"Seratonin depletion."

"Food," said Blackwell.

"I'm not really hungry."

"Need to carbo-load," Blackwell said, standing. He took up a remarkable amount of s.p.a.ce.

Laney and Yamazaki got to their feet and followed Blackwell down out of Death Cube K, to descend the 0 My Golly Building itself. Out of roach-light, into the chrome and neon gulch of Roppongi Don. A reek of putrid fish and fruit even in this chill damp night, though muted somewhat by the baking-sugar sweetness of Chinese gasohol from the vehicles whirring past on the expressway. But there was comfort in the steady voice of traffic, and Laney found it better to be upright, moving.

If he kept moving, perhaps he could puzzle out the meaning of Keith Alan Blackwell and Shinya Yamazaki.

Blackwell leading the way across a pedestrian overpa.s.s. Laney's hand brushed an irregularity on the alloy rail. He saw that it was an accidental fold or pucker in a bright little sticker; a bare-breasted girl smiling up at him from a palm-sized silvery hologram. As his angle of vision changed, she seemed to gesture at the telephone number above her head. The railing, end to end, was dressed with these small ads, though there were precise gaps where a few had been peeled away for later perusal.

Blackwell's bulk parted the sidewalk crowd on the far side like a freighter through a bobbing stream of pleasure craft. "Carbohydrates," he said, over a mountainous shoulder. He steered them down an alley, a narrow maw of colored light, past an all-night veterinary clinic in whose window a pair of white-gowned surgeons were performing an operation on what Laney hoped was a cat. A relaxed little tableau of pedestrians paused here, observing from the pavement.

Blackwell eased himself edgewise into a bright cave, where steam rose from cookers behind a counter of reconst.i.tuted granite.

Laney and Yamazaki followed him in, the counterman already ladling out fragrant messes of broth-slick beige to the Australian's order.

Laney watched Blackwell raise the bowl to his mouth and apparently inhale the bulk of his noodles, severing them from the remainder with a neat snap of his bright plastic teeth. Muscles in the man's thick neck worked mightily as he swallowed.

Laney stared.

Blackwell wiped his mouth with the back of one vast and pinkly jigsawed hand. He belched. "Give us one of those baby tubes of Dry He downed the entire beer in a single swallow, absently crushing the st.u.r.dy steel can as though it were a paper cup. "Similar," he said, rattling his bowl for the counterman.

Laney, suddenly ravenous in spite or because of this gluttonous display, gave his attention to his own bowl, where dyed pink slices of mystery meat, thin as paper, basked atop a sarga.s.so of noodles.

Laney ate in silence, as did Yamazaki, Blackwell downing another three beers to no apparent effect. As Laney drank off the remaining broth, and put his bowl down on the counter, he noticed an ad behind the counter for something called Apple Shires Authentic Fine Fruit Beverage. Misreading it initially as Alison Shires, once the object of his scruples.

"Taste the wet warm life in Apple Shires," the ad advised.

23.

Alison Shires, glimpsed first as animated headshots, five months into his time at Slitscan, had been a rather ordinarily attractive girl murmuring her stats to imagined casting directors, agents, someone, anyone.

Kathy Torrance had watched his face, as he watched the screen. "Babed out' yet, Laney? Allergic reaction to cute? First symptoms are a sort of underlying irritation, a resentment, a vague but persistent feeling that you're being gotten at, taken advantage of. .

"She isn't even as 'cute' as the last two."

"Exactly. She's almost normal-looking. Almost a civilian. Tag her."

Laney looked up. "What for?"

"Tag her. He could get off pretending she's a waitress or something."

"You think she's the one?"

"You've got another three hundred in there easy, Laney. Picking probables is a start."

"At random?"

"We call it 'instinct.' Tag her."

Laney cursor-clicked, the pale blue arrow resting by chance in the shadowed orbit of the girl's lowered eye. Marking her for closer examination as the possible sometime partner of a very publicly married actor, famous in a way that Kathy Torrance understood and approved of. One who must obey the dictates of the food chain. Not too big for Slitscan to swallow. But he or his handlers had so far been very cautious. Or very lucky.

But no more. A rumor had reached Kathy, via one of those "back channels" she depended on, and now the food chain must have its way.

"Wake up," Blackwell said. "You're falling asleep in your bowl. Time you tell us how you lost your last job, if we're going to offer you another."

"Coffee," Laney said.

Laney was not, he was careful to point out, a voyeur. He had a peculiar knack with data-collection architectures, and a medically doc.u.mented concentration-deficit that he could toggle, under certain conditions, into a state of pathological hyperfocus. This made him, he continued over lattes in a Roppongi branch of Amos 'n' Andes, an extremely good researcher. (He made no mention of the Federal Orphanage in Gainesville, nor of any attempts that might have been made there to cure his concentration-deficit. The 5-SB trials or any of that.)

The relevant data, in terms of his current employability, was that he was an intuitive fisher of patterns oi information: of the sort of signature a particular individual inadvertently created in the net as he or she went about the mundane yet endlessly multiplex business of life in a digital society. Laney's concentration-deficit, too slight to register on some scales, made him a natural channel-zapper, shifting from program to program, from database to database, from platform to platform, in a way that was, well, intuitive.

And that was the catch, really, when it came to finding employment: Laney was the equivalent of a dowser, a cybernetic water-witch. He couldn't explain how he did what he did. He just didn't know.

He'd come to Slitscan from DatAmerica, where he'd been a research a.s.sistant on a project code named TIDAL. It said something about the corporate culture of DatAmerica that Laney had never been able to discover whether or not TIDAL was an acronym, or (even remotely) what TIDAL was about. He'd spent his time skimming vast floes of undifferentiated data, looking for "nodal points" he'd been trained to recognize by a team of French scientists who were all keen tennis players, and none of whom had had any interest in explaining these nodal points to Laney, who came to feel that he served as a kind of native guide. Whatever the Frenchmen were after, he was there to scare it up for them. And it beat Gainesville, no contest. Until

25.

TIDAL, whatever it was, had been cancelled, and there didn't seem to be anything else for Laney to do at DatAmerica. The Frenchmen were gone, and when Laney tried to talk to other researchers about what they'd been doing, they looked at him as though they thought he was crazy.

When he'd gone to interview for Slitscan, the interviewer had been Kathy Torrance. He'd had no way of knowing that she was a department head, or that she would soon be his boss. He told her the truth about himself. Most of it, anyway.

She was the palest woman Laney had ever seen. Pale to the point of translucence. (Later he'd learned this had a lot to do with cosmetics, and in particular a British line that boasted of peculiar light-bending properties.)

"Do you always wear Malaysian imitations of Brooks Brothers blue oxford b.u.t.ton-downs, Mr. Laney?"

Laney had looked down at his shirt, or tried to. "Malaysia?"

"The st.i.tch-count's dead on, but they still haven't mastered the thread-tension."

"Oh."

"Never mind. A little prototypic nerd chic could actually lend a certain frisson, around here. You could lose the tie, though. Definitely lose the tie. And keep a collection of felt-tipped pens in your pocket. Unchewed, please. Plus one of those fat flat highliners, in a really nasty fluorescent shade."

"Are you joking?"

"Probably, Mr. Laney. May I call you Cohn?"

"Yes..

She never did call him "Cohn," then or ever. "You'll find that humor is essential at Slitscan, Laney. A necessary survival tool. You'll find the type that's most viable here is fairly oblique."