"Did she ever mention Whitby?"

"Whitby? No. Why should she?"

"Did she ever talk about someone called Eastcote, Greg Eastcote?"

"No."

"Jack Grimley?"

"Never heard of him."

"Keith McLaren, an Australian?"

"No, never. I haven't heard of any of these people. Who are they?"

"Was she in touch with any of the others you used to know back then, the old uni crowd?"

"No, I don't think so. Her boyfriend had gone off to Canada or America or somewhere, and the rest had scattered all over the country. She seemed very much a loner, as if she had cut herself off. I thought maybe it was because of what had happened to her. She couldn't adjust, pretend to be normal. I don't know. It wasn't that we didn't have a nice chat and a drink and all, but there was always something remote about her, as if she'd sort of set herself apart from the rest. I don't know how else to describe it. She even looked different, let herself go, cut her hair and stuff. She used to be quite lovely, but, you know, she just stopped bothering."

"Do you know what she was doing with her life?"

"I don't think she was doing anything, really. I think she was kind of lost. She talked of travelling, China, America, the Far East, but I don't know if it was a real goal or just wishful thinking." Sarah checked her watch for the first time. "I don't mean to be rude but" she glanced over at the MacBook "I do have to finish this job before I meet with the client this evening."

"That's all right," said Annie. "I think I've just about got to the end of my questions, anyway."

"I'm sorry you came all this way for nothing."

"It's not for nothing," said Annie. "You've finally told the truth at last. Have you seen or heard anything of Kirsten in the last few years?"

"No," said Sarah. "The last time I saw her must have been 1991 or early 1992, and after that it was just as if she had disappeared."

"Ever heard of Lucy Payne?"

"Isn't she the one who killed all those girls with her husband, the one who just got murdered? Is that what this is about? I don't understand."

"Maggie Forrest?"

"No, never."

"Right," said Annie, standing up to leave and handing Sarah her card. "If you remember anything else, please give me a call."

"What is it all about, anyway?" Sarah asked at the door. "You haven't told me anything. Why were you asking me about all these people and what happened years ago? Can't you at least give me a hint?"

"If there's anything in it," Annie said, "you'll find out soon enough."

"Typical police," said Sarah, folding her arms. "Some things never change, do they?"

Annie's mobile rang as she arrived at her car. It was Ginger.

"It's me, guv. I've got a line on that Maggie Forrest. The publisher rang me back."

"Great," said Annie, fiddling for her keys, phone wedged under her chin.

"We're in luck. She's back in the country. Living in Leeds again. Down by the canal."

"Okay," said Annie. "Maybe I should drive down there now."

"Won't do you any good. She's in London at the momentmeetings with said publisher. She's heading back Saturday evening, though."

"Fine," said Annie. "I'd got nothing else planned for Sunday, anyway. I might as well go talk to her then. Thanks, Ginger. Great work."

"No problem."

Annie turned off her phone and headed for the A1.

Annie remembered where Eric lived, and it was after dark when she turned up at his flat, having taken a while to pluck up the courage and stopped to fortify herself with a stiff double brandy at a pub on the way. She was on foot, so it didn't matter whether she had a couple of drinks. Even though she had convinced herself that this would be easy, she still felt on edge. Confrontations at work were one thing, but in her private life they were another matter entirely. She knew that she had walked away from more than one relationship in the past rather than confront what was wrong with it. The problem with Banks was that she couldn't quite walk away entirely; neither her job nor the remnants of her feelings for him, so easily stirred up by working so closely together, would let her. That was partly why she had accepted the temporary posting to Eastern Area so eagerly, to put some distance between them for a while. It didn't seem to be working very well.

Eric answered her ring with a curt "Oh, it's you," then he turned his back and walked inside, leaving the door open. "I was just getting ready to go out," he said when she followed him into the living room. There was no evidence of this. A cigarette burned in the ashtray and a can of lager sat by a half-full glass on the low table. The TV was on, tuned to EastEnders. Eric sprawled on the sofa, legs splayed and arms stretched out. He was wearing jeans and a torn black T-shirt. His hair was greasy, as if it needed a good wash, and a stray lock hung over one eye, as usual. "What do you want?" he asked.

