"You didn't sing well," he said, as they went home. "What was the matter with you?"

Owen and the red-haired lady seemed to fall behind this last misfortune.

If she had lost her voice she was no longer herself, and as she went to her teaching she saw herself a music mistress to the end of her days.

But on Sunday morning she came down stairs singing, and Mr. Innes heard a future prima donna in her voice. Her face lit up, and she said, "Do you think so, dear. It was unlucky I sang so badly the other night. I seemed to have no voice at all."

He told her that there were times when her mother suddenly lost her voice.

"But, father, you are not fit to go out, and can't go out in that state."

"What is the matter?" and his hand went to his shirt collar.

"No, your necktie is all right. Ah! there you've untied it; I'll tie it for you. It's your coat that wants brushing."

The black frock coat which he wore on Sundays was too small for him. If he b.u.t.toned it, it wrinkled round the waist and across the chest; if he left it open, its meagre width and the shortness of the skirts (they were the fashion of more than ten years ago) made it seem ridiculous.

At the elbows the cloth was shiny with long wear, and the cuffs were frayed. His hat was as antiquated as his coat. It was a mere pulp, greasy inside and brown outside; the brim was too small, it was too low in the crown, and after the severest brushing it remained rough like a blanket. Evelyn handed it back to him in despair. He thanked his daughter, put it on his head, and forgot its appearance. But in spite of shabby coat and shabbier hat, Mr. Innes remained free from suspicion of vulgarity--the sad dignity of his grey face and the dreams that haunted his eyes saved him from that.

"And whose ma.s.s are you going to play to-day?" she asked him.

"A ma.s.s by Hummel, in B; on Thursday, a ma.s.s by Dr. Gladstone; and next Sunday, Mozart's Twelfth, beloved of Father Gordon and village choirs. I wonder if he will allow the Reproaches to be sung in Holy Week? He will insist on the expense of the double choir."

"But, father, do you think that the congregation of St. Joseph's is one that would care for the refinement of Palestrina? Would you not require a cultivated West-end audience--the Oratory or Farm Street?"

"That is Sir Owen's opinion."

"I never heard him say so."

How had she come to repeat anything she had heard him say? Moreover, why had she said that she had not heard him say so? And Evelyn argued with herself until the train reached their station--it was one of those absurd little mental complications, the infinitesimal life that flourishes deep in the soul.

A little way down a side street, a few yards from the main thoroughfare, where the roads branched, the great gaunt facade of St. Joseph's pointed against a yellow sky. Its foundations had been laid and its walls built by a priest, who had collected large sums of money in America, and whose desire had been to have the largest church that could be built for the least money, in the shortest possible time. The result was the great, sprawling, grey stone building with a desolate spire, now fading into the darkness of the snow-storm. Money had run short. The church had not been completed when its founder died; then another energetic priest had raised another subscription. Doors and stained gla.s.s had been added, and, for a while, St. Joseph's had become a flourishing parish church, supported by various suburbs, and projects for the completion of its interior decoration had begun to be entertained; but while these projects were under consideration, the suburbs had acquired churches of their own, and the congregation of St. Joseph's had dwindled until it had lost all means of support, except the meagre a.s.sistance it received from the poor Irish and Italians of the neighbourhood. There had been talk of closing the church, and it would have had to be closed if the Jesuits had not accepted the mission. Another subscription had been started, but the greater part of this third subscription the Jesuits had spent upon their schools, so the fate of St. Joseph's seemed to be to remain, as someone had said, an unfinished ruin. Their resources were exhausted, and they surveyed the barren aisles, dreaming of the painting and mosaics they would put up when the promises of Father Gordon were realised. For it was understood that their fortunes should be retrieved by his musical abilities, and his competence to select the most attractive ma.s.ses. Father Gordon was a type often found among amateur musicians--a man with a slight technical knowledge, a good ear, a nice voice, and absolutely no taste whatever. His natural ear was for obvious rhythm, his taste coincided with the popular taste, and as the necessity of attracting a congregation was paramount, it is easy to imagine how easily he conceded to his natural inclinations. And the arguments with which he reb.u.t.ted those of his opponents were unanswerable, that whatever moved the heart to the love of G.o.d was right; that if the plain chant failed to help the soul to aspiration, we were justified in subst.i.tuting Rossini's _Stabat Mater_, or whatever other musical idiom the neighbourhood craved for.

