_More Witnesses._

A splendid little charles louis philip, a splendid spout of little cups and colds, a splendid big stir, a splendid gla.s.s, a splendid little splinter, a splendid cl.u.s.ter.

_Single Witnesses._

(4). Why should wet be that and cut, cut with the gra.s.s, why should wet be that and clut with the purse, why should wet be wet and the wet that wet. Why should wet be the time to cla.s.s. Why should there be solemn cuppings.

The lean bark, that is the round and intense and common stop and in shouting, the left bark and the right bark and a belt, in that belt, in no belt and a corset, in a belt and ch.o.r.es, in a belt and single st.i.tches, in more boys than enough, in all thin beer and in all such eggs, in all the pile and in all the bread, in the bread, in the bread, in the condition of pretty nearly saying that yesterday is today, and tomorrow, tomorrow is yesterday. The whole swindle is in short cake and choice cake is white cake and white cake is sponge cake and sponge cake is b.u.t.ter.

_House to house._

(1). A habit that is not left by always screaming, a habit that is similar to the one that made quiet quite quiet and made the whole plain show dust and white birds and little plaintive drops of water, a habit which brightened the returning b.u.t.ter fly and the yellow weed and even tumbling, the habit which made a well choose the bottom and refuses all chances to change, the habit that cut in two whatever was for the use of the same number, the habit which credited a long touch with raising the table and the hour gla.s.s and even eye gla.s.ses and plenty of milk, the habit which made a little piece of cheese wholesome and darkness bitter and clanging a simple way to be solemn, a habit which has the best situation and nearly all the day break and the darkness a habit that is cautious and serious and strange and violent and even a little disturbed, a habit which is better than almost anything, a habit that is so little irritating, so wondering and so unlikely is not more difficult than every other.

(2). A change a real change is made by a piece, by any piece by a whole mixture of words and likenesses and whole outlines and ranges, a change is a b.u.t.t and a wagon and an inst.i.tution, a change is a sweetness and a leaning and a bundle, a change is no touch and buzzing and cruelty, a change is no darkness and swinging and highness, a change is no season and winter and leaving, a change is no stage and blister and column, a change is no black and silver and copper, a change is no jelly and anything proper, a change is not place, a change is not church, a change is not more clad, a change is not more in between when there is that and the change is the kind and the king is the king and the king is the king and the king is the king.

(3). Could there be the best almost could there be almost the most, could there be almost almost, could there be the most almost. Could there be the most almost, could there be the most almost, could there be almost almost. Could there be almost, almost.

Can the stretch have any choice, can the choice have every chunk, can the choice have all the choice, can the stretch have in the choice. Can there be water, can there be water and water. Can there be water. Can there be.

(4). A cousin to c.o.o.ning, a cousin to that and mixed labor and a strange orange and a height and a piece of holy phone and a catching hat gla.s.s and a bit of undertaking. All this makes willows and even then there is no use in dusting not in really redusting, not in really taking everything away. The best excuse for shadows is in the time when white is starched and hair is released and all the old clothes are in the best bag.

_House to house._

A wet hurt and a yellow stain and a high wind and a color stone, a place in and the whole real set all this and each one has a chin. This is not a claim it is a reorganization and a balance and a return.

DO LET US GO AWAY

A PLAY

(Theodore.) I don't think it's my fault I don't think I could do it so unconsciously. I think she brings it in every morning.

(Nicholas.) I used to be hurried, now I imagine I will not be.

(Theodore.) It is not necessary to dance or sing. Let us sing that song.

Let us call them their names Nicholas. Theodore we will. We are dishonored. We visit one another and say good-bye.

(Nicholas.) I do not like to be teased. It is so easy to kill mosquitoes but what is the use when we are discouraged by the war. We are so are the j.a.panese. We will never mention them.

(Theodore.) My principle idea is to eat my meals in peace.

They withdraw. Several people come in. With one of them there is a dog.

His name is Polybe. They speak to each other.

100 dollars good-bye good-bye good-bye.

(Jane and Nicholas and Theodore and the lawyer and the children.)

(Jane.) I speak slowly. I do it intentionally.

(Henry.) We have fragments. We call out sometimes. When two bands are playing they play in the distance. Some play in people's houses. We say hush.

(Arthur.) Dishonored. Never believe in September. Never believe in September in the sense of visions.

(Henry.) I do know the chorus. Individual cases do not bring the war home to me. I suddenly remember and I rest in it. I am ashamed. I have patience and earnest feeling. I am liking the new boat. It is still painted white and is enormously disappointing. Some one has been willing. Oh I am disgusted. This is not the conversation.

(Helen.) The same. I am a settled character. I have visions of welcoming them. They do behave so well and eat so regularly and very well too.

They grow almonds in their grounds and I like to eat them green or later. I like to eat them. They are willing. Do not disappoint me.

(Nicholas.) Don't cry.

(Nicholas.) I am looking for a candle. I have it. I am putting it in a Venetian box. Please leave it alone. Don't tease me. I have it. I can place it.

(Theodore.) We are altogether.

Silence and the lights are out. Everybody is laughing. They say (Leave it alone. We like to hear it.) They are very patient. (I cannot spare another handkerchief.)

Anybody can come in. We were surprised to see musicians. There were servants.

(Albert.) Do not repeat it. I tell you I won't have it. I will have a justice of the peace.

(He did.)

Jenny is sick.

(Jenny.) I am sick.

(The lawyer.) I went often to see you and every day I said I love you better I do love you better. That's it.

They were together and they said John are you going. He said something.

They were altogether.

I often think about it.

Genevieve was patient. She was angry because the water was another color.

She said. He is very good now.

A scene where there are two houses. One on either side and we are in the middle there is a great deal of talking in one of them. In the other they eat a late dinner.

(Nicholas.) Anthony. Henriette open the other door and tell mamma. I'll tell mamma.

Mamma coockcoo.