Dear Genevieve. Do say where you heard them speak of the decision they had come to not to have masked b.a.l.l.s.

I didn't say. They always have masked b.a.l.l.s.

Oh so they do.

Yes indeed they do.

There are many of them.

A great many.

Looks.

Looks to me.

Dear Sir. Why have you such splendid olive trees.

Dear Mr. Wilson.

Why have you such plain entrances.

What do you mean.

I mean in Mallorca they do it in such a way that every house has an interesting entrance.

You mean chairs.

Yes I mean chairs.

_Act 4._

_Scene 1._

Dear Sir. Please do not persist.

The one in the house said it.

Dear Lady Cryst what do you say to that again.

I say nothing.

Indeed you are discreet and timid.

Mrs. Seeman has been disappointed. In Saint Katherine.

Yes because of the children.

How do you mean.

One of them was not bewildering and he blasphemed the saints.

Oh no.

No one could be older.

You mean today.

I mean anyday.

Dear Sir. Come to another conclusion.

Yes I will.

Receive me and Cuba. You mean the name. Yes the name. You always liked hearing noises. Not in France. No indeed not in France.

Not in France.

No indeed.

Really you prepare me. I do. Not today. Today. You prepare me today.

_Scene 2._

This is so pleasing.

Dear Sir. How do you p.r.o.nounce Crowtell.

The land is very near and is seen and nuns fix it.

And the tramway.

Shall I say street car.

Not necessarily here it is more a country road and the electricity is easily had.

Everywhere.

Yes everywhere.

That is such a comfort.

Dear sir. You mean dear Mr. Rossilo do you know my older brother.

_Scene 3._

Charles King. Lindo Webb Lindo Webb.

Dear Charles King. You do not mind that I am in distress. I have no means of satisfying myself whether I am obliged to be careful or not.