The other animals scampered away then, for these men in their plots and plans were very terrible. "Poor old foolish fellow," cried the horse; "he may keep his ears. He will need them to hear and count the blows that are now to fall upon him."

The men unearthed the donkey. They beat him with their shovels. "Ho, come on, slave." Encrusted with earth, yellow-eyed from fright, the donkey limped toward his prison. His ears hung down like leaves of the plantain during the great rain.

So, now, when you see a donkey with a church, a palace, and three villages upon his back, and he goes with infinite slowness, moving but one leg at a time, do not think him lazy. It is his pride.

A MAN BY THE NAME OF MUD.

Deep in a leather chair, the Kid sat looking out at where the rain slanted before the dull brown houses and hammered swiftly upon an occasional lonely cab. The happy crackle from the great and glittering fireplace behind him had evidently no meaning of content for him. He appeared morose and unapproachable, and when a man appears morose and unapproachable it is a fine chance for his intimate friends. Three or four of them discovered his mood, and so hastened to be obnoxious.

"What's wrong, Kid? Lost your thirst?"

"He can never be happy again. He has lost his thirst."

"That's right, Kid. When you quarrel with a man who can whip you, resort to sarcastic reflection and distance."

They cackled away persistently, but the Kid was mute and continued to stare gloomily at the street.

Once a man who had been writing letters looked up and said, "I saw your friend at the Comique the other night." He waited a moment and then added, "In back."

The Kid wheeled about in his chair at this information, and all the others saw then that it was important. One man said with deep intelligence, "Ho, ho, a woman, hey? A woman's come between the two Kids. A woman. Great, eh?" The Kid launched a glare of scorn across the room, and then turned again to a contemplation of the rain. His friends continued to do all in their power to worry him, but they fell ultimately before his impregnable silence.

As it happened, he had not been brooding upon his friend's mysterious absence at all. He had been concerned with himself. Once in a while he seemed to perceive certain futilities and lapsed them immediately into a state of voiceless dejection. These moods were not frequent.

An unexplained thing in his mind, however, was greatly enlightened by the words of the gossip. He turned then from his harrowing scrutiny of the amount of pleasure he achieved from living, and settled into a comfortable reflection upon the state of his comrade, the other Kid.

Perhaps it could be indicated in this fashion: "Went to Comique, I suppose. Saw girl. Secondary part, probably. Thought her rather natural.

Went to Comique again. Went again. One time happened to meet omnipotent and good-natured friend. Broached subject to him with great caution.

Friend said--'Why, certainly, my boy, come round to-night, and I'll take you in back. Remember, it's against all rules, but I think that in your case, etc.' Kid went. Chorus girls winked same old wink. 'Here's another dude on the prowl.' Kid aware of this, swearing under his breath and looking very stiff. Meets girl. Knew beforehand that the footlights might have sold him, but finds her very charming. Does not say single thing to her which she naturally expected to hear. Makes no reference to her beauty nor her voice--if she has any. Perhaps takes it for granted that she knows. Girl don't exactly love this att.i.tude, but then feels admiration, because after all she can't tell whether he thinks her nice or whether he don't. New scheme this. Worked by occasional guys in Rome and Egypt, but still, new scheme. Kid goes away. Girl thinks. Later, nails omnipotent and good-natured friend. 'Who was that you brought back?' 'Oh, him? Why, he--' Describes the Kid's wealth, feats, and virtues--virtues of disposition. Girl propounds clever question--'Why did he wish to meet me?' Omnipotent person says, 'd.a.m.ned if I know.'"

Later, Kid asks girl to supper. Not wildly anxious, but very evident that he asks her because he likes her. Girl accepts; goes to supper. Kid very good comrade and kind. Girl begins to think that here at last is a man who understands her. Details ambitions--long, wonderful ambitions.

Explains her points of superiority over the other girls of stage. Says their lives disgust her. She wants to work and study and make something of herself. Kid smokes vast number of cigarettes. Displays and feels deep sympathy. Recalls, but faintly, that he has heard it on previous occasions. They have an awfully good time. Part at last in front of apartment house. "Good-night, old chap." "Good-night." Squeeze hands hard. Kid has no information at all about kissing her good-night, but don't even try. n.o.ble youth. Wise youth. Kid goes home and smokes. Feels strong desire to kill people who say intolerable things of the girl in rows. "Narrow, mean, stupid, ignorant, d.a.m.nable people." Contemplates the broad, fine liberality of his experienced mind.

Kid and girl become very chumy. Kid like a brother. Listens to her troubles. Takes her out to supper regularly and regularly. Chorus girls now tacitly recognise him as the main guy. Sometimes, may be, girl's mother sick. Can't go to supper. Kid always very n.o.ble. Understands perfectly the probabilities of there being others. Lays for 'em, but makes no discoveries. Begins to wonder whether he is a winner or whether she is a girl of marvellous cleverness. Can't tell. Maintains himself with dignity, however. Only occasionally inveighs against the men who prey upon the girls of the stage. Still n.o.ble.

Time goes on. Kid grows less n.o.ble. Perhaps decides not to be n.o.ble at all, or as little as he can. Still inveighs against the men who prey upon the girls of the stage. Thinks the girl stunning. Wants to be dead sure there are no others. Once suspects it, and immediately makes the colossal mistake of his life. Takes the girl to task. Girl won't stand it for a minute. Harangues him. Kid surrenders and pleads with her--pleads with her. Kid's name is mud.

