"Montag, a funny thing. Heard tell this morning. Fireman in Seattle, purposely set a Mechanical Hound to his own chemical complex and let it loose. What kind of suicide would you call that?"
Five six seven days.
And then, Clarisse was gone. He didn't know what there was about the afternoon, but it was not seeing her somewhere in the world. The lawn was empty, the trees empty, the street empty, and while at first he did not even know he missed her or was even looking for her, the fact was that by the time he reached the subway, there were vague stirrings of unease in him. Something was the matter, his routine had been disturbed. A simple routine, true, established in a short few days, and yet...? He almost turned back to make the walk again, to give her time to appear. He was certain if he tried the same route, everything would work out fine. But it was late, and the arrival of his train put a stop to his plan.
The flutter of cards, motion of hands, of eyelids, the drone of the time-voice in the firehouse ceiling "...one thirty-five. Thursday morning, November 4th... one thirty-six... one thirty-seven a.m...? The tick of the playing-cards on the greasy table-top, all the sounds came to Montag, behind his closed eyes, behind the barrier he had momentarily erected. He could feel the firehouse full of glitter and shine and silence, of bra.s.s colours, the colours of coins, of gold, of silver: The unseen men across the table were sighing on their cards, waiting.
"...one forty-five..." The voice-clock mourned out the cold hour of a cold morning of a still colder year.
"What's wrong, Montag?"
Montag opened his eyes.
A radio hummed somewhere. "...war may be declared any hour. This country stands ready to defend its -"
The firehouse trembled as a great flight of jet planes whistled a single note across the black morning sky.
Montag blinked. Beatty was looking at him as if he were a museum statue. At any moment, Beatty might rise and walk about him, touching, exploring his guilt and self-consciousness. Guilt? What guilt was that?
"Your play, Montag."
Montag looked at these men whose faces were sunburnt by a thousand real and ten thousand imaginary fires, whose work flushed their cheeks and fevered their eyes. These men who looked steadily into their platinum igniter flames as they lit their eternally burning black pipes. They and their charcoal hair and soot-coloured brows and bluish-ash-smeared cheeks where they had shaven close; but their heritage showed. Montag started up, his mouth opened. Had he ever seen a fireman that didn't have black hair, black brows, a fiery face, and a blue-steel shaved but unshaved look? These men were all mirror-images of himself! Were all firemen picked then for their looks as well as their proclivities? The colour of cinders and ash about them, and the continual smell of burning from their pipes. Captain Beatty there, rising in thunderheads of tobacco smoke. Beatty opening a fresh tobacco packet, crumpling the cellophane into a sound of fire.
Montag looked at the cards in his own hands. "I - I've been thinking. About the fire last week. About the man whose library we fixed. What happened to him?"
"They took him screaming off to the asylum."
"He wasn't insane."
Beatty arranged his cards quietly. "Any man's insane who thinks he can fool the Government and us."
"I've tried to imagine," said Montag, "just how it would feel. I mean to have firemen burn our houses and our books."
"We haven't any books."
"But if we did have some."
"You got some?"
Beatty blinked slowly.
"No." Montag gazed beyond them to the wall with the typed lists of a million forbidden books. Their names leapt in fire, burning down the years under his axe and his hose which sprayed not water but kerosene. "No." But in his mind, a cool wind started up and blew out of the ventilator grille at home, softly, softly, chilling his face. And, again, he saw himself in a green park talking to an old man, a very old man, and the wind from the park was cold, too.
Montag hesitated, "Was - was it always like this? The firehouse, our work? I mean, well, once upon a time..."
"Once upon a time!" Beatty said. "What kind of talk is that?"
Fool, thought Montag to himself, you'll give it away. At the last fire, a book of fairy tales, he'd glanced at a single line. "I mean," he said, "in the old days, before homes were completely fireproofed." Suddenly it seemed a much younger voice was speaking for him. He opened his mouth and it was Clarisse McClellan saying, "Didn't firemen prevent fires rather than stoke them up and get them going?"
