Tell him the truth, tell him all you know, show him this letter, and bid him not grieve for one who never loved him. Do this for me, it is my last request. ISABELLA."
Suddenly, from the adjoining room, the sweet tones of music were heard; the air was tremulous with melody, which at first soft and low, swelled louder and louder until it filled the room with a gush of harmony that stirred the hearts of those who listened with sweetest and holiest emotions.
Joseph bent eagerly forward. He knew those strains so well! He remembered the night when Isabella's tears had fallen among the rose-leaves, and he had kissed them away. He saw her once more in the pride of her beauty, looking at him from the depths of those glorious dark eyes which he had so madly loved. The music gave life and being to these memories, and its glamour brought back the dead from her grave! He remembered how he had asked her if she loved him, and how, avoiding the words so difficult to speak, she had answered with the witching tones of her violin. Oh, that heavenly evening hour upon the balcony! She had said, "Love has its own language: come and listen." And Christina said SHE HAD NOT LOVED! He could not, would not believe her!
He took the letter from Christina's hand and kissed the paper. "I do not believe you," he said softly. "My trust in her is like my sorrow--for eternity!"
This imperturbable faith had the effect of hardening Christina, and making her cruel. "You shall believe me," said she hastily. "You shall see in her own handwriting that she loved another."
"ANOTHER! "cried the wretched husband. "I will kill him!"
"He died before you ever knew her," said Christina, frightened at the effect of her own heartlessness.
A smile overspread his face. "Dead, before I knew her! Then she forgot him when I loved her." He took up the letter and read it again. "Oh,"
said he, "see how magnanimous was my Isabella. She has been false to her own heart that she might save me from sorrow. She thought it would dry my tears to think that she did not love me. Oh, beloved, I see through thy noble falsehood--in death as in life I know every working of that unselfish heart!"
Christina said nothing, but she grew more inflexible in her purpose. "He shall be convinced," said she to herself. "I will give him her letters to me, and then he will know that he never has been loved."
Again pealed forth the sounds of that heavenly music. Now the violin, mingling with the tones of the harpsichord, glide into a melody of divinest beauty; and the full, rich tones of a woman's voice warbled the complaint of Orpheus: "Che faro senza Eurydice!"
Joseph sighed convulsively, and a faint color tinged his pale cheeks.
This was Isabella's favorite air; and once more the vision started up before him, once more he saw the tears, he kissed them, and looked into the depths of those starry eyes!
He rose from the divan, and, drawn thither by a power which he could not contend, he left the room, and followed the music that was calling him from madness back to reason.
At the harpsichord sat Ritter Gluck, and by him stood the Archduchess Elizabeth, whose rich and beautiful voice had exorcised the evil spirit.
The emperor and empress, with all their children, came forward to meet the unhappy one, and all with tearful eyes kissed and welcomed him with tender words of love.
Gluck alone seemed not to have seen the archduke. He was chiding Elizabeth for singing falsely, and called upon her to repeat her song.
Nevertheless, while he corrected his pupil, the big tears were coursing one another down his cheeks, and fell upon his hands, as they wandered over the instrument, enrapturing every ear.
Elizabeth began again; and again were heard the heart-breaking tones of "Che faro senza Eurydice!"
All eyes turned upon the bereaved Orpheus. The empress opened her arms, and completely subdued, he darted to his mother's heart, and cried out, "Che faro senza Eurydice!"
Again and again the mother kissed her weeping son. The emperor folded them both to his loving heart. The brothers and sisters wept for mingled grief and joy. Elizabeth's voice failed her, and she sang no more. But Gluck played on, his hands weaving new strains of harmony such as earth had never heard before. His head thrown back, his eyes upturned toward heaven, his face beaming with inspiration, he listened to his music, while from Joseph's anguish was born the wonderful song in Alceste, "No crudel, no posso vivere, to to sai, senza de te."
