The sweet idyl of his first love had, however, come to a sudden and unexpected end. The young Second-Lieutenant Bonaparte was ordered to Lyons with his regiment, and the first innocent romance of his heart was ended.

But he never forgot the young maid, whom he then had so tenderly loved, and in the later days of his grandeur he remembered her, and when he learned that she had lost her husband, a M. de Bracieux, and lived in very depressing circ.u.mstances, he appointed her maid of honor to his sister Elise, and secured her a very handsome competency.

The dream of his first love had been dreamed away; and, perhaps to forget it, Napoleon again in Lyons gave himself up with deepest earnestness to study. The Academy of Sciences in Lyons had offered a prize for the answer to the question: "What are the sentiments and emotions which are to be instilled into men, so as to make them happy?"

Napoleon entered the lists for this prize, and, if his work did not receive the prize, it furnished the occasion for the Abbe Raynal, who had answered the question successfully, to become acquainted with the young author, and to encourage him to persevere in his literary pursuits, for which he had exhibited so much talent.

Napoleon then, with all the fire of his soul, began a new work, the history of the revolutions in Corsica; and, in order to make accurate researches in the archives of Ajaccio, he obtained leave of absence to go thither. In the year 1788, Napoleon returned to his native isle to his mother, to his brothers and sisters, all of whom he had not seen for nine years, and was welcomed by them with the tenderest affection.

But the joys of the family could draw away the young man but little from his studies and researches; and, however much he loved his mother, brothers and sisters, now much grown up, yet he preferred being alone with his elder brother Joseph, making long walks with him, and in solemn exchange of thoughts and sentiments, communicating to him his studies, his hopes, his dreams for the future.

To acquire distinction, fame, reputation with the actual world, and immortality with the future-such was the object on which all the wishes, all the hopes of Napoleon were concentrated; and in long hours of conversation with Joseph he spoke of the lofty glory to carve out an immortal name, to accomplish deeds before which admiring posterity would bow.

Did Napoleon then think of purchasing for himself an immortal name as writer, as historian? At least he studied very earnestly the archives of Ajaccio, and sent a preliminary essay of his history of the revolutions of Corsica to Raynal for examination. This renowned savant of his day warmly congratulated the young author on his work, and asked him to send a copy that he might show it to Mirabeau.

Napoleon complied with these wishes; and when, a few weeks after, he received a letter from Raynal, after reading it, he, with radiant eyes and a bright smile, handed it to his brother Joseph.

In this letter of Raynal were found these words: "Monsieur de Mirabeau has in this little essay found traits which announce a genius of the first rank. He entreats the young author to come to him in Paris." [Footnote: "Memoires du Roi Joseph," vol. i., p. 33.]

But the young author could not at once obey the call of the Count de Mirabeau. A sad family bereavement delayed him at the time in Corsica. The brother of his grandfather, the aged Archdeacon Lucian, the faithful counsellor and friend of Let.i.tia and of her young family, was seized with a mortal disease; the gout, which for years had tormented him, was now to give him the fatal blow, and the whole family of the Bonapartes was called to the bedside of the old man to receive his parting words.

Weeping, they all stood around his couch; weeping, Let.i.tia bent over the aged man, whose countenance was already signed with the hand of death. Around kneeled the younger children of Let.i.tia, for their great-uncle had long been to them a kind father and protector; and on the other side of the couch, facing Let.i.tia and her brother, the Abbe Fesch, stood Joseph and Napoleon, gazing with sad looks on their uncle.

His large, already obscured eyes wandered with a deep, searching glance upon all the members of the Bonaparte family, and then at last remained fixed with a wondrous brilliancy of expression on the pale, grave face of Napoleon.

At this moment, the Abbe Fesch, with a voice trembling with emotion and full of holy zeal, began to intone the prayers for the dead. But the old priest ordered him with a voice full of impatience to be silent.

"I have prayed long enough in my life," said he; "I have now but a few moments to live, and I must give them to my family."

The loud sobbings of Let.i.tia and of her children interrupted him, and called forth a last genial smile upon the already stiffening features.

"Let.i.tia," said he, in a loud, friendly tone, "Let.i.tia, cease to shed tears; I die happy, for I see you surrounded by all your children. My life is no longer necessary to the children of my dear Charles; I can therefore die. Joseph is at the head of the administration of the country, and he will know how to take care of what belongs to his family. You, Napoleon," continued he, with a louder voice, "you will be a great and exalted man." [Footnote: "Tu poi. Napoleon, serai unomone" such were the words of the dying man, a.s.sures us King Joseph in his memoirs; whilst Las Casas, in his memorial of St. Helena, makes Napoleon relate that his uncle had told him, "You, Napoleon, will be the head of the family."]

His eyes turned on Napoleon, he sank back on the cushions, and his dying lips murmured yet once more, "Tu serai unomone!"

After the body of the worthy great-uncle had been laid in the grave, Napoleon left Corsica to return to France and to his regiment, for the time of his leave of absence had expired.