Annie held her hand out. "Give me your mobile."

"What?"

"You heard. Give me your mobile."

"Why?"

"You know why."

Eric grinned. "Those photos? You want to delete them, don't you? You don't trust me."

"That's right. We'll start with your mobile, then we'll move on to your computer."

"What do you think I'll do? Post them on the Internet?" He rubbed his chin in mock conjecture. "I suppose I could, couldn't I? Do you think they'll accept nudes?"

"I don't think you're going to do anything with them," Annie said. "You're going to give me your mobile, then we're going to check your computer, and I'm going to delete them."

"Look, why don't you sit down and have a drink? I'm not in a great hurry. We can talk about it."

"I don't want a drink, and I'm not staying long enough to sit down," Annie said, holding her hand out. "There's nothing to talk about. Give."

"If I didn't know better, I'd think you were making an obscene suggestion."

"But you do, and I'm not. Come on."

Eric folded his arms and stared at her defiantly. "No," he said.

Annie sighed. She had thought he might want to play games. So be it. She sat down.

"So you will have that drink?" Eric said.

"I'll sit down because this is clearly going to take longer than I expected," Annie said, "but I still don't want a drink. You know what I want."

"I know what you wanted the other night," said Eric. "But now I'm not so sure. There are some other pictures, you know. Ones you haven't seen yet. Better ones."

"I don't care," said Annie. "Just delete them, then we'll forget all about it, forget it ever happened."

"But I don't want to forget it ever happened. Can't you at least leave me something to remember you by?"

"I'll leave you more than enough to remember me by if you don't do as I say."

"Is that a threat?"

"Take it as you will, Eric. I've had a long day. I'm running out of patience. Are you going to give me that mobile?"

"Or what?"

"All right," said Annie. "We'll do it your way. You were right the first time when you guessed what I do for a living. I'm a policewoman. A detective inspector, as a matter of fact."

"Am I supposed to be impressed?"

"You're supposed to do as I say."

"What will you do if I don't?"

"Do I have to spell it out?"

"Get some of your Neanderthal cronies to beat me up?"

Annie smiled and shook her head slowly. "I really don't think I'd have to bring in any help, but no, that's not the plan."

"Pretty confident, aren't you?"

"Look," said Annie, "let's stop playing games, shall we? What happened happened. Maybe it was good. I don't know. I don't remember, and it doesn't do me any credit to say that. But no matter what, it was a mistake. If"

"How do you know?"

"What?"

Eric sat up. "How do you know it was a mistake? You haven't given me a chance to"

"It was a mistake for me. Just accept that. And your recent behaviour hasn't helped matters at all."

"But why?"

"I really don't want to go into it. I didn't come here to cause trouble. I just came to ask younicelyto let me delete those photos. They're embarrassing and, quite frankly, I wouldn't even want to consider a relationship with anyone who would take them."

"You didn't object at the time. And don't forget, you took some, too. Can't you lighten up a bit, cut me a bit of slack? It was just harmless fun."

"Give me the fucking mobile!" Annie was shocked at her own vehemence, but Eric was pushing her patience way beyond its limits. She couldn't be bothered explaining the difference between her taking a few innocent photos for fun in a club and his taking more intimate ones, that she couldn't even remember, in the privacy of the bedroom. If he couldn't understand that himself, he didn't deserve any slack.

He seemed shocked, too. He said nothing for a moment, then reached into his hip pocket, pulled out his BlackBerry and tossed it to her. She caught it. "Thank you," she said. When she found the media library, she scrolled through all the photos he had taken that night. In addition to the ones she had seen, in which she had at least been awake, there were others of her sleeping, hair tousled, a breast exposed. Nothing really dirty, but crude and invasive. She deleted them all. "Now the computer."

