"Miss Claire, child, no! It won't do. I can't consent. I can't have you throwin' away golden opportoonities to work like a toojan for them as'll stint you in the wash, an' prob'ly give you oleo-margerine instead of b.u.t.ter, an' cold-storage eggs that had forgot there was such a thing as a hen, long before they ever was laid away. I wasn't born yesterday, myself, an' I know how they treat the teachers in some o' them schools.
The young-lady scholars, so stylish an' rich, as full of airs as a music-box, snubbin' the teacher because they're too ignorant to know how smart _she_ has to be, to get any knowledge into their stupid heads, an' the Princ.i.p.al always eyein' you like a minx, 'less you might be wastin' her precious time an' not earnin' the elegant sal'ry she gives you, includin' your home an' laundry. O my! I know a thing or two about them schools, an' a few other places. No, Miss Claire, dear, it won't do. An' besides, I have you bespoke for Mrs. Sherman. The last thing before I come away from the house this night, she sent for me upstairs, an' ast me didn't I know some one could engage with her for Radcliffe--to learn him his lessons, an' how to be a little lady, an'
suchlike. She wants, as you might say, a trained mother for'm, while his own untrained one is out gallivantin' the streets, shoppin', an' playin'
bridge, an' attendin' the horse-show.
"I hemmed an' hawed an' scratched my head to see if, happen, I did know anybody suitable, an' after a while (not to seem to make you too cheap, or not to look like I was jumpin' down her throat) I told her: 'Curious enough, I do know just the one I think will please you--_if_ you can get her.'
"Then she ast me a lot about you, an' I told her what I know, an' for the rest I trusted to Providence, an' in the end we made a sorter deal--so's it's all fixed you're to go there day after to-morrer, to talk to her, an' let her look you over. An' if you're the kind o' stuff she wants, she'll take a half-a-dozen yards o' you, which is the kind o'
way those folks has with people they pay money to. I promised Mrs.
Sherman you'd come, an' I couldn't break my word to her, now could I?
I'd be like to lose my own job if I did, an' I'm sure you wouldn't ast that o' me!"
"But," said Claire, troubled, "you told me Radcliffe is so unmanageable."
Mrs. Slawson devoted herself to her chocolate and buns for a moment or two. "O, never you fear about Radcliffe," she announced at length. "He's a good little fella enough, as little fellas goes. When you know how to handle'm--which is _right side up_ with care. Him an' me come to an understandin' yesterday mornin', an' he's as meek an' gentle as a baa-lamb ever since. I'll undertake you'll have no trouble with Radcliffe."
"Is this the wonderful plan you spoke of? Is _this_ the job you said was going to be so satisfactory all 'round?" inquired Claire, her misgivings, in connection with her prospective pupil, by no means allayed.
"Well, not eggsackly. I can't say it is. _That_ job will come later. But we got to be pationate, an' not spoil it by upsettin' our kettles o'
fish with boardin'-schools, an' such nonsense. Meanwhile we can put in time with Mrs. Sherman, who'll pay you well, an' won't be too skittish if you just keep a firm hand on her. This mornin' she got discoursin'
about everythin' under the canopy, from nickel-plated bathroom fixin's, an' marble slobs, to that state o' life unto which it has pleased G.o.d to call me. She told me just what I'd oughter give my fam'ly to eat, an'
how much I'd oughter pay for it, an'--I say, but wasn't she grand to have give me all that good advice free?"
Claire laughed. "She certainly was, and now you've just _got_ to go to bed. I don't dare look at the clock, it's so late. Good-night, you _good_ Martha! And thank you, from way deep down, for all you've done for me."
But long after Mrs. Slawson had disappeared, the girl sat in the solitude of her shadowy room thinking--thinking--thinking. Unable to get away from her thoughts. There was something about this plan, to which Martha had committed her, that frightened, overawed her. She felt a strange impulse to resist it, to follow her own leading, and go to the school instead. She knew her feeling was childish. Suppose Radcliffe were to be unruly, why, how could she tell that the girls in the Schoharie school might not prove even more so? The fact was, she argued, she had unconsciously allowed herself to be prejudiced against Mrs.
Sherman and the boy, by Martha's whimsical accounts of them, good-natured as they were. And this strange, premonitory instinct was no premonitory instinct at all, it was just the natural reluctance of a shy nature to face a new and uncongenial situation. And yet--and yet--and yet, try as she would, she could not shake off the impression that, beyond it all, there loomed something a hidden inner sense made her hesitate to approach.
