"No, George, I hear you. But I don't love you. I can't say it more plainly, can I?"

Her thoughts resumed. "Dear me. He talks almost as well as Erik. Lord, he thinks I'm a virgin. His pure and unfaltering star. Well, well! Why am I amused? Is life amusing, after all? Am I really happy? Alas! my heart is broken. I must not forget my heart is broken. You forget sometimes and begin snickering and somebody rings the bell and hands you a telegram reading, 'Your heart is broken.' Rachel of the broken heart!

It was all very beautiful. This talk of his somehow brings it back ...

Oh, G.o.d. That was a line curved down. What eloquence! There, now, I must speak. I'll have to tell him again."

Aloud she went on, "You're mistaken in me, George."

A flurry of silent words halted her.... "Ye G.o.ds, what a speech; she is not all his fancy painted him. Indeed! Not mistaken. His heart tells him. Poor boy! Poor little clowns who pay attention to what their hearts say! I mustn't be rude."

She interrupted him, "If you'll listen to me, George ..."

Then, "What'll I say? If only he inspired something by his eloquence--a phrase, at least. But my heart snickers at him. Ah! the dead are wonderfully dead. I'll tell him I'm not a virgin. That'll be surprising news. But how? Like a medical report? The woman was found not to be a virgin. The thing seems to hinge on that. Why in G.o.d's name does he keep virgining?"

"No, George," she answered aloud, "I'm sorry. I don't believe in love...." Listen to her! "You see, I've been in love myself. Indeed I have. That's why you find me changed."

He protested and her words followed silently. "My laughing makes him angry. But I must laugh. Love is something to laugh over, isn't it? Oh, G.o.d, why doesn't he go 'way?" The flat roof vanished. There was a rising event in the room and the flat roof bowed good-bye and walked away.

"Yes, I was in love for quite a while with a man," she answered him.

"And I'm in love with him yet--in a way. But we've parted. He had to go to Europe." Nevertheless he still thought she was a virgin. He'd started another virgining speech. There would have to be a medical report. "We lived together for over a year. We weren't married, of course, because he had a wife. You see, you're terribly mistaken." He must be impressed by her calm. "Because what I really am is a vampire. I lured a man from his wife, lived with him, and cast him aside."

The event jumped to its feet. No room to talk for a moment, so her thought resumed, "I'm lying. He thinks I'm lying. I should have confessed in tears. With a few 'Oh, G.o.ds.' Amusing! Amusing! That was Erik's favorite word. I'm beginning to understand it now. But there's nothing to be amused about ... in itself an amusing circ.u.mstance ... but you look at the banana peddler and snicker. Will he hit me? Oh, very red-faced. Speechless. I'd better talk. If he hit me.... He'll start in a minute...."

"Yes, you know him, George," she cried suddenly. "And if you doubt me you can ask a lot of people. Ask Tesla or Mary James or Brander or New York." She'd make him believe. G.o.d, what an idiot! She'd claw his eyes out with words. Throw roofs on him. But it was a good thing Erik was in Europe, or he'd be killed.

"Yes. I've told you in order to get rid of you. I'd rather be rid of you than keep my good name in your estimation. So now, run along and do your yelling outside. I'm sick of you."

She paused on a high gesture.... "He's going to hit me. Strike a woman.

War has brutalized him. Dear me!" But he asked a question ominously and she answered,

"Erik Dorn. Yes. Erik Dorn."

This made it worse. It was bad enough without a name. But a name made it realler. And very ominous. She moved toward a chair.

"I'll sit still and then he won't hit me. If I'm calm, serene like a nun facing the wrath of G.o.d. This is melodrama. He can squeeze my shoulders all he wants. What good will it do him? If I giggled now he'd kill me.

Sorry? Oh, so I must be sorry. Because I've offended him. Dear G.o.d, what a mess!"

She twisted out of his grasp and cried.

"No, I'm not sorry. You fool! I'm glad I was his woman. I'll always be glad, as long as I live. Leave me alone. You're a fool. I've always thought of you as a fool. You make me want to laugh now. You're a clown.

I'll give myself to men. But not to you. I gave myself to Erik Dorn because I love him. If he wants me again I'll come to him not as a lover, because he doesn't love me any more--but as a prost.i.tute. Now do you know me? Well, I want you to. So you'll go way and never bother me again...."

That was a good speech. She stood dramatically silent as hands seized her shoulder again. "He hurts me. Why this? Oh, my shoulder! Does he want to? Oh, G.o.d, this is me! He'll let me go in a minute if I don't move. Very still. Silent ... I don't want him to cry. Can't he see it's amusing? If he'd only look at me and wink, I'd kiss him. No, he's a fool. I'll not say anything more. Let him cry! His life is ruined. Dear me, I have ruined his life. His love. I was his dream. Through the war ... rose of no-man's land. Amusing, amusing! He looks different.

Contempt. He has contempt for me. And horror. Oh, get out, get out, you fool! You sniveling nincomp.o.o.p, get out! I want to draw pictures, and forget. Console him ... for what? I don't know, I don't know. He's going. Thank G.o.d! Oh, I don't know anything. Poor man, he should know better than to have dreams. Dreams are for devils, not for men or women.

Dreams ... dreams ... I don't know ... I'll draw a picture. But I don't want to. He'll never come back. I'm sad again. The flat roof says something. Is it Erik? Dear Erik! Poor Erik! I love you. But I'll begin crying. Pretty tears, amusing tears. Erik mine, dead for always. But it's not as bad as it was. Another month, year, ten years. Oh, it chokes me. I can't help it. Your eyes are the beckoning hands of dream. Whose eyes? Mine ... mine.... Mine ... I know. I know. I must keep on dying, keep on dying. But I'm not afraid. Look, I can laugh! Amusing that I can laugh ... Oh, G.o.d ... G.o.d...."

