Besides confirming himself as an habitual maker of verses, Charles acquired some new opinions during his captivity. He was perpetually reminded of the change that had befallen him. He found the climate of England cold and "prejudicial to the human frame;" he had a great contempt for English fruit and English beer; even the coal fires were unpleasing in his eyes. {257a} He was rooted up from among his friends and customs and the places that had known him. And so in this strange land he began to learn the love of his own. Sad people all the world over are like to be moved when the wind is in some particular quarter.

So Burns preferred when it was in the west, and blew to him from his mistress; so the girl in the ballade, looking south to Yarrow, thought it might carry a kiss betwixt her and her gallant; and so we find Charles singing of the "pleasant wind that comes from France." {257b} One day, at "Dover-on-the-Sea," he looked across the straits, and saw the sandhills about Calais. And it happened to him, he tells us in a ballade, to remember his happiness over there in the past; and he was both sad and merry at the recollection, and could not have his fill of gazing on the sh.o.r.es of France. {257c} Although guilty of unpatriotic acts, he had never been exactly unpatriotic in feeling. But his sojourn in England gave, for the time at least, some consistency to what had been a very weak and ineffectual prejudice. He must have been under the influence of more than usually solemn considerations, when he proceeded to turn Henry's puritanical homily after Agincourt into a ballade, and reproach France, and himself by implication, with pride, gluttony, idleness, unbridled covetousness, and sensuality. {258a} For the moment, he must really have been thinking more of France than of Charles of Orleans.

And another lesson he learned. He who was only to be released in case of peace, begins to think upon the disadvantages of war. "Pray for peace,"

is his refrain: a strange enough subject for the ally of Bernard d'Armagnac. {258b} But this lesson was plain and practical; it had one side in particular that was specially attractive for Charles; and he did not hesitate to explain it in so many words. "Everybody," he writes-I translate roughly-"everybody should be much inclined to peace, for everybody has a deal to gain by it." {258c}

Charles made laudable endeavours to acquire English, and even learned to write a rondel in that tongue of quite average mediocrity. {259a} He was for some time billeted on the unhappy Suffolk, who received fourteen shillings and fourpence a day for his expenses; and from the fact that Suffolk afterwards visited Charles in France while he was negotiating the marriage of Henry VI., as well as the terms of that n.o.bleman's impeachment, we may believe there was some not unkindly intercourse between the prisoner and his gaoler: a fact of considerable interest when we remember that Suffolk's wife was the granddaughter of the poet Geoffrey Chaucer. {259b} Apart from this, and a mere catalogue of dates and places, only one thing seems evident in the story of Charles's captivity. It seems evident that, as these five-and-twenty years drew on, he became less and less resigned. Circ.u.mstances were against the growth of such a feeling. One after another of his fellow-prisoners was ransomed and went home. More than once he was himself permitted to visit France; where he worked on abortive treaties and showed himself more eager for his own deliverance than for the profit of his native land.

Resignation may follow after a reasonable time upon despair; but if a man is persecuted by a series of brief and irritating hopes, his mind no more attains to a settled frame of resolution, than his eye would grow familiar with a night of thunder and lightning. Years after, when he was speaking at the trial of that Duke of Alencon, who began life so hopefully as the boyish favourite of Joan of Arc, he sought to prove that captivity was a harder punishment than death. "For I have had experience myself," he said; "and in my prison of England, for the weariness, danger, and displeasure in which I then lay, I have many a time wished I had been slain at the battle where they took me." {260} This is a flourish, if you will, but it is something more. His spirit would sometimes rise up in a fine anger against the petty desires and contrarieties of life. He would compare his own condition with the quiet and dignified estate of the dead; and aspire to lie among his comrades on the field of Agincourt, as the Psalmist prayed to have the wings of a dove and dwell in the uttermost parts of the sea. But such high thoughts came to Charles only in a flash.

John the Fearless had been murdered in his turn on the bridge of Montereau so far back as 1419. His son, Philip the Good-partly to extinguish the feud, partly that he might do a popular action, and partly, in view of his ambitious schemes, to detach another great va.s.sal from the throne of France-had taken up the cause of Charles of Orleans, and negotiated diligently for his release. In 1433 a Burgundian emba.s.sy was admitted to an interview with the captive duke, in the presence of Suffolk. Charles shook hands most affectionately with the amba.s.sadors.

