WHILE THIS INTERVIEW was taking place, other FBI agents in Los Angeles learned that Eric Galt had briefly secured a telephone service in his room. Although the line had been disconnected in late January, the Pacific Telephone and Telegraph Company was able to supply the FBI with records of every outgoing and incoming call related to that number--469-8096. This led the agents on an interesting series of goose chases.

One of the numbers turned out to be that of a woman who had sold Galt a console Montgomery Ward TV set through a newspaper cla.s.sified ad. Another number was listed in the name of Elizabeth Pitt, a woman who had placed a singles ad in a lonely hearts club broadsheet: "Tall skinny auburn haired divorcee, 41, seeks prospective husband with patience," the ad read. Galt had apparently called Pitt with the idea of getting her to appear in a p.o.r.nographic film, but the phone conversation went nowhere, and they never even went out on a date. A third number turned out to be the Wallace campaign headquarters in Century City--which, for the time being, meant nothing to investigating agents. Probably the most productive find in the bank of numbers Galt had called was that of the National Dance Studio in Long Beach, California.

Special Agent George Aiken605 promptly drove down to the studio, which was located at 2026 Pacific Avenue in Long Beach, in a low-slung building with palm trees out front. There he met the owner, Mr. Rodney Arvidson, who had a vivid memory of his former student. In a large room with a record player and blocking-tape marks on the parquet floor, Galt had taken cha-cha, fox-trot, and swing lessons for several months. "He told me he'd been down in Mexico, sometime in 1967, and that he owned a restaurant," Arvidson said. "He said he was fluent in Spanish, but when I would speak to him in Spanish, he wouldn't say anything back, which led me to believe he wasn't actually conversant." promptly drove down to the studio, which was located at 2026 Pacific Avenue in Long Beach, in a low-slung building with palm trees out front. There he met the owner, Mr. Rodney Arvidson, who had a vivid memory of his former student. In a large room with a record player and blocking-tape marks on the parquet floor, Galt had taken cha-cha, fox-trot, and swing lessons for several months. "He told me he'd been down in Mexico, sometime in 1967, and that he owned a restaurant," Arvidson said. "He said he was fluent in Spanish, but when I would speak to him in Spanish, he wouldn't say anything back, which led me to believe he wasn't actually conversant."

"How did Galt dress?" Agent Aiken asked.

"Always wore a shirt and tie. He had a pair of shiny black alligator loafers." Arvidson remembered thinking that Galt's appearance didn't jibe with his personality--that he dressed like a businessman, but talked and carried himself like an uneducated and socially awkward person from a decidedly rural, working-cla.s.s background. "He couldn't seem to relax," Arvidson said. "He didn't smile easily. He was pleasant but evasive--he would never talk about himself and he wouldn't look you in the eye. He had a crooked smile. He said he was a merchant seaman and wanted to return to the sea."

Though Galt seemed to be unemployed, he had plenty of money. Every time Arvidson informed him that another payment was due, Galt would reach into his trousers and happily peel off some twenties from a large roll of bills. All told, he paid more than four hundred dollars for dance lessons and never seemed to balk at the fees.

Arvidson found a card in his office files showing that Galt had previously taken fox-trot and cha-cha dancing lessons while living in Alabama. "Leaving in a couple of months to work on a ship," the card said. "Wants to travel." A box marked S S was checked--indicating that Galt was single. was checked--indicating that Galt was single.

Cathryn Norton, a dance instructor at the studio, told Agent Aiken she had frequently given Galt lessons. "He was a fair dancer," she allowed. "But he wasn't friendly with anyone. He always wore a suit, kept his fingernails clean and neatly trimmed." Norton recalled that he sometimes smoked filter cigarettes and that he had "a nervous habit of pulling on his earlobes with his fingers."

One night someone connected with the dance school hosted a private party at his house, and about twenty people showed up. "Galt came and left alone," Norton recalled. "He had some punch and stayed pretty much to himself. He was like a clam."

Galt's last lesson was on February 12. "When he quit," Arvidson recalled, "all he said was that he wanted to open his own bar and restaurant. He said he was going to enroll in some school to learn how to be a bartender."

"YES," TOMAS LAU said, "Eric Galt was a student here."606 A suave man with a trim mustache, Lau was director of the International School of Bartending at 2125 Sunset Boulevard in Los Angeles. The FBI agents Theodore A'Hearn and Richard Raysa, after canva.s.sing all the bartending schools in Southern California, had quickly found Lau's establishment. A suave man with a trim mustache, Lau was director of the International School of Bartending at 2125 Sunset Boulevard in Los Angeles. The FBI agents Theodore A'Hearn and Richard Raysa, after canva.s.sing all the bartending schools in Southern California, had quickly found Lau's establishment.

Lau believed Galt was "diligent and well-coordinated" and had the potential to become a fine bartender. Lau thought so much of Galt that he even went to the trouble of finding him a job. "But he declined," Lau recalled. "He said he was going to visit his brother somewhere and didn't want a job. He said he'd call me if he still needed a job when he got back."