Religious rite, according to Father Gordon, should conform to the artistic taste of the congregation, and he urged, with some force, that the artistic taste of Southwark stood on quite as high a level as that of Mayfair. To get a Mayfair audience they had only to follow the taste of Southwark. And so, under his guidance, the Jesuits had increased their orchestra and employed the best tenors that could be hired.

Nevertheless, their progress was slow. Father Gordon pleaded patience.

The neighbourhood was unfashionable; it was difficult to persuade their friends to come so far. Mr. Innes answered that if they gave him a choir of forty-five voices--he could do nothing with less--the West-end would come at once to hear Palestrina. The distance, and the fact of the church being in a slum, he maintained, would not be in itself a drawback. Half the success of Bayreuth, he urged, is owing to its being so far off. And this plan, too, seemed to possess some elements of success, and so the Jesuits hesitated between very divergent methods by which the same result might be attained.

A few flakes of snow were falling, and Evelyn and her father put up their umbrellas as they crossed the road to the church. Three steps led to the pointed door above which was the figure of the patron saint.

The nakedness of the unfinished and undecorated church was hidden in the twilight of the approaching storm, and Evelyn trembled as she walked up the aisle, so menacing seemed the darkness that descended from the sky.

The stained gla.s.s, blackened by the smoke of the factory chimneys, let in but little light, the aisles were plunged in darkness, and kneeling in her favourite place the ineffectual gaslight seemed to her like painted flames on a dark background. The side chapels which opened on to the aisles were shut off by no ornamental screens, indeed, the only piece of decoration seemed to be the fine modern ironwork which veiled the sanctuary.

She opened her prayer book, but in the shadow of the pillar where she was kneeling there was not sufficient light for her to read, so she bent her face upon her hands, intent upon losing herself in prayer. She abased herself before her Father in Heaven; attaining once more the wonderful human moment when the creature who crouches on this rim of earth implores pardon for her trespa.s.s from the beneficent Creator of things. But to-day her devotional mood was interrupted by sudden thought and sensation of Owen's presence; she was forced to look up, and convinced that he was very near her, she sought him amid the crowd of people who sat and knelt in front of her, blackening the dusk, a vague darkness in which she could at first distinguish nothing but an occasional white plume and a bald head. But her eyes grew accustomed to the darkness, and above the uninteresting backs of middle-aged men she recognised his thin sharp shoulders. She had been compelled to look up from her prayers, and she wondered if he had been thinking of her. If so, it was very wrong of him to interrupt her at her prayers. But a sensation of pleasure arose spontaneously in her. At that moment he had to remove his hat from the chair on which he had placed it, and she noticed the gold stud links in his large shirt cuffs, the rough material of which the coat was made, and how well it lay along the thin arm. She imagined the look of vexation on the grave interesting face, and laughed a little to herself. What was the poor woman to do? She had a right to her chair. But she did look so frightened, and was visibly perturbed by the presence of so fine a gentleman. Evelyn knew the woman by sight--a curious thin and crooked creature, who wore a strange bonnet and a little black mantle, and walked up the church, her hands crossed like a doll....

No doubt he had driven all the way from Berkeley Square. She could see him leaning back in his brougham, humming various music, or plaintively thinking about the lady with the red hair, who did not care for him. Her breath caught her in the throat. That was the reason why he had come to St. Joseph's. It was all over with the red-haired lady, and it was for her that he had come to St. Joseph's! But that could not be.... She saw him moving in rich and elegant society, where everyone had a t.i.tle, and the narrowness of her life compared with his dismayed her. It was impossible that he could care for her. She was remaining in Dulwich, with nothing but a few music lessons to look forward to.... But when she reached the operatic stage her life would be like his, and the vision of her future pa.s.sed before her eyes--diamonds in stars, baskets of wonderful flowers, applause, and the perfume of a love story, swinging like a censer over it all.

