Tausig also promises me to spend a fortnight here.

Mlle. Brandt sang several songs admirably yesterday morning at the "Hofgartnerei" I shall accompany her in yours tomorrow.

Yours in cordial friendship,

F. Liszt

Weimar, May 29th, 1871

Till the end of June address--Weimar.

109. To Marie Lipsius

Dear and kindest Biographer,

Again an excellent suggestion; follow it without hesitation and present us ere long with a pleasantly powerful and characteristic portrait of Tausig. [Liszt's great pupil (born in 1841) had died in Leipzig on the 17th July, 187l.] In what year of the fifties his father brought him to Weimar, I do not now recollect; but I do remember how greatly astonished I was at his extraordinary talent when I first heard him play. The intellectual claws and pinions were already giving signs of mighty power in the youth who was scarcely 14 years of age, and somewhat delicate in appearance. I felt some compunction in undertaking to give him further instruction, determined not to undertake the task, and therefore informed the father that in the case of such a stupendous organisation the wisest plan was to leave it free, independent development without a teacher. However Tausig insisted upon remaining with me. He studied immoderately; as a rule kept very much to himself while in Weimar, and got into various little sc.r.a.pes in consequence of his quick, ironical humor. I was accused of being over-indulgent with him, and of thus spoiling him; but I really could not have acted otherwise, and I loved him with all my heart. On various occasions when I had to undertake short journeys in connection with the performances of my works he accompanied me; among other places to Dresden, Prague and Vienna. Subsequently he lived in Vienna for some length of time, and got up some concerts there with the view of having some Symphonic Poems performed which he himself conducted--but he was unable to get a proper start. He had to struggle on and to endure many privations before attaining the success he deserved. His brilliant vocation did not become firmly established till a few years ago, in Berlin, Leipzig, etc.

In the spring of '69 I met Tausig in Paris (after the "Tannhauser" scandal), and returned with him to Weimar for the Tonkunstler-Versammlung. Bulow conducted the Faust Symphony by heart (at the rehearsals most accurately mentioning the letters!), and Tausig played the A major Concerto marvellously.

Since then I have seen him only twice: last May at the Tonkunstler-Versammlung in Weimar (where he played Beethoven's E- flat major Concerto) and now...

Countess Krokow could give you the most reliable information about him, and our friend R. Pohl may also be of use to you in your work. As far as I know, no one has understood Tausig's genius, his demoniacally ideal nature, with so quick a perception, so refined and--I might say--with such womanly intuition, as Frau von Moukhanoff (nee Countess Nesselrode).

Unfortunately the two letters in which she wrote me full particulars about Tausig are in Rome. Tausig dedicated his two lately published Etudes, Op. 1, to her, and she was ever a highly appreciative and kindly patroness of his. Remember to mention her specially in your delineation of his character.

Of Tausig's publications those chiefly deserving the highest praise are his masterly transcriptions of the Beethoven Quartets, the Toccata and Fugue of Bach (D minor), Schubert's March; the three pieces from "Tristan and Isolde," the pianoforte score of the "Meistersinger," of the Kaisermarsch, the "Nouvelles Soirees de Vienne" and his two last original Etudes. Recommend also, for the good of pianists, and as a very saleable work, an early publication of his very admirable and well-sustained arrangement of Chopin's first Concerto (E Minor).

Accept the expression of my sincere esteem and grat.i.tude.

F. Listz

Schloss Wilhelmsthal, Sunday, July 23rd, 1871.

In the middle of this week I return to Weimar and remain there till the 5th-10th of August.

110. To Franz Servais

Dear Franz,

In spite of the proverb "Every road leads to Rome" I shall not be able to return there by way of Hal this time. Will you give my very affectionate respects to your mother and tell her how much I regret to be unable to be present, except in thought, at the beautiful family fete at the time of the inauguration of the monument to your father, on the 10th September.--Shall you not invite the Prince de Chimay (the present governor of Mons, I believe)? He would have a right there owing to his sincere interest for Art and his very distinguished musical talent.

