Buff, light brown, brown.

Possibly after Kneller. Very weak and crude.

BM, V&A

_Unverified Subjects_

77.

_The Annunciation_, after Parmigianino

Dimensions:

6 4? inches.

Blocks, 3:

Tones of brown.

This is listed as Jackson's in Gutekunst & Klipstein's catalogue 40, 1938. It is described as having "the initials and an engraved letter border," but whether the initials are Jackson's or Parmigianino's is uncertain.

78.

_St. Peter and St. Paul Surprised by the Executioner_, after t.i.tian [Le Bl. 17, N. 16]

Le Blanc and Nagler list this print in addition to _St. Peter Martyr_, but most likely it is the same subject. The t.i.tle might have been taken from a museum catalogue which listed the identical print under a different t.i.tle.

79.

_The Entombment_, after t.i.tian [Le Bl. 11]

This is included in Le Blanc (_J. C. mis au tombeau_) but it seems likely that it was confused with Ba.s.sano's identically t.i.tled subject.

80.

_Giovanni Gastro I De Medici_

This is listed as a Jackson print in Berlin-Dahlem but has not been located.

81.

_Elisabeth, d.u.c.h.ess of Hamilton, as a Shepherdess_

This is catalogued as a Jackson print in the Dresden Kunstsammlungen but was lost in the war.

The _Chiaroscuros_ and _Color Woodcuts_ of John Baptist Jackson

[Ill.u.s.tration: 1. CHRIST GIVING THE KEYS TO ST. PETER, after Raphael (See also color plate)]

[Ill.u.s.tration: 2. VENUS AND CUPID WITH A BOW, after Parmigianino (See also color plate)]

[Ill.u.s.tration: 3. WOMAN STANDING HOLDING JAR ON HER HEAD, after Parmigianino]

[Ill.u.s.tration: 5. WOMAN MEDITATING (ST. THAIS?), after etching by Parmigianino (See also color plate)]

[Ill.u.s.tration: 7. BOOKPLATE]

[Ill.u.s.tration: 6. ULYSSES AND POLYPHEMUS, after Primaticcio]

[Ill.u.s.tration: 8. JUDGMENT OF SOLOMON, after Rubens]

[Ill.u.s.tration: 9. THE VISITATION, after Annibale Carracci]

[Ill.u.s.tration: 10. JULIUS CAESAR, after t.i.tian]

[Ill.u.s.tration: 11. ST. ROCCO, after Cherubino Alberti]

[Ill.u.s.tration: 12. STATUETTE OF NEPTUNE, after Giovanni da Bologna]

[Ill.u.s.tration: 14. CHRIST AND THE WOMAN OF SAMARIA]

[Ill.u.s.tration: 15. ROMULUS AND REMUS, WOLF, AND SEA G.o.d]

[Ill.u.s.tration: 13. DESCENT FROM THE CROSS, after Rembrandt (See also color plate)]

[Ill.u.s.tration: 16. THE DEATH OF ST. PETER MARTYR, after t.i.tian]

[Ill.u.s.tration: 17. THE PRESENTATION IN THE TEMPLE (THE CIRc.u.mCISION), after Veronese]

[Ill.u.s.tration: 18. THE Ma.s.sACRE OF THE INNOCENTS, after Tintoretto]

[Ill.u.s.tration: 22. THE CRUCIFIXION, AFTER TINTORETTO, left sheet (See also color plates)]

[Ill.u.s.tration: 22. THE CRUCIFIXION, after Tintoretto, center sheet (See also color plates)]

[Ill.u.s.tration: 22. THE CRUCIFIXION, after Tintoretto, right sheet (See also color plates)]

[Ill.u.s.tration: 19. THE ENTOMBMENT, after Jacopo Ba.s.sano]