At that moment the priests entered; ma.s.s began. She opened her prayer book, but, however firmly she fixed her thoughts in prayer, they sprang back, without her knowing it, to Owen and the red-haired woman, with the smooth, cream-coloured shoulders. Without being aware of it, she was looking at him, and it was such a delight to think of him that she could not refrain. His chair was the last on the third line from the altar rail, and she noticed that he wore patent leather shoes; the hitching of the dark grey trousers displayed a silk sock; but he suddenly uncrossed his legs, and a.s.sumed a less negligent att.i.tude. In a sudden little melancholy she remembered how he had watched the woman with the red hair, and the determined indifference of this woman's face as she left the room. Immediately after she was amused at the way in which his face expressed his opinion of the music, and she had to admit to herself that he listened as if he understood it.

It was not until her father began to play the offertory, one of Schubert's beautiful inspirations, that she noticed the look of real delight that held the florid profile till the last note, and for some seconds after. "He certainly does love music," she thought; and when the bell rang for the Elevation, she bowed her head and became aware of the Real Presence. When it rang a second time she felt life stifle in her.

When it rang a third time she again became conscious of time and place.

But the sensation of awe which the accomplishment of the mystery had inspired was dissipated in the tumult of a very hideous Agnus Dei, in the voice of a certain concert singer, who seemed determined to shout down the organ. Evelyn had some difficulty in keeping her countenance, so plain was the expression of amazement upon the profile in front of her.

Then the book was carried from the right to the left side of the altar, and when the priest had read the Gospel, she began once more to ask herself the reason that had brought Sir Owen to St. Joseph's. The manner in which he genuflected before the altar told her that he was a Catholic; perhaps he had come to St. Joseph's merely to hear ma.s.s.

"I have come to see your father."

"You will find him in the organ loft.... But he'll be down presently."

And at the end of the church, in a corner out of the way of the crowd, they waited for Mr. Innes, and she learnt almost at once, from his face and the remarks that he addressed to her, that it was not for her that he had come to St. Joseph's. His carriage was waiting, he told the coachman to follow; all three tramped through the snow together to the station. In this miserable walk she learnt that he had decided to go for a trip round the world in his yacht, and expected to be away for nearly a year. As he bade them good-bye he looked at her, and his eyes seemed to say he was sorry that it was so, that he wished it were otherwise.

She felt that if she had been able to ask him to stay he would have stayed; but, of course, that was impossible, and the last she saw of him was as he turned, just before getting into his brougham, to tell her father that the best critic of the _Review_ should attend the concerts, and that he hoped that what he would write would bring some people of taste to hear them.

CHAPTER THREE

The name was no indication. None remembered that Dowlands was the name of Henry the Eight's favourite lute player, and there was nothing in the snug masonry to suggest an aestheticism of any kind. The dulcimers, lutes and virginals surprised the visitor coming in from the street, and he stayed his steps as he might on the threshold of a fairy land.

The villas, of which Dowlands was one, were a builder's experiment. They had been built in the hopes of attracting wealthy business West-end shopkeepers; but Dulwich had failed to become a fashionable suburb. Many had remained empty, and when Mr. Innes had entered into negotiations with the house agents, they declared themselves willing to entertain all his proposals, and finally he had acquired a lease at a greatly reduced rental.

In accordance with his and Mrs. Innes's wishes, the house had been considerably altered. Part.i.tion walls had been taken away, and practically the whole ground floor converted into cla.s.s-rooms, leaving free only one little room at the back where they had their meals. During his wife's lifetime the house suited their requirements. The train service from Victoria was frequent, and on the back of their notepaper was printed a little map, whereby pupils coming and going from the station could find their way. On the second floor was Mr. Innes's workshop, where he restored the old instruments or made new ones after the old models. There was Evelyn's bedroom--her mother had re-furnished it before she died--and she often sat there; it was, in truth, the most habitable room in the house. There was Evelyn's old nursery, now an unoccupied room; and there were two other empty rooms. She had tried to convert one into a little oratory. She had placed there a statue of the Virgin, and hung a crucifix on the wall, and bought a _prie-Dieu_ and put it there. But the room was too lonely, and she found she could say her prayers more fervently by her bedside. Their one servant slept downstairs in a room behind the kitchen. So the house often had the appearance of a deserted house; and Evelyn, when she returned from London, where she went almost daily to give music lessons, often paused on the threshold, afraid to enter till her ear detected some slight sound of her servant at work. Then she cried, "Is that you, Margaret?"

and she advanced cautiously, till Margaret answered, "Yes, miss."

