He took her squarely by the shoulders, the tears running in furrows down his face.

"I'll get you out of this, Loo. No girl in G.o.d's world will have to find herself tied up to me without I can show her a million dollars every time she remembers that she's married to a rotter. I'll get you out of this, girl, so you won't even show a scratch. I'll--"

"Charley," she said, lifting herself by his coat lapels, and her eyes again so closely level with his, "you're crazy with the heat--stark, raving crazy! You got your chance, boy, to show what you're made of--can't you see that? We're going West, where men get swept out with clean air and clean living. We'll break ground in this here life for the kind of pay-dirt that'll make a man of you. You hear? A man of you!"

He lifted her arms, and because they were pressing insistently down, squirmed out from beneath them.

"You're a good sport, girl; n.o.body can take that from you. But just the same, I'm going to let you off without a scratch."

"'Good sport'! I'd like to know, anyways, where I come in with all your solid-gold talk. Me that's stood behind somebody-or-other's counter ever since I had my working-papers."

"I'll get you out of--"

"Have I ever lived anywheres except in a dirty little North St. Louis flat with us three girls in a bed? Haven't I got my name all over town for speed, just because I've always had to rustle out and try to learn how to flatten out a dime to the size of a dollar? Where do I come in on the solid-gold talk, I'd like to know. I'm the penny-splitter of the world, the girl that made the Five-and-Ten-Cent Store millinery department famous. I can look tailor-made on a five-dollar bill and a tissue-paper pattern. Why, honey, with me scheming for you, starting out on your own is going to make a man of you. You got stuff in you. I knew it, Charley, the first night you spied me at the Highlands dance. Somewhere out West Charley c.o.x is now going to begin to show 'em the stuff in Charley c.o.x--that's what Charley c.o.x & Co. are going to do!"

He shook his head, turning away his eyes to hide their tears.

"You been stung, Loo. Nothing on earth can change that."

She turned his face back to her, smiling through her own tears.

"You're not adding up good this morning, Mr. c.o.x. When do you think I called you up last night? When could it have been if not after my sister broke her confidence to tell me? Why do you think all of a sudden last night I seen your bluff through about Gerber? It was because I knew I had you where you needed me, Charley--I never would have dragged you down the other way in a million years, but when I knew I had you where you needed me--why, from that minute, honey, you didn't have a chance to dodge me!"

She wound her arms round him, trembling between the suppressed hysteria of tears and laughter.

"Not a chance, Charley!"

He jerked her so that her face fell back from him, foreshortened.

"Loo--oh, girl! Oh, girl!"

Her throat was tight and would not give her voice for coherence.

"Charley--we--we'll show 'em--you--me!"

Looking out above her head at the vapory sky showing through the parting of the pink-brocade curtains, rigidity raced over Mr. c.o.x, stiffening his hold of her.

The lean look had come out in his face; the f.l.a.n.g.es of his nose quivered; his head went up.

VI

NIGHTSHADE

Over the silent places of the world flies the vulture of madness, pausing to wheel above isolated farm-houses, where a wife, already dizzy with the pressure of rarefied silence, looks up, magnetized. Then across the flat stretches, his shadow under him moving across moor and the sand of desert, slowing at the perpetually eastern edge of a mirage, brushing his actual wings against the brick of city walls; the garret of a dreamer, brain-sick with reality. Flopping, until she comes to gaze, outside the window of one so alone in a crowd that her four hall-bedroom walls are closing in upon her. Lowering over a childless house on the edge of a village.

Were times when Mrs. Hanna Burkhardt, who lived on the edge of a village in one such childless house, could in her fancy hear the flutter of wings, too. There had once been a visit to a doctor in High Street because of those head-noises and the sudden terror of not being able to swallow. He had stethoscoped and prescribed her change of scene. Had followed two weeks with cousins fifty miles away near Lida, Ohio, and a day's stop-over in Cincinnati allowed by her railroad ticket. But six months after, in the circle of glow from a tablelamp that left the corners of the room in a chiaroscuro kind of gloom, there were again noises of wings rustling and of water lapping and the old stricture of the throat. Across the table, a Paisley cover between them, Mr. John Burkhardt, his short spade of beard already down over his shirt-front, arm hanging lax over his chair-side and newspaper fallen, sat forward in a hunched att.i.tude of sleep, whistling noises coming occasionally through his breathing. A china clock, the centerpiece of the mantel, ticked spang into the silence, enhancing it.

Hands in lap, head back against the mat of her chair, Mrs. Burkhardt looked straight ahead of her into this silence--at a closed door hung with a newspaper rack, at a black-walnut horsehair divan, a great sea-sh.e.l.l on the carpet beside it. A nickelplated warrior gleamed from the top of a baseburner that showed pink through its mica doors. He stood out against the chocolate-ocher wallpaper and a framed Declaration of Independence, hanging left. A coal fell. Mr. Burkhardt sat up, shook himself of sleep.

"Little chilly," he said, and in carpet slippers and unb.u.t.toned waistcoat moved over to the base-burner, his feet, to avoid sloughing, not leaving the floor. He was slightly stooped, the sateen back to his waistcoat hiking to the curve of him. But he swung up the scuttle with a swoop, rattling coal freely down into the red-jowled orifice.

"Ugh, don't!" she said. "I'm burnin' up."

He jerked back the scuttle, returning to his chair, and, picking up the fallen newspaper, drew down his spectacles from off his brow and fell immediately back into close, puckered scrutiny of the printed page.

"What time is it, Burkhardt? That old thing on the mantel's crazy."

He drew out a great silver watch.

"Seven-forty."

"O G.o.d!" she said. "I thought it was about ten."

The clock ticked in roundly again except when he rustled his paper in the turning. The fire was crackling now, too, in sharp explosions. Beyond the arc of lamp the room was deeper than ever in shadow. Finally John Burkhardt's head relaxed again to his shirt-front, the paper falling gently away to the floor. She regarded his lips puffing out as he breathed. Hands clasped, arms full length on the table, it was as if the flood of words pressing against the walls of her, to be shrieked rather than spoken, was flowing over to him. He jerked erect again, regarding her through blinks.

"Must 'a' dozed off," he said, reaching down for his newspaper.

She was winding her fingers now in and out among themselves.

"Burkhardt?"

"Eh?"

"What--does a person do that's smotherin'?"

"Eh?"

"I know. That's what I'm doing. Smotherin'!"

"A touch of the old trouble, Hanna?"

She sat erect, with her rather large white hands at the heavy base to her long throat. They rose and fell to her breathing. Like Heine, who said so potently, "I am a tragedy," so she, too, in the sulky light of her eyes and the pulled lips and the ripple of shivers over her, proclaimed it of herself.

"Seven-forty! G.o.d! what'll I do, Burkhardt? What'll I do?"

"Go lay down on the sofa a bit, Hanna. I'll cover you with a plaid. It's the head-noises again bothering you."

"Seven-forty! What'll I do? Seven-forty and nothing left but bed."

"I must 'a' dozed off, Hanna."

"Yes; you must 'a' dozed off," she laughed, her voice eaten into with the acid of her own scorn. "Yes; you must 'a' dozed off. The same way as you dozed off last night and last month and last year and the last eight years.

The best years of my life--that's what you've dozed off, John Burkhardt.

He 'must 'a' dozed off,'" she repeated, her lips quivering and lifting to reveal the white line of her large teeth. "Yes; I think you must 'a' dozed off!"