Just that moment, a dim, untraceable a.s.sociation of ideas drew her back until she was face-to-face with a long-forgotten incident in her very-little girlhood. Once upon a time, there had been a moment when she had experienced much the same sort of feeling she had now--the feeling of wanting to cry out and run away. As a matter of fact, she _had_ cried out and run away. Why, and from what? As it came back to her, not from anything altogether terrible. On the contrary, something rather alluring, but so unfamiliar that she had shrunk back from it, protesting, resisting. What was it? Claire suddenly broke into a smothered little laugh and covered her face with her hands, before the vision of herself, squawking madly, like a startled chicken, and running away from "big" handsome, twelve-year-old Bobby Van Brandt, who had just announced to the world at large, that "he liked Claire Lang a lot, 'n'
she was his best girl, 'n' he was goin' to kiss her." She had been mortally frightened, had screamed, and run away, but (so unaccountable is the heart of woman) she had never liked Bobby quite so well after that, because he had shown the white feather and hadn't carried out his purpose, in spite of her.
But if she should scream and run away now, there would be none to pursue. Her foolish outburst would disturb no one. She could cry and cry, and run and run, and there would be no big Bobby Van Brandt, or any one else to hear and follow.
An actual echo of the cries she had not uttered seemed to mock her foolish musing. She paused and listened. Again and again came the m.u.f.fled sounds, and, at last, so distinct they seemed, she went to her door, unlatched it, and stood, listening, on the threshold.
From Martha's room rose a deep rumble, as of a distant murmurous sea.
"Mr. Slawson. He's awake. He must have heard the crying, too. O, it's begun again! How awful! Martha, what is it, O, what is it?" for Mrs.
Slawson had appeared in her own doorway, and was standing, night-robed and ghostly, listening attentively to the intermittent signs of distress.
"It's that bloomin' Dutchman, Langbein, acrost the hall. Every time he goes on a toot, he comes back an' wallops his wife for it. Go to bed, Miss Claire, child, an' don't let it worry you. It ain't _your_ funeral."
Came the voice of big Sam Slawson from within his chamber:
"Just what I say to _you_, my dear. It ain't your funeral. Come back, Martha, an' go to bed."
"Well, that's another pair o' shoes, entirely, Sammy," whispered Martha.
"This business has been goin' on long enough, an' I ain't proposin' to put up with it no longer. Such a state o' things has nothin' to recommend it. If it'd help such a poor ninny as Mrs. Langbein any to beat her, I'd say, 'Go ahead! Never mind _us!_' But you couldn't pound sense inter a softy like her, no matter what you done. In the first place, she lets that fella get away from her evenin's when, if she'd an ounce o' sense, she could keep him stickin' so close at home, a capcine plaster wouldn't be in it. Then, when he comes home, a little the worse for wear, she ups an' reproaches 'm, which, G.o.d knows, that ain't no time to argue with a man. You don't want to _argue_ with a fella when he's so. You just want to _tell_m'. Tell'm with the help of a broomstick if you want to, but _tell'_m, or leave'm alone. An' it's bad for the childern--all this is--it's bad for Cora an' Francie. What idea'll they get o' the holy estate o' matrimony, I should like to know? That the _man_ has the upper hand? That's a _nice_ notion for a girl to grow up with, nowadays. Hark! My, but he's givin' it to her good an' plenty this time! Sammy Slawson, shame on ye, man! to let a poor woman be beat like that, an' never raise a hand to save your own childern from bein' old maids. Another scream outer her, an' I'll go in myself, in the face of you."
"Now, Martha, be sensible!" pleaded Sam Slawson. "You can't break into a man's house without his consent."
"Can't I? Well, just you watch me close, an' you'll see if I can't."
"You'll make yourself liable to the law. He's her husband, you know. She can complain to the courts, if she's got any kick comin'. But it's not _my_ business to go interferin' between husband and wife. 'What G.o.d hath joined together, let no man put asunder.'"
Martha wagged an energetic a.s.sent.
"Shoor! That certaintly lets _you_ out. But there ain't no mention made o' _woman_ not bein' on the job, is there?"
She covered the narrow width of the hall in a couple of strides, and beat her knuckles smartly against the panel of the opposite door.
By this time the bal.u.s.ter-railing, all the way up, was festooned with white-clad tenants, bending over, looking down.
"Martha," protested Sam Slawson, "you're in your nightgown! You can't go round like that! Everybody's lookin' at you!"