The melody went on, the parents caressed their child, and on his mother's bosom Joseph wept the last tears of his great youthful sorrow.
The dream of love was over! Grief had made of him a man.
KING OF ROME.
CHAPTER XXIII.
FATHER PORHAMMER AND COUNT KAUNITZ.
The empress paced her cabinet with hasty steps. Near the large table, covered with papers of state, stood Father Porhammer.
"Are you sure of what you say?" said Maria Theresa with impatience. "Are you sure that the lord chancellor so far forgets his honor and dignity as to spend his hours of leisure in the company of disreputable actresses? Is it true that his house is the scene of shameful orgies and saturnalian feasts?"
"It is even so, your majesty," replied Porhammer. "It is unhappily true that he whom your majesty has raised to the first place in the empire of--"
"The first place!" echoed the empress angrily. "Know, sir, that the first place in the empire is mine. From God I hold my power and my crown, and I depute them to no man--I alone reign in Austria."
"Your majesty," resumed the father, "did not allow me to finish. I was about to say that he whom your majesty has made your most illustrious subject, he who ought to give to all your subjects an example of moral conduct, is a profligate and libertine. That infamous school of Paris, where reigns the wanton Marquise de Pompadour, the debauched court of Versailles--"
"Hold, father, and remember that France is Austria's dearest ally,"
interrupted the empress.
The father bowed. "The school of Parisian gallantry, of which the lord chancellor is a graduate, has borne its fruits. Count Kaunitz mocks at religion, chastity, and every other virtue. Instead of giving an honorable mistress to his house, it is the home of Foliazzi, the singer, who holds him fast with her rosy chains."
"We must send her away from Vienna."
"Ah, your majesty, if you send her, Count Kaunitz will go with her. He cannot live without La Foliazzi. Even when he comes hither to your majesty's august presence, La Foliazzi is in his coach, and she awaits his return at the doors of the imperial palace."
"Impossible! I will not believe such scandalous reports. Count Kaunitz never would dare bring his mistresses to my palace doors; he never would have the audacity to treat his official visits to myself as episodes in a life of lasciviousness with an unchaste singer. You shall withdraw your words, Father Porhammer, or you shall prove them."
"I will prove them, your majesty."
Just then the door opened, and a page announced the lord chancellor, Count Kaunitz.
"Admit Count Kaunitz," said the empress, "and you, Father Porhammer, remain."
The father withdrew within the embrasure of a window, while the lord chancellor followed the page into the presence of the empress. The count's face was as fair and his cheeks as rosy as ever; he wore the same fantastic peruke of his own invention, and his figure was as straight and slender as it had ever been. Ten years had gone by since he became prime minister, but nothing had altered HIM. So marble-like his face, that age could not wrinkle, nor care trace a line upon its stony surface.
He did not wait for the imperial greeting, but came forward in his careless, unceremonious way, not as though he stood before his sovereign, but as if he had come to visit a lady of his own rank.
"Your majesty sees," said he, with a courteous inclination of the head, "that I use the permission which has been granted me, of seeking an audience whenever the state demands it. As I come, not to intrude upon your majesty with idle conversation, but to speak of grave and important matters of state, I do not apologize for coming unbidden."
The easy and unembarrassed manner in which Kaunitz announced himself had its effect upon the empress. She who was so accustomed to give vent to the feelings of the moment, overcame her displeasure and received her minister with her usual affability.
"Your majesty, then, will grant an audience to your minister of state?"
said Kaunitz, looking sharply at the priest who stood unconcerned at the window.
"Since the lord chancellor comes at such an unusual hour," replied the empress, "I must conclude that his business is of an imperative nature.
I am therefore ready to hear him."
Kaunitz bowed, and then turning with an arrogant gesture toward the empress's confessor, he said, "Do you hear, Father Porhammer? the empress will hold a council with me."
"I hear it, my lord," said the priest.
"Then as we are not on the subject of religion, you will have the goodness to leave the room."