Another pupil at the school, a man named Donald Jacobs,607 recalled that Galt said he'd been a cook in the merchant marine and worked on riverboats and barges on the Mississippi. Jacobs doubted this was true, because he noticed that Galt's hands "didn't appear calloused or used to hard work." recalled that Galt said he'd been a cook in the merchant marine and worked on riverboats and barges on the Mississippi. Jacobs doubted this was true, because he noticed that Galt's hands "didn't appear calloused or used to hard work."

Beyond the fact that Galt had "thin lips and a slight Southern accent," Lau had trouble recalling what his former pupil looked like. Then he remembered graduation day. "I've got a picture of him somewhere," he volunteered.

"How's that?" Agent A'Hearn couldn't believe what he'd just heard.

"All our graduates get their picture taken with me and the diploma," Lau explained. "It's something we've always done around here."

Lau scoured his sc.r.a.pbooks and soon found the photograph, which was snapped at the school on March 2. For the first time, an FBI agent was peering at the image of the man now being hunted by three thousand bureau colleagues across the country.

There stood Lau, proudly posing with his student--a slender, narrow-nosed, dark-haired, fair-skinned man wearing a tuxedo and a bow tie. The portrait looked pretty much like all the other graduation photos gracing Lau's sc.r.a.pbooks, though Agent A'Hearn did notice one peculiarity: Galt's eyes were shut.

38 CANADA BELIEVES YOU

ARMED AT LAST with a photograph of the manhunt's prime suspect, the FBI began to a.s.sert its true inst.i.tutional might--pressing with renewed focus and multi-tentacled determination all across the country. In Los Angeles, agents canva.s.sed the banks in the vicinity of the St. Francis Hotel in search of any monetary trails left by Eric Galt. This proved a hugely successful tack: Although Galt had kept no savings or checking accounts and had failed to establish any credit history, at the Bank of America in Hollywood the agents found that an Eric Galt, in fact, had purchased a series of modest money orders in late 1967 and early 1968. Several of the orders were made out to an establishment in Little Falls, New Jersey, called the Locksmithing Inst.i.tute.

Within an hour, agents in New Jersey visited the "inst.i.tute" and learned that it offered correspondence courses in key cutting, lock picking, safecracking, alarm wiring, and other skills of the trade to students all over the world. Before enrolling in the course, Galt had signed an oath swearing that he'd never been convicted of burglary, adding: "I shall never use my knowledge to aid or commit a crime." According to the Locksmithing Inst.i.tute's records, Galt's last lesson had been mailed to him, only a week earlier, at 113 Fourteenth Street Northeast in Atlanta.

This lead was immediately flashed to the Atlanta field office, and in minutes a team of agents, driving an unmarked car, pulled up to Jimmie Garner's rooming house on Fourteenth Street. Believing there was a strong possibility that Galt was still hiding inside, the agents stayed in the shadows and kept the building under close surveillance; for the first day, the FBI refrained from asking any questions for fear of exposing themselves--or prematurely tipping off the media.

Two other agents, meanwhile, disguised themselves as hippies608--bell-bottom jeans, beads, the whole shtick--and rented a room next to Galt's. Inside, they discovered that the two rooms shared a connecting door; by placing their ears on wood panels, they were able to determine to their satisfaction that Galt's room was vacant. They tried to open the door but found it was locked. A call was then placed to Deke DeLoach in Washington, who said, "Take the door off its hinges609 if you have to, but get in there!" if you have to, but get in there!"

The tie-dyed agents did as they were told, and with a little handiwork they were soon inside Galt's room. The dark and spa.r.s.ely furnished s.p.a.ce hardly seemed lived-in, but after poking around in dressers and under tables, they spotted a few telltale artifacts.610 They found a booklet t.i.tled "Your Opportunities in Locksmithing" and a portable Zenith TV. Behind a desk they found a pamphlet, "What Is the John Birch Society?" They noted a small stash of grocery supplies, residue from the budget repasts of a man who appeared to be both a hermit and a pack rat--Nabisco saltines, Kraft Catalina French dressing, Carnation evaporated milk, Maxwell House instant coffee, French's mustard, a package of lima beans. They found a booklet t.i.tled "Your Opportunities in Locksmithing" and a portable Zenith TV. Behind a desk they found a pamphlet, "What Is the John Birch Society?" They noted a small stash of grocery supplies, residue from the budget repasts of a man who appeared to be both a hermit and a pack rat--Nabisco saltines, Kraft Catalina French dressing, Carnation evaporated milk, Maxwell House instant coffee, French's mustard, a package of lima beans.

Also scattered about the room were a number of road maps--the kind usually handed out for free at gas stations--maps that, taken together, seemed to offer a succinct chart of Galt's travels. There were maps of Los Angeles, Mexico, California, Arizona, Texas and Oklahoma, Louisiana, Birmingham, and the southeastern United States.

Finally the agents located a map of Atlanta, which was marked up in pencil. Inscribed on the map were four little circles that, upon closer inspection, seemed to have a chilling import: one circle was near Martin Luther King's home; one indicated Ebenezer Baptist Church and the SCLC office; another designated the approximate location of Jimmie Garner's rooming house; and a final circle marked the Capitol Homes public housing project, where the Mustang had been abandoned. It seemed clear evidence of an organized plot; not only had Galt charted King's world--and likely stalked him--but he had staked out, well ahead of time, a safe and inconspicuous place where he could ditch his car.