"Say, you--Mr. Langbein in there! Open the door. It's me! Mrs. Slawson!
Let me in!" was Martha's only reply. Her keen ear, pressed against the panel, heard nothing in response but an oath, following another even more unG.o.dly sound, and then the choking misery of a woman's convulsive sobs.
Mrs. Slawson set her shoulder against the door, braced herself for a mighty effort, and--
"Did you ever see the like of her?" muttered Sam, as, still busy fastening the garments he had hurriedly pulled on, he followed his wife into the Langbeins' flat, into the Langbeins' bedroom. There he saw her resolutely march up to the irate German, swing him suddenly about, and send him crashing, surprised, unresisting, to the opposite side of the room. For a second she stood regarding him scornfully.
"You poor, low-lived Dutchman, you!" she brought out with deliberation.
"What d'you mean layin' your hand to a woman who hasn't the stren'th or the spirit to turn to, an' lick you back? Why don't you fight a fella your own size an' sect? That's fair play! A fine man _you_ are! A fine neighbor _you_ are! Just let me hear a peep out of you, an' I'll thrash you this minit to within a inch of your life. _I_ don't need no law nor no policeman to keep the peace in any house where I live. I can keep the peace myself, if I have to lick every tenant in the place! I'm the law an' the policeman on my own account, an' if you budge from that floor till I tell you get up, I'll come over there an' set down on ye so hard, your wife won't know you from a pancake in the mornin'. I'll show you the power o' the _press!"_
Sam Slawson was no coward, but his face was pallid with consternation at Martha's hardihood. His mighty bulk, however, seeming to supplement hers, had its effect on the sobered German. He did not attempt to rise.
"As to you, you poor weak sister," said Mrs. Slawson, turning to the wife, "you've had your last lickin' so long as you live in this house.
Believe _me!_ I'm a hard-workin' woman, but I'm never too tired or too busy to come in an' take a round out of your old man, if he should ever dare lay finger to you again. _I_ don't mind a friendly sc.r.a.p oncet in a while with a neighbor. My muscles is good for more than your fat, beer-drinkin' Dutchman's any day. Let him up an' try 'em oncet, an'
he'll see. Why don't you have some style about you an' land him one, where it'll do the most good, or else--_leave_ him? But no, you wouldn't do that--I _know_ you wouldn't! Some women has to cling to somethin', no matter if they have to support it themselves."
Mrs. Langbein's inarticulate sobbing had pa.s.sed into a spasmodic struggle for breathless utterance.
"He--don't mean--no harm, Mis' Slawson. He's all right--ven he's soper.
Only--it preaks my heart ven he vips me, und I don't deserve it."
"Breaks your heart? It ain't your _heart I'm_ worryin' about. If he don't break your bones you're in luck!"
"Und I try to pe a goot vife to him. I tend him hand und foot."
"Ye-es, I know you do," returned Martha dryly. "But suppose you just try the _foot_ in the future. See how it works."
"I to my pest mit dryin' to pe a goot cook. I geep his house so glean as a bin. Vat I _don't_ do, Gott weiss, I don't know it. I ain't esk him for ein tcent already. I ain't drouble him mit pills off of de grocer oder de putcher, oder anny-von. I makes launtry efery veek for some liddle peoples, und mit mine own money I bays my pills. Ven you dell me how it iss I could make eferyting more smoother for him, I do it!"
"That's eggsackly the trouble," proclaimed Mrs. Slawson conclusively.
"You make 'em too smooth. You make 'em so smooth, they're ackch.e.l.ly slippery. No wonder the poor fella falls down. No man wants to spend all his life skatin' round, doin' fancy-figger stunts, because his wife's a dummy. Let'm get down to hard earth, an' if he kicks, heave a rock at'm. He'll soon stand up, an' walk straight like a little man. Let _him_ lend a hand with the dooty-business, for a change. It'll take his attention off'n himself, give'm a rest from thinkin' he's an angel, an'
that you hired out, when you married'm, to shout 'Glory!' every time he flaps a wing! That sort o' thing ain't healthy for men. It don't agree with their const.i.tutions--An' now, good-night to you, an' may you have sweet dreams! Mr. Langbein, I ain't the slightest objeckshun to your gettin' up, if you want to. You know me now. I'm by the day, as you may have heard. But I can turn my hand to an odd job like this now an' then by the night, if it's necess'ry, so let me hear no more from you, sir, an' then we'll all be good friends, like we're partin' now. Good-night!"