They asked after his health. "I am well enough in body," he replied, "but far from well in mind. I am dying of grief at having to pa.s.s the best days of my life in prison, with none to sympathise." The talk falling on the chances of peace, Charles referred to Suffolk if he were not sincere and constant in his endeavours to bring it about. "If peace depended on me," he said, "I should procure it gladly, were it to cost me my life seven days after." We may take this as showing what a large price he set, not so much on peace, as on seven days of freedom. Seven days!-he would make them seven years in the employment. Finally, he a.s.sured the amba.s.sadors of his good will to Philip of Burgundy; squeezed one of them by the hand and nipped him twice in the arm to signify things unspeakable before Suffolk; and two days after sent them Suffolk's barber, one Jean Carnet, a native of Lille, to testify more freely of his sentiments. "As I speak French," said this emissary, "the Duke of Orleans is more familiar with me than with any other of the household; and I can bear witness he never said anything against Duke Philip."

{262a} It will be remembered that this person, with whom he was so anxious to stand well, was no other than his hereditary enemy, the son of his father's murderer. But the honest fellow bore no malice, indeed not he. He began exchanging ballades with Philip, whom he apostrophises as his companion, his cousin, and his brother. He a.s.sures him that, soul and body, he is altogether Burgundian; and protests that he has given his heart in pledge to him. Regarded as the history of a vendetta, it must be owned that Charles's life has points of some originality. And yet there is an engaging frankness about these ballades which disarms criticism. {262b} You see Charles throwing himself headforemost into the trap; you hear Burgundy, in his answers begin to inspire him with his own prejudices, and draw melancholy pictures of the misgovernment of France.

But Charles's own spirits are so high and so amiable, and he is so thoroughly convinced his cousin is a fine fellow, that one's scruples are carried away in the torrent of his happiness and grat.i.tude. And his would be a sordid spirit who would not clap hands at the consummation (Nov. 1440); when Charles, after having sworn on the Sacrament that he would never again bear arms against England, and pledged himself body and soul to the unpatriotic faction in his own country, set out from London with a light heart and a damaged integrity.

In the magnificent copy of Charles's poems, given by our Henry VII. to Elizabeth of York on the occasion of their marriage, a large illumination figures at the head of one of the pages, which, in chronological perspective, is almost a history of his imprisonment. It gives a view of London with all its spires, the river pa.s.sing through the old bridge and busy with boats. One side of the White Tower has been taken out, and we can see, as under a sort of shrine, the paved room where the duke sits writing. He occupies a high-backed bench in front of a great chimney; red and black ink are before him; and the upper end of the apartment is guarded by many halberdiers, with the red cross of England on their breast. On the next side of the tower he appears again, leaning out of window and gazing on the river; doubtless there blows just then "a pleasant wind from out the land of France," and some ship comes up the river: "the ship of good news." At the door we find him yet again; this time embracing a messenger, while a groom stands by holding two saddled horses. And yet further to the left, a cavalcade defiles out of the tower; the duke is on his way at last towards "the sunshine of France."

III.

During the five-and-twenty years of his captivity, Charles had not lost in the esteem of his fellow-countrymen. For so young a man, the head of so great a house, and so numerous a party, to be taken prisoner as he rode in the vanguard of France, and stereotyped for all men in this heroic att.i.tude, was to taste untimeously the honours of the grave. Of him, as of the dead, it would be ungenerous to speak evil; what little energy he had displayed would be remembered with piety, when all that he had done amiss was courteously forgotten. As English folk looked for Arthur; as Danes awaited the coming of Ogier; as Somersetshire peasants or sergeants of the Old Guard expected the return of Monmouth or Napoleon; the countrymen of Charles of Orleans looked over the straits towards his English prison with desire and confidence. Events had so fallen out while he was rhyming ballades, that he had become the type of all that was most truly patriotic. The remnants of his old party had been the chief defenders of the unity of France. His enemies of Burgundy had been notoriously favourers and furtherers of English domination.