The agents left everything as they'd found it, and after installing the door back on its hinges, they retreated to their "room." They'd learned enough from their surrept.i.tious, albeit legally tenuous, reconnaissance to give DeLoach what he needed. Galt was not living there; there were no clothes, no suitcases, no signs of tenancy other than those old groceries. Now it was time to come out of the shadows--to question Jimmie Garner, issue a search warrant, and confiscate all the a.s.sorted belongings in Galt's room.

OVER THE PAST few days, FBI agents in Los Angeles had been developing their own series of intriguing leads. While they were conducting follow-up interviews at the bartending school, Tomas Lau had found in his files a sheet of paper on which Galt had listed three local "references," with addresses. They were Charlie Stein, Rita Stein, and Marie Tomaso.

Special Agents William John Slicks and Richard Ross611 found Charlie Stein at his apartment at 5666 Franklin Avenue, just around the corner from the St. Francis. From the start it was clear that Stein was one odd duck--by turns cagey, rambling, and cosmic--but he was cooperative enough. He told the agents the story of how he met Galt; how his sister Rita needed someone to pick up her distressed twin girls in Louisiana; how she'd managed to convince Stein to accompany Galt in his Mustang on a cross-continental drive to New Orleans around Christmastime; and how Galt, before going on the trip, had insisted on the bizarre precondition that Stein, Rita, and their cousin Marie Tomaso first lend their signatures to George Wallace's California primary effort. found Charlie Stein at his apartment at 5666 Franklin Avenue, just around the corner from the St. Francis. From the start it was clear that Stein was one odd duck--by turns cagey, rambling, and cosmic--but he was cooperative enough. He told the agents the story of how he met Galt; how his sister Rita needed someone to pick up her distressed twin girls in Louisiana; how she'd managed to convince Stein to accompany Galt in his Mustang on a cross-continental drive to New Orleans around Christmastime; and how Galt, before going on the trip, had insisted on the bizarre precondition that Stein, Rita, and their cousin Marie Tomaso first lend their signatures to George Wallace's California primary effort.

"He said he'd been in the Army," Stein recalled. "He said he was from Alabama, and that he planned to go back back to Alabama one day. He said that if the Negro wanted to live free, he should move to the North or the West. But if the Negro wants to be a slave, he should remain in the South." to Alabama one day. He said that if the Negro wanted to live free, he should move to the North or the West. But if the Negro wants to be a slave, he should remain in the South."

Stein's memories of the drive to New Orleans were vague at first, but when he was reinterviewed the next day, he began to open up. "Galt had money to spend--he said he was part owner of a bar down in Mexico but that he'd sold his interest. He stopped a few times to make long-distance calls at phone booths. He liked hamburgers with everything on them, and liked to sip a beer while he drove. He was always playing country and western music on the car radio."

What did he look like? the agents asked him. the agents asked him. How did he dress? How did he dress?

"He wore a brown suit and a watch. I'll tell you this, the guy put on an excessive amount of hair cream."

Agents Ross and Slicks found that Stein's cousin Marie Tomaso had sharp recollections612 of her own. As a c.o.c.ktail waitress at the Sultan Room and as a fellow tenant in the St. Francis Hotel, Tomaso had seen Galt on more than thirty occasions, she guessed. "He usually drank vodka, or beer," she remembered. "He liked to eat beef jerky. His hands were clean, no calluses. He always had a solemn expression. He was real pale, as if he stayed indoors all the time." of her own. As a c.o.c.ktail waitress at the Sultan Room and as a fellow tenant in the St. Francis Hotel, Tomaso had seen Galt on more than thirty occasions, she guessed. "He usually drank vodka, or beer," she remembered. "He liked to eat beef jerky. His hands were clean, no calluses. He always had a solemn expression. He was real pale, as if he stayed indoors all the time."

Once Tomaso and Galt shot some billiards together. "He wasn't very good, but you could tell he'd played some pool." Although he was mostly quiet and shy, he had a temper. She recalled the time when Galt turned on her and Rita, furious at their suggestion that Charlie, not Rita, would accompany him to New Orleans. "I got a gun," he'd said. "If this is a setup, I'll kill him."

Sometime around late February, she and Galt arranged to swap televisions. He wanted to exchange his clunky Montgomery Ward console TV, which he'd purchased a few months earlier through a cla.s.sified ad, for her little Zenith. The trade didn't make much sense to her, because her Zenith really wasn't as good a set, but he explained: "I need a portable--I'm doing some traveling the next few months."

She was happy to take delivery of the big console and went up to Galt's room to help him carry it down. On the back of the television set was a handwritten sign613 that said: MARTIN LUTHER c.o.o.n. that said: MARTIN LUTHER c.o.o.n.

