PUDGE TOSSED THE crate to the floor and watched it crack open. Half a dozen pocket watches slid toward his feet. Over here, he shouted, scanning the crates above his head. They're stacked about eight deep in the corner.
This is going to take time, Angelo said, now standing next to Pudge, watching as he stuffed the watches back into the open crate.
All night, from the looks of it, Pudge said. And that's even if we bring Spider up from the cart to help.
Leave him where he is, Angelo said. We hold to Angus's plan. No changes.
Angus couldn't have been thinkin' we'd find us eight full crates, Pudge said. If he was, he woulda sent out a bigger crew. The time it's gonna take to pull all these ain't worth the gamble. There's gotta be a guard someplace in this building and he's gonna hear us and that means he finds us.
Angelo bent down and picked up one end of a crate. We'll deal with it when he does, he said, looking over at Pudge.
ANGELO AND PUDGE had moved the first three of the eight crates into the back of Spider MacKenzie's cart, rain still coming down hard and cool, a touch of relief to a sweltering summer night. They walked back to the warehouse, eased past the jimmied front door, their confidence at full boil.
This is gonna end up to be some haul, Pudge said, taking the steps two at a time, We might even get boosted for a job like this one.
If I remember, you wanted to take out only three crates, Angelo said.
That was just a quiz, like those nuns used to give us, Pudge said. Wanted to see how you did with some heat on.
It looks to me like I passed, Angelo said.
I'll let you know when we finish, Pudge said.
They were on the fourth-floor landing when they saw a shadow from a lantern on the wall. They threw themselves to the ground, their hands gripping the edges of the iron steps.
Stay low and stay quiet, Pudge whispered. He might just be doing his rounds.
Angelo glanced down between the landings, the light from the lantern moving back and forth as if on a swing.
He's coming this way, Angelo said.
Pudge eased down three steps until he was next to Angelo, close enough to smell the lingering odors of the pan-roasted onion dinner they had shared earlier. We can break for it easy, Pudge said. Odds are good he's old and don't give too much of a shit about his job. We leave with what we got.
We still got five crates left to take, Angelo whispered. And if he don't care about the job, he won't care about five more crates.
Pudge reached into the back of his waistband and pulled out a brown revolver, holding it against his chest. They waited, quiet and calm, as the guard moved up the steps, flashing his lantern into corners, seeing nothing but shadows and rats. Angelo pressed a hand against his chest, the burning pain in his lungs always kicked into higher gear by tension. He had yet to grow comfortable with confrontation and had still not mastered the calm poise that he felt he needed in order to not only survive but to thrive. He loved the planning and all the work, thought and detail that went into running a heist, but as he looked over at Pudge, primed and ready for action, he knew he was still years removed from pulling a gun and taking a life. What he lacked in the violent end of the gangster trade, however, Angelo more than made up for with a bullet-like quickness of mind. In that sense, he and Pudge were the perfect team, one prone to violence, the other quick to settle a dispute with thought.
The guard was a retired police officer fifteen years into a meager pension. He swung a wooden baton in his right hand and held the lantern in his left. His name was Seamus Connor, father to two and grandfather of three. He was unarmed and had finished half a pint of whiskey before beginning his nightly tour. He turned toward the top rung of steps, his breath heavy, whistling a childhood ballad.
Seamus froze when he saw the two boys sitting with their backs to the steps and their legs spread open, two pistols aimed straight at his chest.
Does your wife like watches? the younger of the two asked.
What kind of watches are we talkin' about now? Seamus asked. He rested the baton on the step nearest his feet and wiped at his forehead with the flat of his free hand.
Angelo and Pudge uncocked their guns and shoved them back in their waistbands. Pudge walked down the steps toward Seamus and put a hand on the older man's shoulder.
The kind you're gonna help us cart out of here, Pudge said.
The wife loves those, Seamus said.
He walked past Angelo and Pudge, the lantern shoved forward and led the way to the storage area to help finish a night of plunder.
You think there's anybody left that's not dirty? Pudge whispered to Angelo.
I don't know, Angelo said. But I think the answer is no.
And what does that tell you? Pudge asked.
We die rich, Angelo said.
PAOLINO VESTIERI STARED at the gun cupped in his hands. He was in Angelo's room, a compact area large enough to hold a small bed and a broken bureau, nestled toward the back of the railroad apartment the two shared. He had found the gun shoved under the bottom of a thin feather mattress. He sat on the edge of the bed, his body trembling with anger. Paolino was well past the point of shedding tears for his son. They seldom spoke, and when they did, the conversation drifted toward argument. Paolino felt overwhelmed and overmatched. The corruption that was a way of life in New York had crept into his home and stained his son and there was little he could do about it. Attacking Angelo with physical or verbal violence only served to firm the boy's resolve. Attempts to reason with him were volleys of wasted words. He was in the midst of a losing fight and it was aging him faster than the long, hard hours of work and the nights of scant sleep. Paolino Vestieri was a beaten man seeking a painless end to a futile battle. Put the gun back, Papa.
