with a great sweep of Ma's arms to crush the too stiffly starched skirt!
Sally observed amusedly, perhaps a little pityingly, that Lydia wanted everything. There was nothing in the old house for which Lydia did not expect to have immediate need in the new. This little table for the porch, this extra chair for the maid's room, this mirror, this mattress, this ladder. The older sister reserved enough furniture to fill the new house twice over; she would presently pack the new rooms with c.u.mbersome, useless possessions, and go to her death believing herself the happier for having them.
CHAPTER V
The Eastern editor who had taken her first article presently wrote her again. Martie treasured his letter with burning, secret pride, and with perhaps a faint, renunciatory pang. She had pushed in her opening wedge at last, too late! For no trifling literary success could change the destined course of Mrs. Clifford Frost.
This was the letter:
DEAR MRS. BANNISTER: We are constantly receiving more letters from women who read "Give Her A Job," and find that what you had to say upon an apparently well-worn subject struck a most responsive chord. Can you not give us another two thousand words upon this, or a similar subject?
This type of article is always most welcome.
That was all. But it inspired Martie to try again. After all, even as a rich man's wife, she might amuse herself in this way as well as another.
Between the move from the old house, her wedding plans, the claims of her husband-to-be, and the Library work, she was busy now, every instant of the day. Yet she found time, as only a busy woman can, for writing, and put a new ardour into her attempts, because of the little beginning of encouragement. Hoping and fearing, she presently sent a second article on its way.
One July evening she stayed rather late at the Library working on a report. Clifford was delayed in Pittsville, and would not see her until after dinner; the rare opportunity was too precious to lose. In a day or two all Monroe would know of her new plans: in six weeks she would be Clifford's wife.
When the orderly sheets had been put into a long envelope, Martie pinned on her white hat, and stepped into the level rays of sunset light that were pouring into Main Street. The little fruit stand opposite seemed wilted in the heat; hot little summer breezes were tossing chaff and papers about the street.
Martie's eyes instantly found an unexpected sight: a low, rakish motor car drawn up to the curb. She had not seen it before in Monroe, nor did she recognize the man who sat on the seat next the driver's seat, with his hat pulled over his eyes.
The driver, a handsome big fellow of perhaps forty or more, had just jumped from the car, and now came toward her. She smiled into a clever, unfamiliar face that yet seemed oddly recognizable. He asked her something.
"I beg your pardon?" she had to say, her eyes moving quickly from him to his companion, who had turned about in the seat, and was watching them. Her heart stopped beating for a second, then, commenced to race.
Her colour rose in a radiant flood. With three swift steps she had pa.s.sed the big man, and was at the curb, and leaning over the car.
"John--!" she stammered. "My dear--my dear!"
The man in the car turned upon her the smile she knew so well: a child's half-merry, half-wistful smile, from sea-blue eyes in fair lashes. Time vanished, and Martie felt that she might have seen it yesterday; have felt yesterday the muscular grip of John Dryden's hand.
Bewildered at their own emotion, laughing and confused, their fingers clung together.
"h.e.l.lo--Martie!" he said, in a shaken voice, his blue eyes suddenly blazing as he saw her. Martie's eyes were wet, her delight turning her cheeks to rose. John did not speak, unless his burning eyes spoke; and Martie for a few minutes was hardly intelligible. It was the stranger who spoke.
"I'm Dean Silver, Mrs. Bannister--you don't have to be introduced to me, because I know John here. You're his favourite topic, you know."
"Dean Silver!" Martie smiled bewilderedly at the novelist; she knew that name! He was a writer with twenty books to his credit. He had a ranch somewhere in California; he spent his winters there. Some hazy recollection struggled for recognition.
"But, John!" she laughed. "Here in Monroe! My dear, you'll never know what it meant to glance up and see you--and you look so well! And you're famous, too; isn't it wonderful! And, tell me, what brings you to California!"
The quick, authoritative glance was delightfully familiar, yet somehow new.
"Why, you brought me, of course, Martie," he said unsmilingly, as if any other supposition would have been absurd. He had not spoken before; she knew now that she had hungered for his rather deep, ready voice.