People forgot that his brother still lay by the heels for an unpatriotic treaty with England, because Charles himself had been taken prisoner patriotically fighting against it. That Henry V. had left special orders against his liberation, served to increase the wistful pity with which he was regarded. And when, in defiance of all contemporary virtue, and against express pledges, the English carried war into their prisoner's fief, not only France, but all thinking men in Christendom, were roused to indignation against the oppressors, and sympathy with the victim. It was little wonder if he came to bulk somewhat largely in the imagination of the best of those at home. Charles le Boutteillier, when (as the story goes) he slew Clarence at Beauge, was only seeking an exchange for Charles of Orleans. {265a} It was one of Joan of Arc's declared intentions to deliver the captive duke. If there was no other way, she meant to cross the seas and bring him home by force. And she professed before her judges a sure knowledge that Charles of Orleans was beloved of G.o.d. {265b}

Alas! it was not at all as a deliverer that Charles returned to France.

He was nearly fifty years old. Many changes had been accomplished since, at twenty-three, he was taken on the field of Agincourt. But of all these he was profoundly ignorant, or had only heard of them in the discoloured reports of Philip of Burgundy. He had the ideas of a former generation, and sought to correct them by the scandal of a factious party. With such qualifications he came back eager for the domination, the pleasures, and the display that befitted his princely birth. A long disuse of all political activity combined with the flatteries of his new friends to fill him with an overweening conceit of his own capacity and influence. If aught had gone wrong in his absence, it seemed quite natural men should look to him for its redress. Was not King Arthur come again?

The Duke of Burgundy received him with politic honours. He took his guest by his foible for pageantry, all the easier as it was a foible of his own; and Charles walked right out of prison into much the same atmosphere of trumpeting and bell-ringing as he had left behind when he went in. Fifteen days after his deliverance he was married to Mary of Cleves, at St. Omer. The marriage was celebrated with the usual pomp of the Burgundian court; there were joustings, and illuminations, and animals that spouted wine; and many n.o.bles dined together, _comme en brigade_, and were served abundantly with many rich and curious dishes.

{267a} It must have reminded Charles not a little of his first marriage at Compiegne; only then he was two years the junior of his bride, and this time he was five-and-thirty years her senior. It will be a fine question which marriage promises more: for a boy of fifteen to lead off with a la.s.s of seventeen, or a man of fifty to make a match of it with a child of fifteen. But there was something bitter in both. The lamentations of Isabella will not have been forgotten. As for Mary, she took up with one Jaquet de la Lain, a sort of muscular Methody of the period, with a huge appet.i.te for tournaments, and a habit of confessing himself the last thing before he went to bed. {267b} With such a hero, the young d.u.c.h.ess's amours were most likely innocent; and in all other ways she was a suitable partner for the duke, and well fitted to enter into his pleasures.

When the festivities at Saint Omer had come to an end, Charles and his wife set forth by Ghent and Tournay. The towns gave him offerings of money as he pa.s.sed through, to help in the payment of his ransom. From all sides, ladies and gentlemen thronged to offer him their services; some gave him their sons for pages, some archers for a bodyguard; and by the time he reached Tournay, he had a following of 300 horse. Everywhere he was received as though he had been the King of France. {268} If he did not come to imagine himself something of the sort, he certainly forgot the existence of any one with a better claim to the t.i.tle. He conducted himself on the hypothesis that Charles VII. was another Charles VI. He signed with enthusiasm that treaty of Arras, which left France almost at the discretion of Burgundy. On December 18 he was still no farther than Bruges, where he entered into a private treaty with Philip; and it was not until January 14, ten weeks after he disembarked in France, and attended by a ruck of Burgundian gentlemen, that he arrived in Paris and offered to present himself before Charles VII. The king sent word that he might come, if he would, with a small retinue, but not with his present following; and the duke, who was mightily on his high horse after all the ovations he had received, took the king's att.i.tude amiss, and turned aside into Touraine, to receive more welcome and more presents, and be convoyed by torchlight into faithful cities.

