"I am telling you as nearly as I can. He said, 'Tell her it was a woman who ruined Bauer's career, and caused him to end his days a music teacher in--in--Gott! I can't remember the name of that town----"

"Winnebago."

"Winnebago. That was it. 'Tell her not to let the brother spoil his life that way.' So. That is the message. He said you would understand."

Theodore's face was ominous when she returned to him, after Stein had left.

"I wish you and Stein wouldn't stand out there in the hall whispering about me as if I were an idiot patient. What were you saying?"

"Nothing, Ted. Really."

He brooded a moment. Then his face lighted up with a flash of intuition.

He flung an accusing finger at f.a.n.n.y.

"He has seen her."

"Ted! You promised."

"She's in trouble. This war. And she hasn't any money. I know. Look here. We've got to send her money. Cable it."

"I will. Just leave it all to me."

"If she's here, in this country, and you're lying to me----"

"She isn't. My word of honor, Ted."

He relaxed.

Life was a very complicated thing for f.a.n.n.y these days. Ted was leaning on her; Mizzi, Otti, and now Fenger. Nathan Haynes was poking a disturbing finger into that delicate and complicated mechanism of System which Fenger had built up in the Haynes-Cooper plant. And Fenger, snarling, was trying to guard his treasure. He came to f.a.n.n.y with his grievance. f.a.n.n.y had always stimulated him, rea.s.sured him, given him the mental readjustment that he needed.

He strode into her office one morning in late September. Ordinarily he sent for her. He stood by her desk now, a sheaf of papers in his hand, palpably stage props, and lifted significant eyebrows in the direction of the stenographer busy at her typewriter in the corner.

"You may leave that, Miss Mahin," f.a.n.n.y said. Miss Mahin, a comprehending young woman, left it, and the room as well. Fenger sat down. He was under great excitement, though he was quite controlled.

f.a.n.n.y, knowing him, waited quietly. His eyes held hers.

"It's come," Fenger began. "You know that for the last year Haynes has been milling around with a herd of sociologists, philanthropists, and students of economics. He had some scheme in the back of his head, but I thought it was just another of his impractical ideas. It appears that it wasn't. Between the lot of them they've evolved a savings and profit-sharing plan that's founded on a kind of practical universal brotherhood dream. Haynes's millions are bothering him. If they actually put this thing through I'll get out. It'll mean that everything I've built up will be torn down. It will mean that any six-dollar-a-week girl----"

"As I understand it," interrupted f.a.n.n.y, "it will mean that there will be no more six-dollar-a-week girls."

"That's it. And let me tell you, once you get the ignorant, unskilled type to believing they're actually capable of earning decent money, actually worth something, they're worse than useless. They're dangerous."

"You don't believe that."

"I do."

"But it's a theory that belongs to the Dark Ages. We've disproved it.

We've got beyond that."

"Yes. So was war. We'd got beyond it. But it's here. I tell you, there are only two cla.s.ses: the governing and the governed. That has always been true. It always will be. Let the Socialists rave. It has never got them anywhere. I know. I come from the mucker cla.s.s myself. I know what they stand for. Boost them, and they'll turn on you. If there's anything in any of them, he'll pull himself up by his own bootstraps."

"They're not all potential Fengers."

"Then let 'em stay what they are."

f.a.n.n.y's pencil was tracing and retracing a tortured and meaningless figure on the paper before her. "Tell me, do you remember a girl named Sarah Sapinsky?"

"Never heard of her."

"That's fitting. Sarah Sapinsky was a very pretty, very dissatisfied girl who was a slave to the bundle chute. One day there was a period of two seconds when a bundle didn't pop out at her, and she had time to think. Anyway, she left. I asked about her. She's on the streets."

"Well?"

"Thanks to you and your system."

"Look here, f.a.n.n.y. I didn't come to you for that kind of talk. Don't, for heaven's sake, give me any sociological drivel to-day. I'm not here just to tell you my troubles. You know what my contract is here with Haynes-Cooper. And you know the amount of stock I hold. If this scheme of Haynes's goes in, I go out. Voluntarily. But at my own price. The Haynes-Cooper plant is at the height of its efficiency now." He dropped his voice. "But the mail order business is in its infancy. There's no limit to what can be done with it in the next few years. Understand?

Do you get what I'm trying to tell you?" He leaned forward, tense and terribly in earnest.

f.a.n.n.y stared at him. Then her hand went to her head in a gesture of weariness. "Not to-day. Please. And not here. Don't think I'm ungrateful for your confidence. But--this month has been a terrific strain.

