"It might have been, I guess," I said.

"Well, we ought to go back and find your rod and your creel."

He actually started in that direction, and I had to tug frantically at his arm to stop him again, and turn him back toward me.

"Later," I said. "Please, Dad? I want to see Mother. I've got to see her with my own eyes."

He thought that over, then nodded. "Yes, I suppose you do. We'll go home first, and get your rod and creel later."

So we walked back to the farm together, my father with his fishpole propped on his shoulder just like one of my friends, me carrying his creel, both of us eating folded-over slices of my mother's bread smeared with blackcurrant jam.

"Did you catch anything?" he asked as we came in sight of the barn.

"Yes, sir," I said. "A rainbow. Pretty good-sized." And a brookie that And a brookie that was a lot bigger, was a lot bigger, I thought but didn't say. I thought but didn't say. Biggest one I ever saw, to tell the Biggest one I ever saw, to tell the truth, but I don't have that one to show you, Dad. I gave that one to the man truth, but I don't have that one to show you, Dad. I gave that one to the man in the black suit, so he wouldn't eat me. And it worked . . . but just barely. in the black suit, so he wouldn't eat me. And it worked . . . but just barely.

"That's all? Nothing else?"

"After I caught it I fell asleep." This was not really an answer, but not really a lie, either.

"Lucky you didn't lose your pole. You didn't, did you, Gary?"

"No, sir," I said, very reluctantly. Lying about that would do no

good even if I'd been able to think up a whopper-not if he was set on going back to get my creel anyway, and I could see by his face that he was.

Up ahead, Candy Bill came racing out of the back door, barking his shrill bark and wagging his whole rear end back and forth the way Scotties do when they're excited. I couldn't wait any longer; hope and anxiety bubbled up in my throat like foam. I broke away from my father and ran to the house, still lugging his creel and still convinced, in my heart of hearts, that I was going to find my mother dead on the kitchen floor with her face swelled and purple like Dan's had been when my father carried him in from the west field, crying and calling the name of Jesus.

But she was standing at the counter, just as well and fine as when I had left her, humming a song as she shelled peas into a bowl. She looked around at me, first in surprise and then in fright as she took in my wide eyes and pale cheeks.

"Gary, what is it? What's the matter?"

I didn't answer, only ran to her and covered her with kisses. At some point my father came in and said, "Don't worry, Lo-he's all right. He just had one of his bad dreams, down there by the brook."

"Pray God it's the last of them," she said, and hugged me tighter while Candy Bill danced around our feet, barking his shrill bark.

"You don't have to come with me if you don't want to, Gary," my father said, although he had already made it clear that he thought I should-that I should go back, that I should face my fear, as I suppose folks would say nowadays. That's very well for fearful things that are make-believe, but two hours hadn't done much to change my conviction that the man in the black suit had been real. I wouldn't be able to convince my father of that, though. I don't think there was a nineyear-old that ever lived who would have been able to convince his father he'd seen the Devil come walking out of the woods in a black suit.

"I'll come," I said. I had walked out of the house to join him before he left, mustering all my courage in order to get my feet moving, and now we were standing by the chopping-block in the side yard, not far from the woodpile.

"What you got behind your back?" he asked.

I brought it out slowly. I would go with him, and I would hope the man in the black suit with the arrow-straight part down the left side of his head was gone . . . but if he wasn't, I wanted to be prepared. As prepared as I could be, anyway. I had the family Bible in the hand I had brought out from behind my back. I'd set out just to bring my New Testament, which I had won for memorizing the most psalms in the Thursday night Youth Fellowship competition (I managed eight, although most of them except the Twenty-third had floated out of my mind in a week's time), but the little red Testament didn't seem like enough when you were maybe going to face the Devil himself, not even when the words of Jesus were marked out in red ink.

My father looked at the old Bible, swelled with family documents and pictures, and I thought he'd tell me to put it back, but he didn't. A look of mixed grief and sympathy crossed his face, and he nodded. "All right," he said. "Does your mother know you took that?"

"No, sir."

He nodded again. "Then we'll hope she doesn't spot it gone before we get back. Come on. And don't drop it."