And so you see, here was King Arthur home again, and matters nowise mended in consequence. The best we can say is, that this last stage of Charles's public life was of no long duration. His confidence was soon knocked out of him in the contact with others. He began to find he was an earthen vessel among many vessels of bra.s.s; he began to be shrewdly aware that he was no King Arthur. In 1442, at Limoges, he made himself the spokesman of the malcontent n.o.bility. The king showed himself humiliatingly indifferent to his counsels, and humiliatingly generous towards his necessities. And there, with some blushes, he may be said to have taken farewell of the political stage. A feeble attempt on the county of Asti is scarce worth the name of exception. Thenceforward let Ambition wile whom she may into the turmoil of events, our duke will walk cannily in his well-ordered garden, or sit by the fire to touch the slender reed. {269}

IV.

If it were given each of us to transplant his life wherever he pleased in time or s.p.a.ce, with all the ages and all the countries of the world to choose from, there would be quite an instructive diversity of taste. A certain sedentary majority would prefer to remain where they were. Many would choose the Renaissance; many some stately and simple period of Grecian life; and still more elect to pa.s.s a few years wandering among the villages of Palestine with an inspired conductor. For some of our quaintly vicious contemporaries, we have the decline of the Roman Empire and the reign of Henry III. of France. But there are others not quite so vicious, who yet cannot look upon the world with perfect gravity, who have never taken the categorical imperative to wife, and have more taste for what is comfortable than for what is magnanimous and high; and I can imagine some of these casting their lot in the Court of Blois during the last twenty years of the life of Charles of Orleans.

The duke and d.u.c.h.ess, their staff of officers and ladies, and the high-born and learned persons who were attracted to Blois on a visit, formed a society for killing time and perfecting each other in various elegant accomplishments, such as we might imagine for an ideal watering-place in the Delectable Mountains. The company hunted and went on pleasure-parties; they played chess, tables, and many other games.

What we now call the history of the period pa.s.sed, I imagine, over the heads of these good people much as it pa.s.ses over our own. News reached them, indeed, of great and joyful import. William Peel received eight livres and five sous from the d.u.c.h.ess, when he brought the first tidings that Rouen was recaptured from the English. {271a} A little later and the duke sang, in a truly patriotic vein, the deliverance of Guyenne and Normandy. {271b} They were liberal of rhymes and largesse, and welcomed the prosperity of their country much as they welcomed the coming of spring, and with no more thought of collaborating towards the event.

Religion was not forgotten in the Court of Blois. Pilgrimages were agreeable and picturesque excursions. In those days a well-served chapel was something like a good vinery in our own, an opportunity for display and the source of mild enjoyments. There was probably something of his rooted delight in pageantry, as well as a good deal of gentle piety, in the feelings with which Charles gave dinner every Friday to thirteen poor people, served them himself, and washed their feet with his own hands.

{271c} Solemn affairs would interest Charles and his courtiers from their trivial side. The duke perhaps cared less for the deliverance of Guyenne and Normandy than for his own verses on the occasion; just as Dr.

Russell's correspondence in _The Times_ was among the most material parts of the Crimean War for that talented correspondent. And I think it scarcely cynical to suppose that religion as well as patriotism was princ.i.p.ally cultivated as a means of filling up the day.

It was not only messengers fiery red with haste and charged with the destiny of nations, who were made welcome at the gates of Blois. If any man of accomplishment came that way, he was sure of an audience, and something for his pocket. The courtiers would have received Ben Jonson like Drummond of Hawthornden, and a good pugilist like Captain Barclay.

They were catholic, as none but the entirely idle can be catholic. It might be Pierre, called Dieu d'amours, the juggler; or it might be three high English minstrels; or the two men, players of ghitterns, from the kingdom of Scotland, who sang the destruction of the Turks; or again Jehan Rognelet, player of instruments of music, who played and danced with his wife and two children; they would each be called into the castle to give a taste of his proficiency before my lord the duke. {272} Sometimes the performance was of a more personal interest, and produced much the same sensations as are felt on an English green on the arrival of a professional cricketer, or round an English billiard table during a match between Roberts and Cooke. This was when Jehan Negre, the Lombard, came to Blois and played chess against all these chess-players, and won much money from my lord and his intimates; or when Baudet Harenc of Chalons made ballades before all these ballade-makers. {273}