"That's rich!" Stoneman and Black drew forth their rulebooks, which also contained brief histories of the Firemen of America, and laid them out where Montag, though long familiar with them, might read: "Established, 1790, to burn English-influenced books in the Colonies. First Fireman: Benjamin Franklin."
Rules: Answer the alarm swiftly.
Start the fire swiftly.
Burn everything.
Report back to firehouse immediately.
Stand alert for other alarms.
Everyone watched Montag. He did not move.
The alarm sounded.
The bell in the ceiling kicked itself two hundred times. Suddenly there were four empty chairs. The cards fell in a flurry of snow. The bra.s.s pole shivered. The men were gone.
Montag sat in his chair. Below, the orange dragon coughed into life.
Montag slid down the pole like a man in a dream.
The Mechanical Hound leapt up in its kennel, its eyes all green flame.
"Montag, you forgot your helmet!"
He seized it off the wall behind him, ran, leapt, and they were off, the night wind hammering about their siren scream and their mighty metal thunder!
It was a flaking three-storey house in the ancient part of the city, a century old if it was a day, but like all houses it had been given a thin fireproof plastic sheath many years ago, and this preservative sh.e.l.l seemed to be the only thing holding it in the sky.
"Here we are!"
The engine slammed to a stop. Beatty, Stoneman, and Black ran up the sidewalk, suddenly odious and fat in the plump fireproof slickers. Montag followed.
They crashed the front door and grabbed at a woman, though she was not running, she was not trying to escape. She was only standing, weaving from side to side, her eyes fixed upon a nothingness in the wall as if they had struck her a terrible blow upon the head. Her tongue was moving in her mouth, and her eyes seemed to be trying to remember something, and then they remembered and her tongue moved again: "'Play the man, Master Ridley; we shall this day light such a candle, by G.o.d's grace, in England, as I trust shall never be put out.'"
"Enough of that!" said Beatty. "Where are they?"
He slapped her face with amazing objectivity and repeated the question. The old woman's eyes came to a focus upon Beatty. "You know where they are or you wouldn't be here," she said.
Stoneman held out the telephone alarm card with the complaint signed in telephone duplicate on the back "Have reason to suspect attic; 11 No. Elm, City. - E. B."
"That would be Mrs. Blake, my neighbour," said the woman, reading the initials.
"All right, men, let's get 'em!"
Next thing they were up in musty blackness, swinging silver hatchets at doors that were, after all, unlocked, tumbling through like boys all rollick and shout. "Hey!" A fountain of books sprang down upon Montag as he climbed shuddering up the sheer stair-well. How inconvenient! Always before it had been like snuffing a candle. The police went first and adhesive-taped the victim's mouth and bandaged him off into their glittering beetle cars, so when you arrived you found an empty house. You weren't hurting anyone, you were hurting only things! And since things really couldn't be hurt, since things felt nothing, and things don't scream or whimper, as this woman might begin to scream and cry out, there was nothing to tease your conscience later. You were simply cleaning up. Janitorial work, essentially. Everything to its proper place. Quick with the kerosene! Who's got a match!
But now, tonight, someone had slipped. This woman was spoiling the ritual. The men were making too much noise, laughing, joking to cover her terrible accusing silence below. She made the empty rooms roar with accusation and shake down a fine dust of guilt that was sucked in their nostrils as they plunged about. It was neither cricket nor correct. Montag felt an immense irritation. She shouldn't be here, on top of everything!
Books bombarded his shoulders, his arms, his upturned face. A book alighted, almost obediently, like a white pigeon, in his hands, wings fluttering. In the dim, wavering light, a page hung open and it was like a snowy feather, the words delicately painted thereon. In all the rush and fervour, Montag had only an instant to read a line, but it blazed in his mind for the next minute as if stamped there with fiery steel. "Time has fallen asleep in the afternoon sunshine." He dropped the book. Immediately, another fell into his arms.
"Montag, up here!"
Montag's hand closed like a mouth, crushed the book with wild devotion, with an insanity of mindlessness to his chest. The men above were hurling shovelfuls of magazines into the dusty air. They fell like slaughtered birds and the woman stood below, like a small girl, among the bodies.