He waved her to the desk in the corner. "Be my guest."

The same pictures were on his computer, so she deleted all those, too. Just as a precaution, she also emptied his recycle bin. She knew there were ways of getting back erased data, but she doubted that Eric was up to the task, or even that he cared, for that matter. Maybe he'd stored them on a CD or a smart drive, too, but short of ransacking his entire flat she couldn't do much about that. "Is that all?" she asked.

"Yeah, that's all. You've got what you came for. Now just fuck off." He turned away, picked up his drink and pretended to watch television.

"Before I go," Annie said, "let me just tell you what will happen if you do have copies and if any of them turn up on the Internet. You were wrong about me enlisting people I know to beat you up. That's way too crude. But I do have friends, and, believe me, we can make your life very uncomfortable indeed."

"Oh, yeah," said Eric, keeping his eyes on the television. "And just how will you do that?"

"If any of those photos turn up anywhere, I'll not only claim I was drunk at the time they were taken, which is true, and which anyone can see, but that I think I was given a date-rape drug."

Eric turned to face her slowly, an uncomprehending expression on his face. "You'd actually do that?" he said.

"Yes. And if it became necessary, the police officers who searched your flat would find Rohypnol or GHB or some such thing. You'd be surprised how much we have lying around the station spare." Annie felt her heart beating in her chest, and she was sure that Eric must be able to hear it, or even see the twitching. She wasn't used to lying, or threatening, like this.

Eric lit another cigarette. He had turned pale and Annie could see that his hands were shaking. "You know," he said, "I really believe that you would. When I met you, I thought you were a nice person."

"Don't give me that crap. When you met me, you thought here's a not-too-bad-looking drunk old bitch I can get into bed without too much trouble."

Eric's jaw hung open.

"What's wrong?" Annie went on. "Home truths not palatable to you?"

"I...just..." He shook his head in wonder. "You're really something else, a real piece of work."

"Believe it," said Annie. "I take it I don't need to say any more?"

Eric swallowed. "No."

"On that note, then, I'll say goodbye."

Annie was careful not to slam the door behind her. As angry and upset as she was, she needed to demonstrate to Eric that she was in control, even if she wasn't. When she walked into the cool night air, she paused at the corner of the street and took a few deep breaths. She'd done it, she told herself. Problem over. Sorted. So much for Annie Cabbot, Angel of Mercy. Why was it, though, she thought as she walked down the street and looked out at the dark, glittering sea beyond, that as obnoxious as Eric was, she felt as if she had just broken a butterfly on a wheel? But then, she reminded herself, he wasn't a butterfly at all, more like a snake, and she smiled.

12.

Clutching his bottle of wine in one hand, Banks took a deep breath and rang the doorbell. It felt strange being back on the street where he had lived with Sandra and the kids for so many years. Now Sandra had remarried and become a mother again, Tracy had finished university, and Brian was in a successful rock band. But when Banks looked at the drawn curtains of his old home, an unremarkable semi with bay window, new door and pebble-dashed facade, the memories flooded back: sharing a late-night cup of hot chocolate with Tracy when she was twelve, having come home late and depressed from investigating the murder of a girl about her age, Strauss's "Four Last Songs" on the stereo; Brian's first stumbling musical attempts at playing "Sunshine of Your Love" on the acoustic guitar Banks had bought him for his sixteenth birthday; making love to Sandra as quietly as possible downstairs on the sofa after the kids had gone to bed, trying not to burst out laughing when they fell on the floor. He also remembered his last few weeks alone there, passing out on the sofa with the bottle of Laphroaig on the floor beside him, Blood on the Tracks on repeat on the CD player.

Before he could travel any further down the perilous path of memory, the door opened and Harriet Weaver stood there, looking hardly a day older than when she had first welcomed Banks and his family to the neighbourhood twenty years ago. Banks leaned forward and kissed her on both cheeks.