It will not surprise the reader to learn they were all makers of ballades and rondels. To write verses for May day, seems to have been as much a matter of course, as to ride out with the cavalcade that went to gather hawthorn. The choice of Valentines was a standing challenge, and the courtiers pelted each other with humorous and sentimental verses as in a literary carnival. If an indecorous adventure befell our friend Maistre Estienne le Gout, my lord the duke would turn it into the funniest of rondels, all the rhymes being the names of the cases of nouns or the moods of verbs; and Maistre Estienne would make reply in similar fashion, seeking to prune the story of its more humiliating episodes. If Fredet was too long away from Court, a rondel went to upbraid him; and it was in a rondel that Fredet would excuse himself. Sometimes two or three, or as many as a dozen, would set to work on the same refrain, the same idea, or in the same macaronic jargon. Some of the poetasters were heavy enough; others were not wanting in address; and the d.u.c.h.ess herself was among those who most excelled. On one occasion eleven compet.i.tors made a ballade on the idea,

"I die of thirst beside the fountain's edge"

(Je meurs de soif empres de la fontaine).

These eleven ballades still exist; and one of them arrests the attention rather from the name of the author than from any special merit in itself.

It purports to be the work of Francois Villon; and so far as a foreigner can judge (which is indeed a small way), it may very well be his. Nay, and if any one thing is more probable than another, in the great _tabula rasa_, or unknown land, which we are fain to call the biography of Villon, it seems probable enough that he may have gone upon a visit to Charles of Orleans. Where Master Baudet Harenc, of Chalons, found a sympathetic, or perhaps a derisive audience (for who can tell nowadays the degree of Baudet's excellence in his art?), favour would not be wanting for the greatest ballade-maker of all time. Great as would seem the incongruity, it may have pleased Charles to own a sort of kinship with ragged singers, and whimsically regard himself as one of the confraternity of poets. And he would have other grounds of intimacy with Villon. A room looking upon Windsor gardens is a different matter from Villon's dungeon at Meun; yet each in his own degree had been tried in prison. Each in his own way also, loved the good things of this life and the service of the Muses. But the same gulf that separated Burns from his Edinburgh patrons would separate the singer of Bohemia from the rhyming duke. And it is hard to imagine that Villon's training amongst thieves, loose women, and vagabond students, had fitted him to move in a society of any dignity and courtliness. Ballades are very admirable things; and a poet is doubtless a most interesting visitor. But among the courtiers of Charles, there would be considerable regard for the proprieties of etiquette; and even a duke will sometimes have an eye to his teaspoons. Moreover, as a poet, I can conceive he may have disappointed expectation. It need surprise n.o.body if Villon's ballade on the theme,

"I die of thirst beside the fountain's edge,"

was but a poor performance. He would make better verses on the lee-side of a flagon at the sign of the Pomme du Pin, than in a cushioned settle in the halls of Blois.

Charles liked change of place. He was often not so much travelling as making a progress; now to join the king for some great tournament; now to visit King Rene, at Tarascon, where he had a study of his own and saw all manner of interesting things-oriental curios, King Rene painting birds, and, what particularly pleased him, Triboulet, the dwarf jester, whose skull-cap was no bigger than an orange. {276a} Sometimes the journeys were set about on horseback in a large party, with the _fourriers_ sent forward to prepare a lodging at the next stage. We find almost Gargantuan details of the provision made by these officers against the duke's arrival, of eggs and b.u.t.ter and bread, cheese and peas and chickens, pike and bream and barbel, and wine both white and red. {276b} Sometimes he went by water in a barge, playing chess or tables with a friend in the pavilion, or watching other vessels as they went before the wind. {276c} Children ran along the bank, as they do to this day on the Crinan Ca.n.a.l; and when Charles threw in money, they would dive and bring it up. {276d} As he looked on at their exploits, I wonder whether that room of gold and silk and worsted came back into his memory, with the device of little children in a river, and the sky full of birds?

He was a bit of a book-fancier, and had vied with his brother Angouleme in bringing back the library of their grandfather Charles V., when Bedford put it up for sale in London. {277a} The d.u.c.h.ess had a library of her own; and we hear of her borrowing romances from ladies in attendance on the blue-stocking Margaret of Scotland. {277b} Not only were books collected, but new books were written at the court of Blois.