For the second time the lips of a dying man had prophesied him a great and brilliant future. His dying father had said that one day the sword of his son Napoleon would make all Europe bow under the yoke; his great-uncle had prophesied he would be a great and exalted personage.

To these prophecies of the dying is to be added Mirabeau's judgment, which called Napoleon a genius of the first stamp.

But this great and glorious future was yet screened under dark clouds from the eyes of the young lieutenant of artillery, and the blood-dripping hand of the Revolution was first needed to tear away these clouds and to convert the king's lieutenant of artillery into the Emperor of France!

CHAPTER VIII.

A PAGE FROM HISTORY.

The dark clouds which hung yet over the future of Napoleon Bonaparte, the lieutenant of artillery, were gathering in heavier and heavier ma.s.ses over all France, and already were overshadowing the throne of the lilies.

Marie Antoinette had already abandoned the paradise of innocency in Trianon, and when she came there now it was to weep in silence, to cast away the mask from her face, and under the garb of the proud, imperious, ambitious queen to exhibit the pallid, anxious countenance of the woman.

Alas! they were pa.s.sed away, those days of festivity, those innocent joys of Trianon; the royal farmer's wife had no more the heart to carry the spindle, to gather eggs from the hens' nests, and to perform with her friends the joyous idyls of a pastoral life.

The queen had procured for herself a few years of freedom and license by banishing from Versailles and from the Tuileries the burdensome Madame Etiquette, who hitherto had watched over every step of a Queen of France, but in her place Madame Politique had entered into the palace, and Marie Antoinette could not drive her away as she had done with Madame Etiquette.

For Madame Politique came into the queen's apartments, ushered in by a powerful and irresistible suite. The failure of the crops throughout the land, want, the cries of distress from a famishing people, the disordered finances of the state-such was the suite which accompanied Politique before the queen; pamphlets, pasquinades, sarcastic songs on Marie Antoinette, whom no more the people called their queen, but already the foreigner, L'Autrichienne-such were the gifts which Politique brought for the queen.

The beautiful and innocent days of Trianon were gone, no longer could Marie Antoinette forget that she was a queen! The burden of her lofty position pressed upon her always; and, if now and then she sought to adorn her head with roses, her crown pressed their thorns with deeper pain into her brow.

Unfortunate queen! Even the circle of friends she had gathered round her person only urged her on more and more into the circle which politics had traced around her. In her innocency and thoughtlessness of heart she imagined that, to a queen as to any other woman, it might be allowed to have about her friends and confidants, to enjoy the pleasures of society, and to amuse one another! But now she had to learn that a queen dare not have confidants, friends, or social circles!

Her friends, in whose disinterestedness she had trusted, approached her with demands, with prayers; they claimed power, influence, and distinctions; they all wanted to rule through the queen; they all wanted through her to impose laws to king and state; they wanted to name and to depose ministers; they wanted their friendship to be rewarded with emba.s.sies, ministerial offices, decorations, and t.i.tles.

And when Marie Antoinette refused compliance with their wishes, her beautiful friends, the d.u.c.h.esses de Polignac, wept, and her friends, Messieurs Vesenval, Vaudreuil, Coigny, and Polignac, dared be angry and murmur at her.

But when Marie Antoinette consented-when she used her influence with the king, to satisfy the wishes of her friends, and to make ministers of her facon-then the queen's enemies, with loud, mad-dog cry, lifted up the voice and complained and clamored that it was no more the king but the queen who reigned; that she was the one who precipitated the nation into wretchedness and want; that she gave millions to her friends, whilst the people were perishing with hunger; that she sent millions to her brother, the Emperor of Austria, whilst the country was only able to pay the interest of her enormous debt; that she, in unrestrained appet.i.te and licentiousness, lived only for pleasure and festivities, whilst France was depressed under misery and want.

And the queen's enemies were mightier, more numerous, and more loyal one to another than the queen's friends, who were ever ready to pa.s.s into the camp of her foes as soon as Marie Antoinette gratified not their wishes and would not satisfy their political claims.

At the head of these enemies was the king's brother, the Count de Provence, who never forgave the queen for being an Austrian princess; there were also the king's aunts, who could never forgive her that the king loved her, that by means of this love to his wife they should lose the influence which these aunts, and especially Madame Adelaide, had before exercised over him; there was the Duke d'Orleans, who had to revenge himself for the disgust and dislike which Marie Antoinette publicly expressed against this vicious and wild prince; there was the Cardinal Prince de Rohan, whose criminal pa.s.sion the queen had repelled with contemptuous disgust, and who had paid for this pa.s.sion one million francs, with imprisonment, shame, and ridicule. For this pa.s.sion for the queen had blinded the cardinal, and made him believe in the possibility of a return. In his blindness he had placed confidence in the whisperings and false promises of the insidious intriguer Madame de la Motte-Valois, who, in the queen's name, asked from him a loan of a million for the purchase of a jewelled ornament which highly pleased the queen, and which she, notwithstanding her exhausted coffers, was resolved to possess.

