You have always found it goot enough, I pelieve?

REMBRANDT TEMPENNY (_with enthusiasm_).

But not for "Susannah"--not nearly good enough for "Susannah,"

"Susannah" demands so much; she is exacting--she must be humoured.

HENRICH SCHERCL.

Vell, I am very disappointed; I came expressly to see how you had brogressed. Will you make me an abbointment?

REMBRANDT TEMPENNY.

Certainly I will. I will write you to-morrow. I am anxious to have your opinion.

HENRICH SCHERCL.

Who is the friend in whose studio you vork?

REMBRANDT TEMPENNY.

Eh? In Mr. Sylvester's--Charles Sylvester. You should hear him talk about it. By Jove, he does think a lot of it. I blush to repeat what he says. He considers it magnificent.

(_Enter_ SYLVESTER.)

CHARLES SYLVESTER.

Afternoon, Rembrandt. Ah, Mr. Schercl, how-d'ye do.

REMBRANDT TEMPENNY.

Sylvester himself--the devil. (_Aloud_.) Dear old man, we were talking of you! I was just telling Mr. Schercl what you are kind enough to say of "Susannah."

(_Kicks him aside_.)

HENRICH SCHERCL.

You think it goot, Mr. Sylvester, yes?

REMBRANDT TEMPENNY.

He thinks it superb, so far as it has gone.

(_Kicks him again_.)

CHARLES SYLVESTER.

What's that? Who is "Susannah?"

REMBRANDT TEMPENNY.

"Who is Susannah!" (_With a sickly laugh_.) What a chap to chaff you are. "Who is Susannah?" Ha, ha, ha.

HENRICH SCHERCL.

But in pusiness I do not like the chokes. Let us be serious if you please. What is your opinion, Mr. Sylvester, of the vork?

REMBRANDT TEMPENNY (_desperately_).

Yes, I quite agree with you, Mr. Schercl, I quite agree--there is a time for all things. Tell Mr. Schercl what you think of it, Charlie, do.

(_Kicks him savagely_.)

CHARLES SYLVESTER (_aside to_ TEMPENNY).

You'll break my ankle directly, hang you. What do you want?

REMBRANDT TEMPENNY (_aside to_ SYLVESTER).

Intelligence. I'll break your neck in another minute, you born fool!

(_Aloud suavely_.) Mr. Schercl is naturally anxious to hear how the picture he had given me a commission for is getting along. I was telling him how much you think of it but he would like to hear your views from your own mouth.

CHARLES SYLVESTER.

Oh--oh!--now I know what you're talking about! Well, I have a very high opinion of the work indeed, Mr. Schercl--a very high opinion. (_Aside to_ TEMPENNY.) What's the subject?

REMBRANDT TEMPENNY (_aside to_ SYLVESTER).

"Susannah before the Elders"--pitch it strong.

CHARLES SYLVESTER.

The conception of Susannah, and in fact the entire treatment if I may say so, is bold in the extreme. He makes a school, our friend here. You will be surprised when you see the work, and impressed.

HENRICH SCHERCL.

Vell, we will make the abbointment soon, Mr. Tempenny. I am sorry I could not see it to-day. So I shall be imbressed? That is goot.

Gootday, gentlemen. We will make the abbointment very soon.

(_Exit_ SCHERCL.)

REMBRANDT TEMPENNY.

(_Calling after him from open door_.) Mind the bottom step, it's awkward. Got it?

HENRICH SCHERCL (_off_).

It is so dark your staircase.

REMBRANDT TEMPENNY.