The widow of one Jean Fougere, a bookbinder, seems to have done a number of odd commissions for the bibliophilous count. She it was who received three vellum-skins to bind the d.u.c.h.ess's Book of Hours, and who was employed to prepare parchment for the use of the duke's scribes. And she it was who bound in vermilion leather the great ma.n.u.script of Charles's own poems, which was presented to him by his secretary, Anthony Astesan, with the text in one column, and Astesan's Latin version in the other.

{277c}

Such tastes, with the coming of years, would doubtless take the place of many others. We find in Charles's verse much semi-ironical regret for other days, and resignation to growing infirmities. He who had been "nourished in the schools of love," now sees nothing either to please or displease him. Old age has imprisoned him within doors, where he means to take his ease, and let younger fellows bestir themselves in life. He had written (in earlier days, we may presume) a bright and defiant little poem in praise of solitude. If they would but leave him alone with his own thoughts and happy recollections, he declared it was beyond the power of melancholy to affect him. But now, when his animal strength has so much declined that he sings the discomforts of winter instead of the inspirations of spring, and he has no longer any appet.i.te for life, he confesses he is wretched when alone, and, to keep his mind from grievous thoughts, he must have many people around him, laughing, talking, and singing. {278}

While Charles was thus falling into years, the order of things, of which he was the outcome and ornament, was growing old along with him. The semi-royalty of the princes of the blood was already a thing of the past; and when Charles VII. was gathered to his fathers, a new king reigned in France, who seemed every way the opposite of royal. Louis XI. had aims that were incomprehensible, and virtues that were inconceivable to his contemporaries. But his contemporaries were able enough to appreciate his sordid exterior, and his cruel and treacherous spirit. To the whole n.o.bility of France he was a fatal and unreasonable phenomenon. All such courts as that of Charles at Blois, or his friend Rene's in Provence, would soon be made impossible; interference was the order of the day; hunting was already abolished; and who should say what was to go next?

Louis, in fact, must have appeared to Charles primarily in the light of a kill-joy. I take it, when missionaries land in South Sea Islands and lay strange embargo on the simplest things in life, the islanders will not be much more puzzled and irritated than Charles of Orleans at the policy of the Eleventh Louis. There was one thing, I seem to apprehend, that had always particularly moved him; and that was, any proposal to punish a person of his acquaintance. No matter what treason he may have made or meddled with, an Alencon or an Armagnac was sure to find Charles reappear from private life, and do his best to get him pardoned. He knew them quite well. He had made rondels with them. They were charming people in every way. There must certainly be some mistake. Had not he himself made anti-national treaties almost before he was out of his nonage? And for the matter of that, had not every one else done the like? Such are some of the thoughts by which he might explain to himself his aversion to such extremities; but it was on a deeper basis that the feeling probably reposed. A man of his temper could not fail to be impressed at the thought of disastrous revolutions in the fortunes of those he knew. He would feel painfully the tragic contrast, when those who had everything to make life valuable were deprived of life itself. And it was shocking to the clemency of his spirit, that sinners should be hurried before their judge without a fitting interval for penitence and satisfaction.

It was this feeling which brought him at last, a poor, purblind blue-bottle of the later autumn, into collision with "the universal spider," Louis XI. He took up the defence of the Duke of Brittany at Tours. But Louis was then in no humour to hear Charles's texts and Latin sentiments; he had his back to the wall, the future of France was at stake; and if all the old men in the world had crossed his path, they would have had the rough side of his tongue like Charles of Orleans. I have found nowhere what he said, but it seems it was monstrously to the point, and so rudely conceived that the old duke never recovered the indignity. He got home as far as Amboise, sickened, and died two days after (Jan. 4, 1465), in the seventy-fourth year of his age. And so a whiff of pungent prose stopped the issue of melodious rondels to the end of time.

V.