WHEN SPECIAL AGENTS John Ogden and Roger Kaas614 knocked on Jimmie Garner's door that Easter Sunday, April 14, the Atlanta landlord was deeply confused--and quite possibly a little drunk. His office records were in shambles, and at first he mixed up Galt with another tenant, a worker from North Carolina who had checked in only a few days earlier. But at the agents' steady prompting, memories of Eric Galt slowly came flooding back to his befogged mind. knocked on Jimmie Garner's door that Easter Sunday, April 14, the Atlanta landlord was deeply confused--and quite possibly a little drunk. His office records were in shambles, and at first he mixed up Galt with another tenant, a worker from North Carolina who had checked in only a few days earlier. But at the agents' steady prompting, memories of Eric Galt slowly came flooding back to his befogged mind.

Galt had moved in on March 24--"he wore a suit and looked for all the world like a preacher," Garner said. He paid ten bucks a week in rent and stayed in room 2. On March 31, Galt paid a second week's rent, and that was the last time Garner had seen him. On the afternoon of April 5, Garner entered Galt's room to change the linen and found on the bed a sc.r.a.p of cardboard on which Galt had scrawled in ballpoint pen: "Had to go to Birmingham--left TV. Will return to pick up soon." But Galt hadn't hadn't returned, and Garner had all but given up on his tenant--in fact, he was beginning to covet that abandoned Zenith for himself. returned, and Garner had all but given up on his tenant--in fact, he was beginning to covet that abandoned Zenith for himself.

That night FBI agents kept an eye on the rooming house in case Galt did try to circle back for his things. The next morning, Monday, April 15, Agents Kaas and Ogden showed up again for another round of questioning. Can we see Galt's room? Can we see Galt's room? they wanted to know. they wanted to know.

"Sure," Garner said. Hoisting a big ring of jangling keys, the landlord opened up room 2 and gladly showed them the s.p.a.ce. Garner apparently had no idea that FBI agents had already snuck in and cased the joint, but he was beginning to guess what the investigation was all about. "How you guys coming along on the King case?" he asked at one point.

While Garner looked on, the agents donned gloves and collected all of Galt's belongings. (To Garner's chagrin, they took away the TV set, too.) The evidence was soon boxed up at the FBI field office and then entrusted to Agent John Sullivan, who drove straightaway to the Atlanta airport, hopped a Delta flight for Washington, and personally transported the latest trove to the FBI Crime Lab.

Jimmie Garner, meanwhile, was whisked away to the FBI Atlanta office for more questioning. An agent laid out six photographs of six different white males and asked Garner, "Was your roomer any one of these guys?"

Garner didn't hesitate in picking a photograph of Eric Galt--the portrait that had been taken with Tomas Lau at the bartending school. "If this isn't the guy," Garner said, "it's his twin brother."

THE NEXT MORNING, in Memphis, the sanitation strike that had lured King to his death was finally drawing to a close. Nearly every day since the a.s.sa.s.sination, while garbage continued to pile up on the streets and citizens began to suspect King's killer would never be found, negotiators had exhausted long hours at the Hotel Claridge downtown, desperately trying to hammer out an agreement. Several times the discussions had devolved into shouting matches, finger wagging, fist shaking--"we were numb,615 played out emotionally," said one of the mediators--and the parties representing the city and the union nearly walked away. played out emotionally," said one of the mediators--and the parties representing the city and the union nearly walked away.

It was President Johnson's personal emissary, Undersecretary of Labor James Reynolds, who kept things on track. "Whether you realize it or not," he told the negotiators, "the eyes of the world are on this table."

It was Reynolds, too, who devised an elegant solution to the stalemate: politely ignore Mayor Henry Loeb and negotiate directly with the city council. This allowed the mayor to save face; he could continue to hold on to his intransigent position--the union is illegal and thus cannot be recognized!--and then blame any settlement on the council.

Reynolds also helped resolve the other major sticking point--the question of "dues checkoff"--by arranging for an independent, employee-run federal credit union to automatically deduct the sanitation workers' union dues. The final hurdle was a modest pay raise for the garbage workers--a pressing problem, it turned out, as the city had no extra funds in its current budget. This impa.s.se was resolved by a spontaneous act of philanthropy from a Memphis industrialist named Abe Plough,616 the founder of a large pharmaceutical concern that made such products as Coppertone suntan lotion, Maybelline cosmetics, and St. Joseph aspirin. Insisting on anonymity at the time, Plough put up sixty thousand dollars of his own money, which was enough to answer the city council's immediate needs. the founder of a large pharmaceutical concern that made such products as Coppertone suntan lotion, Maybelline cosmetics, and St. Joseph aspirin. Insisting on anonymity at the time, Plough put up sixty thousand dollars of his own money, which was enough to answer the city council's immediate needs.

In the end, the strikers got more or less everything they'd been picketing for these past sixty-five days: union recognition, dues checkoff, a more straightforward grievance procedure, and a wage hike. If the symbolic could be reduced to the strictly monetary, the reparations for King's death, as well as the deaths of the two garbage workers whose crushing accident had ignited the strike, came down to a thin dime: the garbage workers, duly represented by AFSCME Local 1733 of the AFL-CIO, would receive a raise of exactly ten cents per hour.