Half an hour or so later, the two of us stood on the bank looking down at the place where Castle Stream forked, and at the flat place where I'd had my encounter with the man with the red-orange eyes. I had my bamboo rod in my hand-I'd picked it up below the bridge-and my creel lay down below, on the flat place. Its wicker top was flipped back. We stood looking down, my father and I, for a long time, and neither of us said anything.

Opal! Diamond! Sapphire! Jade! I smell Gary's lemonade! That had been his unpleasant little poem, and once he had recited it, he had thrown himself on his back, laughing like a child who has just discovered he has enough courage to say bathroom words like shit or piss. The flat place down there was as green and lush as any place in Maine that the sun can get to in early July . . . except where the stranger had lain. There the grass was dead and yellow in the shape of a man. That had been his unpleasant little poem, and once he had recited it, he had thrown himself on his back, laughing like a child who has just discovered he has enough courage to say bathroom words like shit or piss. The flat place down there was as green and lush as any place in Maine that the sun can get to in early July . . . except where the stranger had lain. There the grass was dead and yellow in the shape of a man.

I looked down and saw I was holding our lumpy old family Bible straight out in front of me with both thumbs pressing so hard on the cover that they were white. It was the way Mama Sweet's husband Norville held a willow-fork when he was trying to dowse somebody a well.

"Stay here," my father said at last, and skidded sideways down the bank, digging his shoes into the rich soft soil and holding his arms out for balance. I stood where I was, holding the Bible stiffly out at the ends of my arms like a willow-fork, my heart thumping wildly. I don't know if I had a sense of being watched that time or not; I was too scared to have a sense of anything, except for a sense of wanting to be far away from that place and those woods.

My Dad bent down, sniffed at where the grass was dead, and grimaced. I knew what he was smelling: something like burnt matches. Then he grabbed my creel and came on back up the bank, hurrying. He snagged one fast look over his shoulder to make sure nothing was coming along behind. Nothing was. When he handed me the creel, the lid was still hanging back on its cunning little leather hinges. I looked inside and saw nothing but two handfuls of grass.

"Thought you said you caught a rainbow," my father said, "but maybe you dreamed that, too."

Something in his voice stung me. "No, sir," I said. "I caught one."

"Well, it sure as hell didn't flop out, not if it was gutted and cleaned. And you wouldn't put a catch into your fisherbox without doing that, would you, Gary? I taught you better than that."

"Yes, sir, you did, but-"

"So if you didn't dream catching it and if it was dead in the box, something must have come along and eaten it," my father said, and then he grabbed another quick glance over his shoulder, eyes wide, as if he had heard something move in the woods. I wasn't exactly surprised to see drops of sweat standing out on his forehead like big clear jewels. "Come on," he said. "Let's get the hell out of here."

I was for that, and we went back along the bank to the bridge,

walking quick without speaking. When we got there, my Dad dropped to one knee and examined the place where we'd found my rod. There was another patch of dead grass there, and the lady's slipper was all brown and curled in on itself, as if a blast of heat had charred it. While my father did this, I looked in my empty creel.

"He must have gone back and eaten my other fish, too," I said.

My father looked up at me. "Other fish!" fish!"

"Yes, sir. I didn't tell you, but I caught a brookie, too. A big one. He was awful hungry, that fella." I wanted to say more, and the words trembled just behind my lips, but in the end I didn't.

We climbed up to the bridge and helped one another over the railing. My father took my creel, looked into it, then went to the railing and threw it over. I came up beside him in time to see it splash down and float away like a boat, riding lower and lower in the stream as the water poured in between the wicker weavings.

"It smelled bad," my father said, but he didn't look at me when he said it, and his voice sounded oddly defensive. It was the only time I ever heard him speak just that way.

"Yes, sir."

"We'll tell your mother we couldn't find it. If she asks. If she doesn't ask, we won't tell her anything."

"No, sir, we won't."

And she didn't and we didn't and that's the way it was.