A POKER GAME.

Usually a poker game is a picture of peace. There is no drama so low-voiced and serene and monotonous. If an amateur loser does not softly curse, there is no orchestral support. Here is one of the most exciting and absorbing occupations known to intelligent American manhood; here a year's reflection is compressed into a moment of thought; here the nerves may stand on end and scream to themselves, but a tranquillity as from heaven is only interrupted by the click of chips.

The higher the stakes the more quiet the scene; this is a law that applies everywhere save on the stage.

And yet sometimes in a poker game things happen. Everybody remembers the celebrated corner on bay rum that was triumphantly consummated by Robert F. Cinch, of Chicago, a.s.sisted by the United States Courts and whatever other federal power he needed. Robert F. Cinch enjoyed his victory four months. Then he died, and young Bobbie Cinch came to New York in order to more clearly demonstrate that there was a good deal of fun in twenty-two million dollars.

Old Henry Spuytendyvil owns all the real estate in New York save that previously appropriated by the hospitals and Central Park. He had been a friend of Bob's father. When Bob appeared in New York, Spuytendyvil entertained him correctly. It came to pa.s.s that they just naturally played poker.

One night they were having a small game in an up-town hotel. There were five of them, including two lawyers and a politician. The stakes depended on the ability of the individual fortune.

Bobbie Cinch had won rather heavily. He was as generous as sunshine, and when luck chases a generous man it chases him hard, even though he cannot bet with all the skill of his opponents.

Old Spuytendyvil had lost a considerable amount. One of the lawyers from time to time smiled quietly, because he knew Spuytendyvil well, and he knew that anything with the name of loss attached to it sliced the old man's heart into sections.

At midnight Archie Bracketts, the actor, came into the room. "How you holding 'em, Bob?" said he.

"Pretty well," said Bob.

"Having any luck, Mr. Spuytendyvil?"

"Blooming bad," grunted the old man.

Bracketts laughed and put his foot on the round of Spuytendyvil's chair.

"There," said he, "I'll queer your luck for you." Spuytendyvil sat at the end of the table. "Bobbie," said the actor, presently, as young Cinch won another pot, "I guess I better knock your luck." So he took his foot from the old man's chair and placed it on Bob's chair. The lad grinned good-naturedly and said he didn't care.

Bracketts was in a position to scan both of the hands. It was Bob's ante, and old Spuytendyvil threw in a red chip. Everybody pa.s.sed out up to Bobbie. He filled in the pot and drew a card.

Spuytendyvil drew a card. Bracketts, looking over his shoulder, saw him holding the ten, nine, eight, and seven of diamonds. Theatrically speaking, straight flushes are as frequent as berries on a juniper tree, but as a matter of truth the reason that straight flushes are so admired is because they are not as common as berries on a juniper tree.

Bracketts stared; drew a cigar slowly from his pocket, and placing it between his teeth forgot its existence.

Bobbie was the only other stayer. Bracketts flashed an eye for the lad's hand and saw the nine, eight, six, and five of hearts. Now, there are but six hundred and forty-five emotions possible to the human mind, and Bracketts immediately had them all. Under the impression that he had finished his cigar, he took it from his mouth and tossed it toward the grate without turning his eyes to follow its flight.

There happened to be a complete silence around the green-clothed table.

Spuytendyvil was studying his hand with a kind of contemptuous smile, but in his eyes there perhaps was to be seen a cold, stern light expressing something sinister and relentless.

Young Bob sat as he had sat. As the pause grew longer, he looked up once inquiringly at Spuytendyvil.

The old man reached for a white chip. "Well, mine are worth about that much," said he, tossing it into the pot. Thereupon he leaned back comfortably in his chair and renewed his stare at the five straight diamond. Young Bob extended his hand leisurely toward his stack. It occurred to Bracketts that he was smoking, but he found no cigar in his mouth.

The lad fingered his chips and looked pensively at his hand. The silence of those moments oppressed Bracketts like the smoke from a conflagration.

Bobbie Cinch continued for some moments to coolly observe his cards. At last he breathed a little sigh and said, "Well, Mr. Spuytendyvil, I can't play a sure thing against you." He threw in a white chip. "I'll just call you. I've got a straight flush." He faced down his cards.

Old Spuytendyvil's fear, horror, and rage could only be equalled in volume to a small explosion of gasolene. He dashed his cards upon the table. "There!" he shouted, glaring frightfully at Bobbie. "I've got a straight flush, too! And mine is Jack high!"

Bobbie was at first paralysed with amazement, but in a moment he recovered, and apparently observing something amusing in the situation he grinned.

Archie Bracketts, having burst his bond of silence, yelled for joy and relief. He smote Bobbie on the shoulder. "Bob, my boy," he cried exuberantly, "you're no gambler, but you're a mighty good fellow, and if you hadn't been you would be losing a good many dollars this minute."

Old Spuytendyvil glowered at Bracketts. "Stop making such an infernal din, will you, Archie," he said morosely. His throat seemed filled with pounded gla.s.s. "Pa.s.s the whisky."