The negotiators finally shook hands and the memorandum of understanding--no one dared call it a contract--was ratified by the city council. Even Mayor Loeb privately conceded that it was good for the city. "After Dr. King was killed,"617 he later said, "we simply had to get this thing behind us." Memphis was reeling from the a.s.sa.s.sination in every possible way, rethinking itself, questioning its ident.i.ty. The Cotton Carnival had been completely canceled--and in fact the party would never be quite the same again. Even he later said, "we simply had to get this thing behind us." Memphis was reeling from the a.s.sa.s.sination in every possible way, rethinking itself, questioning its ident.i.ty. The Cotton Carnival had been completely canceled--and in fact the party would never be quite the same again. Even Hambone's Meditations Hambone's Meditations, the regular cartoon in the Commercial Appeal Commercial Appeal, was on its deathbed. That same month, the paper would decide that the beloved Forrest Gump-like Negro had finally outlived his usefulness.

Undersecretary of Labor Reynolds was ecstatic and couldn't wait to report back to President Johnson. "'I am a man'--they meant it,"618 Reynolds said. "Even though they picked up garbage and threw it into trucks, they wanted somebody to say, 'You are a man!' It was the real thing." Reynolds said. "Even though they picked up garbage and threw it into trucks, they wanted somebody to say, 'You are a man!' It was the real thing."

That night, April 16, the garbage workers gathered inside Clayborn Temple, where the walls were still streaked with tear-gas stains from the March 28 siege, and unanimously voted to approve the agreement. People danced in the aisles, they cried, they flashed V-for-victory signs. The local union leader, T. O. Jones, had tears streaming down his face when he mounted the podium. "We have been aggrieved619 many times," he shouted. "But we have got the victory!" many times," he shouted. "But we have got the victory!"

The good cheer in the room was undercut by a painful recognition of the price that had been paid. One garbage worker, visibly excited by the possibility of returning to work the following morning, put it this way: "We won,620 but we lost a good man along the way." but we lost a good man along the way."

EARLIER THAT DAY, in Toronto, Eric Galt was undergoing a metamorphosis. He was slowly emerging from the chrysalis of a spent and useless ident.i.ty and turning into Ramon George Sneyd. In the morning, he found a new apartment for "Sneyd" to live in, this one a few blocks away from the Szpakowski rooming house on Ossington. It was located at 962 Dundas Street West and was run by a Chinese landlady named Sun Fung Loo.621 Then he wrote to the registrar of births Then he wrote to the registrar of births622 in Ottawa, requesting a birth certificate for Ramon Sneyd. In his application, he asked the authorities to send the certificate to his new Dundas address. in Ottawa, requesting a birth certificate for Ramon Sneyd. In his application, he asked the authorities to send the certificate to his new Dundas address.

A few hours later, Sneyd walked into the Kennedy Travel Bureau, a respected travel agency on Bloor Street West, to investigate airline tickets. For the first time, he was calling himself Sneyd in public, and wearing the professorial-looking tortoisesh.e.l.l gla.s.ses that graced the photo he planned to use for his pa.s.sport application. The travel agency's manager, Lillian Spencer,623 sat down with Sneyd and gladly helped him with his travel plans. "He just sort of appeared out of nowhere," she recalled. "He was a nebulous person, not the sort of man one notices or remembers. He blended right into the wallpaper." sat down with Sneyd and gladly helped him with his travel plans. "He just sort of appeared out of nowhere," she recalled. "He was a nebulous person, not the sort of man one notices or remembers. He blended right into the wallpaper."

His unusual name was the only thing that adhered to Spencer's memory: "I thought it was an odd name624 because Ramon is Spanish and doesn't usually go with George." because Ramon is Spanish and doesn't usually go with George."

Sneyd first inquired about tickets to Johannesburg, South Africa, but recoiled at the price--$820 Canadian round-trip. Instead, he asked Spencer to look into the cheapest available fares to London. She soon found a flight on British Overseas Airways that departed Toronto on May 6. It was a twenty-one-day economy excursion, the cheapest flight available, and came with a fare of only $345 Canadian. Sneyd liked the sound of it and asked her to go ahead and make a reservation.

Do you have your pa.s.sport with you? she asked. she asked.

He didn't have one yet, he said, but he was working on it. Here Spencer must have sensed his hesitation, his awkward uncertainty over how to proceed. Sneyd was under the mistaken impression that to secure a pa.s.sport, he would have to provide a "guarantor"--a Canadian citizen in good standing who could vouchsafe that he'd known the applicant for more than two years. Meeting this requirement was the main reason he'd been developing two two ident.i.ties and ident.i.ties and two two addresses; according to his rather convoluted and risky plan, the bespectacled Sneyd would be the traveler, and Bridgman (wearing an altogether different getup and possibly a toupee) would be the guarantor. addresses; according to his rather convoluted and risky plan, the bespectacled Sneyd would be the traveler, and Bridgman (wearing an altogether different getup and possibly a toupee) would be the guarantor.

Sneyd wasn't going to explain any of this to her, of course, but Spencer graciously intervened before he had to conjure up a story. "I "I can get you a pa.s.sport," she said. "Do you have a birth certificate?" can get you a pa.s.sport," she said. "Do you have a birth certificate?"