The last summer and autumn had been the pleasantest in her life since her mother's death. Her pupils interested her--she had some six or seven. Her flow of bright talk, her eager manner, her beautiful playing of the viola da gamba, her singing of certain old songs, her mother's fame, and the hopes she entertained of one day achieving success on the stage made her a heroine among her little circle of friends. Her father was a remarkable man, but he seemed to her the most wonderful of men. It was exciting to go to London with him, to bid him good-bye at Victoria--she to her lessons, he to his--to meet him in the evenings, and in conjunction to arrange the programme of their next concert. These interests and ambitions had sufficed to fill her life, and to keep the greater ambition out of sight; and since her mother's death she had lived happily with her father, helping him in his work. But lately things had changed. Some of her pupils had gone abroad, others had married, and interest in the concerts declined. For a little while the old music had seemed as if it were going to attract sufficient attention, but already their friends had heard enough, and Mr. Innes had been compelled to postpone the next, which had been announced for the beginning of February. There would be no concert now till March, perhaps not even then; so there was nothing for her to look forward to, and the wet windy weather which swept the suburb contributed to her disheartenment. The only event of the day seemed to be her father's departure in the morning. Immediately after breakfast he tied up his music in a brown paper parcel and put his violin into its case; he spoke of missing his train, and, from the windows of the music-room, she saw him hastening down the road. She had asked him if there were any MSS. he wished copied in the British Museum; absent-mindedly he had answered "No;" and, drumming on the gla.s.s with her fingers, she wondered how the day would pa.s.s. There was nothing to do; there was nothing even to think about. She was tired of thinking that a pupil might come back--that a new pupil might at any moment knock at the door. She was tired of wondering if her father's concerts would ever pay--if the firm of music publishers with whom he was now in treaty would come to terms and enable him to give a concert in their hall, or if they would break off negotiations, as many had done before. And, more than of everything else, she was tired of thinking if her father would ever have money to send her abroad, or if she would remain in Dulwich always.

One morning, as she was returning from Dulwich, where she had gone to pay the weekly bills, she discovered that she was no longer happy. She stopped, and, with an empty heart, saw the low-lying fields with poultry pens, and the hobbled horse grazing by the broken hedge. The old village was her prison, and she longed as a bird longs. She had trundled her hoop there; she ought to love it, but she didn't, and, looking on its too familiar aspect, her aching heart asked if it would never pa.s.s from her. It seemed to her that she had not strength nor will to return home. A little further on she met the vicar. He bowed, and she wondered how he could have thought that she could care for him. Oh, to live in that Rectory with him! She pitied the young man who wore brown clothes, and whose employment in a bank prevented him from going abroad for his health. These people were well enough, but they were not for her. She seemed to see beyond London, beyond the seas, whither she could not say, and she could not quell the yearning which rose to her lips like a wave, and over them.

Formerly, when there was choir practice at St. Joseph's, she used to go there and meet her father, but lately, for some reason which she could not explain to herself, she had refrained. The thought of this church had become distasteful to her, and she returned home indifferent to everything, to music and religion alike. Her eyes turned from the pile of volumes--part of Bach's interminable works--and all the old furniture, and she stood at the window and watched the rain dripping into the patch of black garden in front of the house, surrounded by a low stone wall. The villas opposite suggested a desolation which found a parallel in her heart; the sloppy road and the pale brown sky frightened her, so menacing seemed their monotony. She knew all this suburb; it was all graven on her mind, and all that ornamental park where she must go, if it cleared a little, for her afternoon walk. She must tramp round that park once more. She strove to keep out of her mind its symmetrical walls, its stone basins, where the swans floated like white china ornaments, almost as lifeless. But worse even than these afternoons were the hours between six and eight. For very often her father was detained, and if he missed the half-past six train he had to come by the half-past seven, and in those hours of waiting the dusk grew oppressive and fearful in the music-room. Startled by a strange shadow, she crouched in her armchair, and when the feeling of dread pa.s.sed she was weak from want of food. Why did her father keep her waiting? Hungry, faint and weary of life, she opened a volume of Bach; but there was no pleasure for her in the music, and if she opened a volume of songs she had neither strength nor will to persevere even through the first, and, rising from the instrument, she walked across the room, stretching her arms in a feverish despair. She had not eaten for many hours, and out of the vacuity of the stomach a dimness rose into her eyes. Pressing her eyes with her hand, she leaned against the door.