Paolino had not heard Angelo come in. The boy had the footsteps of a ghost, a worthy trait in his profession. Angelo stood in the entryway, his hands at his sides.
Where did you get this? Paolino asked quietly.
It was a gift, Angelo said. From a friend.
A friend does not give a gun as a gift.
Angelo walked into the room and sat down next to his father. This one does, he said.
And what will you do with such a gift?
It will remind me, Angelo said in a near whisper.
Of what? Paolino's eyes searched the boy's face.
Of what I am without it, Papa.
Paolino tossed the gun to the center of the bed. He thrust out his hands and balled them into fists. These are all any man needs to get him through life, he said. They will feed those who depend on him and protect those he loves. A gun can never do that.
A gun can earn you respect, Angelo said, his eyes on his father's scarred hands.
No, Angelo, Paolino told him. It will only earn you an early death.
Angelo lifted his head and stared over at his father, his face a blank mask. Like it did for my brother, he said.
The words struck Paolino like a hard blow and left him short of breath. He closed his eyes and tried to shed the image of the bullet going through Carlo's body, an image so vivid and real, he felt he could extend his hands and touch his first son's soft, bloody skin. He had fought so hard to bury such pictures from his mind, to leave them behind him as he had with so many other, less painful memories. But now, fueled by Angelo's surprising words, this one had come back from his haunted past and hurled its way vividly into his mind's eye. He could smell the smoke from the hot lupara, feel the heat in the small room, see the life drain from his son's angelic face. All of it arriving with a force fierce enough to shake him and send him reeling downward into a dark and empty void.
You put a bullet into your own son, Angelo said, standing now, hovering over his father. With your own gun. And it wasn't an act of love. It was the act of a coward.
That moment follows me to the grave, Paolino said, straggling with the words. It haunts me every day. There can be no forgiveness.
Angelo leaned past Paolino and grabbed the gun from the bed. He held it against his leg, one finger toying with the trigger. I live with a father who has killed his own son, Angelo said. Do you still need to know why I need such a gift?
I would never do you harm, Angelo, Paolino said. There was a reason for my mad act against your brother. And it is not a pain I wish to ever repeat.
You didn't want to lose him to the camorra, Angelo said. So you lost him to a bullet.
And now I have lost you to the Americans, Paolino said. The price of my sin only grows stronger.
I am sorry for that, Papa, Angelo said, sadly. But you have not lost me. I will be there for you if there is ever the need.
I need a son by my side, Paolino said, tears crowding his eyes. Not a gangster.
A son can be both, Angelo said.
Not for me, Paolino said.
Angelo nodded and slid the gun into the back of his pants and walked out of the apartment, the sound of the door slamming behind him echoing through the empty rooms.
GANGSTERS AND THEIR fathers seldom get along. It is why, as children, they seek out other role models, neighborhood men to whom they can turn for guidance and attention. But the men they seek serve more as recruiters than as parents, their ultimate goal being to bring one more member into their ranks. Often gangsters are raised in homes without a father, the absence caused by death, prison or abandonment. When his father is around, the budding gangster will compare him to his street mentor in a contest that cannot be won. Paolino was born scared, Pudge once told me. He was afraid to stand up for himself in Italy and he was twice as scared over here. The one brave moment in his life came on the day he killed his son. Strange enough, that was a gangster move. The only one he ever made. And it cost him Angelo, his wife and everything else that ever meant anything to him.
ANGUS MCQUEEN SAW an emotional opening in Angelo Vestieri and exploited it from the day the two first met. He fed the boy's need to belong and nurtured him in ways he knew would be irresistible to one so young. McQueen was a good gangster and an expert at exploiting any perceived weakness. He knew that Angelo's silent nature represented a cry for a father figure, someone he could look up to and emulate. The boy would never get that at home. But he could easily get it from Angus McQueen.
In return, McQueen won the loyalty of a young man he had shaped and defined. There are no acts of kindness in the underworld. There are only favors done for a price and payback that is sought with a vengeance. Angelo Vestieri's gangster education was a long-term loan from Angus McQueen. A loan Angelo would one day be expected to repay.
THEY SAT THREE across in the front row of the crowded and smoke-filled arena, Angus comfortably in the middle, between Pudge and Angelo. It was halfway through a ten-bout semipro boxing card and the trio was already seventy-five dollars richer, thanks to Angus's can't-lose wagers.