"Well, no," he said.

She told him that was okay, he didn't need a birth certificate.

What about the guarantor? he asked. "I don't know anyone who could serve as my guarantor."

"Not necessary, either," Spencer replied. There was a loophole in the pa.s.sport rules, she said. From her files, she fished out a government form called "Statutory Declaration in Lieu of Guarantor." Sneyd was simply required to sign the form in the presence of a notary. "As it happens," she said sunnily, "we have a notary right here in the office."

Sneyd couldn't believe his good fortune. He'd had no idea how easy it was in wholesome, trusting Canada to acquire travel papers and inhabit another person's ident.i.ty: no birth certificate required, no proof of residence, no character witnesses. He'd wasted his time fabricating a web of interlocking aliases, disguises, and residences, when all he had to do was swear before a notary that he was who he said he was. Welcome to Canada Welcome to Canada, the expression went, we believe you we believe you.

Sneyd made quick work of the application forms. Listing his occupation as "car salesman," he provided the real Ramon Sneyd's birth date with his new address at Mrs. Loo's place on Dundas Street West. The application asked, "Person to Notify in Canada in Case of Emergency," to which, predictably, he furnished the name of his doppelganger, "Paul Bridgman, 102 Ossington Avenue, Toronto." It was all terrifically easy, but in his haste he made one critical mistake--he scribbled the last name "Sneyd" in a way that was barely legible.

From his jacket, he retrieved an envelope containing the pa.s.sport photos he'd sat for at the Arcade Studio a few days before. Sneyd paid Lillian Spencer five dollars for the application and another three dollars for her processing fee. She said the pa.s.sport would be ready within two weeks--and should arrive in her office about the same time the British Overseas Airways ticket came in. She bade him farewell, and as he ambled out the door, she affixed to his application a note whose frantic truth she could not have guessed. "Please expedite," she wrote, "as our client wishes to leave the country as soon as possible."

39 ARMED AND DANGEROUS

AT THE FBI headquarters in Washington, the MURKIN investigation had been steadily building throughout the week, steadily swelling toward an evidentiary crescendo. Individually, the thousands of isolated puzzle pieces that agents had thus far acc.u.mulated meant little and proved nothing; taken as a whole, however, they were starting to paint a single portrait and point toward a single man. The mounting evidence kept landing on the same individual, over and over and over again--the same shadowy figure, nervous, fidgety, wearing a suit, living in flophouses, and driving a white Mustang.

In quite a literal sense, the puzzle pieces were were coming together: they were now arrayed on a single large table in a harshly lit FBI examination room. Since April 4, the FBI had compiled a staggering amount of stuff--hundreds and hundreds of miscellaneous objects that seemed to bear no relation to one another, like the scattered debris at an airplane crash. A Schlitz beer can. A package of lima beans. A bullet housing. A strand of hair. A sc.r.a.p of paper. A pocket radio. A receipt with handwriting on it. A shutter-release cable for a camera. A coffee cup immersion heater. A marked-up map. A pair of undershorts. A twenty-dollar bill. A portable television. A set of binoculars. A bottle of French salad dressing. A toothbrush. A rifle. coming together: they were now arrayed on a single large table in a harshly lit FBI examination room. Since April 4, the FBI had compiled a staggering amount of stuff--hundreds and hundreds of miscellaneous objects that seemed to bear no relation to one another, like the scattered debris at an airplane crash. A Schlitz beer can. A package of lima beans. A bullet housing. A strand of hair. A sc.r.a.p of paper. A pocket radio. A receipt with handwriting on it. A shutter-release cable for a camera. A coffee cup immersion heater. A marked-up map. A pair of undershorts. A twenty-dollar bill. A portable television. A set of binoculars. A bottle of French salad dressing. A toothbrush. A rifle.

Cartha DeLoach had the bureau's best minds poring over this ma.s.s of evidence--not just fingerprint people, but handwriting people, fiber-a.n.a.lysis people, photographic specialists, ultraviolet light technicians, ballistics experts. The connections these professionals began to discern were dizzying, the links intriguing, the microscopic matches too numerous to count. What they saw was a thousand little arrows, each one seemingly pointing to some other arrow.

Fibers found in the trunk of the impounded Mustang matched fibers taken from the bundle's herringbone bedspread. Eric Galt's signature on the registration card at the New Rebel Motel in Memphis matched handwriting samples obtained all along the investigatory trail. Hairs in Galt's comb matched hairs found in the Mustang sweepings. The physical, the circ.u.mstantial, and the purely anecdotal seemed increasingly interwoven: The "Turista" stickers affixed to the car jibed with Stein's recollections that Galt said he'd once owned a bar in Mexico. When buying the gun in Birmingham, Lowmeyer had mentioned going hunting "with my brother," while people at both the bartending and the dancing schools also recalled that Galt mentioned a forthcoming trip to visit a brother. The story about Galt pressuring Charlie and Rita Stein, and their cousin Marie Tomaso, to lend their signatures to the George Wallace campaign seemed somehow connected to Galt's Alabama license plates, his former Alabama residence, and other emerging ties to George Wallace's home state.