I am persuaded that La.s.sen will express in n.o.ble music the inspiration of this fete intended to perpetuate the memory of an ill.u.s.trious and sympathetic artist. But however successful may be his composition, it does not absolve you from yours, which filial affection demands of you and will dictate to you. Write it without delay, and afterwards take advantage of your leisure at Hal to fulfil the praiseworthy programme indicated in your letter:

a. To work hard at the Piano.

b. To help towards your independence by making yourself capable of cutting a good figure as conductor.

c. To venture on the performance of your "Macbeth" sorceries and other of your compositions, with the reservation of not hearing yourself immediately proclaimed king by the sorcerers of criticism.

Shall you make your appearance at the composition compet.i.tion next year? I invite you to do so.

You know that H. Richter has been appointed conductor to the National Theater of Pest, and will conduct "Lohengrin" there at the end of September. He will find, I trust, honor and satisfaction in more firmly implanting in his country the sublime works of Wagner, and in making the orchestra, the stage and the public profit by the exemplary rules and practices of M. de Bulow at Munich. Needless to say that I shall endeavor to make Richter's task as easy as possible to him.

Count Tyszkiewicz, in pa.s.sing lately through Weimar, was kind enough to explain to me his new system of musical mathematics, and to show me his tables of figures honored with commendatory letters from Mr. Gevaert and several notabilities. If, by means of his figures and measures, Tysz. succeeds, as you claim for him, in demonstrating that X...is a "pyramid," this will be a more pyramidal glory even than the system.

Next Thursday I go to Eichstatt (Bavaria), where the (German) St.

Cecilia Society meets. Its founder and president F. Witt--a much respected ecclesiastic, conductor of the Cathedral, composer and editor of two newspapers of sacred music published by Pustet at Ratisbon--gives evidence of a great capacity and a persevering zeal in endeavoring seriously to improve the uses and customs of Church music, and, by continuous publications, to propagate the old works of repute as well as the new ones of this cla.s.s that are deserving of recommendation.--A pamphlet by Witt, which appeared in the spring, "uber das Dirigiren der Kirchenmusik"

["about the conducting of Church music"], corrects some grievous errors and furnishes much profitable instruction.

I shall be much obliged if you will send me a printed account of your fete of the 10th September; on that day I shall be in Rome, and shall not return thence till toward the end of October, to settle at Pest for the winter.

Remember me most kindly to your brother Joseph, [The excellent Violoncellist Joseph Servais, who died in 1885 at the age of 35]

to G.o.debski and his wife, and believe, dear Franz, in my steadfast feelings of devoted affection.

F. Liszt

Wilhelmsthal, August 25th, 1871

Address Rome, Santa Francesca Romana, Campo Vaccino.

What are Joseph's and your plans for the winter?

111. To Walter Bache

Dear Mr. Bache,

Your kind remembrance of the 22nd October has given me sincere pleasure, for which I thank you cordially. Please excuse me for not telling you oftener by letter my constant feelings of affection for you; the hindrance of occupations and cares drives me, alas! into an extreme parsimony as regards letter writing with my best friends, but I think that is my only omission towards them. To see M. de Bulow again was a real joy to me. His health is improving, and his prodigious maestria at its height.

He is going to make a concert tour this winter in Vienna, Pest, Prague, Berlin, etc., and will come to London in May. I hope that the people there will be able to appreciate his superiority in its entirety. Bulow, more than any contemporary artist, takes the lead in celebrity. He is not only a very great virtuoso and musician, but also a veritable sovereign of music. Mme. Laussot, who has the genius of n.o.bility of the heart, also came to fete me on Sunday. I shall see her again at Florence in a fortnight, on my way to Pest, where, as you know, I am henceforth fixed, by royal and national favor. Whether there or at Weimar, I hope we shall meet again next summer, dear Bache, in perfect harmony.

Your very cordially affectionate and devoted

F. Liszt

Rome, October 25th, 1871

Bravo and thanks for your concert programmes, which I beg you to continue sending me.

112. To Marie Lipsius

Dear Patroness,

To your .--. sketch of Tausig only a single objection could be raised; namely, that you bestow too high praise upon me. Pardon me if I cannot argue about it, and accept my cordial thanks for this new tribute of your generous kindness.