Yes, love had blinded Cardinal de Rohan, and with blind eyes he had accepted as letters from the queen those which Madame de la Motte brought him; and he could not see that the person who gave him a rendezvous in the gardens of Versailles was not the queen, but only a common, vicious woman, who had been clothed in the queen's garments.

The queen had been travestied into a wench, and the highest ecclesiastical dignitary of the land was the one who took this wench for his queen, was the one who, with a rendezvous, a kiss on the hand, and a rose, was rewarded for the million he had given to the jeweller for a necklace of diamonds!

It is true, the deception was discovered; it is true, it was Marie Antoinette herself who asked for a strict investigation, who with tears of anger required from her consort that this horrible intrigue which had been woven round her person should be investigated and judged publicly before the Parliament; that the Cardinal de Rohan should be punished for the criminal insult offered by him to the queen, since he thought her capable of granting him a rendezvous, of exchanging with him letters of tender pa.s.sion, and of accepting gifts from him!

But the Parliament, which recognized the guilt of Madame de la Motte, which ordered her to be whipped, branded, and driven out of the country as an impostor and a thief, the Parliament declared the Cardinal de Rohan innocent; all punishments were removed from him, and he was re-established in all his dignities and rights. And the people, who in enormous ma.s.ses had besieged the Parliament buildings, welcomed this decision of the judges with loud demonstrations and shouts of joy, and carried the cardinal in triumph through the streets, and honored and glorified him as a martyr and a saint.

This triumph of the cardinal was an affecting defeat to the queen; it was the first awful testimony, spoken loudly and openly, by the popular sentiment.

Hitherto her enemies had worked against her quietly, and in the darkness of night; but now, in open day, they dared launch against her their terrible accusations, and represent her imprudence as a crime, her errors as shameful and premeditated wickedness. No one believed in the queen's innocency in this necklace transaction; and whereas Cardinal de Rohan had been made a martyr, whereas Parliament had declared him innocent, the queen consequently must be the guilty one, to whose cupidity the cardinal and the unfortunate Madame de la Motte and also the beautiful D'Olivia, who in this horrible farce had played the part of the queen, had been sacrificed.

The name, the character, the reputation of the queen, had been trodden down in the dust, and the Count de Provence, who himself composed sarcastic songs and pasquinades against his royal sister- in-law, and had copies of them circulated through the court, reflected not that in calumniating the queen and exposing her to the scorn and ridicule of the world he thereby shook the throne itself, and imperilled the awe and respect which the people should have had for the monarchy. And all the other mighty dignitaries and foes of Marie Antoinette did not calculate that in exciting the storm of calumny against the Queen of France, they also attacked the king and the aristocracy, and tore down the barrier which hitherto had stood between the people and the n.o.bility.

Hitherto pamphlets and sarcastic songs only had been directed against the queen; but now, in the year 1787, all France was to re- echo a pamphlet launched against the n.o.bility and the whole aristocracy.

This pamphlet was "The Wedding of Figaro," by Beaumarchais. The habits of the aristocracy, of the higher cla.s.ses, were in this drama castigated and thrown to the scorn, ridicule, and laughter of all France. Every thing which the people hitherto had held sacred, was laughed at in this drama; all the laws of manners, of rank, of morality, were scorned at, hissed at; and, under this hissing, appeared in full view and with fearful veracity the rotten and poisoned condition of the so-called upper cla.s.ses of society.

It was in vain that the censor declared the publication illegal, and prohibited the representation of "The Wedding of Figaro." The opposition took advantage of this measure, and since it could not be published, hundreds of copies were circulated; and, if it could not be represented, its reading was listened to. It soon became fashionable to attend at the readings of "Figaro's Wedding" and to possess a copy of the drama. Even in the queen's social circle, in the circle of the Polignacs, this dangerous drama was patronized, and even the queen was requested to use her influence upon the king for its representation.

This general clamor, this tempest of the public opinion, excited even the king's curiosity; and as everybody attended the readings of Beaumarchais' drama, the crowned heads had also to bow to the fashion. Madame de Campan had to read before the king and the queen this renowned "Wedding of Figaro," so that the king might give his decision. The good-natured countenance of the king darkened more and more, and during Figaro's monologue, in which the different inst.i.tutions of the state are ridiculed, especially when, with words full of poison and scorn, the author alludes to state-prisons, the king rose angrily from his seat.

"It is a contemptible thing," cried he, vehemently. "The Bastile must be destroyed before the representation of this piece would not appear as a dangerous inconsequence. This man ridicules every thing which in a state ought to be esteemed and respected."

"This piece will not then be represented?" asked Marie Antoinette, at the close of the reading.

"No, certainly not!" exclaimed Louis, "you can be convinced of it; this piece will not be represented."