One evening she walked into the garden. The silence and damp of the earth revived her, and the sensation of the cold stone, against which she was leaning, was agreeable. Little stars speckled a mauve and misty sky, and out of the mysterious spring twilight there came a strange and ultimate yearning, a craving which nothing she had ever known could a.s.suage. But those stars--could they tell her nothing? One, large almost as the moon itself, flamed up in the sky, and a voice within her whispered that that was her star, that it held the secret of her destiny. She gazed till her father called to her from the gate; and all that evening she could think of nothing else. The conviction flowed within her that the secret of her destiny was there; and as she lay in bed the star seemed to take a visible shape.

A face rose out of the gulf beneath her. She could not distinguish whether it was the face of man or woman; it was an idea rather than a face. The ears were turned to her for her to take the earrings, the throat was deeply curved, the lips were large and rose-red, the eyes were nearly closed, and the hair was curled close over a straight, low forehead. The face rose up to hers. She looked into the subtle eyes, and the thrill of the lips, just touching hers, awakened a sense of sin, and her eyes when they opened were frightened and weary. And as she sat up in her bed, trembling, striving vainly to separate the real from the unreal, she saw the star still shining. She hid her face in the pillow, and was only calmed by the thought that it was watching her.

She went into the garden every evening to see it rise, and a desire of worship grew up in her heart; and thinking of the daffodils, it occurred to her to lay these flowers on the wall as an offering. Even wilder thoughts pa.s.sed through her brain; she could not keep them back, and more than once asked herself if she were giving way to an idolatrous intention. If so, she would have to tell the foolish story to her confessor. But she could hardly bring herself to tell him such nonsense.... If she didn't, the omission might make her confession a false one; and she was so much perplexed that it seemed to her as if the devil took the opportunity to insinuate that she might put off going to confession. This decided her. She resolved to combat the Evil One.

To-day was Thursday. She would confess on Sat.u.r.day, and go to Communion on Sunday.

Till quite lately her confessor had been Father Knight--a tall, spare, thin-lipped, aristocratic ecclesiastic, in whom Evelyn had expected to find a romantic personality. She had looked forward to thrilling confessions, but had been disappointed. The romance his appearance suggested was not borne out; he seemed unable to take that special interest in her which she desired; her confessions were barren of spiritual adventure, and after some hesitations her choice dropped upon Father Railston. In this selection the law of contrast played an important part. The men were very opposites. One walked erect and tall, with measured gait; the other walked according to the impulse of the moment, wearing his biretta either on one side of the head or the other. One was reserved; the other voluble in speech. One was of handsome and regular features; the other's face was plain but expressive. Evelyn had grown interested in Father Railston's dark, melancholy eyes; and his voice was a human voice vibrant with the terror and suffering of life. In listening to her sins he seemed to remember his own. She had accused herself of impatience at the circ.u.mstances which kept her at home, of even nourishing, she would not say projects, but thoughts, of escape.

"Then, my child, are you so anxious to change your present life for that of the stage?"

"Yes, Father."

"You weary of the simplicity of your present life, and sigh for the brilliancy of the stage?"

"I'm afraid I do." It was thrilling to admit so much, especially as the life of an actress was not in itself sinful. "I feel that I should die very soon if I were to hear I should never leave Dulwich."

The priest did not speak for a long while, and raising her eyes she watched his expression. It seemed to her that her confession of her desire of the world had recalled memories, and she wondered what were they.

"I am more than forty--I'm nearly fifty--and my life has pa.s.sed like a dream."