The futility of Charles's public life was of a piece throughout. He never succeeded in any single purpose he set before him; for his deliverance from England, after twenty-five years of failure and at the cost of dignity and consistency, it would be ridiculously hyperbolical to treat as a success. During the first part of his life he was the stalking horse of Bernard d'Armagnac; during the second, he was the pa.s.sive instrument of English diplomatists; and before he was well entered on the third, he hastened to become the dupe and catspaw of Burgundian treason. On each of these occasions, a strong and not dishonourable personal motive determined his behaviour. In 1407 and the following years, he had his father's murder uppermost in his mind.

During his English captivity, that thought was displaced by a more immediate desire for his own liberation. In 1440 a sentiment of grat.i.tude to Philip of Burgundy blinded him to all else, and led him to break with the tradition of his party and his own former life. He was born a great va.s.sal, and he conducted himself like a private gentleman.

He began life in a showy and brilliant enough fashion, by the light of a petty personal chivalry. He was not without some tincture of patriotism; but it was resolvable into two parts: a preference for life among his fellow-countrymen, and a barren point of honour. In England, he could comfort himself by the reflection that "he had been taken while loyally doing his devoir," without any misgiving as to his conduct in the previous years, when he had prepared the disaster of Agincourt by wasteful feud. This unconsciousness of the larger interests is perhaps most happily exampled out of his own mouth. When Alencon stood accused of betraying Normandy into the hands of the English, Charles made a speech in his defence, from which I have already quoted more than once.

Alencon, he said, had professed a great love and trust towards him; "yet did he give no great proof thereof, when he sought to betray Normandy; whereby he would have made me lose an estate of 10,000 livres a year, and might have occasioned the destruction of the kingdom and of all us Frenchmen." These are the words of one, mark you, against whom Gloucester warned the English Council because of his "great subtility and cautelous disposition." It is not hard to excuse the impatience of Louis XI., if such stuff was foisted on him by way of political deliberation.

This incapacity to see things with any greatness, this obscure and narrow view was fundamentally characteristic of the man as well as of the epoch.

It is not even so striking in his public life, where he failed, as in his poems, where he notably succeeded. For wherever we might expect a poet to be unintelligent, it certainly would not be in his poetry. And Charles is unintelligent even there. Of all authors whom a modern may still read and read over again with pleasure, he has perhaps the least to say. His poems seem to bear testimony rather to the fashion of rhyming, which distinguished the age, than to any special vocation in the man himself. Some of them are drawing-room exercises and the rest seem made by habit. Great writers are struck with something in nature or society, with which they become pregnant and longing; they are possessed with an idea, and cannot be at peace until they have put it outside of them in some distinct embodiment. But with Charles literature was an object rather than a mean; he was one who loved bandying words for its own sake; the rigidity of intricate metrical forms stood him in lieu of precise thought; instead of communicating truth, he observed the laws of a game; and when he had no one to challenge at chess or rackets, he made verses in a wager against himself. From the very idleness of the man's mind, and not from intensity of feeling, it happens that all his poems are more or less autobiographical. But they form an autobiography singularly bald and uneventful. Little is therein recorded beside sentiments. Thoughts, in any true sense, he had none to record. And if we can gather that he had been a prisoner in England, that he had lived in the Orleannese, and that he hunted and went in parties of pleasure, I believe it is about as much definite experience as is to be found in all these five hundred pages of autobiographical verse. Doubtless, we find here and there a complaint on the progress of the infirmities of age. Doubtless, he feels the great change of the year, and distinguishes winter from spring; winter as the time of snow and the fireside; spring as the return of gra.s.s and flowers, the time of St. Valentine's day and a beating heart.

And he feels love after a fashion. Again and again, we learn that Charles of Orleans is in love, and hear him ring the changes through the whole gamut of dainty and tender sentiment. But there is never a spark of pa.s.sion; and heaven alone knows whether there was any real woman in the matter, or the whole thing was an exercise in fancy. If these poems were indeed inspired by some living mistress, one would think he had never seen, never heard, and never touched her. There is nothing in any one of these so numerous love-songs to indicate who or what the lady was.

Was she dark or fair, pa.s.sionate or gentle like himself, witty or simple?