Beside her window looking out on the ant-hill street Rachel covered her face with her hands. When she removed them she caught a glimpse of the figure of Hazlitt walking as if it were a blind man in zig-zags down the pavement.

CHAPTER II

The thing that had been buried in Emil Tesla and that used to rumble under his fawning words, had come to life one day with two men twisting his wrists and hammering at his uncovered face. He had laughed.

The two men came into his office to seize him. When he started to protest they walked up to him slowly as if to shake hands. Instead, they began beating him. For a moment he wondered why the two men hated him so violently. He stood looking into their faces and thinking, "They're like me."

The visitors, however, saw no resemblance. They twisted his arm till it broke. Then they kept on battering at him with their fists till he fell to the floor. While he lay on the floor they kicked him, and his muscles grew paralyzed.

He never remembered the walk downstairs. But in the open he saw a crowd of faces drifting excitedly beneath him. This was a scene he remembered later.

It was while looking at the faces that he had grown strong. He laughed because it occurred to him at the moment he was unconquerable. Later, in prison, he often thought, "I have only my life to lose. I'm not afraid of that. When they hit me they were hitting at an idea. But they could only hit me. They couldn't touch the idea. I'll remember when I come out--they can only hit me. If they end by shooting me they'll not touch the idea even then. That's something beyond their fists and guns. I'll remember I'm only a shadow."

A year pa.s.sed and Tesla came out. He returned to the office of _The Cry_. His friends noticed a change. He had grown quiet. He no longer bubbled with words. His eyes looked straight at people who spoke to him.

His manner whispered, "I'm nothing--a shadow thrown by an idea. I don't argue, and I'm not afraid. I'm part of ma.s.ses of people all over the world and cannot be destroyed."

The new Tesla became a leader. Among the radicals whose intellects were groping noisily with the idea of a new justice he often inspired a fear.

His smile disquieted them and their arguments. His smile said, "Here, what's the use of arguing? There is no argument. It isn't words we must give the revolution, but lives. I'm ready. Here's mine."

When he looked at men and women who vociferated in the councils of radical pamphleteers, workers, organizers, theorists, new party politicians, Tesla thought, "That one's afraid. He's only a logician.

His mind has led him into revolution. If he changed his mind he would become a conservative.... There's one that isn't afraid. He's like me.

His mind helps him. But no matter what his mind told him he would always be in the revolution. Something in him drives him...."

For the rabble of artists and near-artists drifting by the scores into radical centers, Tesla held a respectful dislike.

"He's in revolt because he must find something different than other people," he thought of most of them. "The revolution to him means only himself. It's something he can use to make himself felt more by people.

And also he's a revolutionist because of the contrariness in him that artists usually have. Especially artists who, when they can't create new things, make themselves think they're creating new things by destroying old things."

Of himself Tesla thought, "I'll fight and not mind if I'm killed.

Because people will still be left alive, and so the idea of which I'm a part will continue to live."

In the days before his going to prison Tesla had felt the need of writing and talking his revolution. This was because of an impatience and intolerance toward the enemy. Now that was gone. The enemy had become a blatant, trivial thing. The things it said and did were unimportant. He read with amus.e.m.e.nt the rabid denunciations of the radicals in the press of the day. The grotesque hate hymns against the new Russia, the garbled shriekings and pompous anathemas that fell hourly upon the heads of all suspects, inspired no argument in him.

Tesla's days were busy with organization. He had almost ceased his activities as pamphleteer, although still editor of _The Cry_. With a group of men, silent as himself, he worked at the radicalization of the factories and labor unions. Each day men left Tesla to seek employment in shops throughout the country, in mines and mills. Their duties were simple. Tesla measured them carefully before sending them on.... This one could be relied upon to work intelligently, to talk to workingmen at their benches and during noon hours without antagonizing, or, worse, frightening them. Another was dubious. His eyes were too bright. He would be discovered and arrested by the company. But he might do some good. The arrest of a radical always did some good to the cause. Where would Christianity have been without the incompetent agitators who blundered into the clutches of the Roman law and the amphitheater?

Aloud he would say, "Work carefully. Remember that the revolution is for all; that the workers, no matter what they say to you, are comrades.

Remember that strikes are better than fights. The time hasn't come yet for fighting. What we must do is put into the hearts of the workers the knowledge that there is nothing in common between them and their bosses.

The workers are the producers. They work and make no money. The bosses are the exploiters. They don't work and make all the money. If you get the workers to thinking this they'll want more money themselves and declare strikes. By strikes we can paralyze industry and give the workers consciousness of their power. This is only a step; but the first and most important step. Make strikes. Make dissatisfaction. But don't argue about fighting and revolution."

Over and over Tesla repeated his instructions through the days. He spoke simply. Men listened to him and nodded without questioning. They saw that his eyes were unafraid and that if he was sending them upon dangerous missions, he would some day reserve a greater mission for himself. Tesla had become a leader since he had laughed on the step overlooking the pack of faces.

CHAPTER III

At his desk in _The Cry_ office Tesla was preparing the April issue of the magazine for the printer. It was night. A garrulous political poet named Myers was revising proofs at a smaller desk. Brander and a tall, thin woman stood talking quietly to each other in a gloomy corner of the office. Rachel, who had returned to the place after a hurried supper with Tesla, waited listlessly. He had promised to finish up in a half-hour, but there was more work than he had figured.