Montag had done nothing. His hand had done it all, his hand, with a brain of its own, with a conscience and a curiosity in each trembling finger, had turned thief. Now, it plunged the book back under his arm, pressed it tight to sweating armpit, rushed out empty, with a magician's flourish! Look here! Innocent! Look!
He gazed, shaken, at that white hand. He held it way out, as if he were far-sighted. He held it close, as if he were blind.
"Montag!"
He jerked about.
"Don't stand there, idiot!"
The books lay like great mounds of fishes left to dry. The men danced and slipped and fell over them. t.i.tles glittered their golden eyes, falling, gone.
"Kerosene! They pumped the cold fluid from the numbered 451 tanks strapped to their shoulders. They coated each book, they pumped rooms full of it.
They hurried downstairs, Montag staggered after them in the kerosene fumes.
"Come on, woman!"
The woman knelt among the books, touching the drenched leather and cardboard, reading the gilt t.i.tles with her fingers while her eyes accused Montag.
"You can't ever have my books," she said.
"You know the law," said Beatty. "Where's your common sense? None of those books agree with each other. You've been locked up here for years with a regular d.a.m.ned Tower of Babel. Snap out of it! The people in those books never lived. Come on now!"
She shook her head.
"The whole house is going up," said Beatty.
The men walked clumsily to the door. They glanced back at Montag, who stood near the woman.
"You're not leaving her here?" he protested.
"She won't come."
"Force her, then!"
Beatty raised his hand in which was concealed the igniter. "We're due back at the house. Besides, these fanatics always try suicide; the pattern's familiar."
Montag placed his hand on the woman's elbow. "You can come with me."
"No," she said. "Thank you, anyway."
"I'm counting to ten," said Beatty. "One. Two."
"Please," said Montag.
"Go on," said the woman.
"Three. Four."
"Here." Montag pulled at the woman.
The woman replied quietly, "I want to stay here."
"Five. Six."
"You can stop counting," she said. She opened the fingers of one hand slightly and in the palm of the hand was a single slender object.
An ordinary kitchen match.
The sight of it rushed the men out and down away from the house. Captain Beatty, keeping his dignity, backed slowly through the front door, his pink face burnt and shiny from a thousand fires and night excitements. G.o.d, thought Montag, how true! Always at night the alarm comes. Never by day! Is it because the fire is prettier by night? More spectacle, a better show? The pink face of Beatty now showed the faintest panic in the door. The woman's hand twitched on the single matchstick. The fumes of kerosene bloomed up about her. Montag felt the hidden book pound like a heart against his chest.
"Go on," said the woman, and Montag felt himself back away and away out of the door, after Beatty, down the steps, across the lawn, where the path of kerosene lay like the track of some evil snail.
On the front porch where she had come to weigh them quietly with her eyes, her quietness a condemnation, the woman stood motionless.
Beatty flicked his fingers to spark the kerosene.
He was too late. Montag gasped.
The woman on the porch reached out with contempt for them all, and struck the kitchen match against the railing.
People ran out of houses all down the street.
They said nothing on their way back to the firehouse. n.o.body looked at anyone else. Montag sat in the front seat with Beatty and Black. They did not even smoke their pipes. They sat there looking out of the front of the great salamander as they turned a corner and went silently on.
"Master Ridley," said Montag at last.
"What?" said Beatty.
"She said, 'Master Ridley.' She said some crazy thing when we came in the door. 'Play the man,' she said, 'Master Ridley.' Something, something, something."
"'We shall this day light such a candle, by G.o.d's grace, in England, as I trust shall never be put out,"' said Beatty. Stoneman glanced over at the Captain, as did Montag, startled.
Beatty rubbed his chin. "A man named Latimer said that to a man named Nicholas Ridley, as they were being burnt alive at Oxford, for heresy, on October 16, 1555."
Montag and Stoneman went back to looking at the street as it moved under the engine wheels.
"I'm full of bits and pieces," said Beatty. "Most fire captains have to be. Sometimes I surprise myself. Watch it, Stoneman!"
Stoneman braked the truck.
"d.a.m.n!" said Beatty. "You've gone right by the corner where we turn for the firehouse."