How come you always know who's going to win? Pudge asked.
I listen to my gut, Angus said with a smile. Which is easy to do when you know the winner.
So all the matches are rigged? Pudge asked.
Except for the last bout, Angus said. That's straight-out legit. And only a fool lays his own money on that.
Does everybody know the fights are fixed? Angelo asked. He was looking into the ring, watching two middleweights go through their prefight routine.
Only the ones who need to know, Angus said. Like us.
If they're all rigged, then where's the gamble? Pudge asked.
The gamble is in the rig, Angus said. Just like anything else we do, before we go in we know where we stand. Never make a bet you can't win and never take a risk unless you know where it's gonna take you.
What if you can't find out? Angelo said, ignoring the clutching pain in his lungs caused by the clouds of cigar and cigarette smoke.
Then make sure the papers spell your name right, Angus said. Because you'll be a dead man before you'll ever be a rich one.
The bell rang to start the first round. The two fighters circled each other slowly, their fists up, feet firm to the ground, breath coming in snorts through the rubber mouthpieces.
I like the short guy in the black trunks, Pudge said. I've seen him fight once before. The guy he was up against beat on him like a rented mule, but he never went down.
Cheer for him all you want, Angus said. But your money's working on the tall gent with the tattoo parlor running up his arms. 'Cause that's who's gonna win.
Angelo looked around the arena, at the excited faces of the hardworking men wagering table money they couldn't afford to lose on fights whose outcome was predetermined. They were easy targets for experienced thieves as they sought simple pleasures and a few hours of relief from their sad lives. Even this rare free time was controlled by others, men who never once lost their grip on the reins of power. Angelo found himself staring at the crowd, at these men who seemed to him to be mirror images of his father, Paolino, stubborn souls who believed that the willingness to work hard would earn them the right to live well.
I heard Angelo use the phrase sucker money many times in our years together. To a gangster, it refers to everything from a hard-earned weekly paycheck to a bet placed on any event where the outcome seems to be in doubt. It is money that quickly rotates from a boss on gangster payroll to a working man and then back to the gangster. It is the sustaining blood of the underworld.
There are only two ways to go in this life, Angelo once told me. The sucker's way and our way. And you always have a choice as to which way you take it. Don't let anybody tell you different. You don't fall into it, and it doesn't land in your lap. I chose to be what I am. I didn't want to live in the dark and leave it to others to decide what time I got up, how much money I made or what kind of house I lived in. I picked my way and I never looked back. No regrets.
THE FIGHT ENDED in the middle of the third round, when the thin boxer with the string of tattoos landed a half-dozen soft blows to his opponent's midsection. The short fighter crumpled to the canvas, gloves flailing, eyes closed, listening as the referee counted ten.
My mother's hit me a lot harder than that and I didn't get close to being put down, Pudge said.
You were never told to go down, Angus said. Now, let's go find Hawk and pick up our winnings. Then we'll take ourselves a walk.
It's pouring out, Pudge said.
Angus stood up and stared down at the boy. Water scare you? he asked, his voice a bit harsh.
Nothin' scares me, Pudge said.
Then we'll walk, Angus said, making his way down the aisle and out of the arena.
THEY STOOD UNDER the awning of a shuttered restaurant, the rain around them beating the streets with an angry rush. Their clothes were soaked through and dripping onto the thin red carpet still lining the entrance. Angus reached into his shirt pocket and pulled out a damp sheet of paper and some tobacco and hand-rolled a cigarette. He lit the wet end and took a deep drag, swallowing most of the smoke.
This is as good a place as any we'll find tonight, he said.
To do what? Pudge asked, casting a concerned glance toward Angelo, who was shivering in his thin jacket and slacks.
To go over some business, Angus said, trying to protect the cigarette from the wind and rain. You two been getting by pretty well with the scores I been giving out. Every job comes in clean and with a nice payoff.
That's a good thing, right? Pudge said, moving closer to the doorway.
It's a very good thing, Angus said. But now it's time to make a good thing even better.
Angelo stared at him as he finished off his cigarette and tossed the remains into a large puddle. He liked Angus McQueen and respected him as a boss. But he also knew, from his many talks with Josephina and Ida the Goose, not to grant him his total trust. So long as he and Pudge maintained their value and kept up their profit flow, they would be held in high regard. The minute they slipped, Angus would toss them aside as casually as he flipped that last cigarette.
I'm taking over one of the downtown piers, Angus said. Curran and Eastman are givin' up their end for a small piece of my numbers action. In return, I take my cuts from the workers' checks and whatever swag we can lift off the ships.