11. To Abbe de Lamennais

[Autograph in the possession of M. Alfred Bovet at Valentigney.]

My friend Louis de Ronchaud writes me word that he has had the honor of seeing you, dear Father, and that you were kind enough to give him a message of affectionate remembrance for me. I am very happy to know that you continue to keep this precious and friendly feeling for me, of which you have already given me so many proofs, and which I shall endeavour always to deserve as far as is in my power.

I am still not very far advanced in my Italian journey. The beauty of these parts, the necessity of writing with some little continuance, and also, if all be said, some altogether unexpected successes, have kept me in Milan and the neighborhood (Como and the delicious sh.o.r.es of the lake) much longer than I had foreseen. As regards musical matters, the presence of Rossini, whom I frequently see, gives a certain impetus to this country. I have been singularly well received here, so I shall probably pa.s.s the greater part of the winter here, and shall not start for Venice till towards the beginning of March. Thence I shall go to Florence and Rome, where I expect I shall stay a good long time.

D. has no doubt talked to you of our stay at Nohant last summer.

I think that he got rid there of a good many old prejudices about me. It was a sweet satisfaction to me to learn through him how good and indulgent you have been towards me on several occasions, even so far as to contradict and defend me warmly against him and against others who knew me still less. I had charged our secret friend to defend me in his turn from a slight wrong which I had, only apparently, committed, but even "apparently" is too much, and I think I have entirely justified myself with regard to it. I don't know whether in his n.o.ble carelessness he will have thought of it. However that may be, I shall always count on your paternal affection more than all the rest.

What can I say to you of Italy that you do not know, and that you have not said in such manner as to cause despair for ever to the makers of observations!--It is always the same status quo, the excellent and perfectly happy government that you know.--I am hoping and longing ardently for your next book [probably "Le Livre du Peuple": Paris, 1837], which I shall read with my whole heart and soul, as I have read all that you have written for four years. I shall owe you just so many more good and n.o.ble emotions.

Will they remain for ever sterile? Will my life be for ever tainted with this idle uselessness which weighs upon me? Will the hour of devotion and of manly action never come? Am I condemned without respite to this trade of a Merry Andrew and to amuse in drawing-rooms?

Whatever may be my poor and humble destiny, do not ever doubt my heart. Do not ever doubt the deep respect and unalterable devotion with which you have inspired me.

Yours for ever,

F. Liszt

Como, December 18th, 1837

12. To Breitkopf and Hartel in Leipzig

[Autograph in the possession of Herr Hermann Scholtz, Kammervirtuoso in Dresden.]

I thank you much, gentlemen, for the obliging letter that you have written me. Up to the present time I have had none but the most pleasant business relations with Mr. Hofmeister, who has the kindness to publish the greater part of my works in Germany. As I do not know very much of the laws which regulate literary and musical proprietorship in Saxony, I had spoken to him about the Beethoven Symphonies, of which I have undertaken the arrangement, or, more correctly speaking, the pianoforte score. To tell the truth, this work has, nevertheless, cost me some trouble; whether I am right or wrong, I think it sufficiently different from, not to say superior to, those of the same kind which have hitherto appeared. The recent publication of the same Symphonies, arranged by Mr. Kalkbrenner, makes me anxious that mine should not remain any longer in a portfolio. I intend also to finger them carefully, which, in addition to the indication of the different instruments (which is important in this kind of work), will most certainly make this edition much more complete. If, then, as I imagine, it is impossible for Mr. Hofmeister to publish them, I shall be very grateful if you will undertake it. The reputation of your house is European, and I perfectly remember having had the pleasure of seeing Mr. Raymond Hartel in Paris. It will be a pleasure to me to conclude this little business with you, at the rate of eight francs a page. Up to the present time I have only finished three Symphonies (that in A major), but I could promise to let you have the others successively, according as you might wish, or I could limit my work to the four most important Symphonies (if I may express my opinion), namely, the Pastoral, C minor, A major, and the Eroica. I think those are the ones which are most effective on the piano.

I start tomorrow for Vienna, where I expect to remain till the end of April. Please address to me to the care of Mr. Tobias Haslinger till the 25th of April, and after that to Mr. Ricordi, Milan, who has undertaken to forward me all my letters while I am in Italy. My compliments and affectionate thanks.

F. Liszt

13. To Robert Schumann

[Addressed to the celebrated German Tone-poet (1810-1856). Liszt had spoken of Schumann's Op. 5, 11, and 14 in the Gazette Musicale, 1837, with equal enthusiasm and understanding, which soon brought the two together.]

[Without a date; received by R. S. May 5th, 1838.]

My dear Monsieur Schumann,

I shall not attempt to tell you how grateful and touched I am by your friendly letter. Mademoiselle Wieck, whom I have been so happy as to meet here, will express to you, better than I can, all the sympathy, all the admiring affection I have for you. I have been such a nomad latterly that the pieces you were kind enough to address to me at Milan only reached me on the eve of my departure from Venice about a fortnight ago; and since then we have been talking so much of you, day and night, that it hardly occurred to me to write to you. Today, however, to my great astonishment, I get a fresh token of your friendly remembrance, and I certainly will not delay thanking you many times for it, so I have just left a charming party of very pretty women in order to write these few lines to you. But the truth is you need hardly thank me for this little sacrifice, for it is a great pleasure to me to be able to have a little chat with you.