Was it always one woman? or are there a dozen here immortalised in cold indistinction? The old English translator mentions gray eyes in his version of one of the amorous rondels; so far as I remember, he was driven by some emergency of the verse; but in the absence of all sharp lines of character and anything specific, we feel for the moment a sort of surprise, as though the epithet were singularly happy and unusual, or as though we had made our escape from cloudland into something tangible and sure. The measure of Charles's indifference to all that now preoccupies and excites a poet, is best given by a positive example. If, besides the coming of spring, any one external circ.u.mstance may be said to have struck his imagination, it was the despatch of _fourriers_, while on a journey, to prepare the night's lodging. This seems to be his favourite image; it reappears like the upas-tree in the early work of Coleridge: we may judge with what childish eyes he looked upon the world, if one of the sights which most impressed him was that of a man going to order dinner.

Although they are not inspired by any deeper motive than the common run of contemporaneous drawing-room verses, those of Charles of Orleans are executed with inimitable lightness and delicacy of touch. They deal with floating and colourless sentiments, and the writer is never greatly moved, but he seems always genuine. He makes no attempt to set off thin conceptions with a multiplicity of phrases. His ballades are generally thin and scanty of import; for the ballade presented too large a canvas, and he was preoccupied by technical requirements. But in the rondel he has put himself before all compet.i.tors by a happy knack and a prevailing distinction of manner. He is very much more of a duke in his verses than in his absurd and inconsequential career as a statesman; and how he shows himself a duke is precisely by the absence of all pretension, turgidity, or emphasis. He turns verses, as he would have come into the king's presence, with a quiet accomplishment of grace.

Theodore de Banville, the youngest poet of a famous generation now nearly extinct, and himself a sure and finished artist, knocked off, in his happiest vein, a few experiments in imitation of Charles of Orleans. I would recommend these modern rondels to all who care about the old duke, not only because they are delightful in themselves, but because they serve as a contrast to throw into relief the peculiarities of their model. When de Banville revives a forgotten form of verse-and he has already had the honour of reviving the ballade-he does it in the spirit of a workman choosing a good tool wherever he can find one, and not at all in that of the dilettante, who seeks to renew bygone forms of thought and make historic forgeries. With the ballade this seemed natural enough; for in connection with ballades the mind recurs to Villon, and Villon was almost more of a modern than de Banville himself. But in the case of the rondel, a comparison is challenged with Charles of Orleans, and the difference between two ages and two literatures is ill.u.s.trated in a few poems of thirteen lines. Something, certainly, has been retained of the old movement; the refrain falls in time like a well-played ba.s.s; and the very brevity of the thing, by hampering and restraining the greater fecundity of the modern mind, a.s.sists the imitation. But de Banville's poems are full of form and colour; they smack racily of modern life, and own small kindred with the verse of other days, when it seems as if men walked by twilight, seeing little, and that with distracted eyes, and instead of blood, some thin and spectral fluid circulated in their veins. They might gird themselves for battle, make love, eat and drink, and acquit themselves manfully in all the external parts of life; but of the life that is within, and those processes by which we render ourselves an intelligent account of what we feel and do, and so represent experience that we for the first time make it ours, they had only a loose and troubled possession. They beheld or took part in great events, but there was no answerable commotion in their reflective being; and they pa.s.sed throughout turbulent epochs in a sort of ghostly quiet and abstraction. Feeling seems to have been strangely disproportioned to the occasion, and words were laughably trivial and scanty to set forth the feeling even such as it was. Juvenal des Ursins chronicles calamity after calamity, with but one comment for them all: that "it was great pity." Perhaps, after too much of our florid literature, we find an advent.i.tious charm in what is so different; and while the big drums are beaten every day by perspiring editors over the loss of a c.o.c.k-boat or the rejection of a clause, and nothing is heard that is not proclaimed with sound of trumpet, it is not wonderful if we retire with pleasure into old books, and listen to authors who speak small and clear, as if in a private conversation. Truly this is so with Charles of Orleans. We are pleased to find a small man without the buskin, and obvious sentiments stated without affectation. If the sentiments are obvious, there is all the more chance we may have experienced the like. As we turn over the leaves, we may find ourselves in sympathy with some one or other of these staid joys and smiling sorrows. If we do we shall be strangely pleased, for there is a genuine pathos in these simple words, and the lines go with a lilt, and sing themselves to music of their own.

SAMUEL PEPYS.