"Not half so fine as my silver purse," commented Anne.
Miriam Nesbit was the recipient of a cut gla.s.s powder box with a silver top, while Eva Allen was in raptures over a gold chatelaine pin, that more than once she had vainly sighed for.
Even the boys had been so well remembered that they felt rather embarra.s.sed when they compared their simple gifts to Marian with those she had given them. As for Mr. Henry Hammond, he had received a complete toilet set mounted in silver that was truly a magnificent affair, while Marian proudly exhibited a gold chain and locket set with small diamonds, which she had received from him.
When the last package had been opened, Santa Claus removed his huge white beard, slipped out of his scarlet bath robe bordered with cotton and stood forth as Hippy Wingate; while Father Time set his sickle carefully up in one corner, divested himself of his flowing beard and locks, took off David's gray dressing gown and appeared as Tom Gray.
It was long after midnight before the guests sought their rooms, their arms piled with gifts.
"Come into my room for an after-gathering," said Miriam to the girls, as they stood in a group at the head of the stairs.
"Wait until we deposit our spoils and get comfy," said Grace.
Fifteen minutes later the Phi Sigma Taus, with the exception of Marian Barber, wrapped in kimonos, were monopolizing the floor s.p.a.ce around the big open fireplace in Miriam's room.
"Where's Marian?" asked Grace.
"Gone to bed," answered Eva laconically. "She said she didn't propose to stay up half the night to gossip."
"The very idea!" exclaimed Jessica. "We never do gossip, but I think she has furnished plenty of material so far for a gossiping match."
"And it looks as though we were in a fair way to start one, now," said Anne slyly.
"Anne, you rascal," said Jessica laughing. "I'll acknowledge my sins and change the subject."
"My presents were all beautiful!" said Miriam Nesbit, who, clad in a kimono of cream-colored silk bordered with red poppies, her long black braids hanging far below her waist, looked like a princess of the Orient.
"And mine," echoed Grace. "The chain Marian gave me is a dear."
She stopped abruptly. A sudden silence had fallen upon the group at her words. Grace instantly divined that in the minds of her friends there lurked a secret disapproval of Marian's extravagance in the matter of gifts.
CHAPTER XII
THE MISTLETOE BOUGH
After breakfast the next morning the judge proposed a sleigh ride, and soon the entire party were skimming over the ground in two big old-fashioned sleighs. Though the day was fairly cold, the guests were too warmly wrapped to pay any attention to the weather, and keenly enjoyed every moment of the ride.
After lunch a mysterious council took place in the library, and directly after a visit was made to the attic, Grace having received permission to rummage there. Later Reddy and Tom Gray were seen staggering down the stairs under the weight of a huge cedar chest, and later still the girls hurried down, their arms piled high with costumes of an earlier period.
Christmas dinner was to be a grand affair, and the judge had invited half a dozen friends of his own age to share "his borrowed children."
The girls had saved their prettiest gowns for the occasion, and the boys had put on evening dress. The judge viewed them with unmistakable pride as they stood grouped about the drawing room, awaiting the announcement of dinner. An almost imperceptible frown gathered between his brows, however, as his eyes rested upon Marian Barber, who was wearing a fearfully and wonderfully made gown of gold-colored silk, covered with spangles, that gave her a serpentine effect, and made her look ten years older than the other girls.
On going upstairs to dress, Marian had asked Eva Allen if she objected to dressing with Miriam Nesbit, and Eva had obligingly taken her belongings into Miriam's room after obtaining the latter's permission to do so. Marian had engaged the attention of Miss Putnam's maid for the greater part of an hour, and when she did appear the varied expressions upon the faces of her friends plainly showed that she had succeeded in creating a sensation.
"For goodness sake, what ails Marian!" growled Reddy Brooks in an undertone to David. "Can't the girls make her see that she looks like a fright beside them?"
"Anne told me that Grace and Eva have both talked to her," replied David in guarded tones. "Grace thinks Hammond has put this grown-up idea into her head."
"Humph!" growled Reddy in disgust. "She used to be a mighty pleasant, sensible girl, but lately she acts like a different person. I don't think much of that fellow Hammond. He's too good to be true."
"What have we here?" whispered Hippy to Nora under cover of general conversation. "I never before saw so many spingles and spangles collected in one spot."
"Sh-h-h!" pleaded Nora. "Don't make me laugh, Hippy. Marian is looking this way, and she'll be awfully cross if she thinks we are making sport of her."