Every imaginable detail--the Thermo-Seal laundry tags, the auto service sticker, the change-of-address form, the maps, the fingerprint-laden Afta aftershave lotion, the money orders, Marie Tomaso's Zenith television found abandoned two thousand miles away in Atlanta--seemed to link Galt's movements together. The car was connected to the bundle, was connected to the gun, was connected to the binoculars. Atlanta was connected to Memphis, was connected to Mexico, was connected to Los Angeles and Birmingham and back to Atlanta again. It was all a single web.

Two pieces of late-breaking evidence clinched the FBI's confidence that they were onto the right man. The first came on April 16, when agents in Atlanta found the laundry service625 Eric Galt had used on Peachtree Street. Annie Estelle Peters, the desk clerk at Piedmont Laundry, checked her records and noted that Galt had picked up his clothes on the morning of April 5, the day after the a.s.sa.s.sination--the same day he'd parked the Mustang at Capitol Homes and vacated his rooming house, leaving a note on his bed. Galt's inculpatory movements seemed now almost perfectly clear: staying in Memphis at the New Rebel Motel on the night of April 3, he had raced back to Atlanta after the a.s.sa.s.sination, whereupon he'd abandoned his car, picked up his laundry, cleared out of his room--and apparently left town for good. Eric Galt had used on Peachtree Street. Annie Estelle Peters, the desk clerk at Piedmont Laundry, checked her records and noted that Galt had picked up his clothes on the morning of April 5, the day after the a.s.sa.s.sination--the same day he'd parked the Mustang at Capitol Homes and vacated his rooming house, leaving a note on his bed. Galt's inculpatory movements seemed now almost perfectly clear: staying in Memphis at the New Rebel Motel on the night of April 3, he had raced back to Atlanta after the a.s.sa.s.sination, whereupon he'd abandoned his car, picked up his laundry, cleared out of his room--and apparently left town for good.

Then, from George Bonebrake and his fingerprint experts, came the coup de grace: a fingerprint raised from a map626 of Mexico in Galt's Atlanta room matched a fingerprint found on the .30-06 Gamemaster rifle. of Mexico in Galt's Atlanta room matched a fingerprint found on the .30-06 Gamemaster rifle.

"Our net was beginning to close,"627 said DeLoach. "It was all becoming obvious--Galt and Lowmeyer and Willard were one and the same man." What said DeLoach. "It was all becoming obvious--Galt and Lowmeyer and Willard were one and the same man." What kind kind of man was the subject of ongoing speculation, but DeLoach boiled the suspect down this way: "Poorly educated, without scruples, and with a touch of animal cunning. But we knew he had one weakness--he liked to dance." of man was the subject of ongoing speculation, but DeLoach boiled the suspect down this way: "Poorly educated, without scruples, and with a touch of animal cunning. But we knew he had one weakness--he liked to dance."

UNTIL THIS POINT in the investigation, the FBI had been working in almost total secrecy. Hoover and DeLoach had repeatedly admonished all the SACs in all the field offices across the country that the word was mum--nothing, apart from that one artist's composite sketch of the killer, was to be leaked to the media or to any local law-enforcement agencies. This nearly complete lockdown on information served a strategic purpose, of course--to keep the a.s.sa.s.sin and any accomplices forever guessing--but it also made fertile ground for the sprouting of conspiracy theories.

The longer the investigation crept along without resolution, the more it looked to a doubting public as though the agents of Hoover's famously King-hating bureau either were deliberately dragging their feet or were themselves involved in the a.s.sa.s.sination. DeLoach felt that arousing public suspicion was a risk the bureau would simply have to take. A case like this could only be solved behind the scenes--through methodical detective work, careful lab a.n.a.lysis, and a relentless pursuit of every plausible lead.

The media were emphatically shut out. For nearly two weeks, even the most enterprising crime reporters, journalists who previously enjoyed an "in" with the FBI, now found themselves rebuffed and stonewalled. The special agent in charge in Atlanta told one such reporter: "All I can say628 is 'No comment.' We could talk all night and still all I could say is, 'No comment.'" is 'No comment.' We could talk all night and still all I could say is, 'No comment.'"

Wednesday, April 17, would be a very different day for the MURKIN case. It was the day the FBI would finally, briefly go public.

At the Justice Department that morning, the FBI announced that it was issuing a warrant629 for a thirty-six-year-old fugitive named Eric Starvo Galt. The warrant stated that Galt--alias Harvey Lowmeyer, alias John Willard--along with a person "whom he alleged to be his brother," had entered into a conspiracy "to injure, oppress, threaten, or intimidate Martin Luther King, Junior." The Justice Department had to invoke this slightly garbled legalese because murder is a state and local, not a federal, crime; the FBI could arrest Galt for conspiring to violate King's civil rights, but not for murdering him. for a thirty-six-year-old fugitive named Eric Starvo Galt. The warrant stated that Galt--alias Harvey Lowmeyer, alias John Willard--along with a person "whom he alleged to be his brother," had entered into a conspiracy "to injure, oppress, threaten, or intimidate Martin Luther King, Junior." The Justice Department had to invoke this slightly garbled legalese because murder is a state and local, not a federal, crime; the FBI could arrest Galt for conspiring to violate King's civil rights, but not for murdering him.