The "Carneval" and the "Fantasiestucke" have interested me excessively. I play them really with delight, and G.o.d knows that I can't say as much of many things. To speak frankly and freely, it is absolutely only Chopin's compositions and yours that have a powerful interest for me.

The rest do not deserve the honor of being mentioned...at least, with a few exceptions,--to be conciliatory, like Eusebius.

In six weeks to two months I shall send you my twelve Studies and a half-dozen of "Fantasiestucke" ("Impressions et Poemes")--I consider them less bad than others of my making. I shall be happy to think that they do not displease you.

May I confess to you that I was not very much struck with Henselt's Studies, and that I found them not up to their reputation? I don't know whether you share my opinion, but they appear to me, on the whole, very careless. They are pretty to listen to, they are very pretty to look at, the effect is excellent, the edition (thanks to our friend Hofmeister) is most carefully done; but, all counted, I question whether H. is anything but a distinguished mediocrity. [How highly Liszt thought, later on, of Henselt's Concerto and other of his compositions is well known, and is spoken of in a subsequent letter to Baroness Wrangel, in May, 1883.] For the rest, he is very young, and will doubtless develop. Let us, at least, hope so.

I am extremely sorry that I cannot come and pay you a little visit at Leipzig at present. It is one of my keenest desires to make your personal acquaintance and to pa.s.s some days with you.

But as that is not possible now, let us, at least, try not to be entirely separated, and let us combat, as far as we can, the laziness about writing, which is, I think, equally in us both.

In a fortnight I am returning to Venice. I shall be back in Milan at the time of the coronation (towards the end of August). Next winter I expect to pa.s.s in Rome, if the cholera or some other plague does not stop it. I will not induce you to come to Italy.

Your sympathies would be too deeply wounded there. If they have even heard that Beethoven and Weber ever existed, it is as much as they have done.

Will you not have what you have sent me printed? Haslinger would have it gladly, I think, and it would be a great pleasure to me to see my name a.s.sociated with yours.

If I might make a request, I would ask you to write some trios, or a quintet or septet. It seems to me that you would do that admirably, and for a long time nothing remarkable in that line has been published. If ever you determine to do so, let me know at once, as I should be anxious to have the honor of making them known to the public. Adieu, my dear Monsieur Schumann; keep me always in affectionate remembrance, and accept once more my warm sympathy and devotion.

F. Liszt

14. To the "Gesellschaft der Musikfreunde" in Vienna

[Society of Musical Dilettanti, or Amateur Musical Society.

Autograph in the Archives of the Society in Vienna]

Gentlemen,

I am extremely grateful for the honor you have done me in admitting me among you as a member of the Vienna Musik-Verein [Musical Union]. I cannot, unfortunately, flatter myself that I have as yet deserved this distinction, but allow me to say that it will not be my fault if I do not become worthy of it.

If ever the occasion should offer in which I can be agreeable or useful to the Society of the Musik-Verein, be a.s.sured that I shall gladly avail myself of it, and that you will henceforth have a claim on my grat.i.tude and devotion.

I have the honor to be, gentlemen,

Yours faithfully,

F. Liszt

Venice, June 1st, 1838

15. To Simon Lowy in Vienna

[Autograph in the possession of Herr O. A. Schulz, bookseller in Leipzig.--Addressed to a Vienna banker, an intimate friend of Liszt The "Soirees de Vienne," composed on Schubert Valses, are dedicated to him.]

I am very sensible, my dear sir, of your friendly remembrance.

Your kind letter found me in the midst of the official hurly- burly of the coronation fetes. What business on earth had I to do with such an affair? I have not the least idea. Thank Heaven we are now at the end of it all, safe and sound, rejoicing, and sated with amus.e.m.e.nt!

I found at Milan a certain number of my Vienna connections. One or two of the persons whom you will not mention to me (and whose anonymity I respect) were also there. I know that a great many of the people who approach me with a smile on their lips, and protestations of friendship on their tongues, have nothing better to do than to pull me to pieces as best they can as soon as they are outside my door. It is, moreover, the fate of all the world.

I resign myself to it willingly, as I do to all the absurd and odious necessities of this lower world. There is, besides, just this much good in these sad experiences of various relations with men--which is, that one learns to relish and appreciate better the devotion of the few friends whom chance has thrown in your path.

In a few days from now I shall start for Bologna, Florence, and Rome. In spite of all my desire to return to Vienna, where people have been so kind and indulgent to me, I do not yet see when I shall be able to get there. However this journey may be put off, I hope, nevertheless, my dear sir, that you will continue till then the affectionate feelings you so kindly entertain towards me. Receive in return my a.s.surances of consideration and affectionate devotion.