That day in the woods is eighty-one years gone, and for many of the years in between I have never even thought of it . . . not awake, at least. Like any other man or woman who ever lived, I can't say about my dreams, not for sure. But now I'm old, and I dream awake, it seems. My infirmities have crept up like waves which will soon take a child's abandoned sand castle, and my memories have also crept up, making me think of some old rhyme that went, in part, "Just leave them alone/And they'll come home/Wagging their tails behind them." I remember meals I ate, games I played, girls I kissed in the school cloakroom when we played Post Office, boys I chummed with, the first drink I ever took, the first cigarette I ever smoked (corn shuck behind Dicky Hammer's pig-shed, and I threw up). Yet of all the memories, the one of the man in the black suit is the strongest, and glows with its own spectral, haunted light. He was real, he was the Devil, and that day I was either his errand or his luck. I feel more and more strongly that escaping him was my luck-just luck, and not the intercession of the God I have worshipped and sung hymns to all my life. luck, and not the intercession of the God I have worshipped and sung hymns to all my life.

As I lie here in my nursing-home room, and in the ruined sand castle that is my body, I tell myself that I need not fear the Devil-that I have lived a good, kindly life, and I need not fear the Devil. Sometimes I remind myself that it was I, not my father, who finally coaxed my mother back to church later on that summer. In the dark, however, these thoughts have no power to ease or comfort. In the dark comes a voice which whispers that the nine-year-old boy I was had done nothing for which he might legitimately fear the devil either . . . and yet the Devil came. And in the dark I sometimes hear that voice drop even lower, into ranges which are inhuman. Big fish! Big fish! it whispers in tones of hushed greed, and all the truths of the moral world fall to ruin before its hunger. it whispers in tones of hushed greed, and all the truths of the moral world fall to ruin before its hunger. Biiig fiiish! Biiig fiiish!

The Devil came to me once, long ago; suppose he were to come again now? I am too old to run now; I can't even get to the bathroom and back without my walker. I have no fine large brook trout with which to propitiate him, either, even for a moment or two; I am old and my creel is empty. Suppose he were to come back and find me so?

And suppose he is still hungry?

My favorite Nathaniel Hawthorne story is "Young Goodman Brown." I think it's one of the ten best stories ever written by an Brown." I think it's one of the ten best stories ever written by an American. "The Man in the Black Suit" is my American. "The Man in the Black Suit" is my hommage hommage to it. to it. As for the particulars, I was talking with a friend of mine one day, As for the particulars, I was talking with a friend of mine one day, and he happened to mention that his Grandpa believed-truly and he happened to mention that his Grandpa believed-truly believed believed-that he had seen the Devil in the woods, back around the turn of the twentieth century. Grandpa said the Devil came the turn of the twentieth century. Grandpa said the Devil came walking out of the woods and started talking to him just like a walking out of the woods and started talking to him just like a natural man. While Grandpa was chinning with him, he realized that the man from the woods had burning red eyes and smelled natural man. While Grandpa was chinning with him, he realized that the man from the woods had burning red eyes and smelled like sulfur. My friend's Grandpa became convinced that the like sulfur. My friend's Grandpa became convinced that the Devil would kill him if he realized Grandpa had caught on, so he Devil would kill him if he realized Grandpa had caught on, so he did his best to make normal conversation until he could eventually did his best to make normal conversation until he could eventually get away. My story grew from my friend's story. Writing it was no get away. My story grew from my friend's story. Writing it was no fun, but I went on with it, anyway. Sometimes stories cry out to be fun, but I went on with it, anyway. Sometimes stories cry out to be told in such loud voices that you write them just to shut them up. told in such loud voices that you write them just to shut them up. I thought the finished product a rather humdrum folktale told in I thought the finished product a rather humdrum folktale told in pedestrian language, certainly miles from the Hawthorne story I pedestrian language, certainly miles from the Hawthorne story I liked so much. When liked so much. When The New Yorker The New Yorker asked to publish it, I was asked to publish it, I was shocked. When it won first prize in the O. Henry Best Short Story shocked. When it won first prize in the O. Henry Best Short Story competition for 1996, I was convinced someone had made a mistake (that did not keep me from accepting the award, however). competition for 1996, I was convinced someone had made a mistake (that did not keep me from accepting the award, however). Reader response was generally positive, too. This story is proof that Reader response was generally positive, too. This story is proof that writers are often the writers are often the worst worst judges of what they have written. judges of what they have written.