Just let me pa.s.s the fifteenth of October. Let me see Theodore on the way----"

Fenger's fingers closed about her wrist. f.a.n.n.y got to her feet angrily.

They glared at each other a moment. Then the humor of the picture they must be making struck f.a.n.n.y. She began to laugh. Fenger's glare became a frown. He turned abruptly and left the office. f.a.n.n.y looked down at her wrist ruefully. Four circlets of red marked its smooth whiteness. She laughed again, a little uncertainly this time.

When she got home that night she found, in her mail, a letter for Theodore, postmarked Vienna, and stamped with the mark of the censor.

Theodore had given her his word of honor that he would not write Olga, or give her his address. Olga was risking f.a.n.n.y's address. She stood looking at the letter now. Theodore was coming in for dinner, as he did five nights out of the week. As she stood in the hallway, she heard the rattle of his key in the lock. She flew down the hall and into her bedroom, her letters in her hand. She opened her dressing table drawer and threw them into it, switched on the light and turned to face Theodore in the doorway.

"'Lo, Sis."

"h.e.l.lo, Teddy. Kiss me. Phew! That pipe again. How'd the work go to-day?"

"So--so. Any mail for me?"

"No."

That night, when he had gone, she took out the letter and stood turning it over and over in her hands. She had no thought of reading it. It was its destruction she was contemplating. Finally she tucked it away in her handkerchief box. Perhaps, after the fifteenth of October. Everything depended on that.

And the fifteenth of October came. It had dragged for weeks, and then, at the end, it galloped. By that time f.a.n.n.y had got used to seeing Theodore's picture and name outside Orchestra Hall, and in the musical columns of the papers. Brandeis. Theodore Brandeis, the violinist. The name sang in her ears. When she walked on Michigan Avenue during that last week she would force herself to march straight on past Orchestra Hall, contenting herself with a furtive and oblique glance at the announcement board. The advance programs hung, a little bundle of them, suspended by a string from a nail on the wall near the box office, so that ticket purchasers might rip one off and peruse the week's musical menu. f.a.n.n.y longed to hear the comment of the little groups that were constantly forming and dispersing about the box office window. She never dreamed of allowing herself to hover near it. She thought sometimes of the woman in the businesslike gray skirt and the black sateen ap.r.o.n who had drudged so cheerfully in the little shop so that Theodore Brandeis'

name might shine now from the very top of the program, in heavy black letters:

Soloist: MR. THEODORE BRANDEIS, Violin

The injustice of it. f.a.n.n.y had never ceased to rage at that.

In the years to come Theodore Brandeis was to have that adulation which the American public, temperamentally so cold, gives its favorite, once the ice of its reserve is thawed. He was to look down on that surging, tempestuous crowd which sometimes packs itself about the foot of the platform in Carnegie Hall, demanding more, more, more, after a generous concert is concluded. He had to learn to protect himself from those hysterical, enraptured, wholly feminine adorers who swarmed about him, scaling the platform itself. But of all this there was nothing on that Friday and Sat.u.r.day in October. Orchestra Hall audiences are not, as a rule, wildly demonstrative. They were no exception. They listened attentively, appreciatively. They talked, critically and favorably, on the way home. They applauded generously. They behaved as an Orchestra Hall audience always behaves, and would behave, even if it were confronted with a composite Elman-Kreisler-Ysaye soloist. Theodore's playing was, as a whole, perhaps the worst of his career. Not that he did not rise to magnificent heights at times. But it was what is known as uneven playing. He was torn emotionally, nervously, mentally. His playing showed it.

f.a.n.n.y, seated in the auditorium, her hands clasped tight, her heart hammering, had a sense of unreality as she waited for Theodore to appear from the little door at the left. He was to play after the intermission.

f.a.n.n.y had arrived late, with Theodore, that Friday afternoon. She felt she could not sit through the first part of the program. They waited together in the anteroom. Theodore, looking very slim and boyish in his frock coat, walked up and down, up and down. f.a.n.n.y wanted to straighten his tie. She wanted to pick an imaginary thread off his lapel. She wanted to adjust the white flower in his b.u.t.tonhole (he jerked it out presently, because it interfered with his violin, he said). She wanted to do any one of the foolish, futile things that would have served to relieve her own surcharged feelings. But she had learned control in these years. And she yielded to none of them.

The things they said and did were, perhaps, almost ludicrous.