"She reminds me of a song I once heard in a show which went something like this," and Hippy naughtily sang under his breath:
"My well-beloved circus queen, My human snake, my Angeline!"
There was a queer choking sound from Nora and she walked quickly down to the other end of the drawing room and earnestly fixed her gaze upon a portrait of one of the judge's ancestors, until she could gain control of her risibles.
The dinner was a memorable one to both the judge and his guests, and it was after nine o'clock before the last toast had been drunk in fruit punch. Then every one repaired again to the drawing room.
Shortly after, Grace, Anne, Nora, Jessica, Eva and Miriam, accompanied by David, Tom, Hippy and Reddy disappeared, closing the ma.s.sive doors between the drawing room and the wide hall. Half an hour later Arnold Evans announced that all those wishing to attend the pantomime, "The Mistletoe Bough," could obtain front seats in the hall.
There was a general rush for the hall where the spectators found rows of chairs arranged at one end.
Hardly had they seated themselves when the first notes of that quaint old ballad, "The Mistletoe Bough," sounded from the piano in the drawing room, Nora O'Malley appeared in the archway, and in her clear, sweet voice sang the first verse of the song.
As she finished, the strains of a wedding march were heard, and from the room at the opposite side of the hall came a wedding procession.
Anne, as the bride, was attired in an old-time, short-waisted gown of white satin with a long lace veil, yellow with age, while David in a square-cut costume with powdered wig, enacted the part of the bridegroom. Arnold Evans was the clergyman, Grace and Tom the parents of the bride, while Reddy, Jessica, Hippy and Eva were the wedding guests.
All were garbed in the fashion of "ye olden time," the boys in wigs and square cuts, the girls in short-waisted, low-necked gowns, with hair combed high and powdered.
Then the ceremony was performed in pantomime and the bride and groom received the congratulations of their friends. The groom bowed low over the bride's hand and led her to the center of the hall. The other couples formed in line behind them and a stately minuet was danced.
While the minuet was in progress the bride suddenly stopped in the midst of the figure and professing weariness of the dance, ran out of the room, after signifying to her husband and guests that she would hide, and after a brief interval they should seek for her.
Entering into her fun, the young husband and guests smilingly lingered a moment after her departure, and then ran eagerly off to find her. This closed the scene, and Nora again appeared and sang the next verse.
The cedar chest, brought from the attic by the boys, had been set on the broad landing at the turn of the open staircase, and in the next scene Anne appeared, alone, and discovering the chest climbed gleefully into it and drew the lid down.
Then followed the vain search for her and the deep despair of the young husband at the failure to find his bride, with the final departure of the wedding guests, their joy changed to sorrow over the bride's mysterious disappearance.
There was a brief wait until the next scene, during which another verse of the ballad was sung. Then the husband, grown old, appeared and in pantomime reviewed the story of the strange vanishing of his beautiful bride on her wedding night so many years before. In the next scene two servants appeared with orders to clean out and remove the old chest from the landing. Hippy and Jessica, as the two mischievous prying servants, enacted their part to perfection. Hippy carrying a broom and dust pan, did one of the eccentric dances, for which he was famous, while Jessica, armed with a huge duster, tried to drive him to work.
Finally both lay hold of the old chest, the rusted lock broke and the lid flew open. After one look both servants ran away in terror, and beckoned to the forsaken husband who had appeared in the meantime, seating himself on the oak settee in the lower hall. With eager gestures they motioned him to the landing where the old chest stood. The final tableau, depicted the stricken husband on his knees beside the chest with a portion of the wedding veil in his shaking hands, while the servants, ignorant of the story of the lost bride, looked on in wonder.
During the last tableau Nora softly sang the closing verse and the refrain. Even after the last note had died away the spectators sat perfectly still for a moment. Then the applause burst forth and David bowing in acknowledgment, turned and helped Anne out of the chest, where she had lain quietly after hiding.
The chest had been set with the side that opened toward the wall. While planning for the pantomime the boys had arranged the lid so that it did not close, yet the opening was not perceptible to those seated below.
Thus there had been no danger of Anne meeting the fate of the ill-starred Ginevra, the heroine of the ballad.
"You clever children," cried the old judge. "How did you ever get up anything like that on such short notice? It was beautifully done. I have always been very fond of 'The Mistletoe Bough.' My sister used to sing it for me."