The warrant went on to describe Galt's personal idiosyncrasies in some detail: "He probably does not have a high degree of education ... is said to drink alcoholic beverages with a preference for vodka and beer ... has a nervous habit of pulling at an earlobe with his hand ... an avid dancer ... left ear protrudes farther from his head than his right." Noting that Galt was a neat dresser and a devotee of country-and-western music, the warrant concluded: "He should be considered armed and dangerous."

The FBI also released to the media two photographs--the bartending school picture of Galt in his bow tie with his eyes closed, and then the same picture, with the eyes filled in by an FBI sketch artist. Perhaps it's true that the outward markers of human ident.i.ty abide uniquely in the eyes, but neither one of the images looked much like the real fugitive--especially the one doctored by the artist. In that image, Galt looked like a wax figure, a mannequin, a freakish fake. Though it was hard to pinpoint just what was "off" about them, the drawn-in eyes gave Galt a creepy cartoon quality that, in terms of helping the public find the killer, would probably do more harm than good. His ruse before the camera seemed to have accomplished what he'd hoped. the one doctored by the artist. In that image, Galt looked like a wax figure, a mannequin, a freakish fake. Though it was hard to pinpoint just what was "off" about them, the drawn-in eyes gave Galt a creepy cartoon quality that, in terms of helping the public find the killer, would probably do more harm than good. His ruse before the camera seemed to have accomplished what he'd hoped.

The Eric Galt warrant, with its accompanying photos, represented the full extent of the FBI's offerings for the day. Justice Department officials in the room announced that they would take no questions. When one reporter tested an official by asking a question anyway--what was the provenance of the photos?--he brusquely replied: "No comment."

WHILE WASHINGTON REPORTERS were scrambling for the phones, the fugitive was walking down a street in Toronto not far from his rooming house, where he very nearly blundered into a disaster. Ramon Sneyd was out of sorts that day, fl.u.s.tered, anxious about the pa.s.sport application he had submitted, through the Kennedy travel agency, the day before. With some trepidation, he realized he had two weeks to do nothing, two weeks for something to go wrong. What if the paperwork didn't go through? What if the photo set off alarm bells? What if the pa.s.sport officials contacted the real real Ramon Sneyd? Ramon Sneyd?

Perhaps it was this nagging jumble of worries that caused him not to pay attention to what he was doing that afternoon, leading him to make a stupid mistake: he jaywalked across a busy street.630 Immediately, a policeman approached him. Excuse me, sir, the cop said, do you realize you have broken the law?

Sneyd's heart sank. For a brief moment, he thought the jig was up. You must cross at the intersection, the cop said. "I'm afraid I must issue you a ticket. The fine is three dollars."

Sneyd was surprised, amused, relieved, and elated--all at the same time. But when the cop inquired, "Name and address, please," Sneyd realized he had a problem. He wasn't sure what to tell him. He knew that the real Ramon Sneyd was a Toronto policeman--who knew, maybe even a friend of this very traffic cop?--and so he recognized using that name was too risky. In his wallet, stupidly, he still had his Alabama driver's license, made out to Eric Galt--who, although Sneyd didn't know it yet, was the most wanted man in North America.

He had to think on his feet. He gave some other phony name that surfaced from his imagination, then provided an address, 6 Condor Avenue, which happened to be the real address of a brothel that he had apparently visited in Toronto.

He worried the cop might smell something fishy and feared that he might ask for an ID. But this was wholesome Canada, trusting Canada. The cop believed him. He wrote up the ticket, took Sneyd's three dollars, and went along his way.

Sneyd was disgusted with his obtuseness--not only for jaywalking, but also for still having his Galt ID on his person. As soon as he could, he shredded his driver's license631 and tossed it in his trash. For a brief time, while awaiting the arrival of his birth certificate and a pa.s.sport, he was without ident.i.ty, dwelling in a doc.u.ment-less purgatory, a man without a name. and tossed it in his trash. For a brief time, while awaiting the arrival of his birth certificate and a pa.s.sport, he was without ident.i.ty, dwelling in a doc.u.ment-less purgatory, a man without a name.

40 THE PHANTOM FUGITIVE

THE FOLLOWING MORNING, newspapers all across North America and the world carried page-one photos of Eric Starvo Galt. He was the talk of the nation, the subject of party chatter, the name on the lips of every radio voice along the dial. But the queer-looking pictures, together with the bizarre train of facts that the FBI had a.s.sembled, seemed to raise more questions than they answered. What kind of name was Eric Starvo Galt? What kind of a.s.sa.s.sin was this--this avid dancer who listens to hillbilly music? What was the story behind those eyes?

Papers all over the country were full of inflamed speculation. Crime reporters out-purpled each other with nicknames for the wanted man. He was "the man without a past."632 He was "the man who never was." He was "the sharp-nosed stranger," "the will-o'-the-wisp," "the mystery man," "the phantom fugitive." He was "the man who never was." He was "the sharp-nosed stranger," "the will-o'-the-wisp," "the mystery man," "the phantom fugitive."